Tagged: 1970s
Goodfellas: De Niro’s Windowpane Sport Jacket as Jimmy Conway
Robert De Niro as Jimmy Conway in Goodfellas (1990)
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Robert De Niro as Jimmy Conway, feared mob associate
Queens, New York, Spring 1980
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Today marks 35 years since the release of Goodfellas, Martin Scorsese’s kinetic crime epic chronicling three decades of Mafia life through the eyes of real-life Lucchese family associate-turned-informant Henry Hill (Ray Liotta). Though Henry was the ostensible protagonist, top billing went to Robert De Niro as one of Henry’s mentors-in-crime, Jimmy Conway. Continue reading
Three Days of the Condor: Cliff Robertson’s Fur-collared Coat and Tweeds as Higgins
Cliff Robertson in Three Days of the Condor (1975)
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Cliff Robertson as Higgins, pragmatic CIA deputy director and Korean War veteran
New York City and Washington, D.C., Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
This month marks the 50th anniversary of Sydney Pollack’s Christmas-set political thriller Three Days of the Condor. While Robert Redford’s rugged casual-wear as the bookish CIA analyst Joe Turner (codename “Condor”) has commanded considerable sartorial attention—including one of my very first blog posts!—the men pursuing him from the shadows are also stylish dressers, from Max Von Sydow as the professional European hitman Joubert to the workaholic CIA deputy director Higgins played by Cliff Robertson, who died fourteen years ago today on September 10, 2011. Continue reading
Keith David’s Ochre ’70s Suede and Plaid in the Duster Finale
Keith David as Ezra Saxton in the series finale of Duster.
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Keith David as Ezra “Sax” Saxton, ruthless but complex Arizona crime boss
American Southwest, Summer 1972
Series: Duster
Episode: “66 Reno Split” (Episode 1.08)
Air Date: July 3, 2025
Director: Darren Grant
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
Just because Duster was unfortunately canceled by HBO Max after its first season finale aired two months ago today doesn’t mean that I’ve forgotten about it. Luckily, the showrunners told a comprehensive story in the first season that generally concluded Keith David’s arc as the charismatic crime boss Ezra Saxton. Continue reading
Night Moves: Gene Hackman’s Blue Lacoste Shirt
Gene Hackman as Harry Moseby in Night Moves (1975)
Vitals
Gene Hackman as Harry Moseby, private detective and former professional football player
Florida Keys, Fall 1973
Film: Night Moves
Release Date: June 11, 1975
Director: Arthur Penn
Costumer: Arnie Lipin
Costume Supervisor: Rita Riggs
Background
I love sweaty ’70s movies during the summer, especially when our star is rocking a superb soup-strainer.
Released 50 years ago in June 1975, the dolorous detective thriller Night Moves features the marvelous mustached private eye Harry Moseby (Gene Hackman) dressed in array of casual attire, from super-trendy safari shirts and suede shirt-jacs to more timeless attire like a smart tweed sports coat and a classic Lacoste tennis shirt to beat the heat when his work takes him to the Florida Keys. Continue reading
Shaft in Africa: Richard Roundtree’s Blazer and Turtleneck
Richard Roundtree as John Shaft in Shaft in Africa (1973)
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Richard Roundtree as John Shaft, tough private detective
New York City to Ethiopia via Paris, Winter 1972
Film: Shaft in Africa
Release Date: June 20, 1973
Director: John Guillermin
Wardrobe Credit: Frank Balchus
Background
Released just shy of two years after the first Shaft movie, Shaft in Africa was the third of the original Shaft trilogy that launched the late Richard Roundtree—born 83 years ago today on July 9, 1942—to stardom.
Shaft in Africa begins with Shaft in… uh, New York, where he’s kidnapped by representatives of Emir Ramila (Cy Grant), an East African tribal leader who wishes the famed private detective to infiltrate an European smuggling ring that’s exploiting African immigrants for cheap labor. When threatening him at gunpoint, offering him $25,000, and appealing to his emotions don’t seem to work, the emir and Colonel Gonder (Marne Maitland) finally appeal to Shaft’s circumcised Achilles heel by introducing him to the emir’s attractive daughter, Aleme (Vonetta McGee), who is assigned to teach this “uptown dude” the Manta dialect and tribal traditions.
Though the first act was indeed set and filmed in New York, the rest of Shaft in Africa was filmed on location in Ethiopia—reportedly only the third major production to be shot in the country. From its globe-trotting locations to the gadgetry issued to Shaft, Shaft in Africa clearly aligns John Shaft with James Bond… even though Shaft himself responds to the technology by telling Gonder:
Now, I’m not James Bond, simply Sam Spade.
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
Jaws: Roy Scheider’s Layers at Sea as Chief Brody
Roy Scheider as Martin Brody in Jaws (1975)
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Roy Scheider as Martin Brody, pragmatic island police chief
Off the coast of Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
WARNING! Spoilers ahead!
Background
Today is the 50th anniversary since Jaws first swam into theaters on June 20, 1975, redefining the summer blockbuster and establishing Steven Spielberg as a major director. In addition to breaking box office records and winning three Academy Awards (including one for John Williams’ iconic score), Jaws continues to succeed as a thriller, still terrifying generations with its portrayal of danger lurking beneath the waves.
Adapted from Peter Benchley’s bestselling novel of the same name, the story is relatively simple: after a string of deadly shark attacks off the coast of the fictional Amity Island (filmed on Martha’s Vineyard), three men—grizzled shark-hunter Quint (Robert Shaw), passionate oceanographer Matt Hooper (Richard Dreyfuss), and Amity’s aquaphobic new police chief Martin Brody (Roy Scheider)—set out aboard Quint’s boat to hunt the creature terrorizing the island’s residents and tourists. Continue reading
George C. Scott’s Funky Brown Shirt and Tan Blazer in Hardcore
George C. Scott in Hardcore (1979)
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George C. Scott as Jake Van Dorn, serious Midwestern family man
San Francisco, Spring 1978
Film: Hardcore
Release Date: February 9, 1979
Director: Paul Schrader
Men’s Wardrobe Supervisor: G. Tony Scarano
WARNING! Spoilers ahead!
Background
Oh my God, that’s my daughter.
Happy Father’s Day to all the dads who read BAMF Style… and to this soon-to-be first-time dad who writes BAMF Style, as my wife is expecting our first this October!
Of course, since I’m the same insane person who writes about Psycho and The Grifters for Mother’s Day, today’s Father’s Day post centers around George C. Scott’s style in Paul Schrader’s 1979 neo-noir Hardcore as Jake Van Dorn, a Michigan rivet manufacturing executive who goes deep undercover in the California porn industry to try to save his daughter Kristen (Ilah Davis) after he learns from private detective Andy Mast (Peter Boyle) that she’s been appearing in stag films. Continue reading
Night Moves: Gene Hackman’s Ivory Levi’s Shirt-Jacket
Gene Hackman as Harry Moseby in Night Moves (1975)
Vitals
Gene Hackman as Harry Moseby, private detective and former professional football player
Florida Keys, Fall 1973
Film: Night Moves
Release Date: June 11, 1975
Director: Arthur Penn
Costumer: Arnie Lipin
Costume Supervisor: Rita Riggs
Background
Arthur Penn’s neo-noir Night Moves premiered 50 years ago today on June 11, 1975, starring the late Gene Hackman as football pro-turned-private eye Harry Moseby, one of the most effective roles in demonstrating Hackman’s talent for balancing traditional masculinity with emotional depth and vulnerability.
Harry was recently hired by a washed-up Hollywood starlet to find her 16-year-old daughter Delly (Melanie Griffith), whom he eventually traces to the Florida Keys, where she’s living with her stepfather Tom (John Crawford) and his girlfriend Paula (Jennifer Warren) who eventually spends a night with Harry before he returns to L.A.
After a simple runaway case twists into murky layers of smuggling, betrayal, incest, and an increasing body count, Harry takes a late TWA flight back to the Keys—to the resigned dismay of his estranged wife Ellen (Susan Clark). Continue reading
French Connection II: Gene Hackman’s Windowpane Jacket and Aloha Shirt
Gene Hackman as “Popeye” Doyle in French Connection II (1975)
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
Marseille, France, Spring 1975
Film: French Connection II
Release Date: May 21, 1975
Director: John Frankenheimer
Costume Designer: Pierre Nourry
WARNING! Spoilers ahead!
Background
A lot of people may not even know they made a sequel to The French Connection. And why’s that? Because they didn’t really need to make it. But Gene Hackman’s portrayal of the profane detective “Popeye” Doyle was lightning in a bottle, and the late actor went two for two in bringing Popeye to the screen.
The French Connection‘s director William Friedkin was more reluctant than its star to get involved, citing French Connection II and follow-ups to The Exorcist as “shit… simply made to cash in on the title.” Hackman may have agreed with Hurricane Billy but was admirably never shy about admitting when a movie was simply a “money job,” as he tersely described The Poseidon Adventure to Ben Stiller when the two co-starred in The Royal Tenenbaums.
And so Hackman reprised his Academy Award-winning role for French Connection II, released fifty years ago today on May 21, 1975. The sequel—which indeed does not include the definite article “The” in the title—picks up the action shortly after its predecessor, with NYPD narc Doyle still on the trail of the elusive and urbane drug kingpin Alain Charnier (Fernando Rey), who absconded to his native Marseille after the events of The French Connection. Continue reading
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