Tagged: Winter
California Split: Elliott Gould’s Tan Sport Jacket and Printed Shirts
Elliott Gould in California Split (1974)
Vitals
Elliott Gould as Charlie Waters, garrulous gambler
Los Angeles to Reno, Winter 1973
Film: California Split
Release Date: August 7, 1974
Director: Robert Altman
Costumer: Hugh McFarland
WARNING! Spoilers ahead!
Background
If I had a nickel for every great 1974 movie where the male lead had a bandaged nose for a significant portion of its runtime… well, California Split and Chinatown would yield me only 10 cents, but it would be well worth it for their shared existence.
Robert Altman’s excellently chaotic meditation on gambling, California Split, was released 50 years ago today on August 7, 1974, starring Elliott Gould and George Segal as a pair of two-time losers who meet over an L.A. card game. Initially more of a recreational gambler, Segal’s Bill Denny grows increasingly addicted through his friendship with Gould’s Charlie Waters, a charismatic hustler constantly on the make between card games and the horse track for his next big score. Continue reading
MASH: Donald Sutherland as Hawkeye
Donald Sutherland as Captain “Hawkeye” Pierce in M*A*S*H (1970)
Vitals
Donald Sutherland as Capt. Benjamin Franklin “Hawkeye” Pierce, U.S. Army surgeon
Korea, Summer 1951 through Winter 1952
Film: M*A*S*H
Release Date: January 25, 1970
Director: Robert Altman
Background
Today would have been the 89th birthday of Donald Sutherland, the prolific and versatile Canadian actor who died last month at the age of 88. Born July 17, 1935 in New Brunswick, Sutherland rose to prominence as a steady supporting player through the ’60s—perhaps most notably in The Dirty Dozen (1967)—before his first major starring role in yet another war film, M*A*S*H (1970), adapted by screenwriter Ring Lardner Jr. from Richard Hooker’s novel MASH: A Novel of Three Army Doctors. (The popularity of the film resulted in the eventual development of a TV show—starring Alan Alda as Hawkeye—that ran for nearly four times as long as Korean War hostilities.)
Set during the Korean War, M*A*S*H centered around around the irreverent Army doctor Captain Benjamin Franklin “Hawkeye” Pierce during his tenure at the 4077th Mobile Army Surgical Hospital. He’s assisted in his hard-drinking hijinks by fellow surgeons “Trapper John” McIntyre (Elliott Gould), Duke Forrest (Tom Skeritt), dentist “The Painless Pole” Waldowski (John Schuck), and former football star “Spearchucker” Jones (Fred Williamson), all while battling the uptight majors Frank Burns (Robert Duvall) and “Hot Lips” Houlihan (Sally Kellerman).
At one point, Major Houlihan asks the compound chaplain Father “Dago Red” Mulcahy (René Auberjonois) how “a degenerated person like [Hawkeye] could have reached a position of responsibility in the Army Medical Corps!” to which Mulcahy simply responds, “He was drafted.”
Sutherland’s Golden Globe-nominated performance established him as a star as his career ascended through the ’70s with starring roles in Klute (1971), Don’t Look Now (1973), Invasion of the Body Snatchers (1978), and Ordinary People (1980) while also continuing to provide memorable supporting appearances in movies like Little Murders (1971), 1900 (1976), and Animal House (1978).
What’d He Wear?
Apropos his rebellious attitude, Donald Sutherland’s Hawkeye never presents himself in a perfect example of a U.S. Army uniform, instead mixing regulation gear with personal accoutrements that craft a distinctively irreverent look. Continue reading
Tom Hanks in Road to Perdition
Tom Hanks in Road to Perdition (2002)
Vitals
Tom Hanks as Michael Sullivan, recently widowed Irish mob enforcer and dedicated father
The Midwest, Winter 1931
Film: Road to Perdition
Release Date: July 12, 2002
Director: Sam Mendes
Costume Designer: Albert Wolsky
Tailor: John David Ridge
WARNING! Spoilers ahead!
Background
“Natural law… sons were put on this earth to trouble their fathers,” avuncular mob boss John Rooney (Paul Newman) advises his top enforcer Michael Sullivan (Tom Hanks) at a time that both men are facing crises with their respective sons.
Father’s Day feels like the appropriate time to celebrate the style from this unorthodox role for America’s Dad. Tom Hanks pivoted from a career built on playing affable heroes and everymen to a dangerous Depression-era mob hitman in Road to Perdition, Sam Mendes’ 2002 drama adapted by screenwriter David Self from a graphic novel series of the same name by Max Allan Collins and Richard Piers Rayner. Continue reading
Al Pacino’s Pea Coat as Serpico
Al Pacino in Serpico (1973)
Vitals
Al Pacino as Frank Serpico, plainclothes New York Police Department office
New York, Winter 1967
Film: Serpico
Release Date: December 5, 1973
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
My eyes see… 84 birthday candles for Al Pacino, born April 25, 1940! Sandwiched between his acclaimed performances as Michael Corleone in the first two installments of The Godfather, the New York-born actor returned to the scrappy persona that signified many of his early screen roles as an easygoing drifter in Scarecrow and the police drama Serpico. Continue reading
30 Rock: Leap Day William
Jack McBrayer as Kenneth Parcell, dressed as Leap Day William, on 30 Rock, Episode 6.09: “Leap Day”
Vitals
Leap Day William, as portrayed by Kenneth Parcell (Jack McBrayer), Jim Carrey, and John Cullum
New York City, February 29, 2012
Series: 30 Rock
Episode: “Leap Day” (Episode 6.09)
Air Date: February 23, 2012
Director: Steve Buscemi
Creator: Tina Fey
Costume Designer: Tom Broecker
WARNING! Spoilers ahead!
Background
Happy Leap Day! Though the concept of a 366th day in the year dates back for millennia, the quadrennial observance of February 29 had long been ignored by movies and TV shows. Enter the alternate universe of 30 Rock, where Leap Day is a beloved holiday with its own traditions that include eating rhubarb and wearing blue and yellow… lest you be greeted with “poke your eye, pull your hair, you forgot what clothes to wear!” Continue reading
George Clooney’s Charcoal Car Coat in Out of Sight
I’m pleased to again present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series (and beyond!) on his excellent Instagram account, @oceansographer.
George Clooney as Jack Foley in Out of Sight (1998). Photo credit: Merrick Morton.
Vitals
George Clooney as Jack Foley, charismatic bank robber and prison escapee
Detroit, February 3-5, 1999
Film: Out of Sight
Release Date: June 26, 1998
Director: Steven Soderbergh
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
When people lament that Hollywood studios should go back to making more high quality, mid-budget movies, Out of Sight is exactly what they’re referring to, even if they don’t realize it. Looking back on it today, the film is not only perfectly cast and beautifully shot, but it manages to strike the perfect balance of character and plot, humor and drama, while telling a unique story.
Based on a then-just-published novel by Elmore Leonard, the movie stars George Clooney as lifelong bank robber Jack Foley who breaks out of prison in Florida, getting away by hiding himself in a car trunk with U.S. Marshal Karen Sisco (Jennifer Lopez). With the law hot on his tail, Foley and his best friend Buddy (Ving Rhames) hoof it to Detroit to pull off one last score at the home of two-faced businessman Richard Ripley (Albert Brooks), whom they did time with years earlier. They’re forced to form an uneasy alliance with a far more violent crew led by the murderous “Snoopy” Miller (Don Cheadle). Continue reading
Shaft: Richard Roundtree’s Brown Leather Asymmetrical-Zip Jacket
Richard Roundtree as John Shaft in Shaft (1971)
Vitals
Richard Roundtree as John Shaft, tough private detective
New York City, January 1971
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
Through his life and after his death in October 2023, Richard Roundtree was often considered the “first Black action hero” for his groundbreaking performance as the smooth private detective John Shaft across a trio of thrillers released across the early 1970s. The fact that Shaft had been Roundtree’s first major movie after starting his career as a model makes his dynamic screen presence all the more impressive.
Initially followed by two sequels and a short-lived TV series, the original 1971 movie Shaft—adapted from Ernest Tidyman’s novel of the same name—contained all the elements for success: the gritty New York location, Isaac Hayes’ iconic Oscar-winning theme song and funky score, and the smooth-talking, ass-kicking, leather-clad Roundtree as the lead character.
The start of Black History Month feels like the ideal time to celebrate Roundtree’s legacy as the the cat that won’t cop out when there’s danger all about… right on. Continue reading
The Pink Panther: Clouseau’s Après-ski Sweater
Peter Sellers with Claudia Cardinale in The Pink Panther (1963)
Vitals
Peter Sellers as Jacques Clouseau, bumbling Sûreté investigator
Cortina d’Ampezzo, Italy, Winter 1963
Film: The Pink Panther
Release Date: December 18, 1963
Director: Blake Edwards
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
Four months after it premiered in Italy on December 18, 1963 (the same day that Brad Pitt was born, for what it’s worth), The Pink Panther was released in the United States sixty years ago this March, introducing audiences to the inept Inspector Clouseau portrayed by Peter Sellers.
Though future installments would focus more intentionally on Sellers’ pratfall-laden performance as Clouseau, The Pink Panther was initially more of a stylish, star-studded caper, set in the favorite winter destination for Camelot-era jet-setters: Cortina d’Ampezzo in the Italian Alps.
Clouseau is in the midst of his investigation into a prolific jewel thief known only as “the Phantom” when joining his wife Simone (Capucine) in Cortina, where we learn Simone had been planning to meet her lover, the dashing Sir Charles Lytton (David Niven)—who happens to be the mysterious Phantom that Clouseau had been chasing. Adding to the complication is the unexpected arrival of Sir Charles’ mischievous nephew and protege George (Robert Wagner) and the target of Charles and Simone’s next heist: the glamorous Princess Dala (Claudia Cardinale) and her princess gem called “The Pink Panther”.
Of course, Clouseau never suspects any of the intrigue happening right under his nose as he joins the buttoned-up insurance investigator Tucker (Colin Gordon) and the elegant après-ski set in the hotel lounge during a random but Fran-tastic performance of Henry Mancini’s samba “It Had Better Be Tonight (Meglio stasera)”. Continue reading
Carnal Knowledge: Jack Nicholson’s Duffel Coat
Jack Nicholson in Carnal Knowledge (1971)
Vitals
Jack Nicholson as Jonathan Fuerst, arrogant Amherst College student
Hampshire County, Massachusetts, Winter 1946
Film: Carnal Knowledge
Release Date: June 30, 1971
Director: Mike Nichols
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
As we continue facing snow and below-freezing temps here in the northeast U.S., I’m finding comfort in the layered winter style from movies like Carnal Knowledge, Mike Nichols’ cold (in every sense of the word) depiction of sexuality through the mid-20th century.
Even though the “New Hollywood” movement led by directors like Nichols, Robert Altman, and Arthur Penn had been breaking cinematic barriers since the late ’60s when the strict Production Code crumbled and the ratings system was introduced, the content and presentation of Carnal Knowledge was still considered too obscene and offensive for some audiences, to the point that a Georgia theater owner was convicted of obscenity charges (later overhauled by the U.S. Supreme Court) for showing it in his theater.
Carnal Knowledge centers around the swaggering Jonathan (Jack Nicholson) and his mild-mannered friend Sandy (Art Garfunkel), whom we first meet as students at Amherst College in the years following World War II. Continue reading
The Godfather, Part II: Tom Hagen’s Gray Striped Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Nevada and Washington, D.C., Winter 1958 through Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.
As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.
Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading
You must be logged in to post a comment.