Tagged: Winter
Clark Griswold’s Christmas Eve Cardigan
Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)
Vitals
Chevy Chase as Clark W. Griswold Jr., food additive executive and “last true family man”
Chicago, Christmas Eve 1989
Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Merry Christmas! Now a perennial holiday classic, National Lampoon’s Christmas Vacation was released 35 years ago this month in December 1989 as the third installment to feature Chevy Chase as the hapless head of the Griswold family.
After zany misadventures on an American road trip and a European vacation, Clark clings to his idealistic hope for a “fun, old-fashioned family Christmas,” which somehow means inviting both his and his wife’s sets of parents to stay with them for more than a week leading up to the actual holiday. In the meantime, Clark is eager to surprise his family with the news that he placed a down payment on a swimming pool… a payment he’ll be able to cover as soon as he receives his company’s usual holiday bonus.
(For modern readers, a “holiday bonus” is a monetary payment that employers used to give to their employees at the end of each year. In the late 1980s when Christmas Vacation was made, this often amounted to several thousand dollars; for most employees today, this may take the form of a branded reusable water bottle, already-obsolete Bluetooth earbuds, or simply not being fired.)
Inspired by producer and co-writer John Hughes’ semi-autobiographical short story “Christmas ’59”, the festivities culminate on Christmas Eve as both sides of Clark and Ellen’s families gather at the over-illuminated Griswold home for an over-cooked turkey dinner, a surprise rodent guest, and the family’s first kidnapping. Happy holidays!
White Christmas: Burgundy Jackets and Boaters for “Blue Skies”
Bing Crosby and Danny Kaye in White Christmas (1954)
Vitals
Bing Crosby and Danny Kaye as Bob Wallace and Phil Davis, Broadway entertainers and World War II veterans
Florida, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
One of the most stylish classic Christmas movies, White Christmas was released 70 years ago this year in October 1954. The movie was intended to re-team Bing Crosby with Fred Astaire after their previous collaborations in Irving Berlin musicals Holiday Inn (1942) and Blue Skies (1946), but Astaire dropped out after reading the script and Danny Kaye was hired to co-star with Crosby.
Crosby and Kaye share a marvelous screen chemistry that showcases their respective talents while also allowing for a greater emphasis on humor, illustrated by their performance of “Sisters” that was devised on set after director Michael Curtiz was entertained watching Crosby and Kaye clown around performing the song.
The story follows Crosby and Kaye as Bob Wallace and Phil Davis, two World War II veterans who met while entertaining their fellow troops in the U.S. Army’s fictitious 151st Division. After Phil saved Bob from a falling wall during an attack, Phil talked Bob into joining him for a double act that has catapulted them to musical stardom a decade later. Continue reading
The Godfather, Part II: Michael Corleone’s Black Pinstripe Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Washington, D.C., Winter 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Just over a week after its New York City premiere on December 12th, The Godfather Part II was widely released 50 years ago today on December 20, 1974. The follow-up to Francis Ford Coppola’s 1972 epic continued chronicling the ambitions of underworld boss Michael Corleone (Al Pacino) following his ascension to power after the death of his father and the orchestrated murders of his enemies.
By the latter half of Part II, the tension between Michael’s public persona and private life reach a boiling point as he’s faced with the consequences of his ruthlessness. Called to testify in front of a Senate subcommittee investigating organized crime, he maintains composure while defending his reputation—starkly contrasted by the emotionally charged confrontation with his wife Kay (Diane Keaton).
Kay’s revelations about the loss of what would have been their third child strains their already fragile marriage to a pivotal breaking point that underscores Michael’s increasing isolation and the personal cost of his choices. Continue reading
Christmas Eve in The Holdovers: Paul’s Corduroy Three-Piece Suit and Duffel Coat
Paul Giamatti in The Holdovers (2023)
Vitals
Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Christmas Eve 1970
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
The release of The Holdovers last year filled a long-needed gap in theatrically released holiday canon, offering a fresh yet timeless addition to the roster of rewatchable Christmas movies. Directed by Alexander Payne, the movie is set during Christmas 1970 at the fictional Barton Academy boarding school in New England, where a group of students not going home for the holidays are chaperoned by a skeleton crew of the school’s staff.
After all but one are given the opportunity to leave before Christmas, the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—remains behind under the watchful lazy eye of resentful classics professor Paul Hunham (Paul Giamatti). Paul’s few friends on staff include the cheerful administrator Lydia Crane (Carrie Preston) and the cafeteria manager Mary Lamb (Da’Vine Joy Randolph), who is mourning her son’s recent death in Vietnam.
Lydia invites them to spend Christmas Eve at her home, but Paul’s reluctance frustrates both Angus and Mary, who confronts him:
Mr. Hunham, if you are too chickenshit to go to this party, then just say that. But don’t fuck it up for the little asshole! What’s wrong with you? It’s just a party… what are you afraid of?
Rafe Spall’s Colorful Plaid Jacket in the Black Mirror Christmas Special
Rafe Spall in the Black Mirror Christmas Special (2014)
Vitals
Rafe Spall as Joe Potter
Set on Christmas… somewhere
Series: Black Mirror
Episode: “White Christmas” (Episode 7)
Air Date: December 16, 2014
Director: Carl Tibbetts
Creator: Charlie Brooker
Costume Designer: Sharon Gilham
WARNING! Spoilers ahead!
Background
Black Mirror‘s Christmas special—considered one of the series’ best episodes—aired ten years ago today on December 16, 2014. Written by series creator and showrunner Charlie Brooker, the episode takes a yuletide twist to Black Mirror‘s trademark tech-infused dystopia, centering on a new kind of “Christmas cookies” that you would not want at your holiday gathering!
We’re introduced to Joe Potter (Rafe Spall) as he wakes up on the morning of December 25th to the sounds of Christmas music and the sounds of cooking in the mysterious remote cabin here he’s evidently lived for five years. Stepping out into the kitchen, Joe discovers his apparent colleague and co-resident Matt Trent (Jon Hamm), a loquacious former social interaction engineer whose work included creating “cookies”—digital clones of people to serve as their own assistants.
“No one ends up here without things going to total shit for them back out there,” Matt observes when discussing their respective pasts with Joe. Continue reading
Christopher Plummer in The Silent Partner
Christopher Plummer in The Silent Partner (1978)
Vitals
Christopher Plummer as Harry Reikle, sadistic armed robber
Toronto, Christmas 1977 through Summer 1978
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
WARNING! Spoilers ahead!
Background
Today would have been the 95th birthday of Christopher Plummer, born December 13, 1929. To celebrate the Toronto-born actor’s birthday amidst the holiday season, today’s post centers around Daryl Duke’s Canadian Christmas-centric 1978 thriller, The Silent Partner.
Plummer appears as Harry Reikle, a ruthless criminal who begins terrorizing Miles Cullen (Elliott Gould), a mild-mannered teller who foiled Harry’s earlier attempt to rob a branch of the First Bank of Toronto within Eaton Centre, a then-new shopping mall filled with bustling holiday shoppers who may have expected long lines but certainly would not expect to see Santa Claus exchanging shots with a bank security guard.
The real Bad Santa.
Scrooged: Bill Murray’s Navy Pinstripe Suit
Bill Murray as Frank Cross in Scrooged (1988)
Vitals
Bill Murray as Frank Cross, cynical TV executive
New York City, December 1988
Film: Scrooged
Release Date: November 23, 1988
Director: Richard Donner
Costume Designer: Wayne A. Finkelman
WARNING! Spoilers ahead!
Background
Happy December! I’m already in the the midst of rewatching many of my favorite Christmas movies, which range in vibe from sentimental to cynical. Action director Richard Donner helmed two of the most cynical holiday-themed movies—Lethal Weapon and Scrooged—released back-to-back in 1987 and 1988, respectively.
A comic update of Charles Dickens’ classic novel A Christmas Carol, Scrooged stars Bill Murray as Frank Cross, president of the fictional IBC television network who gets the chance to prove whether Murray still ain’t afraid of no ghosts. Continue reading
Kramer vs. Kramer: Dustin Hoffman’s M-65 Field Jacket
Dustin Hoffman and Justin Henry in Kramer vs. Kramer (1979)
Vitals
Dustin Hoffman as Ted Kramer, ad man and divorced dad
New York City, January 1979
Film: Kramer vs. Kramer
Release Date: December 19, 1979
Director: Robert Benton
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
One of my more recent posts focused on a movie where Dustin Hoffman played a conniving con artist, so let’s allow him to redeem himself as a workaholic learning how to be a more present dad in Kramer vs. Kramer, Robert Benton’s 1979 divorce-centric drama that won Hoffman his first Academy Award for Best Actor—in addition to Oscars for his co-star Meryl Streep, Benton’s screenplay and directing, and the Best Picture trophy.
Hoffman and Streep play the titular Kramer couple, who split after eight years of marriage when an overwhelmed Joanna leaves Ted and their seven-year-old son Billy (Justin Henry) in the New York apartment they once shared. Ted initially struggles with the demands of parenting, but he grows from an aloof workaholic to an engaged dad over the year and a half that he raises Billy exclusively before Joanna re-enters their lives and requests custody. Continue reading
Midnight Cowboy: Jon Voight as Joe Buck
Jon Voight as Joe Buck in Midnight Cowboy (1969)
Vitals
Jon Voight as Joe Buck, naïve Texan wannabe gigolo and Army veteran
New York City, Summer through Winter 1968
Film: Midnight Cowboy
Release Date: May 25, 1969
Director: John Schlesinger
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
Harry Nilsson recorded his cover of Fred Neil’s “Everybody’s Talkin'” 57 years ago this week on November 13, 1967. This Grammy-winning folk hit has since become inextricably linked with the 1969 drama Midnight Cowboy—which celebrated its 55th anniversary in May—after director John Schlesinger chose it as the film’s theme song.
Adapted by Waldo Salt from James Leo Herlihy’s 1965 novel of the same name, Midnight Cowboy received a controversial if critically acclaimed response upon its release. Six months earlier, the MPAA implemented its voluntary rating system to classify age suitability for major releases, replacing the increasingly outdated “Hays Code” that had been enforced since the early 1930s. Midnight Cowboy was one of the first mainstream movies to be rated “X”, which forbade any audience members under age 17 to be admitted and was reserved for movies demonstrating the most extreme sexual themes, graphic violence or language. Despite the stigma of this dramatically restrictive rating, Midnight Cowboy was the third highest-grossing American movie released in 1969 and won three of the seven Oscars for which it was nominated—Best Picture, Best Director, and Best Adapted Screenplay—and it remains the only movie with an X (or equivalent NC-17) rating to win the Academy Award for Best Picture. Continue reading
The World Is Not Enough: Pierce Brosnan’s Midnight Brioni Tuxedo as Bond
Pierce Brosnan as James Bond in The World is Not Enough (1999).
Photo by Keith Hamshere/Sygma via Getty Images.
Vitals
Pierce Brosnan as James Bond, sophisticated English spy
Baku and Istanbul, December 1999
Film: The World Is Not Enough
Release Date: November 8, 1999
Director: Michael Apted
Costume Designer: Lindy Hemming
Tailored by: Brioni
WARNING! Spoilers ahead!
Background
On the 00-7th of November, today’s post celebrates Pierce Brosnan’s third and penultimate movie as James Bond—The World Is Not Enough—which premiered 25 years ago tomorrow on November 8, 1999 at the Fox Bruin Theater in Los Angeles.
With most of Ian Fleming’s original material already adapted by the end of Timothy Dalton’s tenure, Brosnan’s Bond films relied on original storylines with nods to earlier works in the franchise. In the case of The World Is Not Enough, this applies to the title itself—the English translation of the Bond family coat of arms (“Orbis non sufficit”) mentioned in the novel and film On Her Majesty’s Secret Service.
Neal Purvis, Robert Wade, and Bruce Feirstein crafted the original screenplay for The World Is Not Enough, centered around Bond’s assignment to protect heiress Elektra King (Sophie Marceau) from Renard (Robert Carlyle), an international terrorist who had kidnapped her years earlier. As the stakes of his mission grow, he recruits the help of an old enemy-turned-friend Valentin Zukovsky (Robbie Coltrane) and the improbably named—and improbably cast—nuclear physicist Dr. Christmas Jones (Denise Richards).
A hallmark of the Bond franchise are its aspirational sequences that highlight both the danger and elevated lifestyle of James Bond’s missions, exemplified in The World Is Not Enough as he strides into a swanky casino in an exotic locale, clad as usual in an impeccable tuxedo with a Walther holstered under his arm and a dry martini in his hand. After a Bollinger-soaked romantic interlude with an impossibly beautiful woman, Bond’s back on the trail of his dangerous foe, who only narrowly escapes as Bond saves the life of yet another impossibly beautiful woman following a gunfight. Continue reading
You must be logged in to post a comment.