Tagged: Brown Suit
Nucky Thompson’s Brown and Pink Check Suit
Steve Buscemi as Enoch “Nucky” Thompson in “The Ivory Tower”, Episode 2 of Boardwalk Empire.
Vitals
Steve Buscemi as Enoch “Nucky” Thompson, Atlantic City’s corrupt treasurer and gangster
Atlantic City, January 1920 through August 1921
Series: Boardwalk Empire
Seasons: 1-2
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
To pay tribute to the return of Boardwalk Empire for its final season and recognize the current Gilt Groupe promotion that I’ll discuss, today’s post covers one of the most recognizable suits worn by the show’s protagonist, Enoch “Nucky” Thompson. Continue reading
Gatsby’s Caramel Suit and Yellow Duesenberg (2013 Version)
Leonardo DiCaprio on set as Jay Gatsby in The Great Gatsby (2013)
Vitals
Leonardo DiCaprio as Jay Gatsby, eccentric and romantic millionaire bootlegger
New York City, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Background
Car Week is wrapping up with a yin to Monday’s yang. The first post this week looked at the big yellow Rolls-Royce tourer from the 1974 adaptation of The Great Gatsby and the suit Robert Redford wore while driving it. The car was practically as close as the one mentioned in the novel, but the suit was too dark and too contemporary to be accurate with the suit in the novel.
Today’s post looks at the more recent 2013 adaptation directed by Baz Luhrmann and starring Leonardo DiCaprio in the title role. The film nicely brought to life the “caramel-colored suit” that Fitzgerald wrote about in the novel, but the Rolls-Royce of the novel is now an anachronistic supercharged Duesenberg. I can’t complain too much since the scenes of Gatsby driving his Duesy are some of the most exciting moments in the movie.
He saw me looking with admiration at his car.
“It’s pretty, isn’t it, old sport?” He jumped off to give me a better view. “Haven’t you ever seen it before?”
I’d seen it. Everybody had seen it. It was a rich cream color, bright with nickel, swollen here and there in its monstrous length with triumphant hat-boxes and supper-boxes and tool-boxes, and terraced with a labyrinth of wind-shields that mirrored a dozen suns. Sitting down behind many layers of glass in a sort of green leather conservatory, we started to town.
– The Great Gatsby, Chapter 4
Jay Gatsby’s Brown Suit and Yellow Rolls-Royce (1974 Version)
Robert Redford as Jay Gatsby in The Great Gatsby (1974), posing with his yellow 1928 Rolls-Royce Phantom I convertible.
Vitals
Robert Redford as Jay Gatsby, romantic millionaire and shady bootlegger
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Well, it’s the arbitrarily-chosen second week of June, which means it’s time for the third semi-annual Car Week!
I’m kicking off this week by focusing on a very iconic car in both literature and film – Jay Gatsby’s big yellow Rolls-Royce tourer, a symbol of the era’s destructive opulence. Continue reading
Clyde Barrow’s Death Suit (2013 Version)
Emile Hirsch as Clyde Barrow in part two of the 2013 mini-series Bonnie & Clyde.
Vitals
Emile Hirsch as Clyde Barrow, bank robber with “second sight”
Rural Louisiana, May 1934
Series Title: Bonnie and Clyde
Air Date: December 8, 2013
Director: Bruce Beresford
Costume Designer: Marilyn Vance
Background
Eighty years ago today, six Southern lawmen pulled off a feat that the federal government had been failing to do for months with the first real victory in the United States’ “War on Crime”.
With the advent of the Great Depression following the stock market crash of 1929, criminals abandoned gangsterdom and bootlegging (both “Machine Gun” Kelly and “Pretty Boy” Floyd were known to be bootleggers early in their career) in favor of motorized banditry. In the spirit of the Old West, bank robbers took to cars all across the country – with a special concentration in the poorest areas of the Midwest and the South.
This crime wave did not go unnoticed by the government. Soon, names like John Dillinger, “Baby Face” Nelson, and Alvin Karpis were dominating the headlines, and they were surprisingly welcome by the people who were sick and tired of the perceived “fat cats” in the government. Some of the criminals, Dillinger and Floyd especially, even had the begrudging respect of some small-town lawmen. But the greatest disparity between public opinion and actual temperament is with the case of Bonnie and Clyde. Continue reading
Dr. Watson’s Brown Houndstooth Suit
Jude Law as Dr. John Watson in Sherlock Holmes (2009).
Vitals
Jude Law as Dr. John Watson, adventurous physician and amateur detective
London, August 1890
Film: Sherlock Holmes
Release Date: December 25, 2009
Director: Guy Ritchie
Costume Designer: Jenny Beavan
Background
While the current British series Sherlock offers more universally adaptable wardrobe options due to its contemporary setting, I unfortunately have yet to see the show (which I know I will love) or own it on a screencappable medium. Thus, to celebrate Sir Arthur Conan Doyle’s 155th birthday this week – May 22 – I’ll be offering a suit worn by Jude Law in the 2009 adaptation of Sherlock Holmes.
Dr. John Watson is the second-greatest invention of Conan Doyle, forever influencing the “active narrator” present in mysteries and thrillers. Throughout the years, Dr. Watson evolved from Conan Doyle’s stoic if somewhat stodgy man of action into a total dolt whose friendship with Holmes was the only thing keeping him alive. Continue reading
Nucky Thompson’s Glen Plaid Easter Suit
Steve Buscemi as Enoch “Nucky” Thompson in “Sunday Best”, Episode 3.07 of Boardwalk Empire.
Vitals
Steve Buscemi as Enoch “Nucky” Thompson, political boss and bootlegger
Atlantic City, April 1923
Series: Boardwalk Empire
Episodes:
– “Sunday Best” (Episode 3.07, aired October 28, 2012, dir. Allen Coulter)
– “The Milkmaid’s Lot” (Episode 3.09, aired November 11, 2012, dir. Ed Bianchi)
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
Many modern men view Easter as a lesser version of Thanksgiving (not as much food) or Christmas (no presents) that requires a colorful button-down and slacks for a few begrudging hours with family. Since 65% of the world celebrates Easter, it’s safe to assume that many of you will be trudging between in-laws houses and watching the kids hunt for eggs or shovel chocolate into their mouths… you’ll probably be eating your share of chocolate also.
While he looks forward to the holiday with as little enthusiasm as most non-religious adult males do, Boardwalk Empire‘s sharply dressed lead uses the day to inject some spring color into his wardrobe. Continue reading
American Gangster: Frank Lucas’ Light Brown Killer Suit
Denzel Washington as Frank Lucas in American Gangster (2007).
Vitals
Denzel Washington as Frank Lucas, heroin kingpin
Harlem, Spring 1970
Film: American Gangster
Release Date: November 2, 2007
Director: Ridley Scott
Costume Designer: Janty Yates
Tailor: Leonard Logsdail
Background
Frank Lucas was a gangster and heroin kingpin that amassed millions of dollars during the Vietnam War importing pure heroin in the caskets of deceased servicemen. Continue reading
Truth vs. Fiction: The Bank-Robbing Style of Warren Oates as Dillinger
Warren Oates as John Dillinger, leaving a South Bend bank job in 1973’s Dillinger.
Vitals
Warren Oates as John Dillinger, Depression-era bank robber and “super gang” leader
Indiana, Fall 1933
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Eighty years ago today in East Chicago, Indiana, 43-year-old ECPD patrolman William Patrick O’Malley responded to a call concerning the robbery of the First National Bank. Without hesitation, O’Malley showed up at the scene, unaware that he would be going up against John Dillinger, the Indiana bandit who would soon become famous as the first national Public Enemy #1. Continue reading
Dirty Harry’s Brown Suit
Clint Eastwood in the climactic scene of Dirty Harry (1971).
After stuffing our faces and stomachs during the Thanksgiving holiday this weekend, it’s certainly appropriate that you’d want to return to work feeling like a badass. That’s what Clint Eastwood is here for.
Vitals
Clint Eastwood as Insp. Harry Callahan, frustrated San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Having established his central look earlier in the film as a sport coat and slacks (gray herringbone and brown plaid), Dirty Harry throws a lateral for the final confrontation against the brutal “Scorpio Killer” by wearing a sharp, slim cut brown three-piece suit.
A brown 3-piece suit is a very traditional look, but the fit and styling of Harry’s suit is very contemporary and fashion-forward for 1971. The traditional suiting makes sense for Harry, a contrast to the more liberal film cops like Bullitt and their more fashionable wardrobes. While not outfitted in a frock coat and striped cravat, Harry still looks more old-fashioned next to Bullitt in his shooting jacket and polo neck jumper. Continue reading
Moonraker: James Bond Hunts in Donegal Tweed
Roger Moore goes hunting as James Bond in Moonraker (1979)
Vitals
Roger Moore as James Bond, British “secret” agent who carries a camera with his “secret” code number on it
“California”, Fall 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Design: Jacques Fonteray
Tailor: Angelo Vitucci
Background
Happy 86th birthday, Roger Moore!
By the time Moonraker rolled around, the realism of earlier James Bond films like From Russia With Love was gone, replaced by near-fantasy adventures of a man who practically introduces himself as a secret agent, is completely irresistible to every woman to every woman in the world, and even goes into outer space. Continue reading
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