Tagged: Sneakers
The Gambler: James Caan’s White Tennis Gear
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
In addition to today being the first day of summer, June 20th is also observed as International Tennis Day, established ten years ago to recognize the day when the first “Tennis Court Oath” was taken in 1789 at a tennis court near the Palace of Versailles.
The sport has found renewed interest this year after the release of Luca Guadagnino’s Challengers starring Zendaya, Josh O’Connor, and Mike Faist, a film not without its own notable style including—but certainly not limited to—the “I TOLD YA” T-shirt homage to John F. Kennedy Jr. that costume designer J.W. Anderson chose for Zendaya’s wardrobe.
“We don’t talk enough about the scene in the original version of The Gambler where the James Caan character absolutely destroys his own mother at tennis,” Matt Zoller Seitz tweeted after Caan’s death in July 2022, so I’m hoping to rectify this oversight.
While Challengers will have its BAMF Style spotlight soon, the intersection of International Tennis Day and the summer solstice during the 50th anniversary year of The Gambler drew me toward the Fred Perry-branded tennis whites that Caan wore as Axel Freed in this 1974 drama. Continue reading
The Last of Sheila: Ian McShane’s White Lacoste Cardigan
Vitals
Ian McShane as Anthony Wood, controlling Hollywood husband and ex-convict
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
One of my favorite “summer vibes” movies is The Last of Sheila, which I first watched last summer after learning that it was among Rian Johnson’s inspiration for Glass Onion: A Knives Out Mystery. As the third Knives Out movie has commenced filming and we’re approaching another summer solstice, let’s revisit the Riviera style on parade in The Last of Sheila, released 51 years ago this month on Flag Day 1973.
Written by Stephen Sondheim and Anthony Perkins, The Last of Sheila boasts a fine ensemble cast portraying “six hungry failures” summoned by Hollywood producer Clinton Greene (James Coburn) to spend a week in the Ligurian Sea aboard his yacht, Sheila, named for his late wife who died exactly a year earlier in a mysterious hit-and-run.
After Clinton is murdered during his festivities, the six frenemies begin looking amongst each other for who would have had the means and opportunity to kill Clinton, though all had a motive—presumably to silence the gossip he knew about each of their pasts, revealed by the cards he had assigned to each on their first day at sea.
Perhaps the least connected of the six is the charismatic but shady Anthony Wood (Ian McShane), who fiercely promotes—and controls—the career of his glamorous actress wife Alice (Raquel Welch). When the “I am an EX-CONVICT” card held by the anxious Lee Parkman (Joan Hackett) is revealed to apply to Anthony’s dual convictions for assault, Lee’s writer husband Tom (Richard Benjamin) briefly focuses his interrogation on Anthony as the group tries to solve the mystery. Continue reading
The Wicker Man: Christopher Lee’s Checked Jacket and Turtleneck on May Day
Vitals
Christopher Lee as Lord Summerisle, charismatic pagan cult leader
The Hebrides, Scotland, Spring 1973
Film: The Wicker Man
Release Date: December 6, 1973
Director: Robin Hardy
Costume Designer: Sue Yelland
WARNING! Spoilers ahead!
Background
Hail the queen of the May!
The folk horror classic The Wicker Man is set on the fictional Hebridean island of Summerisle, where the well-meaning blockhead police sergeant Neil Howie (Edward Woodward) investigates a missing teenager’s likely death amidst the island’s annual May Day celebrations led by its magnetic leader, Lord Summerisle (Christopher Lee). Continue reading
Tough Guys Don’t Dance: Ryan O’Neal in Denim
Vitals
Ryan O’Neal as Tim Madden, ex-convict and aspiring writer prone to blackouts
Cape Cod, Fall 1986
Film: Tough Guys Don’t Dance
Release Date: September 18, 1987
Director: Norman Mailer
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God…!
While some recognize Ryan O’Neal from 1970s classics like Love Story, Paper Moon, and Barry Lyndon and others know him for his supporting role on Bones, the above poetry has immortalized the actor’s performance from the baffling 1987 neo-noir Tough Guys Don’t Dance, adapted and directed by Norman Mailer from his own novel of the same name.
Today is the first anniversary of O’Neal’s April 20, 1941 birthday since his death in December 2023 at the age of 82. Continue reading
The Sopranos: Christopher’s Blue Short-Sleeved Nike Tracksuit
Vitals
Michael Imperioli as Christopher Moltisanti, hotheaded Mafia associate
New Jersey, Fall 1998
Series: The Sopranos
Episodes:
– “46 Long” (Episode 1.02, dir. Dan Attias, aired 1/17/1999)
– “The Legend of Tennessee Moltisanti” (Episode 1.08, dir. Tim Van Patten, aired 2/28/1999)
– “Isabella” (Episode 1.12, dir. Allen Coulter, aired 3/28/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Happy birthday to Michael Imperioli, the New York-born actor known for his unforgettable portrayal of Christopher Moltisanti on The Sopranos, racking up an impressive five Emmy nominations and a well-deserved win along the way.
The landmark series aired its first season 25 years ago through early 1999, introducing the world to conflicted New Jersey mob boss Tony Soprano (James Gandolfini) balancing the demands of his family… and his Family. The two intersected with Christopher—the ambitious but dangerously impulsive young mobster who caused some of Tony’s biggest headaches as both his nephew and protégé.
From his signature tracksuits to his unpredictable outbursts, Christopher Moltisanti became an integral part of the show’s DNA, adding layers of complexity to the already rich tapestry of The Sopranos‘ universe.
The Fugitive: Harrison Ford’s Green Parka on St. Patrick’s Day
Vitals
Harrison Ford as Dr. Richard Kimble, fugitive and former vascular surgeon determined to clear his name
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Happy St. Patrick’s Day! Chicago’s famous celebrations with its parade and green-dyed river hosted a major setpiece midway through the 1993 thriller The Fugitive, adapted from the 1960s TV show of the same name.
As in the show, the titular fugitive is Dr. Richard Kimble (Harrison Ford), a man wrongly convicted of his wife’s murder who takes the opportunity to escape after his conviction and works a series of odd jobs while desperately trying to clear his name and find the one-armed man who actually killed his wife. The film reimagines Dr. Kimble’s police pursuer as U.S. Marshal Samuel Gerard (Tommy Lee Jones) and his experienced team of deputies, who manage to track Richard to Chicago based on the sounds of an el train’s PA system in the background of a tapped call to his lawyer.
Dr. Kimble’s hunt leads him to Cook County Hospital, where he falsifies a job on the custodial staff so he can more intently search the prosthetics records for a one-armed man. He finds a promising lead in the form of an incarcerated armed robber (“one-armed man, armed robbery… that’s funny,” quips one of Gerard’s deputies), but quickly realizes this wasn’t the man he was looking for. Unfortunately, the marshals had closed in on the same lead and Dr. Kimble once again comes face-to-face with Gerard, resulting in a desperate chase out through the courthouse and into the crowds of the St. Patrick’s Day parade. Continue reading
Against All Odds: Jeff Bridges’ Burgundy Polo and Herringbone Jacket
Vitals
Jeff Bridges as Terry Brogan, recently cut football player
Los Angeles, Fall 1983
Film: Against All Odds
Release Date: March 2, 1984
Director: Taylor Hackford
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
I’ve received several requests, most recently from BAMF Style reader Cecil, to highlight the style from Against All Odds, released forty years ago this weekend. A loose remake of Jacques Tourneur’s seminal 1947 film noir Out of the Past, Against All Odds reimagines the private eye protagonist as professional football player Terry Brogan (Jeff Bridges). Continue reading
“Nuns don’t work on Sunday…” — One of Magnum’s Striped Band-Collar Shirts
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Honolulu, Hawaii, Fall 1981
Series: Magnum, P.I.
Episode: “The Jororo Kill” (Episode 2.13)
Air Date: January 7, 1982
Director: Alan J. Levi
Created by: Donald P. Bellisario & Glen Larson
Costume Supervisors: Denita Del Signore & James Gilmore
WARNING! Spoilers ahead!
Background
Nuns don’t work on Sunday…
Though perhaps not as iconic of a line to Magnum, P.I. fans as Thomas asking Ivan if he saw the sunrise, this brief moment from the series’ second season—followed by Tom Selleck’s heel turn to shoot a figure dressed in full habit—has found renewed life in meme format, often paired with captions like “80s detective shows rocked” or “the best scene in movie[sic] history”.
80s detective shows rocked 🤣 pic.twitter.com/Tq4HGZMMNN
— I❤️80s𝕏 (@IL0VEthe80s) September 30, 2021
Of course, the context of the scene helps audiences realize that Thomas Magnum doesn’t have a trigger-happy reaction to monastics who divert from his expectations of their schedule.
The episode featuring this moment, “The Jororo Kill”, first aired 42 years ago today on January 7, 1982. Continue reading
Brad Pitt in Bullet Train
Vitals
Brad Pitt as “Ladybug”, anxious assassin
Tokyo to Kyoto, Japan, Spring 2021
Film: Bullet Train
Release Date: August 5, 2022
Director: David Leitch
Costume Designer: Sarah Evelyn
Brad Pitt’s Personal Costumer: Craig Anthony
WARNING! Spoilers ahead!
Background
Happy 60th birthday to Brad Pitt, born in Shawnee, Oklahoma on December 18, 1963. In addition to many acclaimed dramatic and romantic roles, the Oscar-winning actor has long excelled in playing comedic roles as recently affirmed with his performance in David Leitch’s action comedy Bullet Train, adapted from Kōtarō Isaka’s 2010 novel Maria Beetle.
Pitt’s introduction in Bullet Train is scored to a Japanese rendition of the Bee Gees’ disco-era anthem “Stayin’ Alive” (one of many Japanese versions of popular songs featured on the soundtrack), framed just like Travolta had been 45 years earlier in Saturday Night Fever as we start on Pitt’s kicks hitting Tokyo’s neon-lit pavement before we meet the man himself, his shoulder-length hair contained to a dirty bucket hat with a graying goatee framing his beaming smile. Indeed, his new therapist Barry has helped him develop a positive outlook to overcome his anxiety about being unlucky—a particularly unfortunate trait for a contract killer:
My bad luck is biblical. I’m not even trying to kill people and someone dies.
Santa Claus on AOL Blast for Detective Crashmore
Vitals
Biff Wiff as Santa Claus, serious actor who does Christmas
AOL Blast studio, Summer 2022
Series: I Think You Should Leave with Tim Robinson
Episode: “You sure about that? You sure about that that’s why?” (Episode 2.03)
Streaming Date: July 6, 2021
Directed by: Alice Mathias, Zach Kanin, Akiva Schaffer, and Zachary Johnson
Created by: Tim Robinson & Zach Kanin
Costume Designer: Monica Chamberlain
Background
If Leonardo DiCaprio was here, would you ask him about Christmas is around the corner?
Santa Claus graciously appeared on AOL Blast—despite the fact that no one watches it due to its unprofessional bullshit—to promote his latest film Detective Crashmore, for which Lamador Pictures paid him his rate of $2 mil to play the eponymous crazier-than-hell detective.
Once the unprofesssional host Wesley Fillmore finally determined that he would follow his guest’s instructions to interview him as an actor, we learn about the cosmic gumbo—Santa had joked with his co-star Ryan Tanna on set about how it was a cosmic gumbo—that mixes “the action of the ’90s combined with the exploitation films of the ’70s” while almost moving to the beat of jazz. Continue reading










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