Tagged: Cowboy Boots
Taffin: Pierce Brosnan’s Leather U-Boat Coat and Black Jeans
Vitals
Pierce Brosnan as Mark Taffin, debt collector
Ballymoran, Ireland, Fall 1987
Film: Taffin
Release Date: February 26, 1988
Director: Francis Megahy
Costume Designer: Imogen Magnus
WARNING! Spoilers ahead!
Background
In the years between his career-defining roles as Remington Steele and James Bond, Pierce Brosnan’s career spanned a variety of roles, from classic adventurer Phileas Fogg in a TV production of Around the World in 80 Days to spurned lovers in Love Affair (1994) and Mrs. Doubtfire (1993)—losing his love interest to Warren Beatty (makes sense) and Robin Williams dressed as a fussy old British woman (oh!), respectively.
For the 00-7th of October today, let’s look at one of Brosnan’s more Bond-like roles during this period, portraying the title character in Taffin, adapted from Lyndon Mallet’s book series of the same name. Mallet reportedly balked at the casting choice as his literary Mark Taffin was described as overweight and unattractive—two words which would not describe Pierce Brosnan.
Taffin works as a debt collector in his small Irish hometown, filmed in County Wicklow, where his popularity ranges based on whether he’s helped you recover your debts… or had him knocking at your door on someone else’s behalf. Despite his cynical attitude and less-than-reputable profession, Taffin emerges as the town’s de facto defender, working against the developers who’ll stop at nothing to capitalize on the land. Continue reading
Kill Me Again: Michael Madsen’s Leather Jacket
Vitals
Michael Madsen as Vince Miller, ruthless armed robber
Nevada, Spring 1989
Film: Kill Me Again
Release Date: October 27, 1989
Director: John Dahl
Costume Designer: Terry Dresbach
WARNING! Spoilers ahead!
Background
This year has seen the loss of screen legends across generations, from Gene Hackman and Robert Redford to Val Kilmer and Michael Madsen. On the first anniversary of Madsen’s September 25, 1957 birthday, let’s look at the one film where he and Kilmer starred together—the 1989 crime thriller Kill Me Again, where both men are drawn into a dangerous web spun by Fay, a femme fatale played by Kilmer’s then-wife Joanne Whalley.
Madsen steadily grew his career as a supporting actor through the ’80s in movies like WarGames (1982) and The Natural (1984) before appearing in Kill Me Again as the murderous thief Vince Miller, who could be argued as a template for the vicious villains he would play in movies like Reservoir Dogs (1992), The Getaway (1994), and Donnie Brasco (1997). Continue reading
Bonnie and Clyde: Michael J. Pollard’s Herringbone Jacket and Jeans as C.W.
Vitals
Michael J. Pollard as C.W. Moss, slow-witted mechanic-turned-bank robber
Iowa, Summer 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
W.D. “Deacon” Jones may not be as famous as Bonnie Parker or Clyde Barrow, but the Dallas teenager was once among their closest companions in the notorious Barrow gang.
At only 16 years old, Jones was running jobs and riding shotgun on robberies, a role later blended with the gang’s informant Henry Methvin to create the fictionalized composite character C.W. Moss in Arthur Penn’s landmark 1967 film Bonnie & Clyde. Jones lived long enough to see the movie and admitted in a Playboy interview that “Moss was a dumb kid who run errands and done what Clyde told him… that was me, all right.”
Having survived countless shootouts during nearly a year riding with the Barrow gang, Jones ultimately couldn’t escape the fate that had claimed his contemporaries. Fifty-one years ago today in Houston during the early morning hours of August 20, 1974, the 58-year-old Jones was shot three times with a 12-gauge shotgun during an altercation outside a friend’s house. Continue reading
Sam Shepard’s Denim Western-wear in Fool for Love
Vitals
Sam Shepard as Eddie, rodeo stunt rider
Mojave Desert, Spring 1985
Film: Fool for Love
Release Date: December 6, 1985
Director: Robert Altman
Wardrobe Credit: Kristine Flones
WARNING! Spoilers ahead!
Background
Today marks eight years since the death of 10-time Obie Award-winning actor, director, and writer Sam Shepard, who died July 17, 2017 at the age of 73.
As someone who loves movies set in motels and thinks that Shepard and Harry Dean Stanton were two of the coolest guys to have walked on this planet, I had long been intrigued by Robert Altman’s 1985 adaptation of Shepard’s own play Fool for Love, starring Shepard and Stanton opposite Kim Basinger. Continue reading
Blood Simple: Dan Hedaya’s Slate Leisure Suit
Vitals
Dan Hedaya as Julian Marty, surly bar owner
Texas, Fall 1982
Film: Blood Simple
Release Date: January 18, 1985
Director: Joel & Ethan Coen
Costume Designer: Sara Medina-Pape
WARNING! Spoilers ahead!
Background
In honor of Dan Hedaya’s 85th birthday—born July 24, 1940—it’s worth revisiting one of the most memorable early showcases for his talents: the Coen brothers’ 1984 feature debut, Blood Simple. With a screen career stretching back to 1970, Hedaya has long been one of cinema’s most welcome character actors, equally at home playing sleazeballs and softies—from Carla Tortelli’s scummy ex-husband Nick on Cheers to Cher Horowitz’s gruff but loving dad in Clueless.
In Blood Simple, Hedaya takes on one of his most tragic and pathetic roles as Julian Marty, the cuckolded Texas bar owner whose simmering jealousy leads him to hire crooked private detective Loren Visser (a sweaty, unforgettable M. Emmet Walsh) to trail his wife Abby (Frances McDormand, also making her screen debut). Continue reading
Point Break: Keanu Reeves’ Purple Skydiving Shirt and Jeans
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Not only was Point Break widely released 34 years ago today on July 12, 1991, but the second Saturday in July is also World Skydiving Day, so of course we’ll be following OSU quarterback-turned-FBI agent Johnny Utah (Keanu Reeves) as this one radical son-of-a-bitch jumps from a plane with the gang of bank-robbing surfers led by the enigmatic Bodhi (Patrick Swayze)… twice! Continue reading
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
Reservoir Dogs — Michael Madsen’s Black Suit and Cadillac as Mr. Blonde
Vitals
Michael Madsen as Vic Vega, cold-blooded professional thief
Los Angeles, Summer 1992
Film: Reservoir Dogs
Release Date: October 9, 1992
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Many have been sharing tributes to the late Michael Madsen (1957-2025), who died just days ago on Thursday, July 3, of cardiac arrest at age 67.
Following the start of his career in the early 1980s with films like WarGames (1983) and The Natural (1984), Madsen performed his arguably most iconic role as the psychopathic Vic Vega—aka “Mr. Blonde”—in Quentin Tarantino’s breakthrough 1992 directorial debut, Reservoir Dogs. Continue reading
Ben Johnson’s Cream Suit in The Town That Dreaded Sundown
Vitals
Ben Johnson as J.D. Morales, Texas Rangers company captain
Texarkana, Arkansas, Spring 1946
Film: The Town That Dreaded Sundown
Release Date: December 24, 1976
Director: Charles B. Pierce
Wardrobe Credit: Karen Jones & Bonnie Langriff
WARNING! Spoilers ahead!
Background
Born 107 years ago on June 13, 1918, Ben Johnson was an Academy Award-winning actor and—like his father, Ben Sr.—a bona fide cowboy and rodeo champion.
Johnson’s screen career appropriately began as a stuntman in Howard Hughes’ controversial 1943 film The Outlaw, establishing the start of a half-century career that began with Westerns like 3 Godfathers (1948), She Wore a Yellow Ribbon (1949), Shane (1953), Hang ‘Em High (1968), and The Wild Bunch (1969). After a more dramatic performance in The Last Picture Show (1971) resulted in Johnson’s sole Oscar win, the middle-aged actor diversified his filmography with major roles in non-Westerns like The Getaway (1972), Dillinger (1973), Red Dawn (1984), and Angels in the Outfield (1994).
Since today’s commemoration of Johnson’s birthday also falls on Friday the 13th, it feels appropriate to focus on one of the actor’s first of few forays into horror. The Town That Dreaded Sundown was loosely based on the real-life Texarkana Moonlight Murders when a still-unknown “Phantom Killer” attacked eight people—killing five—through the spring of 1946. Filmed on location in Arkansas, Louisiana, and Texas through the hot summer of 1976, The Town That Dreaded Sundown erroneously centered most of the action around Texarkana, Arkansas, which initially resulted in the city threatening director Charles B. Pierce… but has since become an annual Halloween tradition during Texarkana’s “Movies in the Park” series.
Johnson’s cowboy background and persona suited his performance as Captain J.D. Morales, based on the case’s actual lead investigator: Manuel T. “Lone Wolf” Gonzaullas. Continue reading
The Freewheelin’ Bob Dylan: Timothée Chalamet in A Complete Unknown
Vitals
Timothée Chalamet as Bob Dylan, folk singer-songwriter
New York City and Monterey, California, Spring to Summer 1963
Film: A Complete Unknown
Release Date: December 25, 2024
Director: James Mangold
Costume Designer: Arianne Phillips
Jacket Maker: Jimmy McBride
WARNING! Spoilers ahead!
Background
Happy 84th birthday, Bob Dylan! Born as Robert Allen Zimmerman on May 24, 1941, the iconoclastic musician’s early career was recently depicted in James Mangold’s biopic A Complete Unknown, starring Timothée Chalamet. Chalamet’s extensive work to achieve Dylan’s distinctive voice, mannerisms, and playing style resulted in a characteristically dedicated performance that earned the actor his second Academy Award nomination—one of eight total for the film, including Best Picture.
A Complete Unknown begins in early 1961 when the young Minnesota-born troubadour arrives in New York City, seeking out his ailing idol Woody Guthrie (Scoot McNairy). As Dylan’s star power evolves among the Greenwich Village folk scene, so do his tumultuous relationships and friendships with contemporaries like Joan Baez (Monica Barbaro), Pete Seeger (Edward Norton), and Johnny Cash (Boyd Holbrook)—who had previously been the subject of the Mangold-directed 2005 biopic Walk the Line starring Joaquin Phoenix.
Adapted from Elijah Wald’s nonfiction volume Dylan Goes Electric!, the film spans these four crucial years of Dylan’s early career leading up to his controversial performance at the 1965 Newport Folk Festival, fifty years ago this summer.
Dylan’s primary motivation through A Complete Unknown is presented as total musical freedom, often at the cost of public popularity or traditional friendships. Baez and other characters bemoan their struggle to know Dylan on a deeper level; indeed, some reviewers even cited this as a flaw of the film—however, I see it as part of its overall thesis: even after a career of 60+ years and hundreds of compositions and recordings, Dylan remains the titular “complete unknown”, to borrow a lyrics from his 1965 hit “Like a Rolling Stone”. The only human connection that never frustrates the cinematic Dylan is his bond with Woody Guthrie, centered purely around music—and no doubt helped by the fact that Woody’s medical condition has rendered him all but mute, never asking Dylan anything about himself that he doesn’t want to answer.
After his self-titled first album is comprised primarily of cover songs, Dylan embraces the opportunity to make a stronger musical signature by recording more original tracks on his follow-up record, The Freewheelin’ Bob Dylan. A Complete Unknown very briefly depicts CBS staff photographer Don Hunstein’s cover photo shoot on the streets of Greenwich Village in February 1963, with a casually dressed Dylan and his then-girlfriend, Suze Rotolo—renamed at Dylan’s own request to “Sylvie Russo” (Elle Fanning) for the screen, citing that the late Ms. Rotolo was one of the few people in his life who never sought fame.

“It is one of those cultural markers that influenced the look of album covers precisely because of its casual down-home spontaneity and sensibility,” Rotolo wrote in her memoir, A Freewheelin’ Time. “Most albums were carefully staged and controlled, to terrific effect on the Blue Note jazz album covers… and to not-so-great effect on the perfectly posed and clean-cut pop and folks albums. Whoever was responsible for choosing that particular photograph for The Freewheelin’ Bob Dylan really had an eye for a new look.”










You must be logged in to post a comment.