Mads Mikkelsen’s Dark Dance Suit in Another Round (Druk)

Mads Mikkelsen in Druk (Another Round) (2020)

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Mads Mikkelsen as Martin, inebriated history teacher

Copenhagen, Spring 2020

Film: Another Round
(Danish title: Druk)
Release Date: September 24, 2020
Director: Thomas Vinterberg
Costume Design: Ellen Lens & Manon Rasmussen

WARNING! Spoilers ahead!

Background

Happy 60th birthday to Mads Mikkelsen! Born November 22, 1965, the Danish actor rose to global prominence for his performance as the villainous Le Chiffre in the 2006 James Bond film Casino Royale and as the title character on NBC’s Hannibal, though his most celebrated performance may be as the depressed schoolteacher Martin in Thomas Vinterberg’s 2020 comedy-drama Another Round—originally released in Denmark as Druk and honored in the United States with the Academy Award for Best International Feature Film. Continue reading

Weapons: Josh Brolin’s Waxed Work Jacket

Josh Brolin in Weapons (2025)

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Josh Brolin as Archer Graff, housing contractor and concerned father

Maybrook, Pennsylvania, Spring 2025

Film: Weapons
Release Date: August 8, 2025
Director: Zach Cregger
Costume Designer: Trish Summerville

WARNING! Spoilers ahead!

Background

Following the breakout success of his directorial debut Barbarian (2022), writer-director Zach Cregger returned with another provocative and unsettling horror film: Weapons, released this August.

Set in the fictional small town of Maybrook, Pennsylvania (but filmed just outside Atlanta), the film opens with a chilling mystery—seventeen elementary school children from the same classroom inexplicably flee their homes into the night at exactly 2:17 a.m., leaving only one—the quiet and withdrawn Alex Lilly (Cary Christopher)—returning to class the next day. What unfolds is a nonlinear descent into communal fear, grief, and suspicion, as the town struggles to comprehend the incomprehensible and, in doing so, turns inward with paranoia and blame.

On its surface, Weapons plays as a darkly comic horror thriller, but beneath the genre trappings lies a sharp allegory about how communities process trauma—or fail to, demonstrating the all-American patterns of reactionary hysteria that have cascaded over centuries from the Salem witch trials to post-9/11 nationalism and COVID-era scapegoating. Weapons particularly sparked interpretation on a broader commentary on America’s systemic failure to protect children as—rather than confronting the deeper institutional issues like gun violence, trafficking, or the opioid crisis—communal trauma habitually devolves into a blame game, lashing out at convenient targets from violent video games to a troubled new teacher.

The scapegoat here becomes the latter: Justine Gandy (Julia Garner), a recently hired teacher with a complicated past but no clear connection to the children’s disappearance. Suspicion still grows, fueled by the town’s need for closure and driven by panicked parents like local contractor Archer Graff (Josh Brolin), whose son Matthew remains among the missing. As his desperation increases, Archer ultimately pairs with an unlikely ally to channel his pain into action. Continue reading

Rock Hudson’s Corduroy Jacket on McMillan & Wife (“Murder by the Barrel”)

Rock Hudson on McMillan and Wife (Episode 1.01: “Murder by the Barrel”)

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Rock Hudson as Stuart “Mac” McMillan, San Francisco police commissioner and former defense attorney

San Francisco, Fall 1971

Series: McMillan & Wife
Episode: “Murder by the Barrel” (Episode 1.01)
Air Date: September 29, 1971
Director: John Astin
Creator: Leonard B. Stern
Costumes: Burton Miller

WARNING! Spoilers ahead!

Background

Screen icon Rock Hudson was born 100 years ago today on November 17, 1925. After launching his career as a romantic leading man through the 1950s and ’60s, Hudson redefined the second phase of his career with a dramatic role in John Frankenheimer’s excellent experimental drama Seconds (1966) and the espionage thriller Ice Station Zebra (1968)—the latter a favorite of both Hudson himself and eccentric superfan Howard Hughes. Unsatisfied with the screen roles he was being offered, even after creating his own production companies, Hudson turned to television with the mystery series McMillan & Wife.

Hudson starred as San Francisco police commissioner Stuart “Mac” McMillan with Susan Saint James as his titular wife, Sally. The series may be the closest spiritual successor to The Thin Man films, as Mac and Sally’s witty banter and affectionate, equal-footed partnership recall the dynamic charm of William Powell and Myrna Loy’s Nick and Nora Charles. What sets McMillan & Wife apart from contemporaries, however, is that Mac isn’t a typical TV detective but a high-ranking commissioner, whose background as a criminal defense attorney gives him a greater familiarity with the city’s crooks and their cohorts.

Like the other NBC Mystery Movie pilots that debuted during the 1971-1972 season (specifically Columbo and McCloud), McMillan & Wife became a hit and the first canonical episode, “Murder by the Barrel”, aired less than two weeks later after its feature-length debut. Continue reading

Casino: Robert De Niro’s Lookbook as Ace Rothstein

Robert De Niro as Sam “Ace” Rothstein in Casino (1995)

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Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate

Las Vegas, 1973 to 1983

Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
Tailors: Carlos Velasco, Tommy Velasco, and Vincent Zullo

WARNING! Spoilers ahead!

Martin Scorsese’s Las Vegas-centric crime epic Casino premiered in New York City thirty years ago tonight on November 14, 1995, eight days before its wider release.

Chronicling the rise and fall of the midwest mob’s influence in Sin City during the 1970s and ’80s, Casino stars Robert De Niro as Sam “Ace” Rothstein, a fictionalization of real-life bookie Frank “Lefty” Rosenthal (1929-2008). De Niro was re-teamed with Joe Pesci as yet another volatile gangster—this time the hotheaded Chicago hitman Nicky Santoro, based on Lefty’s actual pal Tony “the Ant” Spilotro, and Sharon Stone received an Academy Award nomination as Ace’s hustler wife Ginger.

Part of Casino‘s legacy is due to the lavish costume design by Rita Ryack and John A. Dunn, who researched and worked with the real Lefty’s tailors and shirt-makers to recreate the gambler’s eye-catching style for the screen. Continue reading

Frank Lovejoy’s M-1941 Field Jacket in Try and Get Me!

Frank Lovejoy in Try and Get Me! (1950)

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Frank Lovejoy as Howard Tyler, unemployed family man and World War II veteran

Central California, Spring 1950

Film: Try and Get Me!
(Original title: The Sound of Fury)
Release Date: November 15, 1950
Director: Cy Endfield
Men’s Wardrobe: Robert Martien (uncredited)

WARNING! Spoilers ahead!

Background

In recognition of Veteran’s Day, today’s Noir-vember post focuses on one of the many films noir driven by the plight and cynicism of American servicemen in the years following World War II.

Originally released under the less lurid title The Sound of Fury, Try and Get Me! was adapted by Jo Pagano from his own 1947 novel The Condemned, which drew from the real-life 1933 lynching of two men who had confessed to kidnapping and murdering California heir Brooke Hart—the same incident which also inspired Fritz Lang’s 1936 film Fury. (For the trivia-inclined: Hart was kidnapped 92 years ago this week, on Thursday, November 9, 1933.)

The movie begins in the fictional town of Santa Sierra, California, where a seemingly innocent bowling alley conversation between the down-on-his-luck Howard Tyler (Frank Lovejoy) and gregarious fellow ex-serviceman Jerry Slocum (Lloyd Bridges) leads to the strong-willed Jerry enlisting Howard as his getaway driver for a series of holdups that escalate to a deadly kidnapping. Continue reading

No Country for Old Men: Javier Bardem as Anton Chigurh

Javier Bardem as Anton Chigurh in No Country for Old Men (2007)

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Javier Bardem as Anton Chigurh, relentless psychopathic killer (“but so what? there’s plenty of them around”)

Texas, Summer 1980

Film: No Country for Old Men
Release Date: November 9, 2007
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres

WARNING! Spoilers ahead!

Background

The Coen brothers’ masterful adaptation of Cormac McCarthy’s novel No Country for Old Men was released eighteen years ago today on November 9, 2007. The film won in four of its eight nominated categories at the Academy Awards, including Best Picture, Director, Adapted Screenplay, and Supporting Actor for Javier Bardem’s chilling performance as the amoral and awful-coiffed Anton Chigurh. Continue reading

Farewell, Friend: Alain Delon’s Casual Jacket and Turtleneck

Alain Delon in Farewell, Friend (1968)

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Alain Delon as Dino Barran, discharged French Army doctor

Marseilles, France, December 1963

Film: Farewell, Friend
(French title: Adieu l’ami)
Release Date: August 14, 1968
Director: Jean Herman
Costume Designer: Tanine Autré

WARNING! Spoilers ahead!

Background

Last year, the world said adieu to French screen and style icon Alain Delon, who was born 90 years ago tomorrow on November 8, 1935. Among his prolific filmography that includes Plein Soleil (1960), L’Eclisse (1962), The Leopard (1963), Le Samouraï (1967), and La Piscine (1969), one of Delon’s less-remembered films is the 1968 French-Italian heist caper Adieu l’ami—which translates to Farewell, Friend (also re-released as Honor Among Thieves). The film established Charles Bronson’s stardom in Europe, though it wouldn’t be released in the United States for another five years. Continue reading

Back to the Future: Doc Brown’s Snakeskin Robe for a Scientific Breakthrough

Christopher Lloyd as Doc Brown in Back to the Future (1985)

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Emmett “Doc” Brown, eccentric inventor and amateur chronophysicist

Hill Valley, California, November 5, 1955

Film: Back to the Future
Release Date: July 3, 1985
Director: Robert Zemeckis
Costume Designer: Deborah Lynn Scott

WARNING! Spoilers ahead!

Background

If my calculations are correct… 70 years ago today was a red-letter date in the history of science: November 5, 1955. For those who haven’t seen Back to the Future, this was the day that Hill Valley’s resident mad scientist Emmett “Doc” Brown slipped from standing on his toilet to hang a clock, hitting his head on the bathroom sink—triggering his concept of the flux capacitor, which would make time travel possible.

Even a freshly bandaged Doc (Christopher Lloyd) seems unaware of that day’s significance when he’s visited by Marty McFly (Michael J. Fox)—not a space man from Pluto but a high school student from 1985 who was flung thirty years into the past by the DeLorean that Doc had transformed into a time machine. Continue reading

Sinatra’s Navy Striped Suit and Bow Ties in Guys and Dolls

Frank Sinatra and Vivian Blaine in Guys and Dolls (1955)

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Marlon Brando as Sky Masterson, smooth gambler

New York, Spring 1955

Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff

Background

Five years after its Broadway premiere, Guys and Dolls danced onto the silver screen 70 years ago today when Joseph L. Mankiewicz’s film adaptation of Frank Loesser’s hit Tony-winning musical was released on November 3, 1955. Of the four principal roles, only Vivian Blaine was retained from the original Broadway cast while Marlon Brando, Jean Simmons, and Frank Sinatra replaced Robert Alda, Isabel Bigley, and Sam Levene, respectively.

Fresh from the Academy Award win that marked his flourishing career comeback, Sinatra was cast as Nathan Detroit over the protestations of both Loesser and Mankiewicz, who both wanted to keep the lesser-known but better-suited Levene. For his part, Sinatra wasn’t too happy to be Nathan Detroit either—as he had coveted the larger Sky Masterson role which eventually went to Brando.

Despite the on-set drama among the cast and crew, Guys and Dolls found quick success among audiences and critics alike, becoming the top-grossing movie of 1956 and earning four Academy Award nominations, including Best Costume Design for Irene Sharaff. Continue reading

Killer’s Kiss: Jamie Smith’s Nailhead Jacket and Knitwear

Jamie Smith as Davey Gordon in Killer’s Kiss (1955)

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Jamie Smith as Davey Gordon, washed-up welterweight boxer

New York City, Fall 1954

Film: Killer’s Kiss
Release Date: October 1, 1955
Director: Stanley Kubrick

WARNING! Spoilers ahead!

Background

Stanley Kubrick’s independently produced sophomore film Killer’s Kiss was released 70 years ago this fall—premiering in New York City on September 21, 1955, followed by a wider release on October 1st.

Pittsburgh-born Jamie Smith stars as burned-out ex-boxer Davey Gordon, whose growing romantic involvement with his neighbor—the alluring blonde taxi dancer Gloria Price (Chris Chase, credited as Irene Kane)—sets him dangerously at odds with her shady employer, Vincent Rapallo (Frank Silvera). Inventively shot and economically packaged (if somewhat underwritten) on a $75,000 budget, this tight thriller clocks in just under 70 minutes, benefiting from on-location shooting across New York from Penn Station and Times Square to the Brooklyn waterfront and “Hell’s Hundred Acres” in SoHo.

As Davey and Gloria plot their escape from the neon-lit nights of 1950s New York, the storyline and atmosphere read like a blend of Detour (1945) and Sweet Smell of Success (1957), making this little-known landmark noir an ideal starting point for Noirvember! Continue reading