Tagged: Blue Shirt
Ryan O’Neal in The Driver
Vitals
Ryan O’Neal as “The Driver”, professional getaway driver
Los Angeles, Spring 1978
Film: The Driver
Release Date: July 10, 1978
Director: Walter Hill
Costume Designers: Jack Bear, Robert Conwall, and Jennifer L. Parsons
Background
The Driver is a perfect example of European-influenced, American-made, existential ’70s cinema featuring the male anti-hero so frequently seen throughout the decade. A laconic criminal not without his own set of ethics set in a bleak world filled with morally questionable characters, Ryan O’Neal’s unnamed protagonist follows in the footsteps of guys like Vanishing Point‘s Kowalski.
Writer, director, and all-around tough guy Walter Hill’s auteurism clearly shows through in this terrific and über-cool neo-noir where talk is cheap, and those doing the most of it typically have the least to say. Continue reading
Bond’s Gray Suit and Gray BMW in Hamburg
Vitals
Pierce Brosnan as James Bond, British government agent
Hamburg, Germany, April 1997… specifically Saturday, April 12, 1997
Film: Tomorrow Never Dies
Release Date: December 6, 1997
Director: Roger Spottiswoode
Costume Designer: Lindy Hemming
Background
Tomorrow Never Dies, Pierce Brosnan’s second outing as Bond, also carried a few notable firsts. It was the first film produced after the death of longtime Bond producer Albert “Cubby” Broccoli, and it was the first film to not use any traditional Fleming title or plot elements; Licence to Kill had borrowed heavily from both Live and Let Die and “The Hildebrand Rarity”, and GoldenEye – though an original story – was the name of Ian Fleming’s home.
Thus, without two of its most influential auteurs’ assistance, Tomorrow Never Dies was left to its own devices – pun intended – and marked a significantly different direction for the series. Continue reading
Dirty Harry’s Brown Tweed in Magnum Force
Vitals
Clint Eastwood as Insp. Harry Callahan, badass San Francisco Police Department inspector
San Francisco, Late Summer 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Magnum Force was originally developed by John Milius as Vigilance, a simple film about a group of young officers in the SFPD going rogue to exterminate the worst of the city’s crooks. Clint Eastwood quickly got his hands on the script and decided that the film would be a good vehicle to show that Harry Callahan may be harsh in his methods, but he isn’t a total vigilante who takes the law in his hands. (Although some would say the opposite about Eastwood during the film’s production.)
Due to Milius’ extensive knowledge and enthusiasm for firearms, the film included plenty of gun handling both on and off the job with extended scenes set during both practice and competition. Continue reading
Justified – Raylan’s Gray Suit Jacket and Jeans

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified. (Episode 2.01: “The Moonshine War”)
Vitals
Timothy Olyphant as Raylan Givens, proudly old-fashioned Deputy U.S. Marshal
Harlan County, KY, Spring 2010
Series: Justified
Episodes:
– “The Lord of War and Thunder” (Episode 1.05, Director: Jon Avnet, Air Date: April 13, 2010)
– “Bulletville” (Episode 1.13, Director: Adam Arkin, Air Date: June 8, 2010)
– “The Moonshine War” (Episode 2.01, Director: Adam Arkin, Air Date: February 9, 2011)
– “The Life Inside” (Episode 2.02, Director: Jon Avnet, Air Date: February 16, 2011)
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Season 2) Continue reading
Michael Caine in Get Carter
Vitals
Michael Caine as Jack Carter, ruthless London gangster
Newcastle, England, Spring 1971
Film: Get Carter
Release Date: March 10, 1971
Director: Mike Hodges
Costume Designer: Evangeline Harrison
Tailor: Douglas Hayward
Background
Get Carter is arguably one of the greatest crime films of all time, making it – by my default – one of the greatest films of all time. Bleak, gritty, and violent, and, the film was the love child of director Mike Hodges and superstar Michael Caine with a screenplay written by Hodges from Ted Lewis’ 1970 novel Jack’s Return Home. Although Hodges had originally drafted the screenplay with Ian Hendry (who would play Eric Paice in the film) in mind for the lead role, Caine eventually took the role that cemented his place as a cinema icon. Hodges was surprised that a major star like Caine would take on the role of Jack Carter; although Caine had previously played a gangster in The Italian Job, Charlie Croker was more of a charming ne’er-do-well while Carter was a restrained but brutal and ultimately unlikable killer. Continue reading
Don Draper’s Yellow Gun Club Check Sportcoat
Vitals
Jon Hamm as Don Draper, recently divorced Madison Avenue ad man (although I guess it’s safe to call him Dick Whitman here…)
Los Angeles, December 1964 and
New York City, Summer 1965
Series: Mad Men
Episodes:
– “The Good News” (Episode 4.03, dir. Jennifer Getzinger, aired August 8, 2010)
– “The Summer Man” (Episode 4.08, dir. Phil Abraham, aired September 12, 2010)
Creator: Matthew Weiner
Costume Designer: Janie Bryant Continue reading
The Cream Suit in Layer Cake
SPOILER ALERT! Some photos in this post sorta give things away out of necessity. If you’re familiar with the film, great. If you’re not… eh, maybe wait a bit before reading this one.
Vitals
Daniel Craig as an unnamed London drug dealer (“XXXX”, for simplicity’s sake)
London, Summer 2004
Film: Layer Cake
Release Date: October 1, 2004
Director: Matthew Vaughn
Costume Designer: Stephanie Collie
Background
As summer comes to a close, so will the seasonal focus on how to wear a good summer suit. There have been a range of styles, from fashion-forward mod suits (Michael Caine in The Italian Job) to double-breasted three-piece affairs (J.J. Gittes and Chalky White).
At the end of Layer Cake, Dan Craig has effectively negotiated the dangerous London drug underworld to announce his retirement, even with the prospect of taking over staring him in the face. Unlike so many gangsters – both real and cinematic – “XXXX” decides he’s made enough and had enough, and he chooses to retire and drive off into the sunset (or the afternoon sun) with his new girlfriend. Unfortunately, he may have made one careless mistake too many… Continue reading
Casino Royale: Bond’s Blue Sunspel Polo in Bahamas
Vitals
Daniel Craig as James Bond, recently reactivated British secret agent
Bahamas, July 2006
Film: Casino Royale
Release Date: November 14, 2006
Director: Martin Campbell
Costume Designer: Lindy Hemming
Background
After a brief lesson in How Not To Vacation 101 (getting a beautiful bedmate killed, stabbing an international arms dealer in the middle of a museum, being mistakenly arrested as a potential plane bomber, and checking his work e-mail), James Bond is taken back to the Bahamas via helicopter to meet with “M” and discuss his future.
What’d He Wear?
Following his adventure in Miami, Bond returns to the Bahamas via helicopter, dressed far more casually than he was for his initial arrival. Although casual, it is still a classically simple look and provides Bond with his first on-screen polo shirt since the Connery era. The outfit is very fitting for the warm climate and can be easily adapted for any man. Continue reading
The Tailor of Panama: Andy Osnard’s Linen Suit

Pierce Brosnan as Andy Osnard in The Tailor of Panama (2001). His right arm is folded behind his back; he is not playing an amputee.
Vitals
Pierce Brosnan as Andy Osnard, sleazy and shrewd MI6 agent
Panama City, Fall 1999
Film: The Tailor of Panama
Release Date: March 30, 2001
Director: John Boorman
Costume Designer: Maeve Paterson
Background
The Tailor of Panama, John Boorman’s darkly comic adaptation of John le Carré’s spy novel, presents Pierce Brosnan as we’d never seen him before.
“Yeah, a hard-drinking MI6 agent who beds women in exotic locales. Real switch-up for him,” you say, dubiously.
Of course, Brosnan’s character Andy Osnard could best be described as the anti-Bond. Continue reading
Dexter’s Dark Blue Linen Shirt in “See-Through”
Vitals
Michael C. Hall as Dexter Morgan, Miami Metro Police forensic analyst and serial killer
Miami, March 2007
Background
When he wasn’t sporting his trademark brown henley and cargo pants for a kill, Dexter Morgan dressed very fashionably and practically for his tropical surroundings. The second season of Dexter, lauded by fans as one of the best, finds Dexter confronted by his gruesome habits and branded the “Bay Harbor Butcher”. Since Dexter had killed more than fifty victims by the time the season started, any police department would be way over their heads with such a discovery, let alone the totally incompetent Miami Metro Police Department of the series. The MMPD calls in the FBI, notably eccentric super agent Frank Lundy.
By the fourth episode, “See-Through”, Lundy and his task force – which now includes Dexter’s sister Debra – are ramping up their case against the Butcher. Continue reading








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