Category: TV Series
Star Trek: Captain Kirk’s Depression-era Workwear in “The City on the Edge of Forever”
Thanks to a suggestion from reader Rob Sundquist, today’s entry will boldly go where no BAMF Style post has gone before!
William Shatner as Captain James T. Kirk on Star Trek, Episode 1.28: “The City on the Edge of Forever”
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William Shatner as Captain James T. Kirk, time-traveling starship captain
New York City, Fall 1930
Series: Star Trek
Episode: “The City on the Edge of Forever” (Episode 1.28)
Air Date: April 6, 1967
Director: Joseph Pevney
Creator: Gene Roddenberry
Costume Designer: William Ware Theiss
WARNING! Spoilers ahead!
Background
Fans of Star Trek who are familiar with BAMF Style may not be surprised to learn that my inaugural post from this groundbreaking series covers “The City on the Edge of Forever”, the penultimate episode of the first season which has endured to be considered among the series’ best.
The episode begins on the USS Enterprise as first officer Spock (Leonard Nimoy) reports that the starship’s turbulence is the result of “actually passing through ripples in time”. An accident results in medical officer Leonard “Bones” McCoy (DeForest Kelley) accidentally injecting himself with a massive dose of cordrazine, an in-universe stimulant that sends the doctor into a paranoid frenzy.
Captain James T. Kirk (William Shatner) recruits Spock, communications officer Lt. Uhura (Nichelle Nichols), chief engineer “Scotty” (James Doohan), and two redshirts onto the mysterious planet where Bones beamed himself, where they discover a time portal with the ability to transport entrants back to any time and place.
Bones leaps through the portal to evade capture, resulting in altering the past so dramatically that the crew’s reality—and ship—cease to exist. Thus, Kirk and Spock thus have no choice but to leap into the gateway in pursuit of Dr. McCoy… landing them in New York City, circa 1930, at the intersection of the Prohibition era and the Great Depression. Continue reading
Succession: Kendall’s Brown Leather Tom Ford Jacket
Jeremy Strong as Kendall Roy on Succession (Episode 4.07: “Tailgate Party”). Photo credit: David Russell.
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Jeremy Strong as Kendall Roy, ousted media conglomerate exec and self-described defender of democracy
New York City, Fall 2020
Series: Succession
Episode: “Tailgate Party” (Episode 4.07)
Air Date: May 7, 2023
Directed by: Shari Springer Berman & Robert Pulcini
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
WARNING! Spoilers ahead!
Background
It’s Election Day in America—a tense, centuries-old national tradition determining the fate of all those in the country not privileged enough to see politics as a mere game… which is exactly how the billionare Roy family experiences it on Succession, hosting their usual pre-election “tailgate party” fueled by money, gossip, and flag-waving finger foods.
Hosted at the apartment shared by Siobhan “Shiv” Roy (Sarah Snook) and her sleepy husband Tom Wambsgans (Matthew Macfadyen), the party provides an opportunity for the Roys to rub elbows with political insiders and industry bigwigs to position themselves for success over the next four years.
“They’re not all crypto-fascist and right-wing nutjobs, we also have some venture capital Dems and centrist ghouls,” Kendall (Jeremy Strong) observes of their late father’s guest list. “Dad’s ideological range was… wide.” Continue reading
Miami Vice: Sonny Crockett’s Peach Linen Jacket in the Pilot Episode
Don Johnson as Detective Sonny Crockett on Miami Vice (Episode 1.01: “Brother’s Keeper”)
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Don Johnson as James “Sonny” Crockett, smooth Miami-Dade vice detective
Miami, Spring 1984
Series: Miami Vice
Episode: “Brother’s Keeper” (Episode 1.01)
Air Date: September 16, 1984
Director: Thomas Carter
Creator: Anthony Yerkovich
Costume Designer: Jodie Lynn Tillen
WARNING! Spoilers ahead!
Background
Miami Vice premiered 40 years ago tonight on Sunday, September 16, 1984 when NBC aired the feature-length pilot “Brother’s Keeper” at 9:00 p.m., introducing audiences to stylish Metro-Dade Police Department detectives Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas). The two-part episode established the show’s signature pop-scored blend of fashion and fast action, set against the sun-bleached days and neon nights of Magic City. Continue reading
The Rockford Files: Jim’s Navy-and-Beige Houndstooth Jacket for “The Kirkoff Case”
James Garner in The Rockford Files (Episode 1.01: “The Kirkoff Case”)
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James Garner as Jim Rockford, wisecracking private detective and ex-convict
Los Angeles, Summer 1974
Series: The Rockford Files
Episode: “The Kirkoff Case” (Episode 1.01)
Air Date: September 13, 1974
Director: Lou Antonio
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo
WARNING! Spoilers ahead!
Background
This is Jim Rockford. At the tone, leave your name and number. I’ll get back to you…
Following the TV movie “Backlash of the Hunter” that served as the pilot when it aired six months earlier, The Rockford Files officially premiered 50 years ago tonight when NBC aired the first canonical episode “The Kirkoff Case” at 9 p.m. on Friday, September 13, 1974. Continue reading
And Then There Were None (2015): Anthony Marston’s Pink Terry Shirt
Douglas Booth as Anthony Marston in And Then There Were None (2015)
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Douglas Booth as Anthony Marston, irresponsible socialite
Devon, England, August 1939
Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh
WARNING! Spoilers ahead!
Background
A recent rewatch of the 2015 BBC One series And Then There Were None brought to mind the exquisite parade of interesting menswear designed by Lindsay Pugh for the half-dozen gents summoned to the mysterious Soldier Island off the coast of Devon. The series is set during a late summer weekend in August 1939 on the brink of World War II, a specter that hauntingly looms over the darkly faithful series which is the first English-language adaptation to restore Agatha Christie’s original ending.
The story centers around ten strangers—eight guests and a married couple to serve as their staff—invited to the island by the enigmatic U.N. Owen, whom it is quickly established none of the ten have ever met… nor will they meet him, as their unknown host only makes his presence known by a recording accusing each of the ten of murder. All but two of the attendees respond with horrified denials, with the roguish adventurer Philip Lombard (Aidan Turner) and brash socialite Anthony Marston (Douglas Booth) being the only two to instantly own up to their past crimes. Continue reading
The Andy Griffith Show: Barney Fife’s Return to Mayberry in an Aloha Shirt and Cardigan
Don Knotts as Barney Fife on The Andy Griffith Show (Episode 6.17: “The Return of Barney Fife”)
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Don Knotts as Barney Fife, bumbling Raleigh detective and former deputy sheriff
Mayberry, North Carolina, Fall 1965
Series: The Andy Griffith Show
Episode: “The Return of Barney Fife” (Episode 6.17)
Air Date: January 10, 1966
Director: Alan Rafkin
Creator: Sheldon Leonard
Costume Designer: Stanley Kufel
Background
Today would have been the 100th birthday of Don Knotts, born July 21, 1924 in Morgantown, West Virginia. The comedian who shares my birthday (though 68 years older) remains arguably best known for his celebrated role as the overly officious country deputy Barney Fife on The Andy Griffith Show, though he also appeared across the latter seasons of Three’s Company as wannabe swinger landlord Ralph Furley.
Knotts’ five Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series remains a record-setting amount in that category and was also the most wins for a performer in the same role in the same series until Julia Louis-Dreyfus’ sixth and final win for Veep in 2017. In addition, his characterization of Barney Fife was ranked ninth on TV Guide‘s 1999 list of the 50 Greatest TV Characters of All Time.
Despite the accolades, Knotts amicably left The Andy Griffith Show at the end of the fifth season to pursue his film career, but the in-universe explanation that Barney was hired as a detective in Raleigh allowed for the actor to occasionally return to the series, including his Emmy-winning performance in the sixth season’s “The Return of Barney Fife”. Continue reading
Succession: Connor’s Sailboat Shirt in Tuscany
Alan Ruck as Connor Roy on Succession (Episode 3.09: “All the Bells Say”)
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Alan Ruck as Connor Roy, delusional millionaire and long-shot presidential hopeful
Val d’Orcia, Tuscany, Italy, Summer 2020
Series: Succession
Episode: “All the Bells Say” (Episode 3.09)
Air Date: December 12, 2021
Director: Mark Mylod
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
Background
When I think about which Succession character most shares my sense of style (as one does), I’m realizing that the answer—for better or worse—is probably the doomed presidential hopeful Connor Roy (Alan Ruck).
It makes sense, as each of us are positioned relatively far from the corporate world and thus can afford to dress more for ourselves than any greater ambition… at least until Connor, who was interested in politics at a young age, starts pinning that American flag to his lapel as he hits the campaign trail.
This thought reoccurred to me as I was packing for my weeklong vacation to the beach this week, and I realized that the only Roy who may canonically share my affinity for printed summer shirts is the [actual] eldest son, who briefly sports a sailboat-printed shirt while the family debriefs in Tuscany over a game of Monopoly at the start of Succession’s third season finale, “All the Bells Say”. Continue reading
Kramer’s Cabana Shirts on Seinfeld
Michael Richards as Cosmo Kramer on Seinfeld (Episode 7.05: “The Hot Tub”)
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Michael Richards as Cosmo Kramer, eccentric “hipster doofus”
New York City to the Hamptons, Spring 1994
Series: Seinfeld (Seasons 5-9)
Created by: Larry David & Jerry Seinfeld
Costume Designer: Charmaine Nash Simmons
Costumer: Stephanie Kennedy
Background
As we begin planning summer getaways, it’s time to start getting your vacation clothes out of storage… and making sure your son didn’t sell them!
Puffy shirts, Gore-Tex, and “morning mist” had already established the comedic significance of costumes woven into Seinfeld‘s humor by the time the fifth-season episode “The Raincoats” aired 30 years ago today on April 28, 1994. In addition to the eponymous beltless trench coats referenced by the episode’s title, this two-parter directed by Tom Cherones also introduced a new wardrobe staple for the series: Kramer’s terry-lined cabana shirts. Continue reading
The Sopranos: Christopher’s Blue Short-Sleeved Nike Tracksuit
Michael Imperioli as Christopher Moltisanti on The Sopranos (Episode 1.02: “46 Long”)
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Michael Imperioli as Christopher Moltisanti, hotheaded Mafia associate
New Jersey, Fall 1998
Series: The Sopranos
Episodes:
– “46 Long” (Episode 1.02, dir. Dan Attias, aired 1/17/1999)
– “The Legend of Tennessee Moltisanti” (Episode 1.08, dir. Tim Van Patten, aired 2/28/1999)
– “Isabella” (Episode 1.12, dir. Allen Coulter, aired 3/28/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Happy birthday to Michael Imperioli, the New York-born actor known for his unforgettable portrayal of Christopher Moltisanti on The Sopranos, racking up an impressive five Emmy nominations and a well-deserved win along the way.
The landmark series aired its first season 25 years ago through early 1999, introducing the world to conflicted New Jersey mob boss Tony Soprano (James Gandolfini) balancing the demands of his family… and his Family. The two intersected with Christopher—the ambitious but dangerously impulsive young mobster who caused some of Tony’s biggest headaches as both his nephew and protégé.
From his signature tracksuits to his unpredictable outbursts, Christopher Moltisanti became an integral part of the show’s DNA, adding layers of complexity to the already rich tapestry of The Sopranos‘ universe.
Mad Men: Roger Sterling’s Red Plaid Smoking Jacket
John Slattery as Roger Sterling on Mad Men (Episode 7.03: “Field Trip”)
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John Slattery as Roger Sterling, Madison Avenue ad executive
New York City, Spring 1969
Series: Mad Men
Episode: “Field Trip” (Episode 7.03)
Air Date: April 27, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Four years ago, on Friday the 13th of March 2020, COVID-19 was officially declared a national emergency in the United States. After a week or two of being instructed to reminded to sing “Happy Birthday” twice while washing my hands, it was a very surreal Friday in the office as rumors swirled about how this newly classified pandemic would affect our reality.
As nationwide lockdowns set in across the United States, the following Monday started the first of what was initially intended to be a “two-week” work-from-home policy that ultimately stretched over nearly 15 months. While I applaud those who consistently dressed to work from home as though it were another day in the office, adjusting to this “new normal” for me—even as a style blogger—meant unprecedented levels in workday comfort, eventually finding an agreeable compromise of a presentable upper-half and comfortable lower-half that was best for my own personal productivity.
“What does this have to do with Mad Men?” you ask, in all fairness.
Aside from the fact that Mad Men was one of the first of my favorite shows that I rewatched in its entirety during the spring 2020 quarantine period, the stylish series also presented a look I’d long been wanting to revisit that reminded me of that odd lockdown period as I tried to blend loungewear with business attire.
At the start of Mad Men‘s seventh season, Don Draper (Jon Hamm) demonstrates a nearly half-century head-start on the WFH trend as the recently grounded ad man has been covertly working on accounts from his Manhattan penthouse, currently persona non grata at SC&P after getting a little too candid during a client pitch at the end of the previous season. His reputation resurged enough to secure a job offer from a rival company, Don pays a late visit to his former friend and colleague Roger Sterling (John Slattery), confronting him over feeling abandoned by the agency he co-founded—and, more specifically, his old pal. Continue reading
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