Tagged: Casual
The Killer Elite: Robert Duvall’s Navy Shacket and Watch Cap
Robert Duvall in The Killer Elite (1975)
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Robert Duvall as George Hansen, mercenary-for-hire
San Francisco, Spring 1975
Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
My post about the late James Caan’s style in The Killer Elite for the film’s 50th anniversary last month received more attention than I expected, as well as requests to cover his co-star Robert Duvall. So, ahead of Duvall’s 95th birthday tomorrow, let’s look at how he dresses as the double-crossing mercenary George Hansen across The Killer Elite‘s second act.
After betraying his partner Mike Locken (Caan) and leaving him with a crippling bullet to the knee, George has been profiting as a freelance mercenary most recently hired to assassinate a Taiwanese politician visiting the United States. Mike had been out of commission for weeks while recovering from his wound, but his old employer ComTeg finally welcomes him back into the fold—hoping he can foil his former partner’s plot. Continue reading
Rocky: Sylvester Stallone’s Black Leather Jacket
Sylvester Stallone in Rocky (1976)
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Sylvester Stallone as Robert “Rocky” Balboa, ambitious boxer and mob enforcer
Philadelphia, Fall/Winter 1975
Film: Rocky
Release Date: December 3, 1976
Director: John G. Avildsen
Costumer: Robert Campbel
WARNING! Spoilers ahead!
Background
Happy New Year! Fifty years ago tonight, scrappy southpaw Rocky Balboa went the distance against the heavyweight champ, turning a Philadelphia club fighter into an American myth—so, in the spirit of “new year, new you”—let’s punch into the style of Sylvester Stallone’s era-defining breakthrough role. Continue reading
The Killer Elite: James Caan’s Brown Suede Jacket
James Caan in The Killer Elite (1975)
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James Caan as Mike Locken, government mercenary
San Francisco, Spring 1975
Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
The Godfather co-stars and real-life friends James Caan and Robert Duvall reunited as rival mercenaries in The Killer Elite, widely released fifty years ago today on December 19, 1975, following its L.A. premiere two days earlier. Adapted by Marc Norman and Stirling Silliphant from Robert Syd Hopkins novel Monkey in the Middle, the film’s mixed reception hasn’t improved much with age, and Caan himself considered it a dud that he took merely to work with director Sam Peckinpah—even if Peckinpah’s creative control was limited by United Artists.
The Killer Elite takes a lighter, action-oriented hand to the anti-government paranoia that defined ’70s thrillers, capitalizing on the easy chemistry between Caan and Duvall who portray the friends-turned-foes on opposing sides in a San Francisco proxy war. They begin the story as Mike Locken (Caan) and George Hansen (Duvall), colleagues in ComTeg—a private intelligence network often hired by the government. “What’s that? ‘Circumsized Italian Americans’?” Mike jokes when they’re asked if they work for the CIA. Continue reading
Rob Reiner in This is Spinal Tap
Rob Reiner as Marty Di Bergi in This is Spinal Tap (1984)
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Rob Reiner as Marty Di Bergi, documentary filmmaker
Across the United States, Fall 1982 to Spring 1983
Film: This is Spinal Tap
Release Date: March 2, 1984
Director: Rob Reiner
Costume Stylist: Renee Johnston
WARNING! Spoilers ahead!
Background
To celebrate the life of the late Rob Reiner following his and his wife Michele’s tragic deaths over the weekend, today’s post turns it up to eleven with his directorial debut: the 1984 mockumentary—if you will, rockumentary—This is Spinal Tap.
As the son of comedy legends Carl and Estelle Reiner, Rob established his own career on the 1970s sitcom All in the Family as Mike “Meathead” Stivic, whose passion for political activism mirrored the actor’s own. “I could win the Nobel Prize and they’d write ‘Meathead wins the Nobel Prize’,” the two-time Emmy-winning Reiner once commented of the nickname’s lasting association. Though he continued to act, Reiner pivoted behind the camera with a prolific and wide-ranging filmography as the director of genre-spanning modern classics like Stand By Me (1986), The Princess Bride (1987), When Harry Met Sally… (1989), Misery (1990), A Few Good Men (1992), and The American President (1995)—adept at everything from rom-coms and courtroom drama to fantasy and suspense.
Designed to satirize more hagiographical music documentaries, This is Spinal Tap popularized—if not effectively launched—the mockumentary: a comedic format that continues to thrive through titles like Abbott Elementary, Borat, Documentary Now!, The Office, Parks & Recreation, and What We Do in the Shadows.
Reiner allows Christopher Guest, Michael McKean, and Harry Shearer to shine as the fictional metal band Spinal Tap, also appearing on screen as Marty Di Bergi, a filmmaker tasked with chronicling the titular band’s American comeback tour. Continue reading
My Night at Maud’s: Jean-Louis Trintignant’s Sheepskin Jacket
Jean-Louis Trintignant in My Night at Maud’s (1969)
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Jean-Louis Trintignant as Jean-Louis, serious-minded engineer and conflicted Catholic
Clermont-Ferrand, France, Christmas 1968
Film: My Night at Maud’s
(French title: Ma nuit chez Maud)
Release Date: June 4, 1969
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Considered one of the best French actors of the post-war era, the late Jean-Louis Trintignant was born 95 years ago today on December 11, 1930. Trintignant worked with many prolific directors but his sole collaboration with Éric Rohmer was the Nouvelle Vague drama My Night at Maud’s—the fourth-released of Rohmer’s “Six Moral Tales”.
My Night at Maud’s premiered at the 1969 Cannes Film Festival and would be nominated for two Academy Awards. Trintignant portrays the ambitious engineer Jean-Louis, deeply in love with the young biology student Françoise (Marie-Christine Barrault) he has seen at his church, until just before Christmas when his friend Vidal (Antoine Vitez) introduces him to the eponymous Maud (Françoise Fabian). The night of their first meeting features intense discussions ranging from ethics to existence until, at Maud’s existence, Jean-Louis spends an awkward—and initially platonic—night in her bed, acting only on his newfound attraction by kissing her before he leaves in the morning.
Through their subsequent interactions, Jean-Louis’ faith conflicts with his growing attraction to the outspoken, divorced atheist as he and Maud recognize the tragic unlikelihood of lasting love between them. Continue reading
Salt and Pepper: Sammy Davis Jr. in Green Suede
Sammy Davis Jr. in Salt and Pepper (1968)
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Sammy Davis Jr. as Charles Salt, nightclub singer and co-owner
London, Spring 1968
Film: Salt and Pepper
Release Date: June 21, 1968
Director: Richard Donner
Costume Designer: Cynthia Tingey
Tailor: Charles Glenn
WARNING! Spoilers ahead!
Background
Multi-talented entertainer Sammy Davis Jr. was born 100 years ago today on December 8, 1925. Davis started performing on stage at only three years old when he joined his father and godfather in a touring act named after the latter: the Will Mastin Trio. After serving in the Army during World War II and maintaining his stardom through the ’50s, Davis developed an informal but enduring association with fellow entertainers Frank Sinatra, Dean Martin, Joey Bishop, and Peter Lawford that has become immortalized as the “Rat Pack”. (It was reportedly at Davis’ insistence that Sinatra changed the group’s initial name from “the Clan” to “the Summit”.)
The Rat Pack’s heyday was through the early 1960s, consisting primarily of stage shows and feature films like Ocean’s 11 (1960), playing a group of Army vets teaming up to rob five Vegas casinos. But as Dino’s character declares in that flick, “old times are only good when you’ve had ’em,” and the group’s cultural domination began to sizzle within a few short years. Sinatra had spent a small fortune to renovate part of his Palm Springs estate in anticipation of a visit from Lawford’s brother-in-law—who happened to be then-President John F. Kennedy—until Attorney General RFK advised his brother to limit his association with the mob-connected Ol’ Blue Eyes… so both JFK’s visit and Lawford’s upcoming role in 4 for Texas went to Bing Crosby instead.
Ever the diplomat, Davis maintained professional ties with Lawford as the two pallies starred in three more films through the end of the ’60s, adapting their Rat Pack personas to the times in Salt and Pepper (1968) and the Jerry Lewis-directed sequel, One More Time (1970).
Salt and Pepper was the second film directed by Richard Donner, who would more successfully revisit the black-and-white buddy comedy subgenre two decades later with the Lethal Weapon series. Davis and Lawford play swingin’ London nightclub operators-turned-spies Charlie Salt and Christopher Pepper, respectively, who uncover a plot to overthrow the British government. Continue reading
Marriage on the Rocks: Dino’s Red Sweater and Green Slacks
Dean Martin in Marriage on the Rocks (1965)
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Dean Martin as Ernie Brewer, playboy advertising executive
Los Angeles, Fall 1965
Film: Marriage on the Rocks
Release Date: September 24, 1965
Director: Jack Donohue
Costume Designer: Walter Plunkett
Background
As we’re gliding through December, my playlist is increasingly loaded with Christmas classics—often sung by the great mid-century entertainers like Ella Fitzgerald, Nat King Cole, and Rat Pack icons Frank Sinatra and Dean Martin.
After the Rat Pack’s heyday in the early ’60s had all but ended, the latter two pallies co-starred in Marriage on the Rocks, released sixty years ago in September 1965 amidst their career highs that included Sinatra recording September of My Years and appearing in an Emmy-winning documentary about his life and career, while Martin had just debuted his long-running variety show on NBC after knocking the Beatles from the top of the charts with “Everybody Loves Somebody”. Continue reading
Clark Griswold’s Christmas Tree-Hunting Parka and Sweater
Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)
Vitals
Chevy Chase as Clark W. Griswold Jr., festive family man and food additive executive
Chicago*, December 1989
Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Let’s officially launch the Christmas season and continue this winter’s Car Week with the Griswold family in their “ol’ front-wheel-drive sleigh” in National Lampoon’s Christmas Vacation, released 36 years ago today on December 1, 1989!
After the first two films took the Griswolds traveling across the United States and Europe, the family spends the holidays at home, where “the last true family man” Clark (Chevy Chase) and his wife Ellen (Beverly D’Angelo) are trying to spread yuletide cheer to their kids Audrey (Juliette Lewis) and Rusty (Johnny Galecki) with a snowy Saturday afternoon trek into the most mountainous region of rural Illinois* in search of “that most important of Christmas symbols.”
Audrey: We’re not driving all the way out here so you can get one of those stupid ties with the Santa Clauses on it, are we Dad?
Clark: No, I have one of those at home.
Rather than neckwear, the family is embracing the frosty majesty of the winter landscape to find the perfect tree that will anchor the “fun, old-fashioned family Christmas” envisioned by Clark, foregoing the pre-cut trees offered in Jolly Jerry’s lot to chop one down himself… despite forgetting a saw. Continue reading
The Amityville Horror: James Brolin’s Corduroy Jacket and Cargo Pants
James Brolin and Margot Kidder in The Amityville Horror (1979)
Vitals
James Brolin as George Lutz, surveyor and stepdad
Long Island, New York, Fall 1975
Film: The Amityville Horror
Release Date: July 27, 1979
Director: Stuart Rosenberg
Men’s Costumes: Richard Butz
WARNING! Spoilers ahead!
Background
Fifty years ago next month, George Lutz and his family moved into 112 Ocean Avenue in Amityville on the south shore of Long Island. Amity, as you know, means friendship (as the mayor in Jaws has made clear), but there’s nothing friendly about the paranormal activity that drove the Lutz family from that Dutch Colonial Revival house after only 28 days.
Though the veracity of the events have been called into question (and, I believe, generally debunked), they remain in the forefront of public consciousness thanks to Jay Anson’s 1977 book The Amityville Horror and its subsequent film adaptations—the best-known and best-regarded of which being the 1979 horror thriller of the same name starring James Brolin and Margot Kidder as George and Kathy Lutz. Continue reading
Weapons: Josh Brolin’s Waxed Work Jacket
Josh Brolin in Weapons (2025)
Vitals
Josh Brolin as Archer Graff, housing contractor and concerned father
Maybrook, Pennsylvania, Spring 2025
Film: Weapons
Release Date: August 8, 2025
Director: Zach Cregger
Costume Designer: Trish Summerville
WARNING! Spoilers ahead!
Background
Following the breakout success of his directorial debut Barbarian (2022), writer-director Zach Cregger returned with another provocative and unsettling horror film: Weapons, released this August.
Set in the fictional small town of Maybrook, Pennsylvania (but filmed just outside Atlanta), the film opens with a chilling mystery—seventeen elementary school children from the same classroom inexplicably flee their homes into the night at exactly 2:17 a.m., leaving only one—the quiet and withdrawn Alex Lilly (Cary Christopher)—returning to class the next day. What unfolds is a nonlinear descent into communal fear, grief, and suspicion, as the town struggles to comprehend the incomprehensible and, in doing so, turns inward with paranoia and blame.
On its surface, Weapons plays as a darkly comic horror thriller, but beneath the genre trappings lies a sharp allegory about how communities process trauma—or fail to, demonstrating the all-American patterns of reactionary hysteria that have cascaded over centuries from the Salem witch trials to post-9/11 nationalism and COVID-era scapegoating. Weapons particularly sparked interpretation on a broader commentary on America’s systemic failure to protect children as—rather than confronting the deeper institutional issues like gun violence, trafficking, or the opioid crisis—communal trauma habitually devolves into a blame game, lashing out at convenient targets from violent video games to a troubled new teacher.
The scapegoat here becomes the latter: Justine Gandy (Julia Garner), a recently hired teacher with a complicated past but no clear connection to the children’s disappearance. Suspicion still grows, fueled by the town’s need for closure and driven by panicked parents like local contractor Archer Graff (Josh Brolin), whose son Matthew remains among the missing. As his desperation increases, Archer ultimately pairs with an unlikely ally to channel his pain into action. Continue reading
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