Avalanche: Rock Hudson’s Plaid Jacket

Rock Hudson in Avalanche (1978)

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Rock Hudson as David Shelby, stubborn ski resort developer

Colorado, Winter 1978

Film: Avalanche
Release Date: August 30, 1978
Director: Corey Allen
Wardrobe Credit: Jane Ruhm

WARNING! Spoilers ahead!

Background

In the spirit of another snowy weekend, today’s post focuses on one of the lesser-discussed (and for good reason!) disaster movies of the 1970s. After the disaster genre conquered air (Airport), water (The Poseidon Adventure), and fire (The Towering Inferno), what was left but… snow?

Thus, Corey Allen—no relation to “Master of Disaster” Irwin Allen—took it upon himself to direct and co-write Avalanche, a harrowing tale of a ski resort built on hubris and soft-focus shots of Mia Farrow. Farrow stars as Caroline Brace, invited to the grand opening of a ski resort owned by her ex-husband David Shelby (Rock Hudson). While there, she finds herself drawn to earnest environmental photographer Nick Thorne (Robert Forster), who repeatedly tries to warn David about the threat that heavy snowfall would pose to his resort.

Of course, Nick’s premonitions are tragically realized when a rogue plane crash triggers the titular avalanche that threatens not only Mia’s burgeoning romances but also the lives of everyone at the resort—including a chef who dies covered in his own soup. Who else will perish during the avalanche? Will it be soup or snow that claims additional victims? And, most importantly, which man will Mia choose?? Continue reading →

Lee Van Cleef as “Angel Eyes” in The Good, the Bad, and the Ugly

Lee Van Cleef in The Good, the Bad, and the Ugly (1966)

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Lee Van Cleef as “Angel Eyes”, ruthless mercenary

New Mexico Territory, Spring 1862

Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi

WARNING! Spoilers ahead!

Background

Today would have been the 100th birthday of Lee Van Cleef, the actor whose Golden Boot Award-winning contributions to the Western genre began with his debut performance in the iconic High Noon (1952) but remains arguably best known for his back-to-back roles in the latter two films of Sergio Leone’s “Dollars trilogy” that established the spaghetti Western subgenre.

Born January 9, 1925 in New Jersey, Van Cleef served in the U.S. Navy aboard a minesweeper during World War II. Following his debut in High Noon, Van Cleef’s distinctive appearance and sinister mannerisms resulted in a string of supporting—and often villainous—roles in crime stories and Westerns until his breakout role as Colonel Douglas Mortimer in Leone’s For a Few Dollars More (1965), which resulted in his sole Golden Globe nomination.

Leone followed For a Few Dollars More with the Civil War-set The Good, the Bad, and the Ugly—the final installment of his so-called “Dollars trilogy”—which also prominently co-starred Van Cleef opposite Clint Eastwood’s stoic “Man with No Name”. As opposed to the more heroic Colonel Mortimer whose violent quest was driven by a sense of justice, Van Cleef’s character in The Good, the Bad, and the Ugly embodied the eponymous “Bad”—a sadistic assassin who kills for money… and occasionally pleasure. Continue reading →

A View to a Kill: Roger Moore’s White Bogner Ski Clothes

Roger Moore as James Bond in A View to a Kill (1985). Photo by Keith Hamshere, sourced from Thunderballs archive.

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Roger Moore as James Bond, British government agent

Siberia, Winter 1985

Film: A View to a Kill
Release Date: May 22, 1985
Director: John Glen
Costume Designer: Emma Porteous

WARNING! Spoilers ahead!

Background

On this snowy 00-7th of January, let’s hit the slopes with Roger Moore—and his stunt doubles John Eaves and Martin Grace—in Sir Roger’s swan song as James Bond, A View to a Kill, celebrating its 40th anniversary this May.

Though the title originated from one of Ian Fleming’s short stories, the movie demonstrates how far the franchise had drifted from the source material, exemplified by this pre-credits sequence, which introduces a cringe-worthy “California Girls” needle drop as Moore’s stuntman skis through the mountains of Siberia—though actually filmed at Piz Palü in Switzerland and Jökulsárlón Glacier Lagoon in Iceland. Continue reading →

Maestro: Bradley Cooper’s Tan Sport Suit as Leonard Bernstein

Bradley Cooper as Leonard Bernstein on the set of Maestro (2023)

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Bradley Cooper as Leonard Bernstein, acclaimed conductor

New York City, Summer 1977

Film: Maestro
Release Date: November 22, 2023
Director: Bradley Cooper
Costume Designer: Mark Bridges

WARNING! Spoilers ahead!

Background

Happy 50th birthday to Bradley Cooper! The actor followed his acclaimed 2018 directorial debut A Star is Born with Maestro, chronicling the life of iconic American conductor and composer Leonard Bernstein. In addition to directing and co-writing the screenplay, Cooper starred as Bernstein opposite Carey Mulligan as his stylish, talented, and outspoken wife, Felicia Montealegre.

Maestro was frequently nominated in the Best Picture, Best Original Screenplay, and acting categories recognizing Cooper’s and Mulligan’s performances by award bodies including the Academy Awards, BAFTAs, Critics’ Choice, Golden Globes, and Satellite Awards. Continue reading →

Sunset Boulevard: William Holden’s New Year’s Evening Dress

William Holden and Gloria Swanson in Sunset Boulevard (1950)

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William Holden as Joe Gillis, “well-known screenwriter, uranium smuggler, and Black Dahlia suspect”

Los Angeles, New Year’s Eve 1949

Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Happy New Year! Billy Wilder’s iconic 1950 noir Sunset Blvd. features one of the most lavish yet depressing celebrations of this holiday, as the washed-up “silent movie queen” Norma Desmond (Gloria Swanson) organizes an intimate evening with her latest obsession, desperate screenwriter Joe Gillis.

“It was at her New Year’s party that I found out how she felt about me,” Joe narrates. “Maybe I’d been an idiot not to have sensed it was coming… that sad, embarrassing revelation.”

Clad in the new full evening tailcoat and white tie that Norma purchased for him, Joe strolls into Norma’s ballroom for the party… only to discover that he’s the only guest. Following an awkward tango, the two quarrel when he demands that she not fall in love with him. With less than an hour to midnight, Joe abandons the house “to be with people my own age… I had to hear somebody laugh again.” Continue reading →

The Godfather, Part II: Hyman Roth’s Birthday Party Knit Shirt

Lee Strasberg as Hyman Roth in The Godfather Part II (1974)

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Lee Strasberg as Hyman Roth, mobster and gambling kingpin

Havana, New Year’s Eve 1958

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

Released 50 years ago this month, The Godfather Part II expands the Corleone crime family chronicles to include Hyman Roth (Lee Strasberg), a respected gangster inspired by the real-life Meyer Lansky. Al Pacino had been one of Strasberg’s students at the Actors Studio and recommended his former acting coach for the role that would eventually garner Strasberg his sole Academy Award nomination.

Decades after his rumrunning partnership with the Corleones during Prohibition, the aging Roth is now based in Miami, where he’s visited by Michael Corleone (Al Pacino) to discuss a history-making collaboration. The two travel to Havana to work with representatives from American corporations and Fulgencio Batista’s corrupt Cuban government to take over a Reno casino—all while Roth is plotting to fatally double-cross Michael.

Of course, it’s the last week of December 1958, so the Batista government’s days are numbered as Fidel Castro’s rebels are getting closer to their New Year’s Eve victory. However, the primary celebration on Hyman Roth’s mind is his 67th birthday, which he celebrates on a Havana rooftop with Michael, Roth’s right-hand man Johnny Ola (Dominic Chianese), and other criminal cohorts. Continue reading →

Death on the Nile: Maggie Smith in Menswear-informed Black Tie

Maggie Smith in Death on the Nile (1978)

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Maggie Smith as Miss Bowers, dependable nurse and traveling companion

Egypt, September 1937

Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell

WARNING! Spoilers ahead!

Background

Today would have been the 90th birthday of prolific English actress Dame Maggie Smith, who died three months ago in September 2024. Born December 28, 1934, Smith was a two-time Academy Award winner for her performances in The Prime of Miss Jean Brodie (1969) and California Suite (1978), later endearing herself to modern audiences for her roles in the Harry Potter film series and on Downton Abbey.

BAMF Style readers familiar with my appreciation for Agatha Christie novels and their screen adaptations may not be surprised to learn that I became a fan of hers following her appearances in the lavish Anthony Shaffer-penned adaptations of Death on the Nile and Evil Under the Sun, both of which starred Peter Ustinov as the fastidious Belgian detective Hercule Poirot. Continue reading →

Kiss of Death: Richard Widmark as Tommy Udo

Richard Widmark as Tommy Udo in Kiss of Death (1947)

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Richard Widmark as Tommy Udo, psychopathic mob hitman

New York City, Spring 1947

Film: Kiss of Death
Release Date: August 13, 1947
Director: Henry Hathaway
Wardrobe Director: Charles Le Maire

WARNING! Spoilers ahead!

Background

Born 110 years ago today on December 26, 1914, Richard Widmark made his explosive and Academy Award-nominated screen debut in Henry Hathaway’s 1947 noir thriller Kiss of Death, filmed on location that spring in New York City and the surrounding area. Though Hathaway had fought Darryl F. Zanuck on casting Widmark, the director and actor developed a mutual respect for the other that would lead to five additional cinematic collaborations and Widmark serving as pallbearer during Hathaway’s 1985 funeral.

After a Christmas Eve jewelry heist gone wrong, Nick Bianco (Victor Mature) shares a jail cell with the sadistic Tommy Udo (Richard Widmark), a psychopathic criminal “picked up just for shovelin’ a guy’s ears off his head…. traffic ticket stuff.” Refusing to name his accomplices, Nick is sentenced to 20 years in Sing Sing, handcuffed on the train to Tommy who remembers that it’s his birthday… making this an especially appropriate post for today!

Richard Widmark and Victor Mature in Kiss of Death (1947)

Continue reading →

Clark Griswold’s Christmas Eve Cardigan

Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)

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Chevy Chase as Clark W. Griswold Jr., food additive executive and “last true family man”

Chicago, Christmas Eve 1989

Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan

WARNING! Spoilers ahead!

Background

Merry Christmas! Now a perennial holiday classic, National Lampoon’s Christmas Vacation was released 35 years ago this month in December 1989 as the third installment to feature Chevy Chase as the hapless head of the Griswold family.

After zany misadventures on an American road trip and a European vacation, Clark clings to his idealistic hope for a “fun, old-fashioned family Christmas,” which somehow means inviting both his and his wife’s sets of parents to stay with them for more than a week leading up to the actual holiday. In the meantime, Clark is eager to surprise his family with the news that he placed a down payment on a swimming pool… a payment he’ll be able to cover as soon as he receives his company’s usual holiday bonus.

(For modern readers, a “holiday bonus” is a monetary payment that employers used to give to their employees at the end of each year. In the late 1980s when Christmas Vacation was made, this often amounted to several thousand dollars; for most employees today, this may take the form of a branded reusable water bottle, already-obsolete Bluetooth earbuds, or simply not being fired.)

Inspired by producer and co-writer John Hughes’ semi-autobiographical short story “Christmas ’59”, the festivities culminate on Christmas Eve as both sides of Clark and Ellen’s families gather at the over-illuminated Griswold home for an over-cooked turkey dinner, a surprise rodent guest, and the family’s first kidnapping. Happy holidays!

National Lampoon's Christmas Vacation (1989) Continue reading →

White Christmas: Burgundy Jackets and Boaters for “Blue Skies”

Bing Crosby and Danny Kaye in White Christmas (1954)

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Bing Crosby and Danny Kaye as Bob Wallace and Phil Davis, Broadway entertainers and World War II veterans

Florida, December 1954

Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head

Background

One of the most stylish classic Christmas movies, White Christmas was released 70 years ago this year in October 1954. The movie was intended to re-team Bing Crosby with Fred Astaire after their previous collaborations in Irving Berlin musicals Holiday Inn (1942) and Blue Skies (1946), but Astaire dropped out after reading the script and Danny Kaye was hired to co-star with Crosby.

Crosby and Kaye share a marvelous screen chemistry that showcases their respective talents while also allowing for a greater emphasis on humor, illustrated by their performance of “Sisters” that was devised on set after director Michael Curtiz was entertained watching Crosby and Kaye clown around performing the song.

The story follows Crosby and Kaye as Bob Wallace and Phil Davis, two World War II veterans who met while entertaining their fellow troops in the U.S. Army’s fictitious 151st Division. After Phil saved Bob from a falling wall during an attack, Phil talked Bob into joining him for a double act that has catapulted them to musical stardom a decade later. Continue reading →