It’s a Wonderful Life: Jimmy Stewart’s Barleycorn Tweed Suit

James Stewart and Donna Reed in It's a Wonderful Life (1946)

James Stewart and Donna Reed in It’s a Wonderful Life (1946)

Vitals

James Stewart as George Bailey, reluctant banker

Bedford Falls, New York, Spring 1932

Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson

Background

Released 75 years ago today, It’s a Wonderful Life has become an enduring Christmas classic… almost by accident! Based on Philip Van Doren Stern’s self-published novella The Greatest Gift, the movie had been relatively well-received at the time of its release, even earning five Academy Award nominations including one for Best Picture, but it would be overshadowed by the epic blockbuster The Best Years of Our Lives that told the story of servicemen returning from World War II.

Despite being a personal favorite of director Frank Capra and star Jimmy Stewart, It’s a Wonderful Life seemed destined for obscurity as just another “old movie” when a clerical error prevented proper renewal of the copyright. Though small royalties were still owed as it was derived from Stern’s story, TV stations leapt at the chance to air high-quality, low-cost seasonal programming, launching It’s a Wonderful Life to its status as a perennial favorite for holiday viewers by the 1980s.

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Brad Pitt’s Diagonally Cut Suits in Ocean’s Eleven

On Brad Pitt’s 58th birthday, I’m pleased to present another guest post contributed by my friend Ken Stauffer, who had also covered George Clooney’s fashionable suit in Out of Sight. You can learn more from Ken about the style of the Ocean’s film series on his Instagram account, @oceansographer.

Brad Pitt as "Rusty" Ryan in Ocean's Eleven (2001)

Brad Pitt as “Rusty” Ryan in Ocean’s Eleven (2001)

Vitals

Brad Pitt as Robert “Rusty” Ryan, poker pro and casino heister

Los Angeles and Las Vegas, Spring 2001

Film: Ocean’s Eleven
Release Date: December 7, 2001
Director: Steven Soderbergh
Costume Designer: Jeffrey Kurland
Tailor: Dominic Gherardi

Background

Happy Birthday, Brad Pitt! The Academy Award-winning actor and producer turns 58 today, and to celebrate, we’re taking a look back at one of his most fashionable roles, Rusty Ryan, in Ocean’s Eleven. Believe it or not, Steven Soderbergh’s reimagining of the Rat Pack caper, which resuscitated the heist film genre in 2001, celebrated its 20th anniversary this month. I think we can all agree that both actor and film have aged well.

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The Office: Season 2’s Christmas Party – Ranking Holiday Looks

Christmas is awesome. First of all, you get to spend time with people you love. Secondly, you can get drunk and no one can say anything. Third, you give presents. What’s better than giving presents? And fourth, getting presents. So, four things. Not bad for one day. It’s really the greatest day of all time.

With some offices reinstating the traditional holiday parties this year, I also want to return to my own December tradition of reviewing how the off-the-peg office drones of Dunder Mifflin Scranton dress for their annual Christmas extravaganza.

The Office first approached the festive season with the simply titled “Christmas Party”, midway through the series’ masterful second season. This has always been one of my favorite episodes of The Office, and “Christmas Party” was actually the first-ever iTunes Store purchase I had made after Christmas 2005 found a video iPod in my stocking… appropriately enough, as fans of the episode would realize.

At this point, The Office was still a more restrained satire of American workplaces—rather than the zanier character-driven comedy it would become—and the first Christmas party reflects that mundanity, with cheap decorations, cheap vodka, and cheap grab bag gifts, and seemingly none of the staff happy to be part of this forced corporate fun, save for the oblivious manager Michael Scott (Steve Carell).

Rainn Wilson, Jenna Fischer, Steve Carell, B.J. Novak, and John Krasinski on The Office

The main cast of The Office—Rainn Wilson, Jenna Fischer, Steve Carell, B.J. Novak, and John Krasinski—in a promotional photo for the second season’s “Christmas Party”.

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The Silent Partner: Elliott Gould’s Holiday Tweed

Elliott Gould as Miles Cullen in The Silent Partner (1978)

Elliott Gould as Miles Cullen in The Silent Partner (1978)

Vitals

Elliott Gould as Miles Cullen, mild-mannered bank teller

Toronto, Christmas 1977

Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon

Background

One of the most fun yet under-celebrated of Christmas-adjacent thrillers, The Silent Partner should sell most new viewers on the simple elevator pitch of Christopher Plummer as a gun-toting robber in a Santa Claus suit who increasingly torments Elliott Gould as a scheming teller.

The action begins on Tuesday, December 14—set exactly 44 years ago today—as the meek Miles Cullen (Gould) wraps up his daily duties at a First Bank of Toronto branch when his flirtatious sketches on a deposit slip wise him to a potential robbery plot. Continue reading →

Frank Sinatra’s 1971 Retirement Concert Tuxedo

Frank Sinatra

Frank Sinatra sings his ’40s-era hit “All or Nothing at All” during his June 1971 retirement concert in L.A.

Vitals

Frank Sinatra, multi-talented entertainer facing retirement

Los Angeles, Summer 1971

Series: Sinatra: All or Nothing At All
Air Date: April 5-6, 2015
Director: Alex Gibney

Background

Born December 12, 1915, Frank Sinatra had recently turned 55 when he started talking seriously with close friends about retirement. For more than 30 years, the entertainer had enjoyed a landmark career, beginning with his days as a pop idol, then a career downturn in the early ’50s that was reinvigorated by an Oscar win for From Here to Eternity and a series of concept albums for Capitol Records that launched him to massive success.

Throughout the ’60s, Sinatra evolved from one of the most popular entertainers in the nation to one of the most influential entertainers across the world. He had founded his own record label with Reprise Records, been a confidante of a sitting U.S. President (before their famous falling-out), and continued to prove his success on the charts with songs like “My Way” (despite his resentment for this particular tune.)

Like so many successful 55-year-old Americans, Ol’ Blue Eyes decided to hang up his tilted hat and retire, with his final performance to be June 13, 1971, at the Ahmanson Theatre in Los Angeles. Alex Gibney’s 2015 HBO documentary Sinatra: All or Nothing at All was framed around the singer’s hand-chosen setlist for the concert, and how the eleven musical milestones Sinatra selected essentially told the story of his life to that point. Continue reading →

Kirk Douglas in The Brotherhood: Corduroy in Sicily

Kirk Douglas as Frank Ginetta in The Brotherhood (1968)

Kirk Douglas as Frank Ginetta in The Brotherhood (1968)

Vitals

Kirk Douglas as Frank Ginetta, Sicilian-American mob boss

Sicily, Spring 1968

Film: The Brotherhood
Release Date: December 25, 1968
Director: Martin Ritt
Costume Designer: Ruth Morley

Background

On what would have been Kirk Douglas’ 105th birthday, today’s post recognizes a unique passion project among the prolific actor’s varied filmography. Though he’d been an uncredited producer on more than a dozen movies, Douglas had only been listed as a producer on Spartacus before he selected The Brotherhood as the next production to carry his name. Despite some valid feedback that he may not be the right visual type for the leading role of Sicilian-born gangster Frank Ginetta, Douglas welcomed the acting challenge… and the help of some dye to darken a newly grown mustache in addition to his famous coiff. Continue reading →

For Your Eyes Only: Bond’s Sheepskin Jacket and New Lotus

Roger Moore as James Bond in For Your Eyes Only (1981)

Roger Moore as a Lotus-driving James Bond in For Your Eyes Only (1981)

Vitals

Roger Moore as James Bond, British government agent

Cortina d’Ampezzo, Italy, Spring 1981

Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller

Background

Today’s post extends #CarWeek to close out this year’s 40th anniversary celebration of my favorite of Roger Moore’s Bond movies, For Your Eyes Only, with a wintry look apropos the 00-7th of December as Mr. Bond drives into the ski resort town of Cortina d’Ampezzo behind the wheel of his latest Q-issued Lotus, dressed for warmth in shearling and cashmere.

Following a tip from the Italian secret service, Bond has arrived to interface with MI6’s “man in northern Italy”—Luigi Ferrara (John Moreno)—as he surveils Locque, the mysterious man he had observed paying off Hector Gonzales. Continue reading →

Sneakers: Redford’s Varsity Jacket and Karmann Ghia

Robert Redford in Sneakers (1992)

Robert Redford as Martin Bishop, seated in his Karmann Ghia in Sneakers (1992)

Vitals

Robert Redford as Martin Bishop (formerly Martin Brice), digital security consultant and fugitive hacker

San Francisco, Fall 1991

Film: Sneakers
Release Date: September 11, 1992
Director: Phil Alden Robinson
Costume Designer: Bernie Pollack

WARNING! Spoilers ahead!

Background

Robert Redford looks like he’s having a great time in Sneakers, Phil Alden Robinson’s 1992 crime comedy about a gang of professional computer hackers. Redford stars as Martin Brice, a digital “sneaker” who has spent more than 20 years on the lam legitimizing his talent to become a security consultant, re-christened Martin Bishop. His background leads to recruitment by two men claiming to work for the NSA, forcing Martin and his team to take on a dubiously legitimate job.

Despite its subject matter, Sneakers never feels excessively dated as it focuses less on the technical aspects of digital hacking and more on the camaraderie among Redford’s motley band, consisting of Sidney Poitier, Dan Aykroyd, David Strathairn, River Phoenix, and Mary McDonnell. Redford’s character zips through the City by the Bay in a classic Karmann Ghia convertible, weathered but reliable like the then-56-year-old actor himself. Continue reading →

Wild Card: Jason Statham’s Corduroy Car Coat and Ford Torino

Jason Statham as Nick Wild in Wild Card (2015)

Jason Statham as the Ford Torino-driving Nick Wild in Wild Card (2015)

Vitals

Jason Statham as Nick Wild, tough security consultant and bodyguard-for-hire

Las Vegas, Christmas 2013

Film: Wild Card
Release Date: January 14, 2015
Director: Simon West
Costume Designer: Lizz Wolf

WARNING! Spoilers ahead!

Background

Car Week continues into December with a little-discussed action movie that—like The Bourne Identity and Three Days of the Condor—is set during against a Christmas backdrop complete with carols on the soundtrack, though the holiday timing has little impact on the plot. (I don’t include Die Hard in this category because, as many have argued, Christmas is the reason for the whole plot!)

Reviving a role originated by Burt Reynolds in William Goldman’s 1986 movie Heat, Jason Statham plays Nick Wild, a “security consultant” for Las Vegas lawyer Pinchus “Pinky” Zion (Jason Alexander), who makes his daily commute from a seedy motel in a snazzy ’69 Ford Torino. Continue reading →

Detour: Tom Neal’s Borrowed Clothes and Borrowed Lincoln

Tom Neal as Al Roberts in Detour (1945)

Tom Neal behind the wheel of a ’41 Lincoln as Al Roberts in Detour (1945)

Vitals

Tom Neal as Al Roberts, hitchhiking nightclub pianist

Across the United States, especially Arizona to California, Spring 1945

Film: Detour
Release Date: November 30, 1945
Director: Edgar G. Ulmer
Wardrobe Designer: Mona Barry

Background

On the last day of #Noirvember, let’s also kick off #CarWeek with a look at one of the best examples of “road noir” with Detour, the enduring B-movie that saw a limited release 76 years ago today on November 30, 1945, just over two weeks after its initial premiere in Boston.

Martin M. Goldsmith worked with an uncredited Martin Mooney to adapt his own 1939 novel of the same name into a screenplay. Known as “the King of PRC” for his reputation as an efficient director working for the Poverty Row studio Producers Releasing Corporation, the Austrian-born Edgar G. Ulmer filmed Detour in less than a month in the summer of 1945, with a shoestring budget of less than $100,000; for comparison, this was less than 10% of the final budget for that year’s winner of the Academy Award for Best Picture, The Lost Weekend. (Perhaps overstating his efficiency, Ulmer would later cite that he made the movie in six days for $20,000.)

Detour was my gateway to film noir, thanks to a multi-pack DVD that I was gifted in high school that included many pulp classics like D.O.A., The Hitchhiker, Quicksand, and The Strange Love of Martha Ivers, many of which—like Detour—were regularly available in budget-friendly home video releases as they had fallen into the public domain. Clocking in at just over an hour, the story may be simple, but it contains all the characteristic noir themes and stock characters, including the femme fatale (and how!) and the wrongly accused man whose questionable ethics and unfortunate circumstances launch him headway into increasingly dangerous circumstances.

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