Tagged: Blue/Navy Suit

Tony Montana’s Sky Blue Suit in Scarface

Al Pacino as Tony Montana in Scarface (1983)

Al Pacino as Tony Montana in Scarface (1983)

Vitals

Al Pacino as Tony Montana, impulsive and hotheaded cocaine dealer

Miami, Fall 1981

Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco

WARNING! Spoilers ahead!

Background

Miami, Florida, was incorporated as a city 121 years ago today – July 28, 1896. Today’s post focuses on one of the city’s most infamous fictional residents.

And, of course, that would be Tony Montana, the Cuban-born drug dealer portrayed by Al Pacino as he works his way to the top of the Miami drug world in the 1983 remake of Howard Hawks’ Prohibition-era pre-Code crime classic, Scarface. Continue reading

Spectre – Bond’s Navy Suit

Daniel Craig as James Bond in Spectre (2015)

Daniel Craig as James Bond in Spectre (2015).

Vitals

Daniel Craig as James Bond, British government agent

Morocco, November 2015

Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime

WARNING! Spoilers ahead!

Background

For Ian Fleming’s upcoming birthday on May 28, BAMF Style is taking a look at a navy suit worn by Daniel Craig in Spectre… the closest approach to Fleming’s outlined sartorial vision for James Bond’s business dress since Sean Connery in You Only Live Twice (link).

Through the course of his Bond books, Fleming had often stipulated a dark blue suit of tropical weight worsted or serge, worn with a white short-sleeved shirt, black knit tie, and black moccasin slip-ons. The filmmakers discarded the exact details (like Fleming’s preferred short-sleeve shirts) but adapted the outfit’s simplicity into the agent’s on-screen style.

More than 60 years after Fleming drafted his first manuscript for Casino Royale on a typewriter in Jamaica, Daniel Craig’s James Bond allows himself to be lured into a trap set by his oldest enemy, Ernst Stavro Blofeld (Christoph Waltz), who reveals himself to be “the author of all your pain.” Continue reading

OSS 117’s Blue Suit

Jean Dujardin as Hubert Bonisseur de La Bath in OSS 117: Cairo, Nest of Spies (2006)

Vitals

Jean Dujardin as Hubert Bonisseur de La Bath, suave French agent OSS 117

Cairo, Spring 1955

Film: OSS 117: Cairo, Nest of Spies
(French title: OSS 117: Le Caire, nid d’espions)
Release Date: April 19, 2006
Director: Michel Hazanavicius
Costume Designer: Charlotte David
Tailor: Joseph Kergoat

Background

After exploring the handsome blue suit worn by Sean Connery in that most parodied of 007 flicks, You Only Live Twice, BAMF Style is continuing its theme of debonair international spies in blue suits with a look at Jean Dujardin’s tailored suit in OSS 117: Cairo, Nest of Spies. Continue reading

You Only Live Twice: Bond’s Blue Suit in Japan

Sean Connery as James Bond in You Only Live Twice (1967)

Vitals

Sean Connery as James Bond, sophisticated British MI6 agent

Tokyo to Miyazaki, Japan, Summer 1966

Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair

Background

Sean Connery’s wardrobe as James Bond is remembered for its timeless sophistication, developed for his first appearance as the character in Dr. No. The elements of Connery’s Bond style generally differed from Ian Fleming’s literary vision, with Connery often sporting gray suits rather than blue, long-sleeve shirts rather than short-sleeved, and derby shoes rather than non-laced casuals.

However, there are a few occasions where Connery’s 007 sartorially overlapped with Fleming’s vision. His dark blue suit when visiting Osato’s Tokyo office in You Only Live Twice thus serves as an appropriate post for the 00-7th of May, Ian Fleming’s birth month. Continue reading

Lucky Luciano’s 1931 Navy Suit on Boardwalk Empire

Vincent Piazza as Charlie “Lucky” Luciano on Boardwalk Empire (Episode 5.02: “The Good Listener”)

Vitals

Vincent Piazza as Charles “Lucky” Luciano, Sicilian-American mobster

New York City, April 1931

Series: Boardwalk Empire
Episodes:
* “Golden Days for Boys and Girls” (Episode 5.01, aired September 7, 2014, dir. Tim Van Patten)
* “The Good Listener” (Episode 5.02, aired September 14, 2014, dir. Allen Coulter)
* “Eldorado” (Episode 5.08, aired October 26, 2014, dir. Tim Van Patten)
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield

WARNING! Spoilers ahead!

Background

86 years ago tomorrow “Lucky” Luciano brought an end to the Castellammarese War – as mob historians refer to the bloody gangland conflict that divided New York City – by engineering the death of Sicilian-American mob chieftain Giuseppe “Joe the Boss” Masseria.

Masseria’s demise is one of the many colorful episodes that has, for better or worse, iconicized the history of the American Mafia… and it makes for a compelling and dramatic re-introduction to Lucky Luciano (Vincent Piazza) for the final season of Boardwalk Empire. Continue reading

Havana – Robert Redford’s Turquoise Blue Suit

Robert Redford as Jack Weil in Havana (1990)

Robert Redford as Jack Weil in Havana (1990)

Vitals

Robert Redford as Jack Weil, smooth, cynical gambler and U.S. Navy veteran

Havana, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

Blue is one of my favorite colors to wear for spring, and Robert Redford wore a bold turquoise blue suit for a memorable sequence in Havana shortly after Redford’s character Jack Weil arrives in the titular city.

The time is December 1958, and anyone with any clue about Cuban history could tell you that that is a hell of a time to find yourself in Havana. Continue reading

Bond in Brioni – The Navy Suit in GoldenEye

Pierce Brosnan as James Bond, armed with an AKS-74U, in GoldenEye (1995)

Pierce Brosnan as James Bond, armed with an AKS-74U, in GoldenEye (1995)

Vitals

Pierce Brosnan as James Bond, sophisticated British secret agent

St. Petersburg, Russia, April 1995

Film: GoldenEye
Release Date: November 13, 1995
Director: Martin Campbell
Costume Designer: Lindy Hemming

Background

I’ve been featuring a number of looks from the James Bond series lately, but I would hate to let that get in the way of the 00-7th of March! Since we’re celebrating St. Patrick’s Day this month, it seems obvious to me that we should also be celebrating the Irish actor who delivered his own brand of debonair charm to the role of 007.

In his inaugural outing, GoldenEye, Pierce Brosnan’s Bond is relaxing in the pool of his St. Petersburg hotel when he is cornered by the alluring assassin Xenia Onatopp (Famke Janssen). Bond gets the upper hand – among other parts – and convinces Xenia to introduce him to the mysterious syndicate behind the disappearance of a missing satellite. Continue reading

The Man from U.N.C.L.E. (2015) – Solo’s Blue Teal Windowpane Suit

Henry Cavill as Napoleon Solo in The Man from U.N.C.L.E. (2015)

Henry Cavill as Napoleon Solo in The Man from U.N.C.L.E. (2015)

Vitals

Henry Cavill as Napoleon Solo, smooth CIA operative

Berlin and Rome, Spring 1963

Film: The Man from U.N.C.L.E.
Release Date: August 2, 2015
Director: Guy Ritchie
Costume Designer: Joanna Johnston

Background

The Man from U.N.C.L.E. is one of the more stylish films released in recent years, transporting audiences back to the oft-romanticized height of Cold War spying in mid-’60s Europe. The movie reboot serves as a prequel for the popular TV show, which starred Robert Vaughn and David McCallum as American spy Napoleon Solo and KGB operative Illya Kuryakin, respectively.

Henry Cavill’s interpretation of Solo retains much of the easygoing efficiency and sophistication originated by Vaughn in the role, and I left the theater wishing I was heading directly to the shop of Timothy Everest, who tailored Cavill’s distinctive and debonair suits for the film.

For my inaugural Solo post, in response to requests from readers Noel and Andrew, I am choosing to focus on a flashy suit that gets plenty of screen time. Continue reading

Tommy Shelby’s Blue Wedding Suit

Cillian Murphy as Tommy Shelby in the third season premiere of Peaky Blinders

Cillian Murphy as Tommy Shelby in the third season premiere of Peaky Blinders.

Vitals

Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran

Birmingham, England, February 1924

Series: Peaky Blinders
Episode: Episode 3.01
Air Date: May 5, 2016
Director: Tim Mielants
Creator: Steven Knight
Costume Designer: Alexandra Caulfield

WARNING! Spoilers ahead!

Background

Today’s Week of Weddings post focuses on the sadly short-lived union of Tommy Shelby and Grace Burgess that kicked off the third season of Peaky Blinders.

This is the second Peaky Blinders wedding to be featured on BAMF Style after the first season nuptials of John Shelby and Esme Lee. While that first wedding was considerably spontaneous (at least for the groom), this union had been in the fire since Tommy and Grace first laid eyes on each other across the Garrison in 1919. Five years and one dead Irish investigator later, the two are finally tying the knot.

Grace’s family is comprised of several members of the “King’s Irish” cavalrymen that nearly abandoned the Peaky Blinders on the battlefield a decade earlier, so Tommy is forced to lay down some relatively unorthodox rules for a wedding:

No cocaine. No sport. No telling fortunes. No racing. No fucking sucking petrol out of their fucking cars… But the main thing is, you bunch of fuckers, despite the provocation from the cavalry, no fighting!

As Michael Hogan from The Telegraph reported: “Sex, drugs and ragtime: welcome to a fairytale wedding, Shelby-style.” Continue reading

Ray Charles’ Blue Silk Stage Suit

Jamie Foxx as Ray Charles in Ray (2004)

Jamie Foxx as Ray Charles in Ray (2004)

Vitals

Jamie Foxx as Ray Charles, groundbreaking R&B musician

Indianapolis, Fall 1961

Film: Ray
Release Date: October 29, 2004
Director: Taylor Hackford
Costume Designer: Sharen Davis

Background

On a suggestion from a great reader of this blog, I revisited Jamie Foxx’s Academy Award-winning performance as Ray Charles in 2004’s Ray and noticed the abundance of excellent period costumes that Foxx wears as the titular virtuoso.

In addition to Foxx’s Oscar for acting, the 2005 Academy Awards also gave a well-deserved nod to costume designer Sharen Davis, who beautifully recreated the era through Ray’s natty attire both on and off the stage. One outfit that particularly stood out was the black satin-trimmed stage suit in blue flecked silk that Ray wears during a couple of early 1960s gigs across the Midwest. Continue reading