Tagged: Odd Vest
Dillinger (1973): Geoffrey Lewis’ Striped Suit as Harry Pierpont
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Geoffrey Lewis as Harry Pierpont, even-tempered bank robber
Across the Midwest, Fall 1933 to Spring 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Today would have been the 90th birthday of character actor Geoffrey Lewis, born July 31, 1935. A familiar face across decades of movies and television, Lewis had one of his earliest prominent screen roles among the supporting cast of John Milius’ bullet-riddled 1973 directorial debut Dillinger, chronicling the life and crimes of the titular Depression-era bank robber.
Lewis co-starred as Harry Pierpont, a real-life associate of Dillinger’s known for his loyalty, cool head, and quiet leadership within the gang. Born in Muncie in 1902, the real “Pete” Pierpont first made a name for himself with Indiana law enforcement during the early 1920s through a spree of escalating crimes and bank heists. He was eventually captured and sentenced to both the Indiana State Reformatory and Indiana State Prison, where he crossed paths with a younger inmate named John Dillinger, then serving a 10–20 year stretch for mugging a grocer. Pierpont took the eager Dillinger under his wing, teaching him the tricks of the trade. Continue reading
The Wind That Shakes the Barley: Cillian Murphy’s Olive Irish Tweed Jacket
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Cillian Murphy as Damien O’Donovan, Irish Republican Army soldier
County Cork, Ireland, 1920 through 1921
Film: The Wind That Shakes the Barley
Release Date: June 23, 2006
Director: Ken Loach
Costume Designer: Eimer Ní Mhaoldomhnaigh
WARNING! Spoilers ahead!
Background
Last year on March 17, I commemorated St. Patrick’s Day by watching The Wind That Shakes the Barley, a fictional chronicle of two brothers from County Cork during the Irish conflicts of the early 1920s. Cork native Cillian Murphy stars as Damien O’Donovan, who joins a local Irish Republican Army flying column led by his brother Teddy (Pádraic Delaney).
The brothers fight alongside each other during the Irish War of Independence, but the circumstances of the Anglo-Irish Treaty and Irish Free State deepen the divide between the increasingly radical Damien and more pragmatic Teddy as the two find themselves on opposing sides of the subsequent Irish Civil War. Continue reading
Titanic: David Warner as Spicer Lovejoy
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David Warner as Spicer Lovejoy, sinister bodyguard and ex-policeman
North Atlantic Ocean, April 1912
Film: Titanic
Release Date: December 19, 1997
Director: James Cameron
Costume Designer: Deborah Lynn Scott
Tailor: Dominic Gherardi
WARNING! Spoilers ahead!
Background
112 years ago tonight on the night of Sunday, April 14, 1912, RMS Titanic struck an iceberg in the north Atlantic Ocean. The grand ship making its maiden voyage was under the waves less than three hours later, en route the ocean floor as the disaster claimed the lives of more than 1,500 passengers and crew, leaving around 700 survivors scattered in small open boats awaiting rescue.
From the moment headlines broke across the world the following morning through more than a century later, the Titanic disaster has all from historians and experts to the public at large, its legacy kept alive by scores of books and film productions, including a silent film starring real-life survivor Dorothy Gibson filmed just weeks after the sinking, a handful of Hollywood melodramas, a Nazi propaganda film, and the 1958 drama A Night to Remember, still considered by many the definitive fact-based retelling of the disaster.
The first major color production depicting the Titanic sinking aired on ABC in 1979. Through the Queen Mary standing in for the Titanic bore little resemblance to the actual ship, S.O.S. Titanic is remarkable for almost exclusively featuring dramatis personae representing actual passengers and crew, rather than fictionalized characters or composites. One of these was the sharply observant English schoolteacher Lawrence Beesley, who traveled in second class and survived the sinking to pen one of the first written accounts of the disaster which remains a valuable resource among historians and enthusiasts today. Beesley was portrayed in S.O.S. Titanic by David Warner, a talented and prolific stage and screen actor who died in July 2022 at the age of 80—you can read more in my 2023 post about Warner’s tweed Norfolk suit as Mr. Beesley.
The late, great Mr. Warner didn’t restrict his Titanic screen credits to the late ’70s, as he was cast nearly 20 years later in James Cameron’s epic 1997 blockbuster Titanic, which won a record-tying 11 Academy Awards, including Best Picture.
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
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Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
Colin Farrell in The Banshees of Inisherin
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Colin Farrell as Pádraic Súilleabháin, simple-minded pub regular
Ireland, Spring 1923
Film: The Banshees of Inisherin
Release Date: October 21, 2022
Director: Martin McDonagh
Costume Designer: Eimer Ni Mhaoldomhnaigh
WARNING! Spoilers ahead!
Background
One hundred years ago today on April Fool’s Day 1923, aging musician Colm Doherty (Brendan Gleeson) abruptly stopped talking to his erstwhile best friend Pádraic Súilleabháin (Colin Farrell), like some fool of a moody schoolchild. Despite the timing and the fact that they weren’t rowing (though it does seem like they were rowing), this ignites a tragicomic personal drama of donkeys and amputated fingers that—at least for the sparse residents of the fictional isle of Inisherin—outweighs the bloody conflict across the sea on the Irish mainland.
Either a “happy lad” or “limited man” depending on who you ask, Pádraic is happy to eke out his simple life with his more intelligent sister Siobhan (Kerry Condon), his donkey Jenny, and drinking buddies like Colm and Dominic (Barry Keoghan), with little more characterizing his life than the occasional two-hour chat describing what was in his little donkey’s pony’s shite… until Colm strangely decides he wants more from his remaining years.
The Great Gatsby: Howard Da Silva as Meyer Wolfsheim
Vitals
Howard Da Silva as Meyer Wolfsheim, legendary gambler
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Background
Though perhaps not as well known as his gangland contemporaries today, Prohibition-era racketeer Arnold Rothstein served as the basis for generations of fictional characters in pop culture for generations after his 1928 murder.
Born on this day in 1882, Rothstein began gambling at a young age, was reportedly a millionaire by the time he turned 30, and was most likely integral in the infamous “Black Sox Scandal” that accused eight members of the Chicago White Sox of throwing the 1919 World Series to the Cincinnati Reds.
It may be coincidence that the Volstead Act became official nationwide on his 38th birthday, a gift for the visionary Rothstein who has been considered among the first to recognize the business potential of Prohibition. He was one of the most influential figures in organized crime during the roaring ’20s, forging a bootlegging empire that included notable mobsters like Meyer Lansky, “Lucky” Luciano, and Dutch Schultz, many of whom looked up to Rothstein as a mentor.
Despite these dangerous connections, it’s likely that Rothstein met his early end due to nothing more nefarious than a poker game. After racking up a debt of more than $300,000 due to what Rothstein called a fixed game, the 46-year-old gangster was shot during a business meeting at the Park Central Hotel on November 4, 1928, dying two days later.
Though directly portrayed on screen by the likes of F. Murray Abraham (in the 1991 film Mobsters) and Michael Stuhlbarg (in the first four seasons of Boardwalk Empire), Rothstein’s legacy also includes a bevy of fictional characters that he inspired, including Nathan Detroit in the musical Guys and Dolls and Meyer Wolfsheim in F. Scott Fitzgerald’s novel The Great Gatsby, as most clearly suggested by an exchange that cites the real Rothstein’s arguably most infamous “achievement”. Continue reading
Joaquin Phoenix as Joker
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Joaquin Phoenix as Arthur Fleck, aka “Joker”, disturbed and disgraced ex-party clown
Gotham City, Fall 1981
Film: Joker
Release Date: October 4, 2019
Director: Todd Phillips
Costume Designer: Mark Bridges
Background
Could there be a more appropriate character to focus on for April Fool’s Day than the Joker?
When I was growing up, the only two actors who had prominently portrayed Gotham City’s psychopathic prankster were Cesar Romero in the classic ’60s series and Jack Nicholson, who received top billing despite not playing the title role in Tim Burton’s 1989 Batman. Since then, we’ve seen a handful of actors cycle through the iconic role, beginning with Heath Ledger in The Dark Knight (2008), a few appearances by Ben Affleck and Jared Leto, and most recently a smaller part performed by Barry Keoghan in The Batman (2022).
Joaquin Phoenix received the Academy Award for Best Actor for his performance in the eponymous role in Joker, a reimagined origin story that pays significant homage to Martin Scorsese’s character studies like Taxi Driver (1976) and The King of Comedy (1983)—both starring Robert De Niro, who would appear in Joker—as well as twists of social commentary and themes from Death Wish (1973) and Fight Club (1999).
Many loved it and many hated it, but there’s little doubting Phoenix’s effectiveness intensity chronicling the troubled Arthur Fleck’s transformation from a desperate wannabe stand-up comedian who feels let down by society into a chaotic killer who unintentionally inspires anarchic revolution and class warfare. Continue reading
Mad Men: Lane Pryce’s Business Suit and Tweed Waistcoat on New Year’s Day
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Jared Harris as Lane Pryce, advertising agency financial chief
New York City, New Year’s Day 1965
Series: Mad Men
Episode: “The Good News” (Episode 4.03)
Air Date: August 8, 2010
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Even with the increasing adoption of hybrid and remote workplaces, there are still many returning to offices and cubicles for the first day of the new year, a specific occupational dread that provides a “welcome distraction” for at least one lonely Brit during the final act of “The Good News”, the third episode of Mad Men‘s fourth season. Continue reading
James Shigeta in The Crimson Kimono
Vitals
James Shigeta as Joe Kojaku, LAPD homicide detective
Los Angeles, Summer 1959
Film: The Crimson Kimono
Release Date: October 1959
Director: Samuel Fuller
Costume Supervisor: Bernice Pontrelli
Background
Are you among the many movie buffs who observe #Noirvember, the month-long celebration of shadowy cinema often set in worlds populated by gumshoes, gunsels, and femmes fatale. Defining film noir is often as murky as the outlines of the shadows in some of its seminal works, though even applying the infamous Potter Stewart rule yields at least dozens of crime dramas produced within and beyond the United States during the 1940s and ’50s.
Earlier this year, the Criterion Channel again showcased a collection of noir from Columbia Pictures, the erstwhile Poverty Row studio that churned out some of the most quintessential high-talent noir in including Gilda (1946), The Lady from Shanghai (1947), and In a Lonely Place (1950) as well as an array of criminally underseen B-movies that balanced their low budgets with high quality. One of my favorites from the collection was The Crimson Kimono (1959), directed by former crime reporter and World War II veteran Samuel Fuller.
Modern audiences may recognize James Shigeta as the patient and ultimately doomed Nakatomi executive in Die Hard. Here, a considerably younger Shigeta plays the charismatic Joe Kojaku, an apple-munching, piano-playing Japanese-American homicide detective called in with his partner Charlie Bancroft (Glenn Corbett) to investigate the murder of burlesque dancer Sugar Torch (Gloria Pall) on L.A.’s” Main Street” one brightly lit, jazz-filled night in August 1959. Continue reading
Dracula A.D. 1972: Peter Cushing’s Striped Suit
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Peter Cushing as Professor Lorrimer Van Helsing, occult researcher and descendant of the famous vampire hunter
London, Fall 1972… A.D. 1972, that is
Film: Dracula A.D. 1972
Release Date: September 28, 1972
Director: Alan Gibson
Wardrobe Supervisor: Rosemary Burrows
Background
Just days away from Halloween, today’s post responds to a request received earlier this year from BAMF Style reader Alan, who suggested the “extremely cheesy and, at times, ridiculous” Hammer production Dracula A.D. 1972, starring horror maestros and real-life pals Christopher Lee and Peter Cushing reprising their usual roles as Count Dracula and Van Helsing, respectively.












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