Tagged: 1960s
Jack Nicholson in One Flew Over the Cuckoo’s Nest
Jack Nicholson as Randle P. McMurphy in One Flew Over the Cuckoo’s Nest (1975)
Vitals
Jack Nicholson as Randle P. McMurphy, cheeky petty criminal undergoing psychiatric evaluation
Oregon State Hospital, Fall 1963
Film: One Flew Over the Cuckoo’s Nest
Release Date: November 19, 1975
Director: Miloš Forman
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Today is Jack Nicholson’s 85th birthday, a worthy occasion for recalling one of his most iconic roles: the irreverent and incorrigible Randle P. McMurphy in One Flew Over the Cuckoo’s Nest.
Pierrot le Fou: Belmondo’s Prince of Wales Check Suit
Jean-Paul Belmondo as Ferdinand Griffon in Pierrot le Fou (1965)
Vitals
Jean-Paul Belmondo as Ferdinand Griffon, runaway husband
Paris, Spring 1965
Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard
Background
Born 89 years ago on April 9, 1933, today marks the first of Jean-Paul Belmondo’s birthdays since the iconic French actor died in September 2021. One of Bébel’s most memorable movies is the colorful Pierrot le Fou, a pop art equivalent of the French New Wave cinematic movement that marked the actor’s third and final collaboration with director Jean-Luc Godard. Continue reading
Spencer Tracy’s Black Suit in Guess Who’s Coming to Dinner
Spencer Tracy as Matt Drayton in Guess Who’s Coming to Dinner (1967)
Vitals
Spencer Tracy as Matt Drayton, newspaper editor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
Considered one of the greatest actors in Hollywood history by audiences and peers, Spencer Tracy was born 122 years ago on April 5, 1900 in Milwaukee. His prolific career that spanned nearly half a century culminated with his final role in Guess Who’s Coming to Dinner, for which he received his ninth and final Academy Award nomination (one of ten that the film received), a posthumous honor as Tracy had died only 17 days after completing his work. Continue reading
Bond’s Nehru Jacket in Dr. No
Sean Connery and Ursula Andress in Dr. No (1962)
Vitals
Sean Connery as James Bond, sophisticated and resourceful British government agent
Crab Key, Jamaica, Spring 1962
Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Background
This year marks the 60th anniversary of the cinematic James Bond, as screen-going audiences who may have missed the 1954 Climax! episode starring Barry Nelson as the American agent “Jimmy” Bond were properly introduced in 1962 to the debonair yet dangerous 007 embodied by Sean Connery.
It was sixty years ago today—March 30, 1962—when principal photography was completed on Dr. No, whose modest million-dollar budget belied its significance as of the first installment of what would become one of the longest-running franchises in movie history.
While a few ingredients were yet to be finessed, it was Dr. No that established many of the hallmarks of the series, from Monty Norman’s iconic theme song as arranged by John Barry to our hero’s “shaken, not stirred” vodka martinis and his signature introduction:
Bond. James Bond.
The Prisoner: Patrick McGoohan’s Rowing Blazer as Number Six
Patrick McGoohan as “Number Six” on The Prisoner (Episode 8: “Dance of the Dead”)
Vitals
Patrick McGoohan as Number Six, recently resigned secret agent
“The Village”, Fall 1967
Series: The Prisoner
Created by: Patrick McGoohan & George Markstein
Wardrobe: Masada Wilmot & Dora Lloyd
WARNING! Spoilers ahead!
Background
Born 94 years ago today, Patrick McGoohan emerged as one of the most unique auteurs of ’60s television as the star and executive producer (and, occasionally, writer and director) of the allegorical and avant-garde “spy-fi” miniseries The Prisoner, which he co-created with George Markstein.
The Prisoner centers around its title character who, upon his contentious retirement from a shadowy British intelligence agency, wakes up mysteriously transported to a picturesque Italianate island village from which he would spend the duration of the series trying to escape. Continue reading
Don Draper’s Dinner Party Plaid Jacket in “Signal 30”
Jon Hamm as Don Draper on Mad Men, Episode 5.05: “Signal 30”. From photo by Michael Yarish/AMC.
Vitals
Jon Hamm as Don Draper, smooth ad man
Cos Cob, Connecticut, Summer 1966
Series: Mad Men
Episode: “Signal 30” (Episode 5.05)
Air Date: April 15, 2012
Director: John Slattery
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
To commemorate Jon Hamm’s 51st birthday today, let’s return to his Emmy-winning performance as the conflicted advertising director Don Draper. After four stylish seasons set across the early ’60s, Mad Men‘s fifth season took a darker and experimental turn with its storytelling, reflective of the more disturbing events of a decade that was evolving from the idealistic ’50s into an violent age of assassinations, serial murder, and war.
Following the dark “Mystery Date” with its homicidal fever dreams and Richard Speck references, the fifth episode “Signal 30” took its title from the gruesome instructional film illustrating the dangers of the road, shown to new drivers like Pete Campbell (Vincent Kartheiser), Sterling Cooper Draper Pryce’s ambitious but insecure account manager, who could be argued as the central character of this episode.
Mad Men creator Matthew Weiner described “Signal 30″—which he co-wrote with Dog Day Afternoon‘s Oscar-winning screenwriter Frank Pierson—as “probably the saddest episode we’ve ever had.”
Directed by series regular John Slattery, “Signal 30” is an episode of plumbing mishaps and forbidden passions, culminating in office fisticuffs. These passions range from Ken Cosgrove (Aaron Staton) continuing his literary side hustle against the wishes of his employers, Lane Pryce (Jared Harris) fighting his own battles with personal and professional masculinity, a business trip to a brothel where all attendees but Don indulge themselves, and Pete’s disturbing crush on a teenage girl in his driver’s ed class.
But before Pete lecherously throws himself at anything on legs—or throws any punches at colleagues—he and his delightful wife Trudy (Alison Brie) welcome the Drapers and Cosgroves for a dinner party. Perhaps appropriate for the only season of Mad Men where we don’t see him engaging in extramarital romance, Don allows his new wife Megan (Jessica Paré) to talk him into swapping his staid suit jacket out for a loudly checked sports coat more on trend for the middle of the swingin’ sixties. Continue reading
Point Blank: Lee Marvin’s Flashback N-1 Deck Jacket
Lee Marvin as Walker in Point Blank (1967)
Vitals
Lee Marvin as Walker, drunken sailor and future thief
San Francisco, early 1960s
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
Background
Lee Marvin, Academy Award-winning actor and U.S. Marine Corps veteran of World War II, was born 98 years ago today on February 19, 1924. Marvin would be established as one of the most charismatic tough guys of the screen, particularly due to movies like The Killers (1964), The Professionals (1966), The Dirty Dozen (1967), and Point Blank (1967).
Adapted from Donald E. Westlake’s pulp crime novel The Hunter (published under the pseudonym Richard Stark), Point Blank stars Marvin as the mononymous Walker, a thief left for dead by his wife Lynne (Sharon Acker) and his double-crossing partner-in-crime Mal Reese (John Vernon) after a dangerous heist. Continue reading
The Pink Panther: Robert Wagner’s Après-ski Style
Robert Wagner and Capucine in The Pink Panther (1963)
Vitals
Robert Wagner as George Lytton, smooth con artist and aspiring jewel thief
Cortina d’Ampezzo, Italy, Winter 1963
Film: The Pink Panther
Release Date: December 18, 1963
Director: Blake Edwards
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
Given the ridiculous nature of the later entries that focus more heavily on the madcap misadventures of Inspector Clouseau (Peter Sellers), it may surprise first-time viewers to see The Pink Panther so fashionably depict the elegance of winter jet-setters as they take to the Alpine ski resorts of Cortina d’Ampezzo in northern Italy, spending days on the slopes and evenings by the fire.
As February extends into the Olympic games and ski-trip season, I had wanted to revisit the stylish skiwear seen in The Pink Panther, only to realize that Robert Wagner’s 92nd birthday today coincides with the timing of the Winter Olympics in Beijing.
Wagner appeared in The Pink Panther as George Lytton, a small-time con man and nephew of the suave Sir Charles Lytton (David Niven). After George discovers his urbane uncle is actually a master jewel thief known as “The Phantom”, he sets out to learn from Sir Charles… even attempting to seduce his mistress, Simone Clouseau (Capucine), who just happens to be the wife of the bumbling Sûreté inspector on their trail. Continue reading
Jack Lemmon’s Bachelor Tuxedo in How to Murder Your Wife
Jack Lemmon as Stanley Ford in How to Murder Your Wife (1965)
Vitals
Jack Lemmon as Stanley Ford, comic strip artist and dedicated bachelor
New York City, Summer 1964
Film: How to Murder Your Wife
Release Date: September 20, 1965
Director: Richard Quine
Wardrobe: Izzy Berne & Marie Osborne
Background
On what would have been the birthday of one of my favorite actors—Jack Lemmon, born February 8, 1925—I want to revisit his style in the first of his filmography that I had ever seen, the swingin’ ’60s comedy How to Murder Your Wife which, as the title implies, balances black comedy with classic screwball elements.
Lemmon stars as Stanley Ford, a successful newspaper cartoonist whose spun his success writing the daily adventures of super-spy “Bash Brannigan” into an enviable bachelor lifestyle, complete with a swanky Lenox Hill townhouse and his devoted valet Charles (Terry-Thomas), whose daily duties include cleaning up after Stanley’s latest romantic conquests, providing reassurance and advice, and ensuring that a “properly chilled” vodka martini awaits Stanley at the end of each day. Continue reading
Downhill Racer: Redford’s Ski Jacket and Olympic Team Sweater
Robert Redford as David Chappellet in Downhill Racer (1969)
Vitals
Robert Redford as Dave Chappellet, U.S. Olympic ski team star
Switzerland, Winter 1968
Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May
Background
In the spirit of the 2022 Winter Olympics that opened last night in Beijing, I wanted to revisit one of my favorite movies around the winter games, Downhill Racer.
Released just a month after his breakthrough performance in Butch Cassidy and the Sundance Kid, Robert Redford stars as the cocky skier Dave Chappellet, whose well-honed talent on the slopes lands him on the U.S. Olympic team. His only internal competition had been the promising talent Johnny Creech (Jim McMullan), whose own hopes for the gold were dashed after he was badly injured just weeks before the games. The resentful team and their passionate coach, Eugene Claire (Gene Hackman), find themselves looking to Chappellet as their best hope fo securing a gold medal. Continue reading
You must be logged in to post a comment.