The Postman Always Rings Twice (1981): Nicholson’s Navy Striped Murder Suit

Jack Nicholson as Frank Chambers in The Postman Always Rings Twice (1981)

Jack Nicholson as Frank Chambers in The Postman Always Rings Twice (1981)

Vitals

Jack Nicholson as Frank Chambers, dangerous drifter

Southern California, Spring 1934

Film: The Postman Always Rings Twice
Release Date: March 20, 1981
Director: Bob Rafelson
Costume Designer: Dorothy Jeakins

WARNING! Spoilers ahead!

Background

After posting about John Cassavetes in the 1964 remake of The Killers last week, I wanted to focus on another color remake of classic film noir: the 1981 adaptation of The Postman Always Rings Twice starring Jack Nicholson and Jessica Lange, reuniting Nicholson with director Bob Rafelson following their earlier collaborations in Head (1968), Five Easy Pieces (1970), and The King of Marvin Gardens (1972). Continue reading →

Roger Moore’s Tracksuit in A View to a Kill

Roger Moore as James Bond in A View to a Kill (1985)

Roger Moore as James Bond in A View to a Kill (1985)

Vitals

Roger Moore as James Bond, British government agent

Château de Chantilly, France, Spring 1985

Film: A View to a Kill
Release Date: May 22, 1985
Director: John Glen
Costume Designer: Emma Porteous

WARNING! Spoilers ahead!

Background

Well, now I’ve really gone and done it. After writing about the goombahs’ tracksuits in Goodfellas and The Sopranos over the last few years, I finally decided that this 00-7th of the month called for me to scribe my ode to Old Man 007 dressing himself in Paulie Walnuts’ finest in my least favorite James Bond movie, A View to a Kill.

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The Killers (1964): John Cassavetes On the Run in Corduroy

John Cassavetes and Angie Dickinson in The Killers (1964)

John Cassavetes and Angie Dickinson in The Killers (1964)

Vitals

John Cassavetes as Johnny North, race car driver-turned-robber

Southern California, Spring 1960

Film: The Killers
Release Date: July 7, 1964
Director: Don Siegel
Costume Designer: Helen Colvig

WARNING! Spoilers ahead!

Background

Earlier this week, I kicked off #Noirvember with a look at Burt Lancaster as the hapless and doomed “Swede” Anderson, whose murder at the start of Robert Siodmak’s seminal noir The Killers kicks off the series of flashbacks investigating what led to his decision to give in to the two armed killers.

Two decades later, the material was revisited by director Don Siegel and screenwriter Gene L. Coon, who drifted even further from Ernest Hemingway’s source material to focus on the two slick hitmen who set about learning more about the man they had been hired to kill, now reimagined as a race car driver named Johnny North.

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Death Wish: Charles Bronson’s Reversible Herringbone Coat

Charles Bronson as Paul Kersey in Death Wish (1974)

Charles Bronson as Paul Kersey in Death Wish (1974)

Vitals

Charles Bronson as Paul Kersey, vigilante family man

New York City, Winter 1974

Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi

WARNING! Spoilers ahead!

Background

Today would have been the 100th birthday of Charles Bronson, one of the most legendary cinematic ass-kickers perhaps best known for his starring role as family man-turned-street vigilante Paul Kersey in the 1974 revenge thriller Death Wish.

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The Killers: Burt Lancaster’s Light Flannel Double-Breasted Suit

Burt Lancaster as Ole "Swede" Anderson in The Killers (1946)

Burt Lancaster as Ole “Swede” Anderson in The Killers (1946)

Vitals

Burt Lancaster as Ole “Swede” Anderson, ex-boxer

Philadelphia, Spring 1938

Film: The Killers
Release Date: August 30, 1946
Director: Robert Siodmak

Background

Let’s kick off #NoirVember with a memorable scene featuring birthday boy Burt Lancaster. Born November 2, 1913 in Manhattan, Lancaster remains an icon of American film noir, having made his debut in The Killers, which also marked most of the screen-going world’s introduction to the alluring Ava Gardner.

The Killers‘ straight-outta-Hemingway opening introduces us in finem res to Lancaster as “The Swede”, an ex-boxer with a sketchy past who has been tracked down by the two eponymous killers to a small town in New Jersey. Despite having spent the last six years in hiding, the Swede makes no attempt to flee his assassins, who efficiently complete their gruesome task and leave insurance investigator Jim Reardon (Edmond O’Brien) to reconstruct the decade of mistakes that led from Anderson’s career as a boxer to that of a marked man by the mob.

As with all great film noir, the Swede’s undoing begins with a dame… Continue reading →

The Beetlejuice Striped Suit

Michael Keaton in Beetlejuice (1988)

Michael Keaton in Beetlejuice (1988)

Vitals

Michael Keaton as Betelgeuse, boorish “bio-exorcist”

Connecticut, Summer 1987

Film: Beetlejuice
Release Date: March 30, 1988
Director: Tim Burton
Costume Designer: Aggie Guerard Rodgers

Background

Happy Halloween!

As delightfully and unapologetically weird as its director, Beetlejuice was Tim Burton’s follow-up to his directorial debut, Pee-wee’s Big Adventure. The darkly comic story about a recently deceased couple summoning an unprincipled poltergeist was developed by Michael McDowell, Warren Skaaren, and Larry Wilson, with Burton channeling the cheap B-movies of decades past in his interpretation that balanced humor and horror.

In less than a decade of screen roles, Michael Keaton had already established a range of versatility between zany comedy (Night Shift) and thoughtful drama (Clean and Sober) before he took on the outlandish quasi-title role as the uh, well, Julliard-trained Betelgeuse. Continue reading →

A Nightmare on Elm Street: John Saxon’s Off-Duty Sports Coat

John Saxon as Lt. Don Thompson in A Nightmare on Elm Street (1984)

John Saxon as Lt. Don Thompson in A Nightmare on Elm Street (1984)

Vitals

John Saxon as Donald Thompson, police lieutenant

Suburban Ohio, Spring 1981

Film: A Nightmare on Elm Street
Release Date: November 9, 1984
Director: Wes Craven
Costume Designer: Dana Lyman

Background

A decade after he investigated a series of grisly sorority murders at Christmastime, John Saxon again portrayed a police lieutenant chasing down a serial killer in Wes Craven’s horror classic, A Nightmare on Elm Street.

We meet Lieutenant Thompson when he’s called to the station late at night in response to the murder of his daughter’s friend Tina Gray (Amanda Wyss). Thompson’s police colleagues initially suspect Tina’s meathead boyfriend, the “lunatic delinquent” Rod Lane (Nick Corri). Rod doesn’t help his case by fleeing the scene, but a tearful Nancy (Heather Langenkamp) explains to her father that it couldn’t have been Rod.

Thompson has little reason to believe his daughter’s protestations, but we the audience know that Tina’s brutal slashing was the work of the disfigured spirit of the long-dead child murderer Freddy Kreuger. Continue reading →

The Shining — Jack’s Gray Tweed Interview Sport Jacket

Jack Nicholson as Jack Torrance in The Shining (1980)

Jack Nicholson as Jack Torrance in The Shining (1980)

Vitals

Jack Nicholson as Jack Torrance, former teacher, aspiring writer, and potential hotel caretaker

Silver Creek, Colorado, Fall 1979

Film: The Shining
Release Date: May 23, 1980
Director: Stanley Kubrick
Costume Designer: Milena Canonero

WARNING! Spoilers ahead!

Background

Want to inject some Halloween spirit into your office attire this week without sending your co-workers into a panic? Take seasonal inspiration from Jack Torrance’s tweed jacket and tie as he successfully interviewed for the job of caretaker of the Overlook Hotel in Stanley Kubrick’s adaptation of Stephen King’s The Shining.

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Picasso’s Terrycloth Leisurewear

Pablo Picasso, photographed by Arnold Newman, 1956.

Pablo Picasso, photographed by Arnold Newman, 1956.

Vitals

Pablo Picasso, influential Spanish painter

Cannes, French Riviera, September 1956

Photographs by Arnold Newman

Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.

Background

Born 140 years ago today on October 25, 1881, Pablo Picasso may be one of the few painters so associated with his craft that even those with little knowledge of art know his name. Thus, October 25 is also observed annually as International Artist’s Day, celebrating the contributions of creators around the globe.

A month shy of his 75th birthday, Picasso posed in his La Californie studio in Cannes for a series of portraits captured by Arnold Newman, the prolific photographer whose subjects ranged from Marilyn Monroe and Mickey Mantle to JFK and Alfried Krupp. Continue reading →

Love Story: Ryan O’Neal’s Sheepskin Flight Jacket

Ryan O'Neal as Oliver Barrett IV in Love Story (1970)

Ryan O’Neal as Oliver Barrett IV in Love Story (1970)

Vitals

Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate

Boston, Fall to Winter 1968

Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner

Background

If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.

Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.

Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.

Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:

Love means never having to say you’re sorry.

Continue reading →