Tagged: Cowboy Boots
Reservoir Dogs — Michael Madsen’s Black Suit and Cadillac as Mr. Blonde
Michael Madsen as Vic Vega (“Mr. Blonde”) in Reservoir Dogs (1992)
Vitals
Michael Madsen as Vic Vega, cold-blooded professional thief
Los Angeles, Summer 1992
Film: Reservoir Dogs
Release Date: October 9, 1992
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Many have been sharing tributes to the late Michael Madsen (1957-2025), who died just days ago on Thursday, July 3, of cardiac arrest at age 67.
Following the start of his career in the early 1980s with films like WarGames (1983) and The Natural (1984), Madsen performed his arguably most iconic role as the psychopathic Vic Vega—aka “Mr. Blonde”—in Quentin Tarantino’s breakthrough 1992 directorial debut, Reservoir Dogs. Continue reading
Ben Johnson’s Cream Suit in The Town That Dreaded Sundown
Ben Johnson in The Town That Dreaded Sundown (1976)
Vitals
Ben Johnson as J.D. Morales, Texas Rangers company captain
Texarkana, Arkansas, Spring 1946
Film: The Town That Dreaded Sundown
Release Date: December 24, 1976
Director: Charles B. Pierce
Wardrobe Credit: Karen Jones & Bonnie Langriff
WARNING! Spoilers ahead!
Background
Born 107 years ago on June 13, 1918, Ben Johnson was an Academy Award-winning actor and—like his father, Ben Sr.—a bona fide cowboy and rodeo champion.
Johnson’s screen career appropriately began as a stuntman in Howard Hughes’ controversial 1943 film The Outlaw, establishing the start of a half-century career that began with Westerns like 3 Godfathers (1948), She Wore a Yellow Ribbon (1949), Shane (1953), Hang ‘Em High (1968), and The Wild Bunch (1969). After a more dramatic performance in The Last Picture Show (1971) resulted in Johnson’s sole Oscar win, the middle-aged actor diversified his filmography with major roles in non-Westerns like The Getaway (1972), Dillinger (1973), Red Dawn (1984), and Angels in the Outfield (1994).
Since today’s commemoration of Johnson’s birthday also falls on Friday the 13th, it feels appropriate to focus on one of the actor’s first of few forays into horror. The Town That Dreaded Sundown was loosely based on the real-life Texarkana Moonlight Murders when a still-unknown “Phantom Killer” attacked eight people—killing five—through the spring of 1946. Filmed on location in Arkansas, Louisiana, and Texas through the hot summer of 1976, The Town That Dreaded Sundown erroneously centered most of the action around Texarkana, Arkansas, which initially resulted in the city threatening director Charles B. Pierce… but has since become an annual Halloween tradition during Texarkana’s “Movies in the Park” series.
Johnson’s cowboy background and persona suited his performance as Captain J.D. Morales, based on the case’s actual lead investigator: Manuel T. “Lone Wolf” Gonzaullas. Continue reading
The Freewheelin’ Bob Dylan: Timothée Chalamet in A Complete Unknown
Timothée Chalamet and Monica Barbaro in A Complete Unknown (2024). Photo by Macall Polay.
Vitals
Timothée Chalamet as Bob Dylan, folk singer-songwriter
New York City and Monterey, California, Spring to Summer 1963
Film: A Complete Unknown
Release Date: December 25, 2024
Director: James Mangold
Costume Designer: Arianne Phillips
Jacket Maker: Jimmy McBride
WARNING! Spoilers ahead!
Background
Happy 84th birthday, Bob Dylan! Born as Robert Allen Zimmerman on May 24, 1941, the iconoclastic musician’s early career was recently depicted in James Mangold’s biopic A Complete Unknown, starring Timothée Chalamet. Chalamet’s extensive work to achieve Dylan’s distinctive voice, mannerisms, and playing style resulted in a characteristically dedicated performance that earned the actor his second Academy Award nomination—one of eight total for the film, including Best Picture.
A Complete Unknown begins in early 1961 when the young Minnesota-born troubadour arrives in New York City, seeking out his ailing idol Woody Guthrie (Scoot McNairy). As Dylan’s star power evolves among the Greenwich Village folk scene, so do his tumultuous relationships and friendships with contemporaries like Joan Baez (Monica Barbaro), Pete Seeger (Edward Norton), and Johnny Cash (Boyd Holbrook)—who had previously been the subject of the Mangold-directed 2005 biopic Walk the Line starring Joaquin Phoenix.
Adapted from Elijah Wald’s nonfiction volume Dylan Goes Electric!, the film spans these four crucial years of Dylan’s early career leading up to his controversial performance at the 1965 Newport Folk Festival, fifty years ago this summer.
Dylan’s primary motivation through A Complete Unknown is presented as total musical freedom, often at the cost of public popularity or traditional friendships. Baez and other characters bemoan their struggle to know Dylan on a deeper level; indeed, some reviewers even cited this as a flaw of the film—however, I see it as part of its overall thesis: even after a career of 60+ years and hundreds of compositions and recordings, Dylan remains the titular “complete unknown”, to borrow a lyrics from his 1965 hit “Like a Rolling Stone”. The only human connection that never frustrates the cinematic Dylan is his bond with Woody Guthrie, centered purely around music—and no doubt helped by the fact that Woody’s medical condition has rendered him all but mute, never asking Dylan anything about himself that he doesn’t want to answer.
After his self-titled first album is comprised primarily of cover songs, Dylan embraces the opportunity to make a stronger musical signature by recording more original tracks on his follow-up record, The Freewheelin’ Bob Dylan. A Complete Unknown very briefly depicts CBS staff photographer Don Hunstein’s cover photo shoot on the streets of Greenwich Village in February 1963, with a casually dressed Dylan and his then-girlfriend, Suze Rotolo—renamed at Dylan’s own request to “Sylvie Russo” (Elle Fanning) for the screen, citing that the late Ms. Rotolo was one of the few people in his life who never sought fame.
“It is one of those cultural markers that influenced the look of album covers precisely because of its casual down-home spontaneity and sensibility,” Rotolo wrote in her memoir, A Freewheelin’ Time. “Most albums were carefully staged and controlled, to terrific effect on the Blue Note jazz album covers… and to not-so-great effect on the perfectly posed and clean-cut pop and folks albums. Whoever was responsible for choosing that particular photograph for The Freewheelin’ Bob Dylan really had an eye for a new look.”
Moonrunners: Kiel Martin’s Fringed Buckskin Jacket and Blue Jeans
Kiel Martin in Moonrunners (1975)
Vitals
Kiel Martin as Bobby Lee Hagg, daredevil moonshine driver and part-time guitar picker
Georgia, Fall 1973
Film: Moonrunners
Release Date: May 14, 1975
Director: Gy Waldron
Costume Designer: Patty Shaw
WARNING! Spoilers ahead!
Background
Two rambunctious and fast-driving cousins speed through a fictional county in the deep south, running moonshine for their uncle Jesse while evading local sheriff Roscoe Coltrane and his connections to a corrupt local crime boss who drives a white Cadillac—all set to the music and homespun voiceover of outlaw country legend Waylon Jennings. And no, I’m not talking about The Dukes of Hazzard.
Four years before the Dukes debuted on CBS, Gy Waldron’s B-movie Moonrunners premiered in drive-in theaters across the South fifty years ago tomorrow on May 14, 1975.
Moonrunners could have been lost in the traffic jam of cheap ’70s hick flicks about moonshine and muscle cars until it was plucked from potential obscurity by Warner Brothers’ perplexing—but indeed prophetic—suggestion that it could form the basis for a successful TV show. Now best known as the rawer progenitor to The Dukes of Hazzard, Moonrunners has essentially all the same elements and characters but distilled into a dirtier, hornier jar of shine—seasoned with the visceral authenticity that comes from filming on location in rural Georgia and not a WB backlot. Continue reading
Justifed: Raylan’s Pilot Episode Charcoal Pinstripe Suit Jacket and Jeans
Timothy Olyphant as U.S. Marshal Raylan Givens in the pilot episode (“Fire in the Hole”) of Justified.
(Photo by: Prashant Gupta, FX)
Vitals
Timothy Olyphant as Raylan Givens, proudly old-fashioned Deputy U.S. Marshal
Miami to Kentucky, March 2010
Series: Justified
Episode: “Fire in the Hole” (Episode 1.01)
Air Date: March 16, 2010
Director: Michael Dinner
Creator: Graham Yost
Costume Designer: Ane Crabtree
Background
Inspired by a selection of Elmore Leonard stories like “Fire in the Hole”, Justified premiered 15 years ago this week on March 16, 2010.
The series began with a literal bang as Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) demonstrated his quick trigger finger by outdrawing a “gun thug” in his assigned territory of Miami. Though he frequently insists “it was justified,” Raylan is ordered by his superiors to leave Miami, reassigned to the Lexington field office in his home turf of eastern Kentucky where he used to dig coal with now-criminal Boyd Crowder (Walton Goggins).
“We weren’t what you call buddies, but you work a deep mine with a man, you look out for each other,” Raylan reflects of his and Boyd’s initial acquaintanceship. Continue reading
“Hey, Mr. Sporting Goods!” Llewelyn’s Fancy-Striped Shirt in No Country for Old Men
Josh Brolin in No Country for Old Men (2007)
Vitals
Josh Brolin as Llewelyn Moss, ex-welder and Vietnam War vet on the run
El Paso, Texas, Summer 1980
Film: No Country for Old Men
Release Date: November 9, 2007
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres
WARNING! Spoilers ahead!
Background
Happy 57th birthday to Josh Brolin! Born February 12, 1968 to casting director Jane Cameron and actor James Brolin, Josh starred in The Goonies as a teen before his career resurgence as an adult following his celebrated performance as Llewelyn Moss in the Coen brothers’ 2007 masterpiece No Country for Old Men, faithfully adapted from Cormac McCarthy’s novel of the same name. Continue reading
Heaven Can Wait: Warren Beatty’s Leather Jacket
Warren Beatty in Heaven Can Wait (1978)
Vitals
Warren Beatty as Joe Pendleton, L.A. Rams quarterback
Los Angeles, February 1978
Film: Heaven Can Wait
Release Date: June 28, 1978
Directed by: Warren Beatty & Buck Henry
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Ahead of the Super Bowl this weekend, one of the movies that the big game always brings to mind for me is Heaven Can Wait, Warren Beatty and Buck Henry’s 1978 remake of Harry Segall’s 1930s play of the same name, which had already been adapted for the screen in 1941 as Here Comes Mr. Jordan.
Beatty stars as Joe Pendleton, an affably simple-minded backup quarterback for the Los Angeles Rams whose sole ambition is to lead his team to the Super Bowl. Continue reading
Hour of the Gun: James Garner’s “Vendetta Ride” Wardrobe as Wyatt Earp
James Garner as Wyatt Earp in Hour of the Gun (1967)
Vitals
James Garner as Wyatt Earp, taciturn Deputy U.S. Marshal
Arizona Territory to Mexico, Spring 1882
Film: Hour of the Gun
Release Date: November 1, 1967
Director: John Sturges
Wardrobe Credit: Gordon T. Dawson
WARNING! Spoilers ahead!
Background
A decade after he released Gunfight at the O.K. Corral in 1957, director John Sturges returned to the legendary gunfight at Tombstone, Arizona for his continuation of the story, Hour of the Gun. While Gunfight at the O.K. Corral fictionalized the events leading up to the titular confrontation, Hour of the Gun begins with the showdown followed by a slightly more fact-based retelling of the “vendetta ride” led by Wyatt Earp, who died 96 years ago today on January 13, 1929. Continue reading
Lee Van Cleef as “Angel Eyes” in The Good, the Bad, and the Ugly
Lee Van Cleef in The Good, the Bad, and the Ugly (1966)
Vitals
Lee Van Cleef as “Angel Eyes”, ruthless mercenary
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Lee Van Cleef, the actor whose Golden Boot Award-winning contributions to the Western genre began with his debut performance in the iconic High Noon (1952) but remains arguably best known for his back-to-back roles in the latter two films of Sergio Leone’s “Dollars trilogy” that established the spaghetti Western subgenre.
Born January 9, 1925 in New Jersey, Van Cleef served in the U.S. Navy aboard a minesweeper during World War II. Following his debut in High Noon, Van Cleef’s distinctive appearance and sinister mannerisms resulted in a string of supporting—and often villainous—roles in crime stories and Westerns until his breakout role as Colonel Douglas Mortimer in Leone’s For a Few Dollars More (1965), which resulted in his sole Golden Globe nomination.
Leone followed For a Few Dollars More with the Civil War-set The Good, the Bad, and the Ugly—the final installment of his so-called “Dollars trilogy”—which also prominently co-starred Van Cleef opposite Clint Eastwood’s stoic “Man with No Name”. As opposed to the more heroic Colonel Mortimer whose violent quest was driven by a sense of justice, Van Cleef’s character in The Good, the Bad, and the Ugly embodied the eponymous “Bad”—a sadistic assassin who kills for money… and occasionally pleasure. Continue reading
Midnight Cowboy: Jon Voight as Joe Buck
Jon Voight as Joe Buck in Midnight Cowboy (1969)
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Jon Voight as Joe Buck, naïve Texan wannabe gigolo and Army veteran
New York City, Summer through Winter 1968
Film: Midnight Cowboy
Release Date: May 25, 1969
Director: John Schlesinger
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
Harry Nilsson recorded his cover of Fred Neil’s “Everybody’s Talkin'” 57 years ago this week on November 13, 1967. This Grammy-winning folk hit has since become inextricably linked with the 1969 drama Midnight Cowboy—which celebrated its 55th anniversary in May—after director John Schlesinger chose it as the film’s theme song.
Adapted by Waldo Salt from James Leo Herlihy’s 1965 novel of the same name, Midnight Cowboy received a controversial if critically acclaimed response upon its release. Six months earlier, the MPAA implemented its voluntary rating system to classify age suitability for major releases, replacing the increasingly outdated “Hays Code” that had been enforced since the early 1930s. Midnight Cowboy was one of the first mainstream movies to be rated “X”, which forbade any audience members under age 17 to be admitted and was reserved for movies demonstrating the most extreme sexual themes, graphic violence or language. Despite the stigma of this dramatically restrictive rating, Midnight Cowboy was the third highest-grossing American movie released in 1969 and won three of the seven Oscars for which it was nominated—Best Picture, Best Director, and Best Adapted Screenplay—and it remains the only movie with an X (or equivalent NC-17) rating to win the Academy Award for Best Picture. Continue reading