Tagged: Zip-Front Jacket

Roger Moore’s Navy Assault Jacket in Octopussy

Roger Moore as James Bond in Octopussy (1983)

Roger Moore as James Bond in Octopussy (1983)

Vitals

Roger Moore as James Bond, British government agent

India, Spring 1983

Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous

WARNING! Spoilers ahead!

Background

Born 93 years ago today on October 14, 1927, the great Sir Roger Moore continues to hold the record for the number of films in which he starred as James Bond, playing agent 007 a total of 00-7 times. (Sean Connery also played Bond seven times, though 1983’s Never Say Never Again is considered “unofficial” as it wasn’t made by EON Productions.) In anticipation of Daniel Craig’s final 007 movie No Time to Die—its release yet again delayed for another six months—let’s explore an exciting climactic scene from Sir Roger’s penultimate film as James Bond. Continue reading

The Sopranos: Paulie’s Black Leather-and-Suede Jacket

Tony Sirico as "Paulie Walnuts" Gualtieri in "Where's Johnny?", the third episode of the fifth season of The Sopranos.

Tony Sirico as “Paulie Walnuts” Gualtieri in “Where’s Johnny?”, the third episode of the fifth season of The Sopranos.

Vitals

Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran

New Jersey, early 2000s

Series: The Sopranos
Episodes:
– “From Where to Eternity” (Episode 2.09, dir. Henry J. Bronchtein, aired 3/12/2000)
– “Second Opinion” (Episode 3.07, dir. Tim Van Patten, aired 4/8/2001)
– “…To Save Us All from Satan’s Power” (Episode 3.10, dir. Jack Bender, aired 4/29/2001)
– “Army of One” (Episode 3.13, dir. John Patterson, aired 5/20/2001)
– “Mergers and Acquisitions” (Episode 4.08, dir. Dan Attias, aired 11/3/2002)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
– “Where’s Johnny?” (Episode 5.03, dir. John Patterson, aired 3/21/2004)
– “The Ride” (Episode 6.09, dir. Alan Taylor, aired 5/7/2006)
– “Made in America” (Episode 6.21, dir. David Chase, aired 6/10/2007)
Creator: David Chase
Costume Designer: Juliet Polcsa

Background

Heh, heh… happy #MafiaMonday, folks. In response to a request I received from a BAMF Style reader, today’s subject would be particularly recognizable for fans of The Sopranos as a sartorial signature from the wardrobe of the singular Paulie Walnuts.

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Desi Arnaz’s Flight Jacket and Jeans in The Long, Long Trailer

Lucy, Desi, and Liz. Elizabeth Taylor dropped by the MGM lot for a photo op with the two stars of The Long, Long Trailer (1954). Arnaz had reportedly bet MGM that The Long, Long Trailer would make more than its then-highest grossing comedy, Father of the Bride, starring Taylor. Arnaz won the $25,000 bet.

Lucy, Desi, and Liz.
Elizabeth Taylor dropped by the MGM lot for a photo op with the two stars of The Long, Long Trailer. Arnaz had reportedly bet MGM that The Long, Long Trailer (1954) would make more than its then-highest grossing comedy, Father of the Bride, starring Taylor. Arnaz won the $25,000 bet.

Vitals

Desi Arnaz as Nicky Collini, civil engineer

Northern California, Late Summer 1953

Film: The Long, Long Trailer
Release Date: February 18, 1954
Director: Vincente Minnelli
Costume Designer: Helen Rose

Background

As this year’s summer travel season in the U.S. looks to be more centered around road trips in response to the coronavirus pandemic, RV rentals and purchases have been surging at an unprecedented rate that recalls the heyday of “the great American road trip” as depicted in The Long, Long Trailer. Adapted from Clinton Twiss’ novel of the same name, this Lucy and Desi vehicle zaps into the wanderlust zeitgeist that captured the imagination of Americans during the fabulous fifties as everyone from Harry Truman to Jack Kerouac hit the newly expanded network of highways and byways as they explored the continental United States.

Were I transported back to the 1950s with the mission of taking in the country from the road, I’d likely be piloting a ’57 Chevy Nomad with a Super Turbo Fire V8 across Route 66 from Missouri to California, though it’s solely this latter state that hosts newlyweds Nicky and Tacy Collini as they plot their new nomadic life in a homey silver-and-yellow Redman New Moon hauled up the coast by a cream-colored Mercury convertible.

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The Yakuza: Ken Takakura’s Navy Baracuta G9

Ken Takakura as Ken Tanaka in The Yakuza (1974)

Ken Takakura as Ken Tanaka in The Yakuza (1974)

Vitals

Ken Takakura as Ken Tanaka, disciplined ex-Yakuza

Tokyo, Spring 1974

Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins

Background

Fans of ’70s action would no doubt appreciate The Yakuza, Paul Schrader’s debut screenplay, co-written with his brother Leonard Schrader based on Leonard’s own experiences in Japan. A driving factor that compelled the brothers to finish their initial script was the stoic screen presence of Ken Takakura, who appeared in the film as the ex-akuza gangster who now teaches kendo.

Ken takes up his sword as part of his giri with Harry Kilmer (Robert Mitchum), formerly a U.S. Marine MP who had dated Ken’s sister while serving in Tokyo during the post-WWII occupation of Japan. Loosely defined as a lifelong debt that can never truly be repaid, the giri concept is central to The Yakuza, in which Ken describes it to Harry as “the burden hardest to bear” and refuses to rid himself of his obligation even when Dusty (Richard Jordan) suggests that the nature of his debt is relatively arbitrary.

Having arrived in Japan in search of his associate’s kidnapped daughter, Harry seeks out Ken’s assistance, but the blood they spill rescuing the young woman results in Yakuza contracts placed on both Harry and Ken, a threat that can only be eliminated by Ken killing the powerful gangster Tono (Eiji Okada) with a sword. While Harry arms himself with a .45 and a double-barreled shotgun, Ken takes a katana to appropriately exact his vengeance on the dangerous crime boss.

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Grand Prix: James Garner’s Derby-Style Jacket

James Garner as Pete Aron in Grand Prix (1966)

James Garner as Pete Aron in Grand Prix (1966)

Vitals

James Garner as Pete Aron, determined Formula One driver

Monaco, Spring 1966

Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff

Background

The 2020 Monaco Grand Prix was to begin today, which also commemorates the 60th anniversary of the Monaco Grand Prix’s first inclusion in the inaugural FIA World Championship. Unfortunately, the spread of the dangerous coronavirus pandemic resulted in the race being cancelled for the first time since the 1954 Formula One season.

“In my opinion, still the best picture ever made about auto racing,” wrote James Garner in his memoir, The Garner Files, an opinion into which I put a lot of stock given the actor’s real-life passion for racing and his characteristic modest regarding his own cinematic career. Continue reading

Dirty Harry’s Navy Windbreaker in Magnum Force

Clint Eastwood as Inspector "Dirty Harry" Callahan in Magnum Force (1973)

Clint Eastwood as Inspector “Dirty Harry” Callahan in Magnum Force (1973)

Vitals

Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector

San Francisco, August 1972

Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright

Background

When the first Dirty Harry sequel was being conceptualized in the early 1970s, Clint Eastwood recalled a plot line introduced by Terrence Malick in an unused first draft for Dirty Harry that was fleshed out by John Milius to center around a group of young rogue officers in the San Francisco Police Department who formed a secret vigilante “death squad” to rid the city of its worst criminals. This neatly responded to criticism of Harry Callahan’s methods from the first film, illustrating that while Harry may be an antihero comfortable with skirting red tape to get the job done, he doesn’t extend down into the villainous domain that truly takes the law into their own hands, illustrated by the movie’s repeated motif that “a man’s got to know his limitations.” Continue reading

Steve McQueen in The Blob

Steve McQueen as Steve Andrews in The Blob (1958)

Steve McQueen as Steve Andrews in The Blob (1958)

Vitals

Steve McQueen as Steve Andrews, headstrong teenager

Chester County, Pennsylvania, Summer 1957

Film: The Blob
Release Date: September 12, 1958
Director: Irvin S. Yeaworth, Jr.

Background

As today would have been Steve McQueen’s 90th birthday, let’s take a look at his first starring role, a sci-fi/horror drive-in favorite called The Blob. A personal favorite of producer Jack H. Harris, The Blob was filmed on location in southeastern Pennsylvania on a low budget that, depending on the source, has been quoted as anywhere between $110,000 and $240,000, a cost kept low thanks in part to the low $3,000 salary that the then-struggling actor McQueen had accepted to afford short-term expenses like food and rent.

After two uncredited movie roles and scattered TV bit parts across the mid-1950s, McQueen’s credited feature film debut was in Robert Stevens’ 1958 crime drama Never Love a Stranger, which also featured his future Bullitt co-star Felice Orlandi. Less than a week after the premiere episode of Wanted Dead or Alive aired on CBS in September 1958, The Blob was released in theaters with “Steven McQueen” first-billed.

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Rod Taylor’s Baracuta Jacket in The Glass Bottom Boat

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Vitals

Rod Taylor as Bruce Templeton, charismatic aerospace lab chief

Long Beach, California, Spring 1966

Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)

Background

In the years since I’ve started this blog, I’ve discovered that there are many unsung “style heroes” that are often lost in the discussion of Cary Grant, Clark Gable, and Steve McQueen, including actors like Rod Taylor who brought understated elegance to flatteringly tailored suits and timeless casual attire alike.

I was first familiar with Taylor in The Glass Bottom Boat, one of my grandma’s favorite movies and one that we used to watch until we wore the VHS tape thin. Rewatching The Glass Bottom Boat two decades after those weekends at Grandma’s house, the plot holds up as one of the better and funnier of Doris Day’s filmography from the era, a romantic comedy infused with space age style and wit from some of the most talented and recognizable comedic actors of the era like Dom DeLuise, Paul Lynde, Dick Martin, John McGiver, and Alice Peace.

The plot centers around a flirtation between “space wizard” Bruce Templeton (Taylor) and his aerospace research lab’s latest PR fire, Jennifer Nelson (Day). He assigns her the secret—and ultimately fictional—Project Venus, ostensibly tasking her with writing his biography when it’s really just the researcher’s way of spending more time with the “kooky” young widow while conducting work like overseeing an evening test launch from his Long Beach lab.



What’d He Wear?

Taking a break from his natty tailored wear that includes business suits, blazers, and sport jackets, Bruce dons a beige Baracuta G9 blouson for his nighttime research. This was 1966, the same year that Frank Sinatra wore his own beige and navy Baracutas in Assault on a Queen and around the same time that Ryan O’Neal’s character Rodney Harrington popularized the jacket on Peyton Place, establishing the garment’s unofficial sobriquet as the “Harrington jacket.”

The British company Baracuta had introduced its cotton gabardine double-zip windbreaker in the 1930s, marketed for the golf course (hence the “G” in G9) though it soon found favor as a comfortable weather-proof style staple and inspired scores of copycats, particularly after the brand began exporting the G9 to the United States in 1954. Once the G9 went stateside and found fans among icons like Elvis Presley and Steve McQueen, there was no stopping its rise in popularity. (You can read more about the G9’s history at the official Baracuta website.)

In addition to the classic two-button standing collar, knit cuffs and hem, and slanted hand pockets with single-button flaps, Taylor’s raglan-sleeve Harrington jacket is clearly lined with Baracuta’s distinctive Fraser tartan plaid in red, green, navy, and white which had been approved by Lord Fraser shortly after the jacket’s 1937 introduction.

Bruce's unzipped Harrington jacket reveals the Fraser tartan plaid lining characteristic to true Baracuta jackets.

Bruce’s unzipped Harrington jacket reveals the Fraser tartan plaid lining characteristic to true Baracuta jackets.

More than 80 years after their introduction, Baracuta continues to offer the G9 in a continually increasing range of colors and fabrics, from a Rebel Without a Cause-inspired red to a warmer corduroy. The standard shell has evolved from its original cotton gabardine construction to a weatherproof blend of 50% cotton and 50% polyester as well as a breathable Coolmax® lining in a 65% cotton, 35% polyester blend.

Taylor wears a light blue polo shirt with a long three-button top that extends down to mid-chest, and he wears all three of the widely spaced buttons undone. Bruce Templeton evidently keeps a few light blue pocket polos in his collection as he also wears a similarly colored short-sleeve polo later in the film for a laidback night lounging at home with Jennifer, though that polo shirt is a richer sky blue and only has a two-button opening as opposed to the three-button polo he wears with the Baracuta jacket.

THE GLASS BOTTOM BOAT

Bruce wears dark gray trousers with a fit over his hips that suggests a darted front, the less-celebrated but certainly effective alternative to pleats or a traditional “flat front”. He wears the trousers with no belt, instead fastened around his waist with an extended square-ended tab that closes through a single button.

Assuming that these are the same trousers he later wears with his navy blazer, they would also have belt loops, front pockets but no back pockets, and plain-hemmed bottoms.

Bruce hands Jennifer a hard hat before the testing commences.

Bruce hands Jennifer a hard hat before the testing commences.

Bruce’s wristwatch throughout The Glass Bottom Boat is a slim gold dress watch with a gold dial and flat gold bracelet, concealed by the ribbed cuff on his jacket’s left sleeve for this particular sequence.

The scene’s brief opening shot suggests that Bruce wears the same black leather side-gusset loafers that he wears with his suits at work. Despite his vast wealth and wardrobe—Bruce tends to wear these same shoes with everything, though it would appeal to his sense of practicality to have one pair of shoes that he can effectively wear with Harrington jackets, dinner jackets, and everything in between. Though American businessmen led the way in de-formalizing office wear in mid-century, slip-on shoes grew increasingly fashionable for men around the world to wear with lounge suits against the gradually less formal backdrop of the 1960s professional world.

Jennifer and Bruce's "meet cute" earlier in the movie when he pulled her stuck heel from a vibrating grate. He would wear thees same side-gusset loafers with essentially all of his on-screen wardrobe.

Jennifer and Bruce’s “meet cute” earlier in the movie when he pulled her stuck heel from a vibrating grate. He would wear thees same side-gusset loafers with essentially all of his on-screen wardrobe.

Bruce isn’t the only Baracuta wearer in The Glass Bottom Boat. We very briefly see his helicopter pilot, Jim, sporting a navy Baracuta G9 with the distinctive Fraser Tartan lining as he waits for Bruce to join him in the passenger seat.

Jim wears a navy Baracuta G9 not unlike Steve McQueen wore in The Thomas Crown Affair.

Jim wears a navy Baracuta G9 not unlike Steve McQueen wore in The Thomas Crown Affair.


How to Get the Look

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

In The Glass Bottom Boat, Rod Taylor illustrates the stylish staying power of simple essentials like a neutral-colored Harrington jacket, light blue shirt, and gray slacks, an ensemble that worked as well more than half a century ago as it does when worn by sharp dressers like Shawn today.

  • Beige waterproof cotton Baracuta G9 zip-up blouson-style “Harrington jacket” with two-button standing collar, slanted hand pockets with single-button flaps, ribbed knit cuffs and hem, and red Fraser tartan plaid lining
  • Light blue short-sleeve polo shirt with three-button top and breast pocket
  • Dark gray darted-front trousers with belt loops, front pockets, and plain-hemmed bottoms
  • Black calf leather side-gusset loafers
  • Thin gold wristwatch with gold dial on flat gold bracelet

“The Harrington jacket has to be my favorite casual jacket of all time,” my friend Ryan told me. “My earliest memories of the Harrington has to be the beige Merc brand Harrington worn by my grandfather when I was a child, my grandfather was born in 1932, around the same time as Rod Taylor and Steve McQueen,  so it is only natural that he would be drawn to the iconic jacket that was featured in so many films and television shows during the 1960s.”

Interested shoppers can find the classic Baracuta still available in addition to several other variations on the Harrington from reputable outfitters including Merc, the company that made the jacket worn by Ryan’s grandfather:

  • Baracuta G9 in “natural” cotton/polyester (via Amazon or Baracuta)
  • Ben Nevis Combat Harrington in beige polyester/cotton (via Ben Nevis)
  • Ben Sherman Core Harrington in sand cotton (via Amazon or Ben Sherman)
  • Farah Hardy Jacket in light sand cotton (via Farah Clothing)
  • Fred Perry Check Lined Harrington in dark stone cotton (via Fred Perry)
  • Grenfell Harrington in peached beige cotton (via Grenfell)
  • Jump the Gun Harrington Raglan in beige cotton (via Jump the Gun)
  • Lacoste Men’s Cotton Twill Jacket in beige cotton (via Amazon or Lacoste)
  • Lyle & Scott Harrington in beige cotton (via Amazon)
  • Merc Harrington in beige cotton/polyester (via Merc Clothing)
  • Orvis Weatherbreaker in British tan nylon/cotton (via Amazon or Orvis)
  • Peter Christian Harrington in sand cotton/polyester (via Peter Christian Outfitters)
  • Private White V.C. “The Ventile” Harrington in sand cotton (via Private White V.C.)
  • Tootal Modern Classic Harrington in beige cotton (via Tootal)

Do Yourself a Favor and…

Check out the movie.


The Quote

Who could sleep when you’re plotting a rendezvous with Venus?

Desi’s Sky Blue Nylon Jacket and Jeans in The Long, Long Trailer

Desi Arnaz as Nicky Collini in The Long, Long Trailer (1954)

Desi Arnaz as Nicky Collini in The Long, Long Trailer (1954)

Vitals

Desi Arnaz as Nicky Collini, civil engineer

Northern California, Late Summer 1953

Film: The Long, Long Trailer
Release Date: February 18, 1954
Director: Vincente Minnelli
Costume Designer: Helen Rose

Background

Over the years, I’ve had the privilege to write about many movies that carry meaningful or nostalgic significance for me, but one that has gone sadly under-discussed (until now) is The Long, Long Trailer, a movie that I would watch so frequently with my grandma—who was born 98 years ago today—that we wore the VHS tape nearly to shreds.

Watching this movie again after more than 20 years was a welcome blast from the past, a nostalgic sensation not only for the personal reasons cited above but also as a glimpse into the glory days of “the great American road trip” during the postwar boom when roadside Googie architecture sprang up to meet the increasing need for motels and diners offering respite and rest for weary motorists.

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Cheers: Sam Malone’s Light Blue Pouch-Pocket Rugby Shirt

Ted Danson as Sam Malone on Cheers (Episode 1.22: "Showdown, Part 2")

Ted Danson as Sam Malone on Cheers (Episode 1.22: “Showdown, Part 2”)

Vitals

Ted Danson as Sam Malone, bartender and former baseball star

Boston, Spring 1983

Series: Cheers
Episodes:
– “Showdown, Part 2” (Episode 1.22, dir. James Burrows, aired 3/31/1983)
– “Power Play” (Episode 2.01, dir. James Burrows, aired 9/29/1983)
Created by: Glen Charles, Les Charles, and James Burrows
Costume Designer: Robert L. Tanella

WARNING! Spoilers ahead!

Background

One of the most pivotal moments in the early seasons of Cheers was Sam and Diane setting “will they or won’t they?” by getting together in the final seconds of the first season finale… then picking up abruptly in the second season premiere with their attempts at coupling that prove the fledgling relationship may already be doomed.

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