Tagged: Mafia
The Sopranos: Johnny Boy’s Red Knit 1960s Shirt
Joseph Siravo as “Johnny Boy” Soprano on The Sopranos (Episode 3.03: “Fortunate Son”)
Vitals
Joseph Siravo as “Johnny Boy” Soprano, gregarious gangster
Newark, New Jersey, Fall 1969
Series: The Sopranos
Episode: “Fortunate Son” (Episode 3.03)
Air Date: March 11, 2001
Director: Henry J. Bronchtein
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
The highly anticipated Soprano saga prequel, The Many Saints of Newark, will be released tomorrow, expanding on the universe of the fictional DiMeo crew in the late 1960s and early 1970s. Michael Gandolfini has already received impressive notices in his portrayal of a teenage version of the role originated by his father, with Jon Bernthal and Vera Farmiga playing the young future capo’s parents, Johnny Boy and Livia Soprano.
David Chase has acknowledged that the prequel will be retconning some of the timeline that had been outlined in episodes of The Sopranos, specifically the flashbacks in episodes like “Fortunate Son”, which starred Joseph Siravo and Laila Robins as the parents of a pre-teen Tony (Mark Damiano II).
A veteran of stage and screen, Siravo died just over five months ago on April 11, 2021, at the age of 66. The actor had appeared in five episodes of The Sopranos as Tony’s charming but violent father.
As the first episode set after Livia’s death, “Fortunate Son” focuses on the respective roles of young men reacting to new responsibilities, including the recently “made” Christopher Moltisanti, Jackie Aprile Jr. trying to live in the shadows of his late “fawtha”, A.J. Soprano seemingly inheriting his father’s panic attacks, and Tony himself recalling the moment in his childhood when he was first made aware of his own father’s dangerous profession. Continue reading
Once Upon a Time in America: De Niro’s Herringbone for a Heist
Robert De Niro as David “Noodles” Aaronson in Once Upon a Time in America (1984)
Vitals
Robert De Niro as David “Noodles” Aaronson, mob bootlegger and ex-convict
Detroit, Spring 1931
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
After premiering at Cannes in May and undergoing a truncated release stateside that summer, Sergio Leone’s controversial mob saga Once Upon a Time in America was finally released in the Italian-born director’s home country on this day in 1984. Leone’s final film, and the first he had directed in 13 years, Once Upon a Time in America marked the conclusion to his unofficial “Once Upon a Time…” trilogy.
The Sopranos: Tony’s Taupe Rhombus-Print Shirt
James Gandolfini as Tony Soprano on The Sopranos (Episode 3.02: “Proshai, Livushka”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2000 and Spring 2002
Series: The Sopranos
Episodes:
– “Proshai, Livushka” (Episode 3.02, dir. Tim Van Patten, aired 3/4/2001)
– “Whitecaps” (Episode 4.13, dir. John Patterson, aired 12/8/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
As spring gets warmer during the march toward summer, I wanted to revisit some of the festive fashions worn by TV’s favorite mob boss on #MafiaMonday with the help of my friend Gabe, who curates the must-follow Instagram account @tonysopranostyle.
Tony Soprano’s Golf Club-Printed Shirt in “House Arrest”
James Gandolfini as Tony Soprano on The Sopranos (Episode 2.11: “House Arrest”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2000
Series: The Sopranos
Episode: “House Arrest” (Episode 2.11)
Air Date: March 26, 2000
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
It’s been almost six months since we last checked in on some of James Gandolfini’s costumes as the powerful mob boss at the center of The Sopranos. Considering that the 2021 Masters Tournament begins one week from today, which also happens to be the day Wallace Beery was born in 1885, I think the time is right to look at how Tony Soprano dresses for hobnobbing on the green during the Garden State Carting Association’s 13th Annual Couples Invitational Golf Classic!
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading
The Irishman: De Niro’s Burgundy Christmas Blazer
Robert De Niro flanked by co-star Stephanie Kurtzuba and director Martin Scorsese on the set of The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia, Christmas 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
Last year’s holiday season, there was plenty of buzz around The Irishman, Martin Scorsese’s latest mob epic which had been released to Netflix following a brief limited theatrical run. At 209 minutes, The Irishman clocked in as Scorsese’s longest movie to date, following real-life enforcer Frank Sheeran (Robert de Niro) through his connections to the mob via Philadelphia boss Russell Bufalino (Joe Pesci) and his friendship with outspoken labor leader Jimmy Hoffa (Al Pacino).
Everything seems to change for the boys after the Kennedy administration puts the mob in the government’s crosshairs, but they get one final moment of peace at Christmas 1960, just less than a month before JFK would take office. Frank and Russell gather with their families for an intimate holiday celebration where the only real tension is Frank’s 11-year-old daughter Peggy withholding her affection for the Bufalino patriarch, refusing to see him as a benevolent “Uncle Russell” despite his Christmas gift of skates lined with a C-note.
On #MafiaMonday with just a week until Christmas, let’s look a little deeper at Frank Sheeran’s seasonal style during this brief holiday scene. Continue reading
Donnie Brasco: Pacino’s Red Christmas Tracksuit
Al Pacino as Benjamin “Lefty” Ruggiero in Donnie Brasco (1997)
Vitals
Al Pacino as Benjamin “Lefty” Ruggiero, washed-up Mafia soldier
New York City, Christmas 1978
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
Like The Godfather and Goodfellas, Donnie Brasco follows the tradition of great Mafia movies by featuring some Cosa Nostra Christmas celebrations. The frequency with which the holidays appear in mob cinema is no coincidence, as Catholic traditions are very important to we Italian-Americans.
Donnie Brasco features a casual Christmas on Mulberry Street, perhaps more reflective than the Phil Spector-scored Goodfellas party of how many yuletide observances will look in 2020. Continue reading
The Godfather, Part III: Vincent Mancini’s Leather Jacket
Andy Garcia as Vincent Mancini in The Godfather, Part III (1990)
Vitals
Andy Garcia as Vincent Mancini, hotheaded mob enforcer
New York City, Spring 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Caddyshack II.
Speed 2: Cruise Control.
Jaws 4: The Revenge.
The Godfather, Part III.
Francis Ford Coppola’s conclusion to the saga of the Corleone family may not be as bad as its fellow reviled franchise continuations, but it was certainly among the more disappointing given the quality and prestige of The Godfather‘s first two installments. Coppola sought to rectify its reputation with Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone, a recut and restructured version released this month to coincide with the 30th anniversary of The Godfather, Part III‘s original theatrical release. The limited theatrical run of Coda began on Friday, December 4, and will be scheduled to release to streaming services and home video on Tuesday, December 8.
“In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be,” explained Coppola. “You’ll see a film which has a different beginning and ending, many scenes throughout have been repositioned, and the picture has been given, I think, a new life.” Continue reading
Tony Soprano’s Black Bullethole Shirt in “The Weight”
James Gandolfini as Tony Soprano on The Sopranos (Episode 4.04: “The Weight”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2001
Series: The Sopranos
Episode: “The Weight” (Episode 4.04)
Air Date: October 6, 2002
Director: Jack Bender
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
I know it’s only been a week since my last post about the style of The Sopranos, but I have a great reason for returning to my favorite show as today happens to be the birthday of my friend Gabe, the hardworking curator of @tonysopranostyle on Instagram. Having attained more than 30,000 followers in less than a year on the platform, @tonysopranostyle remains an authoritative and entertaining source of information for everything James Gandolfini wore during his iconic tenure portraying the boss of the New Jersey Mafia, from his boldly printed shirts and velvet tracksuits to his gold jewelry and cigars.
Not just an expert, Gabe also puts his money where his mouth is, tracking down and purchasing many shirts in the original designs from the manufacturers who were sourced by costume designer Juliet Polcsa for the series. Gabe started his collection in late 2016 when, having read Christopher Hooton’s interview with Polcsa for The Independent, he used the brands cited by Polcsa to find a black Alan Stuart shirt with the same scattered abstract pattern that Gandolfini wore for a few scenes in the fourth season episode “The Weight”. Continue reading
The Sopranos: Paulie’s Black Velvet Tracksuit
Tony Sirico as “Paulie Walnuts” Gualtieri in “The Strong, Silent Type”, the tenth episode of the fourth season of The Sopranos.
Vitals
Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran
New Jersey, Spring 2002 and Fall 2006
Series: The Sopranos
Episodes:
– “The Strong, Silent Type” (Episode 4.10, dir. Alan Taylor, aired 11/17/2002)
– “Moe n’ Joe” (Episode 6.10, dir. Steve Shill, aired 5/14/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
November 21 was proclaimed World Television Day by the United Nations in 1996, so this Saturday evening feels like a fine opportunity to pop down in your favorite plastic-covered chair to read about one of the greatest TV shows of all time. And, as I discovered far too late in life, there are few outfits more comfortable for such indulgence than a velvet tracksuit.
I feel that I’ve demonstrated several times my appreciation for the once-in-a-lifetime character of Paulie Walnuts on The Sopranos, a perfect character for the world of the acclaimed series as well as a role that could have only been played by Tony Sirico, the Brooklyn-born actor and one-time “half a wiseguy” who lent his quirks, mannerisms, style, and even biographical details to the character.
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