Tagged: 2-Piece Suit
The Cream Suit in Layer Cake
SPOILER ALERT! Some photos in this post sorta give things away out of necessity. If you’re familiar with the film, great. If you’re not… eh, maybe wait a bit before reading this one.
Vitals
Daniel Craig as an unnamed London drug dealer (“XXXX”, for simplicity’s sake)
London, Summer 2004
Film: Layer Cake
Release Date: October 1, 2004
Director: Matthew Vaughn
Costume Designer: Stephanie Collie
Background
As summer comes to a close, so will the seasonal focus on how to wear a good summer suit. There have been a range of styles, from fashion-forward mod suits (Michael Caine in The Italian Job) to double-breasted three-piece affairs (J.J. Gittes and Chalky White).
At the end of Layer Cake, Dan Craig has effectively negotiated the dangerous London drug underworld to announce his retirement, even with the prospect of taking over staring him in the face. Unlike so many gangsters – both real and cinematic – “XXXX” decides he’s made enough and had enough, and he chooses to retire and drive off into the sunset (or the afternoon sun) with his new girlfriend. Unfortunately, he may have made one careless mistake too many… Continue reading
Robert Shaw’s Charcoal Pinstripe Poker Suit in The Sting
Vitals
Robert Shaw as Doyle Lonnegan, conniving Irish-American mob boss and poker host
New York to Chicago, September 1936
Film: The Sting
Release Date: December 25, 1973
Director: George Roy Hill
Costume Designer: Edith Head
Background
Tomorrow would have been the 87th birthday of actor, novelist, and definitive screen villain Robert Shaw. Shaw, who kicked ass in such great films as From Russia With Love, The Taking of Pelham 1-2-3, and Jaws, memorably played “the mark” in The Sting. Continue reading
Cary Grant’s Gray Suit in To Catch a Thief
Vitals
Cary Grant as John Robie, retired cat burglar and jewel thief
Cannes, French Riviera, Summer 1954
Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
To Catch a Thief is a classic Hitchcock production featuring two of his favorite stars – Cary Grant and Grace Kelly – in a romantic crime comedy-thriller set against the exotic backdrop of the French Riviera. It was one of Grace’s last films in her too-brief five-year acting career before becoming Princess of Monaco.
Grant and Kelly’s undeniable chemistry is still remarkable sixty years later. While legendary Hollywood costumer Edith Head dressed Princess Grace for the film, it’s believed that Grant provided most of his own attire as he was, after all, Cary fucking Grant. Continue reading
Rusty’s Light Gray Summer Suit in Ocean’s Eleven
Vitals
Brad Pitt as Robert “Rusty” Ryan, hustler and casino heister
Las Vegas, Spring 2001
Film: Ocean’s Eleven
Release Date: December 7, 2001
Director: Steven Soderbergh
Costume Designer: Jeffrey Kurland
Background
Whether you’re in town for a few crazy nights with friends or a multimillion dollar casino heist, you don’t want to look like a piker in Vegas.
What’d He Wear?
Rusty Ryan, one of the flashier dressers in Danny Ocean’s crew, accompanies Danny to casino big shot Reuben Tishkoff’s pad in a luxurious light gray summer suit in lightweight soft cotton. In some angles, the suit has the bright Nevada sun shining directly on it, so some people assume the suit to be white. These people are wrong, although Rusty is certainly the type of guy who would (and could) wear a white suit. Continue reading
From Russia With Love – Bond’s Istanbul Suits, Pt. 4: Glen Plaid

Sean Connery behind the scenes in Turkey during his second outing as James Bond, From Russia With Love, in 1963.
Vitals
Sean Connery as James Bond, British government agent and legendary super spy
Turkey, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair
Background
For the 007th of the 7th month of the year, BAMF Style is focusing on James Bond’s 7th suit worn in From Russia With Love, a black and gray Glen plaid check suit. Bond had worn a different Glen Urquhart suit earlier in the film when visiting Kerim Bey in his office, but this suit can be differentiated by details in the tailoring.
At this point in the story, Bond has finally “met” Tatiana Romanova, the enigmatic bait in SPECTRE’s plan to ruin him and smear the British Secret Service. Bond is quite certain that he has Tania right where he wants her, but his charismatic MI6 contact Kerim Bey seems sure of the opposite… Continue reading
Michael Caine’s Beige Summer Suit in The Italian Job
Vitals
Michael Caine as Charlie Croker, British career criminal and mob thief
Turin, Italy, Spring 1969
Film: The Italian Job
Release Date: June 2, 1969
Director: Peter Collinson
Wardrobe Supervisor: Dulcie Midwinter
Background
Nearly fifty years after its initial release, The Italian Job is still considered to be one of the coolest classic caper flicks. With a very funny ensemble cast led by Michael Caine at the height of his cheekiness, The Italian Job is a slightly corny but immensely entertaining film that perfectly captures an era and brings the hippest parts of 1969 alive with the help of Caine, Noël Coward, and Benny Hill. Continue reading
Bond’s Gray Suit and Mustang Mach 1 in Vegas
Vitals
Sean Connery as James Bond, British government agent
Las Vegas, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
Yesterday’s post discussed the first car driven by Sean Connery’s James Bond (in an action scene). Today, we’ll be looking at the last.
After making five Bond films in as many years, Sean Connery was reasonably tired of his role. Sure it made him a star, but he was an actor, and actors like roles with character development and tight dialogue rather than repetitive plots, anonymous henchmen deaths, and volcano lairs. The days of espionage thrillers laced with realism like From Russia With Love had given way to over-the-top action and cliches in You Only Live Twice. (Sir Sean and I both agree on this matter.) Continue reading
The Literary James Bond

Sean Connery as James Bond in Goldfinger (1964), wearing the closest cinematic approximation of the suit imagined by Ian Fleming for his character. Inset is a drawing created by Fleming and commissioned for the Daily Express comic strip.
Vitals
James Bond, British government agent
1950s-1960s
Background
106 years ago, on May 28, 1908, Ian Lancaster Fleming was born in Mayfair to an eventual member of parliament and his wife. Throughout his life, Fleming would be a journalist, a Naval Intelligence officer, and – the role in which he is most remembered – the author who introduced the world to James Bond.
After World War II, Fleming was demobilized from his position at British Naval Intelligence and began working as a newspaper manager, a job allowing him three months vacation. Fleming, whose ambition had long been to write a spy novel, used those winter months to retreat to Jamaica.
Uneasy about his upcoming wedding to Ann Charteris, who divorced the second Viscount Rothermere after her long-time affair with Fleming was uncovered, Fleming began writing the novel which would become Casino Royale.
The novel’s hero, the dryly named James Bond, was a thinly veiled version of the man Fleming wanted himself to be – and soon became recognized as the man every man wanted to be. Bond was originally supposed to be, in Fleming’s words, “an extremely dull, uninteresting man to whom things happened.” Thus, Fleming chose the most boring name that he could find – James Bond, the American ornithologist who wrote the Birds of the West Indies field guide.
However, this idea for a Hitchcock-style hero was soon discarded in favor of the world-trotting, womanizing super spy who spend his time eating fine French dinners and drinking champagne and cocktails when not masterfully quelling whatever dastardly plans the novel’s villain has in store. Continue reading
Scarface: Tony’s White Pinstripe Suit
Vitals
Al Pacino as Tony Montana, ambitious Cuban-American cocaine dealer
Miami (and Bolivia), Summer 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
One of the few sartorial rules actually practiced in the United States is adherence to the “no white after Labor Day” rule. While it’s technically outdated, having been decided after the Civil War by snobbish housewives who wanted to establish their place in society, it makes sense that light-colored attire would find its place in the summer. Further enhancing the arbitrary rule, the snobbish housewives’ society determined that Memorial Day would mark the first day for white clothing to be appropriate in polite society.
While he may not be the prime example of “polite society” in the eyes of postbellum America, Tony Montana redefined drug dealer chic in 1983’s Scarface with his numerous sharp suits and incomparable swagger while wearing them. Continue reading
From Russia With Love – Bond’s Istanbul Suits, Pt. 3: Charcoal Flannel
Vitals
Sean Connery as James Bond, British government agent and spy
Turkey, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair
Background
For the 007th of May, I’ll be picking up where I left off in my examination of the From Russia With Love suits.
At this point in the film, Bond has just spent his second day in Istanbul, exploring a series of underground catacombs with Kerim Bey, the charismatic MI6 Station Chief. For that daytime excursion, he wore a Glen Urquhart suit. That evening, Kerim invites Bond to dine with him and his gypsy friends. Assuming that it’s spring (I forget how I came to this conclusion, but I like it), where the temperature in Istanbul can dip into the low-40s, Bond opts to wear something a little heavier with a flannel suit. Continue reading








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