Tagged: 1950s
Back to the Future: Marty McFly’s Denim and DeLorean from 1985 to 1955
Michael J. Fox as Marty McFly in Back to the Future (1985)
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Michael J. Fox as Marty McFly, time-traveling high schooler and guitarist
Hill Valley, California, Fall 1985—then 1955
Film: Back to the Future
Release Date: July 3, 1985
Director: Robert Zemeckis
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
If my calculations are correct… anyone with a functioning DeLorean time machine who punches in July 3, 1985 and floors it to 88 mph would indeed see some serious shit—the release of Back to the Future, which premiered 40 years ago today.
One of the most celebrated movies of all time (and featuring the now-iconic DeLorean very appropriate for Car Week), Back to the Future became an instant cultural phenomenon upon release. It earned an Academy Award for Best Sound Effects Editing, grossed over $380 million worldwide to become the top-earning movie of 1985, and propelled the careers of director and co-writer Robert Zemeckis (then riding high off Romancing the Stone) and star Michael J. Fox (best known at the time for playing Reaganite teen Alex P. Keaton on Family Ties), who replaced Eric Stoltz in the now-iconic role of Marty McFly. Continue reading
Summertime: Rossano Brazzi’s Glen Plaid Suit
Rossano Brazzi as Renato de Rossi in Summertime (1955)
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Rossano Brazzi as Renato de Rossi, antique store owner
Venice, Summer 1954
Film: Summertime
Release Date: June 21, 1955
Director: David Lean
Costume Designer: Rosi Gori (uncredited)
WARNING! Spoilers ahead!
Background
Summertime is here! And by that I mean both the fact that Friday was the summer solstice and that David Lean’s Venetian romance Summertime was released in the United States seventy years ago yesterday on June 21, 1955, nearly a month after its Venice premiere.
Like Lean’s 1940s dramas Brief Encounter and The Passionate Friends, Summertime lushly depicts the intense romance between two strangers—in this case, the American tourist Jane Hudson (Katharine Hepburn) and the dashing local antiques dealer Renato de Rossi (Rossano Brazzi), whom she meets during her long-awaited summer vacation to Venice.
Lazing across a few chairs in Piazza San Marco, Renato first observes Jane while she’s filming the square. She’s initially oblivious to his attention, then becomes uncomfortably befuddled by it and hurries out of the area. Continue reading
Dean Martin’s Matching Cabana Set in Artists and Models
Dean Martin and Dorothy Malone in Artists and Models (1955)
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Dean Martin as Rick Todd, struggling but smooth-talking painter
New York City, Summer 1955
Film: Artists and Models
Release Date: November 7, 1955
Director: Frank Tashlin
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Iconic entertainer Dean Martin was born 108 years ago today on June 7, 1917 in Steubenville, Ohio. Born Dino Crocetti, the singer and actor remains well-known for his joint acts like the Rat Pack and a decade-long partnership with comedian Jerry Lewis.
After debuting together in Atlantic City in 1946, Martin and Lewis made a total of 16 movies together. Their 14th feature, Artists and Models, was released 70 years ago on November 7, 1955—five months to the day after Martin’s 38th birthday. Though the team would make two more movies before the dissolution of their partnership the following year, Artists and Models foreshadowed the future directions of their respective solo careers as the first of eight collaborations between Lewis and Looney Tunes director Frank Tashlin and the first of seven times that Martin would star with Shirley MacLaine.
Martin and Lewis brought their usual personas to Artists and Models as the romantic painter Rick Todd and goofy children’s author Eugene Fullstack, respectively. In her second film appearance, MacLaine co-stars as Lewis’ love interest Bessie Sparrowbush, who also helps Rick woo her friend, professional artist Abigail Parker (Dorothy Malone). Continue reading
Sweet Smell of Success – Tony Curtis’ Dark Pinstripe Suit
Tony Curtis as Sidney Falco in Sweet Smell of Success (1957)
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Tony Curtis as Sidney Falco, unscrupulous publicity agent
New York City, Fall 1956
Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of prolific actor Tony Curtis.
Born Bernard Schwartz in East Harlem on June 3, 1925, Curtis was inspired by war movies made by his screen heroes Cary Grant and Tyrone Power to join the U.S. Navy, serving aboard a submarine in the Asiatic Fleet through the end of World War II.
Arriving in Hollywood after the war, the rechristened “Anthony Curtis” grew his fandom after memorable bit parts in Johnny Stool Pigeon (1949) and Winchester ’73 (1950). His career grew to being one of the biggest stars of the ’50s, including his Academy Award-nominated performance in The Defiant Ones (1958) and iconic cross-dressing role in Some Like It Hot (1959).
While the latter is one of my favorite movies, my favorite Tony Curtis performance is the shameless Sidney Falco in Sweet Smell of Success (1957), Alexander Mackendrick’s slick and satirical film noir featuring the whip-fast dialogue of Clifford Odets and Ernest Lehman’s screenplay and James Wong Howe’s atmospheric cinematography of New York City during the fabulous fifties. Curtis taps his inner Gemini to convincingly portray all aspects of Falco’s cutthroat ambition, from the wily Manhattan publicist to the subservient PR flack desperate to please the powerful columnist J.J. Hunsecker (Burt Lancaster).
Niagara: Joseph Cotten in Shades of Gray
Joseph Cotten as George Loomis in Niagara (1953)
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Joseph Cotten as George Loomis, former sheep rancher and Korean War veteran
The Canadian side of Niagara Falls, Summer 1952
Film: Niagara
Release Date: January 21, 1953
Director: Henry Hathaway
Costume Designer: Dorothy Jeakins
WARNING! Spoilers ahead!
Background
One of 20th Century Fox’s biggest box-office hits of 1953, Niagara is one of the most accessible movies to be described with the seemingly oxymoronic “color noir,” blending elements of dark film noir with stunning three-strip Technicolor, photographed by cinematographer Joseph MacDonald.
The action is set at picturesque Niagara Falls—specifically on the Canadian side, though the American side became New York’s first state park 140 years ago today when Governor David B. Hill signed legislation creating the Niagara Reservation on April 30, 1885. The tradition of newlyweds journeying to Niagara Falls dates back to at least 1801, when Aaron Burr’s daughter Theodesia joined her new husband Joseph Alston at the falls.
The destination’s self-dubbed reputation as the “Honeymoon Capital of the World” inspired producer Charles Brackett, who co-wrote the script for Niagara with Richard Breen and Walter Reisch. The story centers around the honeymooning Cutlers—Ray (Max Showalter) and Polly (Jean Peters)—who arrive at the Rainbow Cabins, only to find their reserved suite still occupied by George Loomis (Joseph Cotten) and his sultry wife Rose (Marilyn Monroe), who explains to the couple that George was recently discharged from an Army mental hospital. Continue reading
Johnny Depp as Cry-Baby
Johnny Depp in Cry-Baby (1990)
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Johnny Depp as Wade “Cry-Baby” Walker, rebellious high school hellcat and rockabilly singer
Baltimore, Spring 1954
Film: Cry-Baby
Release Date: April 6, 1990
Director: John Waters
Wardrobe & Makeup Designer: Van Smith
WARNING! Spoilers ahead!
Background
Just over three weeks after its premiere in John Waters’ native Baltimore where the film—among so many of his others—is set, Cry-Baby was more widely released 35 years ago tomorrow on April 5, 1990 in more than 1,200 theaters across North America—an unprecedented opening for the offbeat director.
This wider release indicated the film’s more mainstream appeal, lacking the more scatological elements of Waters’ prior works like Pink Flamingos (1972) while retaining enough of the director’s signatures to make it an effective introduction to his work. Despite this increased accessibility and some critical acclaim, Waters’ camped-up tribute to ’50s teen romances (think Grease for weirdos) still failed to find a solid audience at the outset. It wasn’t until years after its initial release that Cry-Baby developed a cult following among much of Waters’ other movies. Continue reading
Murder by Contract: Vince Edwards’ Leather Jacket
Vince Edwards in Murder by Contract (1958)
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Vince Edwards as Claude, existential contract killer
Los Angeles, Spring 1958
Film: Murder by Contract
Release Date: December 4, 1958
Director: Irving Lerner
Wardrobe Credit: Norman Martien
WARNING! Spoilers ahead!
Background
Thanks to a recommendation from BAMF Style reader Jake—and the fact that it was briefly hosted on the Criterion Channel—one of my favorite “first watches” of this year has been the swift and slick 1958 film noir Murder by Contract.
Vince Edwards stars as Claude, a bored comptometer operator who capitalizes on his sociopathy to develop a profitable side hustler as a contract killer. As his reputation grows among the underworld, Claude’s mysterious boss Mr. Brink offers him $5,000 to complete the high-profile hit of a heavily guarded government witness scheduled to testify against him at an upcoming trial.
David Niven’s Blazer and Cravats in Separate Tables
David Niven in Separate Tables (1958)
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David Niven as David Angus Pollock, charming yet deceitful retired British Army officer
Bournemouth, England, Spring 1958
Film: Separate Tables
Release Date: December 18, 1958
Director: Delbert Mann
Costume Supervisor: Mary Grant
WARNING! Spoilers ahead!
Background
The legendary David Niven was born 115 years ago today on March 1, 1910. Though he’d been an Academy Awards host for three different ceremonies, Niv was only once nominated—and awarded—an Oscar.
As of this date, Niven’s performance in Separate Tables remains the shortest ever to win the Academy Award for Best Actor, clocking in at just under 24 minutes of screen time. Coincidentally, he was also one of the hosts during the 31st Academy Award ceremony when he won, making him the only person to ever win an Oscar at the same ceremony he hosted. In honor of Niv’s birthday and tomorrow night’s Academy Awards ceremonies, let’s look deeper at the acclaimed actor’s Oscar-winning performance. Continue reading
The Godfather, Part II: Hyman Roth’s Birthday Party Knit Shirt
Lee Strasberg as Hyman Roth in The Godfather Part II (1974)
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Lee Strasberg as Hyman Roth, mobster and gambling kingpin
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Released 50 years ago this month, The Godfather Part II expands the Corleone crime family chronicles to include Hyman Roth (Lee Strasberg), a respected gangster inspired by the real-life Meyer Lansky. Al Pacino had been one of Strasberg’s students at the Actors Studio and recommended his former acting coach for the role that would eventually garner Strasberg his sole Academy Award nomination.
Decades after his rumrunning partnership with the Corleones during Prohibition, the aging Roth is now based in Miami, where he’s visited by Michael Corleone (Al Pacino) to discuss a history-making collaboration. The two travel to Havana to work with representatives from American corporations and Fulgencio Batista’s corrupt Cuban government to take over a Reno casino—all while Roth is plotting to fatally double-cross Michael.
Of course, it’s the last week of December 1958, so the Batista government’s days are numbered as Fidel Castro’s rebels are getting closer to their New Year’s Eve victory. However, the primary celebration on Hyman Roth’s mind is his 67th birthday, which he celebrates on a Havana rooftop with Michael, Roth’s right-hand man Johnny Ola (Dominic Chianese), and other criminal cohorts. Continue reading
White Christmas: Burgundy Jackets and Boaters for “Blue Skies”
Bing Crosby and Danny Kaye in White Christmas (1954)
Vitals
Bing Crosby and Danny Kaye as Bob Wallace and Phil Davis, Broadway entertainers and World War II veterans
Florida, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
One of the most stylish classic Christmas movies, White Christmas was released 70 years ago this year in October 1954. The movie was intended to re-team Bing Crosby with Fred Astaire after their previous collaborations in Irving Berlin musicals Holiday Inn (1942) and Blue Skies (1946), but Astaire dropped out after reading the script and Danny Kaye was hired to co-star with Crosby.
Crosby and Kaye share a marvelous screen chemistry that showcases their respective talents while also allowing for a greater emphasis on humor, illustrated by their performance of “Sisters” that was devised on set after director Michael Curtiz was entertained watching Crosby and Kaye clown around performing the song.
The story follows Crosby and Kaye as Bob Wallace and Phil Davis, two World War II veterans who met while entertaining their fellow troops in the U.S. Army’s fictitious 151st Division. After Phil saved Bob from a falling wall during an attack, Phil talked Bob into joining him for a double act that has catapulted them to musical stardom a decade later. Continue reading
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