Tagged: Windbreaker
Scarface: Paul Shenar’s Subdued Style as Sosa
Paul Shenar as Alejandro Sosa in Scarface (1983)
Vitals
Paul Shenar as Alejandro Sosa, Bolivian cartel kingpin
Cochabamba, Bolivia, Fall 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
In response to a paid request from a BAMF Style reader (thanks for the tip, Alexander!), today’s post follows Tony Montana (Al Pacino) and Omar Suarez (F. Murray Abraham) deep into the Andes for their meeting with the urbane Bolivian cartel kingpin Alejandro Sosa (Paul Shenar), who welcomes them to work out a cocaine distribution deal—though Omar receives a less warm welcome than he may have anticipated. Continue reading
Vic Morrow’s Cowboy Cop Style in Dirty Mary Crazy Larry
Vic Morrow in Dirty Mary Crazy Larry (1974)
Vitals
Vic Morrow as Everett Franklin, maverick police captain
San Joaquin County, California, Fall 1973
Film: Dirty Mary Crazy Larry
Release Date: May 17, 1974
Director: John Hough
Wardrobe Master: Phyllis Garr
WARNING! Spoilers ahead!
Background
The talented actor Vic Morrow died 42 years ago today during a helicopter accident on the set of John Landis’ movie The Twilight Zone that also claimed the lives of child actors Myca Dinh Le and Renee Shin-Yi Chen. Born on Valentine’s Day 1929 in the Bronx, Morrow’s acting career dates to the ’50s when he starred as Stanley Kowalski in a stage production of A Streetcar Named Desire and made his screen debut in the 1955 drama Blackboard Jungle. He later brought his real-life experience as a Navy veteran to his star-making role in the 1960s World War II series Combat!
One of my favorite of Vic Morrow’s performances is as Everett Franklin, a renegade police captain tasked with chasing Peter Fonda, Susan George, and Adam Roarke making their high-octane getaway through the walnut groves and highways of central California in Dirty Mary Crazy Larry, released 50 years ago in May 1974. Continue reading
The Killer: Michael Fassbender’s Aloha Shirt and Bucket Hat in Paris
Michael Fassbender in The Killer (2023)
Vitals
Michael Fassbender as “The Killer”, an unnamed professional assassin
Paris, December 2022
Film: The Killer
Release Date: October 27, 2023
Director: David Fincher
Costume Designer: Cate Adams
WARNING! Spoilers ahead!
Background
It’s amazing how physically exhausting it can be to do nothing. If you’re unable to endure boredom, this work is not for you…
… begins the narration of the titular hitman portrayed by Michael Fassbender in The Killer, the latest film from director David Fincher. Based on Jacamon and Matz’s French graphic novel series of the same name, this pulpy action thriller—and arguably very dark comedy—centers around an international assassin who is undoubtedly skilled in his deadly craft, though perhaps not quite the infallible expert he builds himself into through his narration. Continue reading
True Romance: Clarence’s Aloha Shirt and Cadillac
Christian Slater and Patricia Arquette in True Romance (1993)
Vitals
Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk
Los Angeles, Spring 1992
Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker
WARNING! Spoilers ahead!
Background
Earlier this year, I commemorated National Road Trip Day with a brief look at Christian Slater’s rockabilly-inspired style in True Romance, the Quentin Tarantino-penned romantic crime thriller directed by Tony Scott. Now, to kick off Car Week for the summer that this film celebrates its 30th anniversary, let’s revisit Slater’s style as the scrappy newlywed Clarence Worley.
Clarence and his new wife Alabama (Patricia Arquette) have driven across the country in his pink (more like purple) Cadillac convertible, hoping to leave Detroit—and his murder of her former pimp Drexl Spivey (Gary Oldman)—far behind them. Continue reading
Succession: Roman’s Cardigan for Norway
Kieran Culkin as Roman Roy on Succession, Episode 4.05 (“Kill List”)
Vitals
Kieran Culkin as Roman Roy, newly ascended “CE-bro”
Møre og Romsdal, Norway, Fall 2020
Series: Succession
Episode: “Kill List” (Episode 4.05)
Air Date: April 23, 2023
Director: Andrij Parekh
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
WARNING! Spoilers ahead!
Background
My favorite Succession looks are always when the Roy family and their hangers-on are out of the office—or, even better—far from the city, either dressed down in linens for a sunny day at sea or layered in knitwear and Barbours for the country.
Midway through the series’ fourth and final season, “Kill List” was an example of the latter, transporting the Waystar RoyCo corporate entourage to western Norway for tech giant GoJo’s corporate retreat, where they plan to land a deal with its insufferably erratic Elon-esque billionaire CEO, Lukas Mattson (Alexander Skarsgård).
The Scandinavian woods brought out plenty of great style, from Kendall Roy (Jeremy Strong) in his shearling-lined bomber and one of his trademark cashmere caps to Siobhan (Sarah Snook) rotating through a few neutral turtlenecks layered under sport jackets… not to forget her soon-to-be-ex-husband Tom Wambsgans (Matthew Macfadyen) channeling Steve McQueen in a similar sport jacket and turtleneck, albeit with sneakers so white they threaten to confuse the molly-addled Swedes among them.
Among many great performances, the episode belonged to Kieran Culkin as Roman Roy, who was already an exceedingly entertaining character but whose mourning through the latest season brought out an even greater depth in the character. Succession has chronicled Roman’s growth from an immature prankster to a more business-minded professional—albeit still not one above his occasional dick joke (or pic, with apologies to Gerri Kellman). His quest for his father’s approval—even posthumously—has shown Roman taking himself more seriously while still battling his own unresolved inner turmoil. Continue reading
Devil in a Blue Dress: Easy’s Champion Aircraft Jacket
Denzel Washington as Easy Rawlins in Devil in a Blue Dress (1995)
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Denzel Washington as Ezekiel “Easy” Rawlins, laid-off aircraft mechanic and World War II veteran
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
Background
Like a man told me once: you step out of your door in the morning, and you are already in trouble. The only question is are you on top of that trouble or not?
With its dark themes and moral questions, film noir emerged as a cinematic sanctum for depicting the struggles of returning World War II veterans. Movies like Crossfire (1947), Act of Violence (1948), and Thieves’ Highway (1949) showcased the psyche of servicemen who had been to hell and back, depicting them not solely as one-dimensional heroes but as three-dimensional humans whose postwar life requires them to come to terms not just with the trauma encountered overseas but also the impact of returning to a changed home. (I recommend reading more about the connection between veterans and noir in James Barber’s recent article “How the Struggles of WWII Veterans Came to Life in Film Noir” for Military.com.)
Protagonists made cynical by their experiences continued as a theme through the development of neo-noir, whether that’s J.J. Gittes trying to put Chinatown out of his mind or Easy Rawlins, whose lifetime has seen his mother’s early death, his father forced to leave, racial inequities, the scars of wartime service, and—where we find him at the start of Devil in a Blue Dress—just having lost his job at the Champion Aircraft assembly plant. Continue reading
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
Devil in a Blue Dress: Denzel Washington’s Gabardine Windbreaker
Denzel Washington as Easy Rawlins in Devil in a Blue Dress (1995)
Vitals
Denzel Washington as Ezekiel “Easy” Rawlins, former aircraft mechanic and World War II veteran
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
Background
#Noirvember continues with Devil in a Blue Dress, adapted from Walter Mosley’s excellent 1990 novel of the same name introducing readers to Ezekiel “Easy” Rawlins, an Army veteran making his way in postwar Los Angeles. Though he would later transform into a full-time private detective, Devil in a Blue Dress establishes Easy as a neo-Hitchockian hero, an everyman who finds himself at the center of a dangerous mystery after losing his job at an aircraft assembly plant.
Tony Soprano’s Gut-shot George Foreman Shirt in “Members Only”
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: “Members Only”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Newark, New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Fans of The Sopranos are eagerly awaiting the release of David Chase’s prequel, The Many Saints of Newark, directed by Alan Taylor and set during the late 1960s. The movie was originally scheduled for release at the end of this week, but the coronavirus pandemic has delayed the release until March 2021. While it’s too soon for me to take a full look at the style of The Many Saints of Newark, @tonysopranostyle on Instagram has been comprehensively covering many of the outfits seen on set, including those worn by Jon Bernthal as Tony Soprano’s father “Johnny Boy” Soprano and by Michael Gandolfini as a teenage version of his father’s iconic TV character.
In recognition of what would have been James Gandolfini’s 59th birthday last Friday, today’s #MafiaMonday post explores a pivotal scene from the acclaimed series’ sixth season premiere. Continue reading
Dirty Harry’s Navy Windbreaker in Magnum Force
Clint Eastwood as Inspector “Dirty Harry” Callahan in Magnum Force (1973)
Vitals
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
When the first Dirty Harry sequel was being conceptualized in the early 1970s, Clint Eastwood recalled a plot line introduced by Terrence Malick in an unused first draft for Dirty Harry that was fleshed out by John Milius to center around a group of young rogue officers in the San Francisco Police Department who formed a secret vigilante “death squad” to rid the city of its worst criminals. This neatly responded to criticism of Harry Callahan’s methods from the first film, illustrating that while Harry may be an antihero comfortable with skirting red tape to get the job done, he doesn’t extend down into the villainous domain that truly takes the law into their own hands, illustrated by the movie’s repeated motif that “a man’s got to know his limitations.” Continue reading