Tagged: Sport Coat & Slacks
First Man: Neil Armstrong’s Gun Club Check and Omega
Ryan Gosling as Neil Armstrong in First Man (2018)
Vitals
Ryan Gosling as Neil Armstrong, NASA astronaut and former U.S. Navy pilot
Houston, Texas, August 1962 through March 1966
Film: First Man
Release Date: October 12, 2018
Director: Damien Chazelle
Costume Designer: Mary Zophres
Background
In addition to being my 30th birthday, today is also the 50th anniversary of when Neil Armstrong became the first person to step onto the surface of the Moon at 02:56:15 UTC on July 21, 1969, six hours after he and Buzz Aldrin landed the Apollo Lunar Module Eagle as part of the Apollo 11 spaceflight, a mission also manned by command module pilot Michael Collins.
Last year, Damien Chazelle directed Ryan Gosling in First Man, a biopic focused on Neil Armstrong’s life and career through the 1960s from the tragic death of his young daughter Karen to his triumphant first steps on the Moon… “one small step for man, one giant leap for mankind.” Continue reading
Cary Grant’s Beige Summer Jacket and Citroën in That Touch of Mink
Cary Grant and Doris Day in That Touch of Mink (1962)
Vitals
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
Background
After being first splashed, then swept, off her feet by the charming tycoon Philip Shayne (Cary Grant), unemployed Manhattanite Cathy Timerblake (Doris Day) finds herself accepting his impromptu invitation to join her for a summery respite in Bermuda. “Nowhere else in the world an you see beaches with pink sand,” Philip promises.
Having purchased every seat on a Pan Am passenger jet to Bermuda, Philip is there to meet her as she deplanes, chauffeuring her in his 1961 Citroën roadster to their luxurious suite at the Victoria Hotel, which is doubled on screen by the Fairmont Miramar Hotel in Santa Monica. Continue reading
Grand Prix: James Garner’s Burgundy Blazer and Shelby GT350H
James Garner as Pete Aron in Grand Prix (1966)
Vitals
James Garner as Pete Aron, determined Formula One driver
Clermont-Ferrand, France, Summer 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
Background
#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).
Tom Cruise in Rain Man
Tom Cruise as Charlie Babbitt in Rain Man (1988)
Vitals
Tom Cruise as Charlie Babbitt, yuppie exotic car sales executive
Across the United States, Summer 1988
Film: Rain Man
Release Date: December 16, 1988
Director: Barry Levinson
Wardrobe Credit: Bernie Pollack
WARNING! Spoilers ahead!
Background
Let’s kick off this summer’s #CarWeek! As today, July 3, is Tom Cruise’s birthday, there’s hardly a more appropriate subject than the iconic Buick Roadmaster he drives for his trip across the United States with Dustin Hoffman in Rain Man.
Cruise stars as Charlie Babbitt, an L.A. yuppie with a failing exotic car import and sales business who just had to postpone a romantic getaway with his girlfriend Susanna (Valeria Golino) to return to Cincinnati for his estranged father’s funeral. With his business in trouble, Charlie at least looks forward to the promise of a substantial inheritance until he learns that his sole endowment from the millionaire’s estate is the very 1949 Buick convertible that drove father and son apart in the first place… Continue reading
The Grissom Gang: Tony Musante’s Tan Plaid Jacket
Tony Musante as Eddie Hagen in The Grissom Gang (1971)
Vitals
Tony Musante as Eddie Hagan, smooth and ruthless fringe mobster
Kansas City, Summer 1931
Film: The Grissom Gang
Release Date: May 28, 1971
Director: Robert Aldrich
Costume Designer: Norma Koch
WARNING! Spoilers ahead!
Background
Based on James Hadley Chase’s controversial novel No Orchids for Miss Blandish, Robert Aldrich’s sweat-soaked Depression-set crime drama The Grissom Gang hardly features the finest or most inspiring of that elegant era’s sartorialism, but it does showcase unique and interesting approaches to 1930s menswear, particuarly in the wardrobe of the slick underworld dandy Eddie Hagan (Tony Musante).
The Talented Mr. Ripley: Dickie’s Navy Silk Blazer
Jude Law as Dickie Greenleaf in The Talented Mr. Ripley (1999)
Vitals
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
Whether you’re dressing for a snazzy summer brunch this sunny Sunday morning or taking sprezzatura inspiration for the office, Jude Law’s wardrobe from The Talented Mr. Ripley radiates mid-century Mediterranean luxury essential for your spring-to-summer sartorial transformation.
This 1999 adaptation of Patricia Highsmith’s classic psychological thriller novel spends more time with the doomed Dickie Greenleaf (Jude Law) than its stylish French predecessor, Plein soleil (1960), including this brief foray from Naples to Rome where the obsessive Tom Ripley (Matt Damon) joins Dickie for some drinks al fresco.
Matt Helm’s Blue Blazer in Murderers’ Row
Dean Martin as Matt Helm in Murderers’ Row (1966)
Vitals
Dean Martin as Matt Helm, smooth secret agent
French Riviera, Summer 1966
Film: Murderers’ Row
Release Date: December 20, 1966
Director: Henry Levin
Costume Designer: Moss Mabry
Tailor: Sy Devore
WARNING! Spoilers ahead!
Background
Happy birthday to Dean Martin, born Dino Paul Crocetti on June 7, 1917, in Steubenville, Ohio! After a successful singing and acting career that included partnerships with Jerry Lewis and the Rat Pack as well as his own TV show, Dino was tapped for the role of Matt Helm, the American counter-agent at the center of author Donald Hamilton’s espionage novels.
While Hamilton wrote his Matt Helm novels with a serious tone, Dino’s characterization parodied the character as more of a playboy lounge lizard, the American satirical answer to his contemporary womanizer James Bond. Thus, the four Matt Helm movies produced in the late ’60s often starred the popular singer opposite many of the most attractive leading ladies of the decade. Continue reading
Tony Soprano’s Copper Tweed Jacket at the Track
James Gandolfini as Tony Soprano with Joe Pantoliano as Ralph Cifaretto on The Sopranos (Episode 4.05: “Pie-o-My”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Monmouth Park, Oceanport, NJ, Fall 2001
Series: The Sopranos
Episodes:
– “Pie-o-My” (Episode 4.05, dir. Henry J. Bronchtein, aired 10/13/2002)
– “Eloise” (Episode 4.12, dir. James Hayman, aired 12/1/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
In the spirit of the upcoming Kentucky Derby, today’s #MafiaMonday post features a day at the races for Jersey wiseguys Tony Soprano, Silvio Dante, Carlo Gervasi, Hesh Rabkin, and Ralph Cifaretto, whose recent purchase—a racehorse named Pie-O-My—delights the guys by coming from behind to win.
Richard Burton’s Gray Tweed Jacket in The Sandpiper
Richard Burton as Dr. Edward Hewitt in The Sandpiper (1965)
Vitals
Richard Burton as Dr. Edward Hewitt, self-righteous Episcopal boarding school headmaster
Big Sur, California, Spring 1965
Film: The Sandpiper
Release Date: June 23, 1965
Director: Vincente Minnelli
Costume Designer: Irene Sharaff
Background
Seventy years ago today, more than 500 gathered on a picturesque terrace overlooking the Pacific Ocean for the grand opening of Nepenthe, a restaurant named for the medicine of ancient Greek mythology that helped one forget their sorrows.
Development on the land began in 1925 with the construction of a log cabin. Two decades later, Hollywood royalty Orson Welles and Rita Hayworth purchased the cabin on a whim but never did anything further, selling it in 1947 to Bill and Madelaine “Lolly” Fassett. The Fassetts hired Frank Lloyd Wright protégé Rowan Maiden to expand the area into a large terrace with room for dancing, dining, built-in bleachers, and a fire pit.
After the restaurant opened on April 24, 1949, Nepenthe became renowned for its stunning panoramic views of 50 miles of Big Sur’s south coast as well as Graves Canyon and the Santa Lucia Mountains.
Artists, writers, and celebrities flocked to the iconic restaurant in the decades to follow, with newlyweds Elizabeth Taylor and Richard Burton a frequent presence during the production of their Big Sur-set melodrama, The Sandpiper. Continue reading
Matt Helm’s Pink Silk Sport Jacket in The Silencers
Dean Martin as Matt Helm in The Silencers (1966)
Vitals
Dean Martin as Matt Helm, smooth secret agent and photographer
New Mexico to Phoenix, August 1965
Film: The Silencers
Release Date: February 18, 1966
Director: Phil Karlson
Costume Designer: Moss Mabry
Tailor: Sy Devore
Background
Dean Martin infused his lounge lizard persona into a James Bond-like spy for his four-film portrayal of Matt Helm, a playboy whose love for turtlenecks, womanizing, and drinking above actual spying may make him more of an antecedent for the character of Sterling Archer than of 007 himself.
With a bossa nova score by Elmer Bernstein and a hip mid-sixties sartorialism styled by costume designer Moss Mabry and the Rat Pack’s go-to tailor Sy Devore, the Matt Helm series serves as a swingin’ time capsule to the waning heyday of hi-fis and hedonism. Though it may be dated, the series—particularly this first film, The Silencers—seems perfectly content with that and, in fact, it may be an intentional way for the 1966 zeitgeist to remain intact for modern audiences. Never taking itself too seriously, packed with decent talent, and sticking to a tight, quick-paced plot, The Silencers differentiates itself from its contemporary spy spoofs like Casino Royale in that it can still entertain 50 years later.
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