Tagged: Venice
Summertime: Rossano Brazzi’s Glen Plaid Suit
Vitals
Rossano Brazzi as Renato de Rossi, antique store owner
Venice, Summer 1954
Film: Summertime
Release Date: June 21, 1955
Director: David Lean
Costume Designer: Rosi Gori (uncredited)
WARNING! Spoilers ahead!
Background
Summertime is here! And by that I mean both the fact that Friday was the summer solstice and that David Lean’s Venetian romance Summertime was released in the United States seventy years ago yesterday on June 21, 1955, nearly a month after its Venice premiere.
Like Lean’s 1940s dramas Brief Encounter and The Passionate Friends, Summertime lushly depicts the intense romance between two strangers—in this case, the American tourist Jane Hudson (Katharine Hepburn) and the dashing local antiques dealer Renato de Rossi (Rossano Brazzi), whom she meets during her long-awaited summer vacation to Venice.
Lazing across a few chairs in Piazza San Marco, Renato first observes Jane while she’s filming the square. She’s initially oblivious to his attention, then becomes uncomfortably befuddled by it and hurries out of the area. Continue reading
Don’t Look Now: Donald Sutherland’s Glen Plaid Jacket
Vitals
Donald Sutherland as John Baxter, architect and grieving father
Venice, Italy, Winter/Spring 1973
Film: Don’t Look Now
Release Date: October 16, 1973
Director: Nicolas Roeg
Wardrobe Credit: Anna Maria Feo
WARNING! Spoilers ahead!
Background
Today’s post pays tribute to the late, great Donald Sutherland (1935-2024), the Canadian-born actor who died last week at the age of 88. One of the actor’s most-discussed films is Nicolas Roeg’s haunting horror tale Don’t Look Now, for which he received a BAFTA nomination. Continue reading
The Honeymoon Machine: Steve McQueen’s Blue Sweater
Vitals
Steve McQueen as LT Ferguson “Fergie” Howard, enterprising U.S. Navy officer
Venice, Summer 1961
Film: The Honeymoon Machine
Release Date: August 23, 1961
Director: Richard Thorpe
Costume Designer: Helen Rose
Background
To commemorate Steve McQueen’s birthday 91 years ago today, let’s take a look at how the King of Cool incorporated some of his personal style into one of his earliest—and least popular—movies.
Based on Lorenzo Semple Jr.’s 1959 play The Golden Fleecing, The Honeymoon Machine belongs to that unique sub-genre of ’60s farce that made light of Cold War paranoia and seemed to end up with everyone throwing punches (executed suitably in The Glass Bottom Boat, poorly in the 1967 Casino Royale.)
The role of the mischievously ambitious, Nietzsche-quoting naval lieutenant Fergie Howard was originally intended for Cary Grant, however the middle-aged actor was nearing his retirement and turned the job down. Rather than casting another screen vet of Grant’s age and standing, the production went in the opposite direction and brought on Steve McQueen for what would be his third top-billed movie after The Blob (1958) and The Great St. Louis Bank Robbery (1959).
The Honeymoon Machine turned a profit but McQueen considered it a dark mark on his career, reportedly walking out of the first public screening and vowing never to work for MGM again. Don’t worry, Steve… The Great Escape is only two years away! Continue reading
Bond Style – From Venice with Love
Vitals
Sean Connery as James Bond, British government agent and legendary super spy
Venice, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair
Background
For anyone who isn’t familiar with it, From Russia With Love is a very polarizing film for Bond fans. It is almost a direct adaptation of the novel, a gritty and realistic espionage adventure based on the murder of a British naval attache on the Orient Express in 1950. The film too is grounded in realism, relying on genuine suspense rather than gadgets or contrived villains. It’s one of my favorites (definitely my favorite of the pre-Craig era) and Sean Connery’s personal favorite, so that should tell you something.
After a tense mission and subsequent getaway stretching from Istanbul through Eastern Europe in From Russia With Love, Bond is glad to spend a short holiday relaxing in Venice with new arm candy Tatiana before having to ship her off to London with the film’s MacGuffin, a decoding device. Continue reading
Casino Royale: Bond’s Navy Polo in Venice
Vitals
Daniel Craig as James Bond, disillusioned British secret agent
Venice, Summer 2006
Film: Casino Royale
Release Date: November 14, 2006
Director: Martin Campbell
Costume Designer: Lindy Hemming
Background
I will make no apology for the fact that I think Daniel Craig is the best thing to happen to James Bond since a badass Scotsman first caught the eye of Cubby Broccoli and the Bond producers in 1961. Craig exemplifies what a modern Bond would be: tough but considerate while being slightly arrogant and insecure. He’s got a few quips, but he’s not winking at the camera every five minutes nor is he more focused on staying in bed with his woman-of-the-week while there’s a job to get done.
That being said, I’m a huge fan of the Bond series and will watch any of the movies (maybe not A View to a Kill) any day. I’ve read all the books, blah blah blah… Besides giving Connery his just due, I would argue that Craig IS Bond, at least from the literary standpoint. He may not be what the public wants him to be/thinks he should be, but he delivers Ian Fleming’s original vision to the screen. Continue reading





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