Tagged: 1970s
Moonraker: Roger Moore’s Double-Breasted Dinner Jacket
Roger Moore as James Bond in Moonraker (1979). Photo sourced from thunderballs.org archive.
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Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Happy 00-7th of February! To warm up, let’s join James Bond on assignment in Rio de Janiero, his last stop in Moonraker before an unexpected detour into outer space, following both our villain Hugo Drax (Michael Lonsdale) and the overall sci-fi trends of the late ’70s thanks to blockbusters like Star Wars.
Before strapping on a Drax Industries spacesuit, Bond dons a more characteristic suit with the tailored tuxedo he chooses to wear for Carnival, the annual Brazilian festival held every February—scheduled to start at the end of this week. Continue reading
Shaft: Richard Roundtree’s Brown Leather Asymmetrical-Zip Jacket
Richard Roundtree as John Shaft in Shaft (1971)
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Richard Roundtree as John Shaft, tough private detective
New York City, January 1971
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
Through his life and after his death in October 2023, Richard Roundtree was often considered the “first Black action hero” for his groundbreaking performance as the smooth private detective John Shaft across a trio of thrillers released across the early 1970s. The fact that Shaft had been Roundtree’s first major movie after starting his career as a model makes his dynamic screen presence all the more impressive.
Initially followed by two sequels and a short-lived TV series, the original 1971 movie Shaft—adapted from Ernest Tidyman’s novel of the same name—contained all the elements for success: the gritty New York location, Isaac Hayes’ iconic Oscar-winning theme song and funky score, and the smooth-talking, ass-kicking, leather-clad Roundtree as the lead character.
The start of Black History Month feels like the ideal time to celebrate Roundtree’s legacy as the the cat that won’t cop out when there’s danger all about… right on. Continue reading
The Holdovers: Paul Giamatti’s Tan Corduroy Suit and Sweater Vest
Paul Giamatti in The Holdovers (2023)
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Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Winter 1970/1971
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
One of my favorite new releases in 2023 is The Holdovers, Alexander Payne’s comedy-drama centered around the skeleton staff chaperoning a group of boarding school students who aren’t going home for the holidays.
Set through the 1970 winter break, The Holdovers centers around the cranky classics professor Paul Hunham (Paul Giamatti), an odorous, lazy-eyed loner whose few friends among the Barton Academy staff include cafeteria manager Mary Lamb (Da’Vine Joy Randolph) and administrator Lydia Crane (Carrie Preston). After four of the five students are given the opportunity to leave Barton days before Christmas, Paul and the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—transform their mutual dislike into a surprising bond.
As many are returning to work and school this week after the holidays, let’s take a deeper look at Paul’s classic Ivy fashions that he wears to bookend the Barton Academy holiday break. Continue reading
The Seven-Ups: Roy Scheider’s Leather Jacket and Pontiac Ventura
Roy Scheider as Buddy Manucci in The Seven-Ups (1973)
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Roy Scheider as Buddy Manucci, renegade NYPD detective
New York City, Winter 1972
Film: The Seven-Ups
Release Date: December 14, 1973
Director: Philip D’Antoni
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Philip D’Antoni’s sole directorial effort The Seven-Ups was released 50 years ago today, starring Roy Scheider in his first major leading role as the lead of a group of renegade NYPD detectives who specialize in securing arrests for crooks who will serve sentences of at least seven years… hence being known as “the seven-ups.”
The Seven-Ups could be argued as a spiritual continuation of The French Connection, which D’Antoni had accepted the Academy Award for producing two years earlier. Both movies were filmed and set during a gritty winter in early 1970s New York City, focused on crusading cops unafraid to break a few rules—including Scheider as an Italian-American detective named Buddy, inspired by the real-life Sonny Grosso.
Both The French Connection and The Seven-Ups also featured a thrilling car chase centered around our protagonist behind the wheel of an ordinary Pontiac, pushed to perform extraordinary stunts thanks to the late, great Bill Hickman.
If you liked seeing one Pontiac at the heart of The French Connection‘s famous chase, you’ll love seeing two Pontiacs duking it out in The Seven-Ups!
But before that…
A Goodfellas Christmas: Jimmy’s Brown Party Suit
Robert De Niro as Jimmy Conway in Goodfellas (1990)
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Robert De Niro as Jimmy Conway, feared mob associate
Queens, New York, December 1978
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Nobody knows for sure just how much was taken in a daring pre-dawn raid at the Lufthansa cargo terminal at Kennedy airport. The FBI says two million dollars, Port Authority Police say four million dollars… it looks like a big one, maybe the biggest this town has ever seen!
Forty-five years ago today on Monday, December 11, 1978, more than $5.8 million in cash and jewelry was stolen from a cargo building at John F. Kennedy International Airport. Considered the most lucrative cash robbery on American soil to date, the heist was orchestrated by James “Jimmy the Gent” Burke, a ruthless associate of the Lucchese crime family, one of the New York City Mafia’s infamous “Five Families”.
The Lufthansa heist and its violent aftermath drive much of the final act of Goodfellas, Martin Scorsese’s chronicle of street-level mob life across three decades from the perspective of Burke’s associate, Henry Hill (Ray Liotta), who relayed much of the background information essential to the heist’s execution. The robbery itself isn’t depicted on screen, but a radio announcement assures a showering Henry—and the audience—that the job was a success for the mobsters, celebrated that evening with a Christmas party where Jimmy (Robert De Niro)—renamed “Jimmy Conway” for the movie—welcomes Henry with open arms.
Christine: Arnie’s Red Jacket and Famous ’58 Fury
Keith Gordon as Arnie Cunningham in Christine (1983)
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Keith Gordon as Arnie Cunningham, high school senior
Rockbridge, California, Fall/Winter 1978
Film: Christine
Release Date: December 9, 1983
Director: John Carpenter
Costume Designer: Darryl Levine
WARNING! Spoilers ahead!
Background
No shitter ever came between me and Christine!
Christine drove into theaters 40 years ago today, directed by the great John Carpenter and adapted by Bill Phillips from Stephen King’s supernatural horror novel of the same name that had been published just months earlier. The titular Christine is a white-over-red 1958 Plymouth Fury, high-schooler Arnie Cunningham’s prized possession… and possibly also possessed by a homicidal demon. Continue reading
Al Pacino’s Field Jacket as Serpico
Al Pacino in Serpico (1973)
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Al Pacino as Frank Serpico, NYPD plainclothes officer
New York, Winter 1971
Film: Serpico
Release Date: December 5, 1973
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Released 50 years ago today on December 5, 1973, Serpico chronicles the decade-long law enforcement career of Frank Serpico, a real-life New York Police Department plainclothes officer who exposed widespread corruption in the department, portrayed by Al Pacino in his second Academy Award-nominated performance. (This continues a trend of celebrating Pacino’s cinematic milestones, as readers may recall that this week is also the 40th anniversary of Scarface.)
Presented as an idiosyncratic individualist more beatnik than beat cop, Serpico hardly fit the traditional police mold with his idealistic values and hippie lifestyle, often putting him at odds with his colleagues as he refuses to take their bribes. After years of trying, Serpico finally manages to get public attention onto these levels of corruption with a New York Times article published in April 1970 that he celebrates with his fellow honest cops, Bob Blair (Tony Roberts) and Inspector Lombardo (Edward Grover), respective stand-ins for the real-life David Durk and Paul Delise.
Unfortunately, the media attention further ostracizes Serpico within the department to such a degree that, less than a year later on February 3, 1971, he nearly dies after being shot in the face with a .22 during a Brooklyn narcotics bust.
“Guess who got shot? Serpico,” a duty lieutenant informs a colleague at the film’s start. “Think a cop did it?” he gets asked. “I know six cops who’d like to.” Continue reading
The Wicker Man: Christopher Lee’s Tweed Suit
Christopher Lee as Lord Summerisle in The Wicker Man (1973)
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Christopher Lee as Lord Summerisle, charismatic pagan cult leader
The Hebrides, Scotland, Spring 1973
Film: The Wicker Man
Release Date: December 6, 1973
Director: Robin Hardy
Costume Designer: Sue Yelland
WARNING! Spoilers ahead!
Background
Happy Halloween! This year marks the 50th anniversary of The Wicker Man, Robin Hardy’s Scottish-set drama that helped define the folk horror subgenre.
After more than a decade portraying the debonair yet dangerous Count Dracula in a half-dozen Hammer films, Christopher Lee met with screenwriter Anthony Shaffer in 1971 to discuss collaborating on a more unique type of horror. Shaffer’s subsequent conversations with director Robin Hardy centered their focus on old religion, like the practices depicted in David Pinner’s 1967 novel Ritual, which Shaffer set out to adapting into what would become The Wicker Man.
The Wicker Man follows the devout and unimaginative police sergeant Neil Howie (Edward Woodward) to the remote island of Summerisle in the Hebrides, facing polite but firm resistance as he investigates a young girl’s disappearance leading up to the island’s annual May Day celebrations. Howie’s investigations direct him to the island’s much-discussed leader, the mannered Lord Summerisle who describes himself to Howie as “a heathen, conceivably, but not—I hope—an unenlightened one.” Continue reading
Richard Roundtree’s Black Leather as Shaft
Richard Roundtree as John Shaft in Shaft (1971)
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Richard Roundtree as John Shaft, tough private detective
New York City, Winter 1971 and 1972
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Film: Shaft’s Big Score!
Release Date: June 21, 1972
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
R.I.P. Richard Roundtree (1942-2023), who shot to stardom in the early 1970s after making his iconic screen debut as the eponymous detective in Shaft. Continue reading
The Last Detail: Jack Nicholson’s Navy Crackerjack Uniform and Pea Coat
Jack Nicholson in The Last Detail (1973)
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Jack Nicholson as Billy L. “Badass” Buddusky, brash U.S. Navy Signalman 1st Class
Norfolk, Virginia, to Portsmouth Naval Prison, December 1972
Film: The Last Detail
Release Date: December 12, 1973
Director: Hal Ashby
Costume Designer: Theodore R. Parvin
WARNING! Spoilers ahead!
Background
On the “birthday” of the U.S. Navy, founded October 13, 1775, check out Cracker Jack Nicholson’s uniform in The Last Detail—released 50 years ago this December.
In the spirit of today also being Friday the 13th, The Last Detail chronicles the story of unlucky Larry Meadows (Randy Quaid), a glum kleptomaniac seaman being transferred to a military prison. The profane Navy lifer Billy Buddusky (Jack Nicholson) and his more even-tempered colleague Richard “Mule” Mulhall (Otis Young) are tasked with accompanying Larry from the Norfolk Naval Investigative Service Office headquarters (“Shit City”) up to Portsmouth Naval Prison, where Larry has been sentenced to an eight-year stretch for the attempted theft of no more than $40 from a polio charity box.
The profane Navy lifer Buddusky conspires with Mule to make the most of their “shit detail”, stretching a two-day trip out to its full allotted week so unlucky Larry can live it up along the way with burgers, beer, and broads. Continue reading
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