Tagged: Safari Jacket
Rob Reiner in This is Spinal Tap
Rob Reiner as Marty Di Bergi in This is Spinal Tap (1984)
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Rob Reiner as Marty Di Bergi, documentary filmmaker
Across the United States, Fall 1982 to Spring 1983
Film: This is Spinal Tap
Release Date: March 2, 1984
Director: Rob Reiner
Costume Stylist: Renee Johnston
WARNING! Spoilers ahead!
Background
To celebrate the life of the late Rob Reiner following his and his wife Michele’s tragic deaths over the weekend, today’s post turns it up to eleven with his directorial debut: the 1984 mockumentary—if you will, rockumentary—This is Spinal Tap.
As the son of comedy legends Carl and Estelle Reiner, Rob established his own career on the 1970s sitcom All in the Family as Mike “Meathead” Stivic, whose passion for political activism mirrored the actor’s own. “I could win the Nobel Prize and they’d write ‘Meathead wins the Nobel Prize’,” the two-time Emmy-winning Reiner once commented of the nickname’s lasting association. Though he continued to act, Reiner pivoted behind the camera with a prolific and wide-ranging filmography as the director of genre-spanning modern classics like Stand By Me (1986), The Princess Bride (1987), When Harry Met Sally… (1989), Misery (1990), A Few Good Men (1992), and The American President (1995)—adept at everything from rom-coms and courtroom drama to fantasy and suspense.
Designed to satirize more hagiographical music documentaries, This is Spinal Tap popularized—if not effectively launched—the mockumentary: a comedic format that continues to thrive through titles like Abbott Elementary, Borat, Documentary Now!, The Office, Parks & Recreation, and What We Do in the Shadows.
Reiner allows Christopher Guest, Michael McKean, and Harry Shearer to shine as the fictional metal band Spinal Tap, also appearing on screen as Marty Di Bergi, a filmmaker tasked with chronicling the titular band’s American comeback tour. Continue reading
Alec Guinness’ Tropical Khaki Drill Uniform in The Bridge on the River Kwai
Alec Guinness in The Bridge on the River Kwai (1957)
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Alec Guinness as Lt. Col. L. Nicholson, duty-bound British Army officer and POW
Between Burma and Thailand, Spring 1943
Film: The Bridge on the River Kwai
Release Date: October 2, 1957
Director: David Lean
Wardrobe Credit: John Wilson-Apperson
WARNING! Spoilers ahead!
Background
One of the most acclaimed war epics of all time, The Bridge on the River Kwai was directed by David Lean and adapted from the 1952 novel by French author Pierre Boulle, a former POW who infused the story with a mix of firsthand insight and satirical commentary. The film became the highest-grossing release of 1957 and won six of its seven Academy Award nominations, including Best Picture, Best Director, and Best Actor for Alec Guinness, who died 25 years ago tomorrow on August 5, 2000.
In this fictionalized account of the construction of a railway bridge along the Burma-Siam route during World War II, Guinness portrayed dignified career officer Lieutenant Colonel Nicholson of the British Army, whom we meet as he leads his whistling troops into a Japanese prison camp deep in the arid Thai jungle. Continue reading
Coup de Torchon: Philippe Noiret’s Khaki Uniform
Philippe Noiret in Coup de Torchon (1981)
Vitals
Philippe Noiret as Lucien Cordier, ineffective yet conniving colonial police chief
French West Africa, Summer 1938
Film: Coup de Torchon
(English title: Clean Slate)
Release Date: November 4, 1981
Director: Bertrand Tavernier
Costume Designer: Jacqueline Moreau
WARNING! Spoilers ahead!
Background
For the 12th anniversary of my first-ever BAMF Style post, today’s entry is a labor of love analyzing the style from the French adaptation of one of my favorite novels, Pop. 1280 by Jim Thompson. Born 118 years ago tomorrow on September 27, 1906, Thompson specialized in hardboiled crime fiction that has frequently been adapted into movies, including The Getaway, The Grifters, and The Killer Inside Me.
Published sixty years ago in 1964, Pop. 1280 is a darkly comic retread of the themes Thompson explored in The Killer Inside Me, following a southern sheriff whose mild-mannered persona masks his psychopathy. Set during the 1910s, Pop. 1280 is narrated by Nick Corey, the blissfully lazy “high sheriff of Potts County,” the 47th largest in an unnamed state of 47 counties. Nick presents himself as a dimwitted pushover, while secretly manipulating and murdering his way through his friends, family, and mistresses, all while nurturing delusions of being God’s agent sent to punish the sinful town of Pottsville.
Though there are rumors of a future adaptation directed by Yorgos Lanthimos (who seems well-suited for the material), the only major screen adaptation to date is Bertrand Tavernier’s Coup de Torchon, which earned ten César Award nominations and was nominated for Best Foreign Language Film at the 55th Academy Awards.
Adapted by Tavernier and Jean Aurenche, Coup de Torchon maintains the story’s center around a lazy lawman living with his domineering wife and her overly affectionate and slow-witted, uh, “brother”, in a small town where he’s the constant target of bullies, from those in his own household to a boastful fellow lawman who works several towns away. However, the setting is shifted to the fictional French West African town of Bourkessa on the eve of World War II, and the protagonist is reimagined as Lucien Cordier, played by Philippe Noiret, a two-time César Award-winning actor born in Lille on October 1, 1930.
“Doing nothing is my job, I’m paid for it,” Cordier explains to the two snappily dressed pimps who regularly torment him, adding with some earnestness: “At times—not always—I think I’ve found paradise on Earth.” Continue reading
Cockfighter: Warren Oates’ Black Shirt and Lee Jeans
Warren Oates in Cockfighter (1974)
Vitals
Warren Oates as Frank Mansfield, voluntarily mute cockfighter
Georgia, Spring 1973
Film: Cockfighter
Release Date: July 30, 1974
Director: Monte Hellman
Wardrobe Credit: Carol Hammond & Patty Shaw
Background
Fifty years ago today on July 30, 1974, the locally filmed B-movie Cockfighter premiered in Roswell, Georgia.
“King of Cult” producer and director Roger Corman had spied Charles Willeford’s novel of the same name in an airport bookstore and had read no more than the title and the back cover before buying the adaptation rights, explaining to his editor that “with a title like this, if we can’t sell it, we’re in big trouble.” Unfortunately… they couldn’t sell it.
Perhaps dismayed that Hellman took a more philosophical than exploitative approach, Corman tried every trick at his disposal to grow an audience. After hiring Joe Dante to recut the film, he rotated through alternate titles like Born to Kill, Gamblin’ Man, and Wild Drifter, until eventually accepting a rare defeat, citing Cockfighter as the only New World Pictures release to lose money, despite its already meager $400,000 budget.
Like many other Corman films, Cockfighter found a cult following in the decades after its release, certainly in part to the talent involved. Working from a screenplay that Willeford adapted from his own novel, Monte Hellman was hired to direct as his first feature since Two-Lane Blacktop. Hellman assembled a cast that included Two-Lane Blacktop alumna Warren Oates, Laurie Bird, and Oates’ friend and frequent co-star Harry Dean Stanton (the subject of my first Cockfighter post), as well as ’50s screen idol Troy Donahue, character actors Robert Earl Jones and Richard B. Shull, and a young Ed Begley Jr. in one of his first prominent roles.
Three years after Hellman directed him to magnificence as “GTO” in Two-Lane Blacktop, Oates delivered one of his arguably career-best performances as Frank Mansfield, a determined gambler who vows to remain mute until he can be awarded Southern Conference Cockfighter of the Year. As Frank increases the stakes by betting everything he owns along the way, we see the lengths to which he goes to build up the odds against his gamecock Sandspur, such as disfiguring the beak to appear cracked. Continue reading
Asteroid City: Jason Schwartzman’s Safari Jacket
Jason Schwartzman as Augie Steenbeck in Asteroid City (2023)
Vitals
Jason Schwartzman as Augie Steenbeck, widowed war photojournalist (portrayed in-universe by Jones Hall)
The Mojave Desert, Fall 1955
Film: Asteroid City
Release Date: June 16, 2023
Director: Wes Anderson
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
“Each year, we celebrate Asteroid Day, commemorating September 23, 3007 B.C., when the Arid Plains Meteorite made Earth impact,” General Grif Gibson (Jeffrey Wright) explains to the gathered crowd of Junior Stargazers and Space Cadets and their parents in Asteroid City, the latest from Wes Anderson—a colorful reflection of grief and loneliness in a delightfully surreal “cosmic wilderness”.
Vividly photographed in Anderson’s signature style, Asteroid City centers around a fictional play staged for live television in the 1950s, scored by a great early ’50s guitar soundtrack featuring contemporary hits by Les Paul & Mary Ford and cowboy singers like Slim Whitman and Tennessee Ernie Ford as well as Alexandre Desplat’s evocative original score. The play is set in a fictional town of 87 dwellers, located approximately “halfway between Parched Gulf and Arid Plains” near a nuclear testing site in the California/Arizona/Nevada region, according to the opening lines of playwright Conrad Earp (Edward Norton).
The ostensible protagonist among our ensemble cast is the Augie Steenbeck (Jason Schwartzman), a jaded war photojournalist and—initially unbeknownst to his “brainiac” son Woodrow (Jake Ryan) and three younger daughters that he’s traveling with—a recent widow. “Let’s say she’s in Heaven… which doesn’t exist for me, of course, but you’re Episcopalian,” Augie reassures his children while grasping their mother’s ashes in a teal Tupperware bowl. Continue reading
The Last of Sheila: Richard Benjamin’s Safari Jacket
Richard Benjamin and Joan Hackett in The Last of Sheila (1973)
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Richard Benjamin as Tom Parkman, spaghetti western screenwriter
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
I’ll bet you haven’t seen the last of Sheila! (Okay, so maybe you have seen this movie, but I can’t resist a pun.)
Released 50 years ago today on Flag Day 1973, The Last of Sheila was penned by Stephen Sondheim and Anthony Perkins, inspired by the real-life scavenger hunts and murder parties that they used to organize for fellow friends in show business, from actors to agents like Sue Mengers. Director Herbert Ross had been part of the festivities at one point, telling Sondheim and Perkins to collaborate on a screenplay based on their parlor games, and it was Ross who ended up helming The Last of Sheila.
(It’s been reported that Mengers was actually offered a role in The Last of Sheila, but she turned it down as she wasn’t a professional actress and wanted to avoid taking work she felt her clients deserved, and she talked a characteristically effervescent Dyan Cannon into playing the part she inspired.)
The Last of Sheila has been the subject of renewed attention in recent years, thanks in part to Rian Johnson citing it as inspiration for Knives Out and its sequel, Glass Onion, both of which clearly share Sheila‘s DNA with their star-studded casts, plot complexity, and the balance of comic light-heartedness and deadly suspense, as well as specific plot elements like misinterpreted manners of death, a Mediterranean Sea full of red herrings, and an eccentric host welcoming a coterie of famous friends for a mystery party.
The film begins after colorful producer Clinton Greene (James Coburn) lost his wife Sheila in a mysterious hit-and-run accident. To commemorate the one-year anniversary of Sheila’s death, Clinton invites his friends—”six hungry failures”—to spend a week in the Ligurian Sea on the yacht he had named for her, including vivacious talent agent Christine (Dyan Cannon), washed-up director Philip Dexter (James Mason), in-demand actress Alice Wood (Raquel Welch) and her shady husband and promoter Anthony (Ian McShane), and desperate screenwriter Tom Parkman (Richard Benjamin) and his cautious, witty wife Lee (Joan Hackett). Continue reading
Roger Moore’s Safari Suit in Octopussy
Roger Moore as James Bond in Octopussy (1983). Photo sourced from Thunderballs archive at thunderballs.org.
Vitals
Roger Moore as James Bond, British government agent
Udaipur, India, Spring 1983
Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
The 00-7th of June feels appropriate for celebrating Roger Moore’s penultimate James Bond adventure Octopussy, which premiered 40 years ago this week—June 6, 1983 in the United Kingdom, followed by its American premiere four days later.
As would result from a man dressed in keeping with the fashions of his era, Sir Roger’s sartorial legacy in the Bond franchise has included some divisive reference to him as the “leisure suit” Bond. While he did sport a few examples of leisure suits in his inaugural 007 film, Live and Let Die, he more frequently—and only when appropriate—wore more function-oriented safari suits and jackets. Bond Suits founder Matt Spaiser has written extensively about the contextual purpose that Moore’s safari-inspired clothing served in the Bond franchise, an effort that has hopefully reversed some of these negative attitudes.
Four years after he sported his first true safari suit in Moonraker, Octopussy reaffirmed Moore’s reputation as the safari-sporting Bond when he appropriately donned a khaki two-piece safari suit to escape from the Monsoon Palace. Continue reading
The White Lotus: F. Murray Abraham’s Beige Safari Jacket
F. Murray Abraham as Bert Di Grasso on The White Lotus (Episode 2.06: “Abductions”)
Vitals
F. Murray Abraham as Bert Di Grasso, libertine grandfather
Sicily, Summer 2022
Series: The White Lotus
Episodes:
– “Bull Elephants” (Episode 2.03, aired 11/13/2022)
– “Abductions” (Episode 2.06, aired 12/4/2022)
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird
WARNING! Spoilers ahead!
Background
During the 29th annual SAG Awards on Sunday night, the acclaimed second season of The White Lotus was awarded Outstanding Performance by an Ensemble in a Drama Series. Speaking on behalf of the cast while accepting the award, F. Murray Abraham said that “this was the best job I ever had,” not unsubstantial praise from the prolific actor whose six-decade career included his Oscar-winning performance in Amadeus (1984).
The first season had premiered as a limited series, produced in Hawaii during the final months of 2020, its limited location and characters making it ideal to be produced under COVID-19 guidelines. Following the show’s success, a second season was green-lit, filmed at the Four Seasons San Domenico Hotel in Taormina, Sicily.
The second season followed a similar structure as the first, with the opening scene suggesting a mysterious death and only providing a handful of characters whom we knew would be still alive by the season’s end. We then cut to a week earlier as the guests begin arriving, greeted at the dock by their pink-suited hotel manager. The oldest of the guests is Bert Di Grasso (F. Murray Abraham), traveling with his wealthy son Domenic (Michael Imperioli) and grandson—and ostensible namesake—Albie (Adam DiMarco), all intent on tracing their family’s heritage. Continue reading
The Omega Man: Charlton Heston’s Safari Jacket and Ford Convertibles
Charlton Heston as Robert Neville in The Omega Man (1971)
Vitals
Charlton Heston as Colonel Robert Neville, MD, former military scientist and resourceful survivor
Los Angeles, August 1977
Film: The Omega Man
Release Date: August 1, 1971
Director: Boris Sagal
Costumers: Margo Baxley & Bucky Rous
Tailor: Albert Mariani
Background
As #CarWeek continues, let’s check out the pair of Ford convertibles that a safari-clad Colonel Robert Neville commandeers as one of the last men in the world at the heart of The Omega Man, released 50 years ago in the summer of 1971.
Bond’s Cream Safari Jacket and Tie in The Man with the Golden Gun
Roger Moore, flanked by co-stars Maud Adams and Britt Ekland, in his second film as James Bond, The Man with the Golden Gun (1974)
Vitals
Roger Moore as James Bond, British government agent
Macau, Spring 1974
Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell
Background
Following the release of Orlebar Brown’s 007-inspired collection earlier this year, the company’s take on Roger Moore’s green safari jacket from The Man with the Golden Gun renewed my interest in the actor’s sophomore adventure as James Bond which also happened to be the first 007 movie I had ever seen.
After Bond retrieves a gold bullet during his rendezvous with Saida the belly dancer, Q identifies the soft 23-karat gold dum-dum bullet plopped from Saida’s navel as a product of Portuguese gunmaker Lazar (Marne Maitland), currently living in Macau.
“An unexpected honor, Mr. Bond,” Lazar greets him. “Your reputation precedes you.” Well… so much for that whole “secret agent” thing. Continue reading