Tagged: 1970s

Sean Connery’s Sheepskin Coat and Plaid Suit in The Offence

Sean Connery in The Offence (1973)

Vitals

Sean Connery as Detective Sergeant “Johnny” Johnson, jaded police detective

Berkshire, England, Spring 1972

Film: The Offence
Release Date: January 11, 1973
Director: Sidney Lumet
Costume Designer: Evangeline Harrison

WARNING! Spoilers ahead!

Background

Sean Connery and director Sidney Lumet’s third of five cinematic collaborations, The Offence, was released on this day in 1973. Adapted by John Hopkins from his own stage play This Story of Yours, the film was the first of two projects that United Artists agreed to finance through Connery’s production company Tantallon Films in exchange for the star returning to play James Bond in Diamonds are Forever.

As his first post-Bond film, Big Tam specifically chose The Offence to demonstrate his range and expand his screen image beyond the 007 persona, resulting in perhaps one of his greatest performances. Continue reading →

Chilly Scenes of Winter: John Heard’s Moth-eaten Maroon Sweater

John Heard in Chilly Scenes of Winter (1979)

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John Heard as Charles Richardson, obsessive state analyst

Salt Lake City, Winter 1979/80

Film: Chilly Scenes of Winter
Release Date: October 19, 1979
Director: Joan Micklin Silver
Costume Designer: Rosanna Norton

WARNING! Spoilers ahead!

Background

The wintry weather this first full week of the year feels appropriate to slip into John Heard’s deceptively cozy wardrobe in Joan Micklin Silver’s 1979 comedy Chilly Scenes of Winter. Originally marketed by United Artists as a zany, lighthearted rom-com that the studio re-titled Head Over Heels (much to its cast and crew’s dismay), Chilly Scenes of Winter is actually an all-too-real exploration of the depths to which a seemingly sane person can fall when tortured by their concept of love.

Heard plays Charles Richardson, a seemingly normal Utah State Department of Development report analyst who begins dating his colleague Laura (Mary Beth Hurt), only to grow increasingly and desperately obsessed with winning back her affection after she ends their relationship. Continue reading →

The Killer Elite: Robert Duvall’s Navy Shacket and Watch Cap

Robert Duvall in The Killer Elite (1975)

Vitals

Robert Duvall as George Hansen, mercenary-for-hire

San Francisco, Spring 1975

Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers

WARNING! Spoilers ahead!

Background

My post about the late James Caan’s style in The Killer Elite for the film’s 50th anniversary last month received more attention than I expected, as well as requests to cover his co-star Robert Duvall. So, ahead of Duvall’s 95th birthday tomorrow, let’s look at how he dresses as the double-crossing mercenary George Hansen across The Killer Elite‘s second act.

After betraying his partner Mike Locken (Caan) and leaving him with a crippling bullet to the knee, George has been profiting as a freelance mercenary most recently hired to assassinate a Taiwanese politician visiting the United States. Mike had been out of commission for weeks while recovering from his wound, but his old employer ComTeg finally welcomes him back into the fold—hoping he can foil his former partner’s plot. Continue reading →

Rocky: Sylvester Stallone’s Black Leather Jacket

Sylvester Stallone in Rocky (1976)

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Sylvester Stallone as Robert “Rocky” Balboa, ambitious boxer and mob enforcer

Philadelphia, Fall/Winter 1975

Film: Rocky
Release Date: December 3, 1976
Director: John G. Avildsen
Costumer: Robert Campbel

WARNING! Spoilers ahead!

Background

Happy New Year! Fifty years ago tonight, scrappy southpaw Rocky Balboa went the distance against the heavyweight champ, turning a Philadelphia club fighter into an American myth—so, in the spirit of “new year, new you”—let’s punch into the style of Sylvester Stallone’s era-defining breakthrough role. Continue reading →

Blow: A Colorful New Year’s Eve Sport Jacket

Johnny Depp as George Jung in Blow (2001)

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Johnny Depp as George Jung, successful cocaine smuggler

Miami, New Year’s Eve 1979

Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges

Background

I’ll be the first to admit my hypocritical cowardice. I’ve written many posts celebrating turtlenecks, but it wasn’t until this year that I truly started embracing them in my personal style, the result of a New Year’s resolution to myself. “What kind of resolution is that?” you might ask. “Didn’t you become a father this year? Why are you worried about turtlenecks?” you may also ask. And I’ll ignore all those questions.

I always had a soft spot for Blow, Ted Demme’s Scorsese-inspired movie following the rise and fall of the late drug dealer “Boston George” Jung, played to trichological perfection by Johnny Depp. Even at the height of George’s success, Depp convincingly sells George as the kind of himbo whose right connections at the right place at the right time converged for him to make millions smuggling cocaine for the Medellín Cartel through the 1970s and ’80s.

During a New Year’s Eve party (scored by KC and the Sunshine Band’s disco hit “Keep It Comin’, Love”), George learns from one of his partners that his old partner Diego Delgado—a thinly veiled stand-in for the real-life Carlos Lehder—has double-crossed him, cutting George out to conduct his own smuggling operations from Norman’s Cay… though it takes George a few beats to comprehend that “Norman Cay” isn’t a person but a place. Continue reading →

Three Days of the Condor: Wicks’ Leather Car Coat and Navy Suit

Michael Kane in Three Days of the Condor (1975)

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Michael Kane as S.W. Wicks, shady CIA section chief

Langley, Virginia to New York City, Winter 1975

Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi

WARNING! Spoilers ahead!

Background

Released in September 1975, the Christmas-adjacent spy thriller Three Days of the Condor celebrated its 50th anniversary earlier this year. Robert Redford stars as the titular “Condor”, the CIA’s codename for its low-level researcher Joe Turner who is the only survivor of a coordinated attack on its deep-cover office in Manhattan.

The massacre is revealed to have been part of an internal conspiracy, involving Turner’s own section chief S.W. Wicks. Though not a prominent character with just a few minutes of screen time across four scenes, Wicks is certainly a significant one and very effectively played by Michael Kane—no, not that Michael Caine—an acclaimed Canadian actor and World War II veteran who died 18 years ago last week on December 14, 2007. Continue reading →

The Killer Elite: James Caan’s Brown Suede Jacket

James Caan in The Killer Elite (1975)

Vitals

James Caan as Mike Locken, government mercenary

San Francisco, Spring 1975

Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers

WARNING! Spoilers ahead!

Background

The Godfather co-stars and real-life friends James Caan and Robert Duvall reunited as rival mercenaries in The Killer Elite, widely released fifty years ago today on December 19, 1975, following its L.A. premiere two days earlier. Adapted by Marc Norman and Stirling Silliphant from Robert Syd Hopkins novel Monkey in the Middle, the film’s mixed reception hasn’t improved much with age, and Caan himself considered it a dud that he took merely to work with director Sam Peckinpah—even if Peckinpah’s creative control was limited by United Artists.

The Killer Elite takes a lighter, action-oriented hand to the anti-government paranoia that defined ’70s thrillers, capitalizing on the easy chemistry between Caan and Duvall who portray the friends-turned-foes on opposing sides in a San Francisco proxy war. They begin the story as Mike Locken (Caan) and George Hansen (Duvall), colleagues in ComTeg—a private intelligence network often hired by the government. “What’s that? ‘Circumsized Italian Americans’?” Mike jokes when they’re asked if they work for the CIA. Continue reading →

The Silent Partner: Elliott Gould’s Navy Blazer at Christmas

Elliott Gould as Miles Cullen in The Silent Partner (1978)

Vitals

Elliott Gould as Miles Cullen, mild-mannered bank teller

Toronto, Christmas 1977 to Summer 1978

Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon

Background

Daryl Duke’s often darkly comic thriller The Silent Partner was just mentioned by Letterboxd among its list of twenty underseen holiday favorites, and you’ll know right from the description if it’s the sort of thing that would interest you: Elliott Gould plays a bank teller (alongside a young John Candy) who foils the robbery plans of a sadistic mall Santa played by Christopher Plummer, pocketing several thousand for himself, only for “Santa” to swear his violent revenge. Continue reading →

Bob Newhart’s Red Leisure Jacket on Thanksgiving

Bob Newhart as Dr. Bob Hartley in “Over the River and Through the Woods”, the fourth-season Thanksgiving-themed episode of The Bob Newhart Show.

Vitals

Bob Newhart as Robert Hartley, PhD, deadpan psychologist

Chicago, Thanksgiving 1975

Series: The Bob Newhart Show
Episode: “Over the River and Through the Woods” (Episode 4.11)
Air Date: November 22, 1975
Director: James Burrows
Created by: David Davis & Lorenzo Music
Men’s Costumes: Ralph T. Schlain
Clothes by: Botany 500

WARNING! Spoilers ahead!

Background

One of the most iconic Thanksgiving-themed TV episodes of all time aired fifty years ago this week: “Over the River and Through the Woods”, from the fourth season of The Bob Newhart Show, the 1970s sitcom starring Bob Newhart and Suzanne Pleshette as Chicago couple Robert and Emily Hartley.

The demands of a psychologist’s patients during the holidays keep Bob home in Chicago for Turkey Day, though he’s hardly remiss to be missing Emily’s family’s annual gala in Seattle that includes square dancing and skipping stones across Puget Sound. Come Thursday, Bob hosts his fellow “Thanksgiving orphans”: orthodontist and office-mate Dr. Jerry Robinson (Peter Bonerz) his airheaded next-door neighbor Howard Borden (Bill Daily), and his chronic patient Elliot F. Carlin (Jack Riley), who declares “you know you’re at a bad party when Elliot Carlin is the happiest man in the room.” Continue reading →

The Amityville Horror: James Brolin’s Corduroy Jacket and Cargo Pants

James Brolin and Margot Kidder in The Amityville Horror (1979)

Vitals

James Brolin as George Lutz, surveyor and stepdad

Long Island, New York, Fall 1975

Film: The Amityville Horror
Release Date: July 27, 1979
Director: Stuart Rosenberg
Men’s Costumes: Richard Butz

WARNING! Spoilers ahead!

Background

Fifty years ago next month, George Lutz and his family moved into 112 Ocean Avenue in Amityville on the south shore of Long Island. Amity, as you know, means friendship (as the mayor in Jaws has made clear), but there’s nothing friendly about the paranormal activity that drove the Lutz family from that Dutch Colonial Revival house after only 28 days.

Though the veracity of the events have been called into question (and, I believe, generally debunked), they remain in the forefront of public consciousness thanks to Jay Anson’s 1977 book The Amityville Horror and its subsequent film adaptations—the best-known and best-regarded of which being the 1979 horror thriller of the same name starring James Brolin and Margot Kidder as George and Kathy Lutz. Continue reading →