Tagged: Cowboy Boots
Cockfighter: Warren Oates’ Black Shirt and Lee Jeans
Warren Oates in Cockfighter (1974)
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Warren Oates as Frank Mansfield, voluntarily mute cockfighter
Georgia, Spring 1973
Film: Cockfighter
Release Date: July 30, 1974
Director: Monte Hellman
Wardrobe Credit: Carol Hammond & Patty Shaw
Background
Fifty years ago today on July 30, 1974, the locally filmed B-movie Cockfighter premiered in Roswell, Georgia.
“King of Cult” producer and director Roger Corman had spied Charles Willeford’s novel of the same name in an airport bookstore and had read no more than the title and the back cover before buying the adaptation rights, explaining to his editor that “with a title like this, if we can’t sell it, we’re in big trouble.” Unfortunately… they couldn’t sell it.
Perhaps dismayed that Hellman took a more philosophical than exploitative approach, Corman tried every trick at his disposal to grow an audience. After hiring Joe Dante to recut the film, he rotated through alternate titles like Born to Kill, Gamblin’ Man, and Wild Drifter, until eventually accepting a rare defeat, citing Cockfighter as the only New World Pictures release to lose money, despite its already meager $400,000 budget.
Like many other Corman films, Cockfighter found a cult following in the decades after its release, certainly in part to the talent involved. Working from a screenplay that Willeford adapted from his own novel, Monte Hellman was hired to direct as his first feature since Two-Lane Blacktop. Hellman assembled a cast that included Two-Lane Blacktop alumna Warren Oates, Laurie Bird, and Oates’ friend and frequent co-star Harry Dean Stanton (the subject of my first Cockfighter post), as well as ’50s screen idol Troy Donahue, character actors Robert Earl Jones and Richard B. Shull, and a young Ed Begley Jr. in one of his first prominent roles.
Three years after Hellman directed him to magnificence as “GTO” in Two-Lane Blacktop, Oates delivered one of his arguably career-best performances as Frank Mansfield, a determined gambler who vows to remain mute until he can be awarded Southern Conference Cockfighter of the Year. As Frank increases the stakes by betting everything he owns along the way, we see the lengths to which he goes to build up the odds against his gamecock Sandspur, such as disfiguring the beak to appear cracked. Continue reading
The Italian Connection: Woody Strode’s Plaid Sports Coat
Woody Strode in The Italian Connection (1972)
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Woody Strode as Frank Webster, taciturn Mafia hitman
Milan, Italy, Spring 1972
Film: The Italian Connection
(Italian title: La mala ordina)
Release Date: September 2, 1972
Director: Fernando Di Leo
Costume Designer: Francesco Cuppini
WARNING! Spoilers ahead!
Background
Trailblazing actor and athlete Woody Strode was born 110 years ago today on July 25, 1914 in Los Angeles. Following his service in the U.S. Army Air Corps during World War II, Strode was one of four Black players to break the NFL’s postwar color barrier when he signed with the Rams in 1946. In the years to follow, Strode continued both wrestling and acting, though he became significantly better known for the latter and was also one of the first Black performers to be nominated for a Golden Globe, recognizing his performance in Spartacus (1960).
With a filmography that also includes The Ten Commandments (1956), Pork Chop Hill (1959), Sergeant Rutledge (1960), The Man Who Shot Liberty Valence (1962), Genghis Khan (1965), The Professionals (1966), and Once Upon a Time in the West (1968), it was difficult to find one of Strode’s prominent roles that wasn’t in a western, war film, or historical drama so that I could highlight the actor dressed in a contemporary wardrobe. (He did have a significant role in the 1960 disaster drama The Last Voyage, but his costume as the sinking ship’s crewman Hank Lawson consisted only of a neckerchief and dark jeans.)
Following his appearance Once Upon a Time in the West, Strode joined fellow other American actors—think the fictional Rick Dalton—by appearing in Italian films through the ’70s, including the 1972 “poliziottesco” The Italian Connection, starring alongside Henry Silva as New York mob hitmen Frank Webster and Dave Catania. Continue reading
Vic Morrow’s Cowboy Cop Style in Dirty Mary Crazy Larry
Vic Morrow in Dirty Mary Crazy Larry (1974)
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Vic Morrow as Everett Franklin, maverick police captain
San Joaquin County, California, Fall 1973
Film: Dirty Mary Crazy Larry
Release Date: May 17, 1974
Director: John Hough
Wardrobe Master: Phyllis Garr
WARNING! Spoilers ahead!
Background
The talented actor Vic Morrow died 42 years ago today during a helicopter accident on the set of John Landis’ movie The Twilight Zone that also claimed the lives of child actors Myca Dinh Le and Renee Shin-Yi Chen. Born on Valentine’s Day 1929 in the Bronx, Morrow’s acting career dates to the ’50s when he starred as Stanley Kowalski in a stage production of A Streetcar Named Desire and made his screen debut in the 1955 drama Blackboard Jungle. He later brought his real-life experience as a Navy veteran to his star-making role in the 1960s World War II series Combat!
One of my favorite of Vic Morrow’s performances is as Everett Franklin, a renegade police captain tasked with chasing Peter Fonda, Susan George, and Adam Roarke making their high-octane getaway through the walnut groves and highways of central California in Dirty Mary Crazy Larry, released 50 years ago in May 1974. Continue reading
Bill Paxton in Twister
Bill Paxton and Helen Hunt in Twister (1996)
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Bill Paxton as Bill Harding, experienced storm chaser-turned-weatherman
Oklahoma, Summer 1996
Film: Twister
Release Date: May 10, 1996
Director: Jan de Bont
Costume Designer: Ellen Mirojnick
WARNING! Spoilers ahead!
Background
With its standalone sequel Twisters starring Daisy Edgar-Jones and Glen Powell now arriving in theaters, let’s revisit the original Twister, Jan de Bont’s 1996 blockbuster centered around a group of storm-chasers pursuing and researching tornadoes across Oklahoma.
Our lead storm-chasers are the star-crossed Jo (Helen Hunt) and Bill Harding (Bill Paxton), in the midst of a divorce as Bill seeks to leave his dangerous storm-chasing days as “The Extreme” and settle into a more comfortable life as a TV weatherman with his new fiancée Dr. Melissa Reeves (Jami Gertz). “New job, new truck, new wife, it’s like a whole new you!” Jo observes as Bill arrives in his new Dodge Ram truck to request that she sign the papers to finalize their divorce.
In the meantime, Jo and her team are preparing to deploy their innovative tornado-measuring device—the realized execution of Bill’s original concept, nicknamed “Dorothy”—into the record-breaking storms wreaking havoc through Oklahoma. Continue reading
Glen Powell in Hit Man: Gary’s Western-Inspired Wardrobe as “Ron”
Glen Powell as Gary Johnson in Hit Man (2023)
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Glen Powell as Gary Johnson, mild-mannered psychology professor moonlighting as an undercover police contractor
New Orleans, Fall 2022
Film: Hit Man
Release Date: May 24, 2024
Director: Richard Linklater
Costume Designer: Juliana Hoffpauir
WARNING! Spoilers ahead!
Background
After a limited two-week run in theaters, Hit Man debuted on Netflix at the beginning of this month and quickly became the service’s #1 most-watched movie in the U.S. The screenplay by director Richard Linklater and star Glen Powell fictionalizes the life of Gary Johnson, a college professor and successful “fake hitman” whose undercover police work led to more than 70 arrests of people seeking the services of a contract killer.
Hit Man is Linklater’s second cinematic depiction of stranger-than-fiction true crime based on a Texas Monthly article by Skip Hollandsworth (the first was Bernie in 2011), though the production and setting were moved from Houston to New Orleans to take advantage of Louisiana tax credits.
Described in the epilogue as the “chillest dude imaginable,” the real Gary Johnson—whom the same epilogue is sure to insist was never actually involved in any murders—died in 2022 at the age of 75 before getting to see this dark comedy that riffed on his life story.
Though sensationalizing his life for dramatic purposes, Hit Man includes many details from Johnson’s life, like his cats Id and Ego, his unassuming politeness, and the random opportunity that elevated him to the city’s most in-demand assassin who signals his identity to prospective clients with a single response phrase:
All pie is good pie.
Barry Newman in Fear Is the Key
Barry Newman in Fear is the Key (1972)
Vitals
Barry Newman as John Talbot, “truculent, insolent, and a man of violence”
Louisiana, Spring 1972
Film: Fear Is the Key
Release Date: December 26, 1972
Director: Michael Tuchner
Wardrobe Credit: Mike Jarvis
WARNING! Spoilers ahead!
Background
I had never heard of Fear Is the Key before I had the pleasure of catching it streaming on the Criterion Channel last November, so I feel comfortable describing it as underrated—the kind of raw ’70s-style adventure intended for pure entertainment with a thrilling momentum, great score, and a fine cast led by Barry Newman that also included Suzy Kendall, John Vernon, Dolph Sweet, and a “young”—well… middle-aged—Ben Kingsley. Perhaps best known for his performances in Vanishing Point and the TV series Petrocelli, the Boston-born Newman died one year ago today on May 11, 2023 at the age of 92.
Based on Alistair MacLean’s 1961 novel centered around one man’s mission for revenge against a criminal organization that killed his family, the movie blends classic adventure, ’70s grit, and international intrigue into a package adjacent to contemporary “hick flicks”. Maybe you’d describe it as Smokey and the Bandit meets Crank—or James Bond meets The Dukes of Hazzard—all with a twist of Three Days of the Condor. Continue reading
Taxi Driver: Travis Bickle’s Tanker Jacket
Robert De Niro as Travis Bickle in Taxi Driver (1976)
Vitals
Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring to Summer 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Happy International Taxi Driver Day to all cabbies whose alienation doesn’t drive them to a violent murder spree shooting up a brothel! This observance commemorates when the first gas-powered taxi cabs reportedly arrived on the streets of London on March 22, 1907.
The profession was immortalized in Martin Scorsese’s 1976 film Taxi Driver, written by Paul Schrader and filmed on location in New York City during the scorching summer of 1975. Two years after his first Academy Award win (for The Godfather, Part II), Robert De Niro received his second Oscar nomination for his performance as Travis Bickle, the lonely Marine-turned-cabbie whose PTSD, insomnia, and paranoid psychosis becomes a dangerous powder keg in the squalid decay of 1970s New York. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Burt Lancaster in Desert Fury (1947)
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
The Way We Were: Robert Redford’s Navy CPO Shirt
Robert Redford as Hubbell Gardiner in The Way We Were (1973)
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Robert Redford as Hubbell Gardiner, Hollywood screenwriter and Navy veteran
Malibu, California, Fall 1947 through Spring 1948
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
WARNING! Spoilers ahead!
Background
This week marks the 50th anniversary of The Way We Were, released October 19, 1973. Adapted by Arthur Laurents from his own novel of the same name, the story follows the privileged and carefree Hubbell Gardiner (Robert Redford) and politically driven Katie Morosky (Barbra Streisand) through a decade of their on-and-off romance.
After a contentious and unrequited flirtation while at the same college in the late 1930s, Hubbell and Katie reunite by chance during the latter years of World War II, when Hubbell is serving in the U.S. Navy. Despite some early tumultuousness, the two gently compromise their differing personalities and enter a relationship that continues after the war and through the Red Scare of the late ’40s. The growing paranoia of McCarthyism—and Katie’s reignited activism in response—threatens their livelihood as Hubbell is working as a Hollywood screenwriter. Continue reading
Lone Starr in Spaceballs
Bill Pullman as Lone Starr in Spaceballs (1987)
Vitals
Bill Pullman as Lone Starr, cynical “hero for hire”
“Once upon a time warp… in a galaxy very, very, very, very far away…”
Film: Spaceballs
Release Date: June 24, 1987
Director: Mel Brooks
Costume Designer: Donfeld (Donald Lee Feld)
Background
Spaceballs was my first exposure to Mel Brooks, having appealed to my being a Star Wars fan through my childhood. Of course, as I was nine years old the first time I watched Spaceballs, many of the meta humor and more mature-minded jokes went straight over my head, but I still thought it was one of the funniest things I’d ever seen. More than two decades later, it’s still a fun watch, as this peerless master of modern comedy riffs on far more than just what had been my favorite sci-fi franchise.
Continuing the Star Wars parallels, Spaceballs merges Han Solo’s persona with Luke Skywalker’s folklore into one character, the swaggering space cowboy Lone Starr (Bill Pullman), traversing the galaxy in his Winnebago spaceship with his loyal half-canine sidekick Barf (John Candy).
The duo are recruited by the desperate King Roland of Druidia (Dick Van Patten) to save his daughter Princess Vespa (Daphne Zuniga) and her gilt droid-of-honor Dot Matrix (Joan Rivers) from the clutches of the evil Dark Helmet (Rick Moranis), who also turns out to be Lone Starr’s father’s brother’s nephew’s cousin’s former roommate. The adventure becomes a life-changing journey for Lone Starr as he learns how to harness the mysterious power of “the Schwartz”. Continue reading
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