Category: Three-Piece Suit
Real Men Wear Pink: Redford as Gatsby

Robert Redford as Jay Gatsby in the 1974 adaptation of The Great Gatsby. The little girl on his left is Patsy Kensit, who would later play Mel Gibson’s ill-fated love interest in Lethal Weapon 2.
Vitals
Robert Redford as Jay Gatsby, enigmatic millionaire and eager romantic
Long Island, New York, Late Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Today is the day that Baz Luhrmann is releasing his interpretation of F. Scott Fitzgerald’s great American novel The Great Gatsby. Saving any comment on that for the end, it only seems appropriate to look at some of the iconic suits that Robert Redford donned for his portrayal of Gatsby almost forty years ago.
By the early to mid 1970s, men’s suits were beginning to revert back to styles popular during the height of the Roaring Twenties: bright three-piece suits with wide lapels, double-breasted waistcoats, and flared legs. Some credit the fact the coke-and-disco fueled ’70s were a replication of the booze-and-jazz fueled ’20s and that the style would naturally gravitate towards excess. Others point to the award-winning costumes made by Theoni V. Aldredge for 1974’s The Great Gatsby. Continue reading
James Bond’s Iconic Glen Plaid Goldfinger Suit
I hope you all had a very pleasant Kentucky Derby weekend this past Saturday. Just in time for the 00-7th of May, here is…
Vitals
Sean Connery as James Bond, British government agent and legendary super spy
Fort Knox, Kentucky, Fall 1964
Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell
Background
One of my favorite suits of all time is the iconic three-piece worn by Sean Connery as Bond during the Fort Knox sequence in Goldfinger and I’m pretty sure I’m not alone in this.
Prior to this, Bond had always looked sharp and well-dressed in his suits and dinner jackets. However, Goldfinger set the gold (ha, ha) standard for Bond as a style ICON.
Interestingly, the entire time Bond is wearing his most iconic suit, he is actually Goldfinger’s prisoner. He is taken captive and, nicely enough, given his own clothes to change into. Bond chooses his finest suit, this three-piece glen plaid tropical weave, perhaps to put Goldfinger off guard? Or maybe he just really is that refined? Either way, it beats the orange jumpsuit.
Like all of Connery’s suits, credit must be given to his usual Bond tailor Anthony Sinclair, who had created Connery’s iconic look – the “Conduit Cut” – with the input of Dr. No director Terence Young. Continue reading
Bruce Willis in Last Man Standing
Vitals
Bruce Willis as John Smith, mysterious mob gun-for-hire
Texas, Summer 1931
Film: Last Man Standing
Release Date: September 20, 1996
Director: Walter Hill
Costume Designer: Dan Moore
Willis’ Costumer: Lori Stilson
Background
Last Man Standing is one of many film adaptations of the classic “man-playing-two-corrupt-factions-against-the-other” story that originated in modern culture with Dashiell Hammett’s 1927 novel Red Harvest. The novel was loosely translated onto the screen for 1942’s The Glass Key and, soon, the story was soon standardized as a lone drifter of few words showing up in town, befriending a bartender, and taking on two criminal gangs. Continue reading
Sidney Reilly’s Edwardian Gray Suit

Sam Neill as Sidney Reilly in “An Affair With A Married Woman”, the first episode of Reilly: Ace of Spies.
Had he not been killed by the Soviets in 1925, Sidney Reilly may have lived to be 140 last weekend- March 24th to be specific. However, a 140-year-old man is very unlikely, especially with his lifestyle and habits, so something would’ve probably gotten him anyway.
Vitals
Sam Neill as Sigmund Rosenblum, later renamed “Sidney Reilly” upon his entry into the British Secret Service
London, Spring 1901
Series: Reilly: Ace of Spies
Episode: “An Affair with a Married Woman” (Episode 1)
Air Date: September 5, 1983
Director: Jim Goddard
Costume Designer: Elizabeth Waller
Background
This is the first we see of Reilly – still known as Rosenblum – back home in London after his first mission, the details of which will be covered in a later post. After an assignation with his prostitute mistress Rose, he resurfaces at a public meeting in Covent Garden where the British Secret Service is denying his own existence. In a cheeky fashion that recalls James Bond, he gets the best of everyone. Later, we also see him wearing the same suit for a series of meetings and the funeral of his aforementioned mistress. Continue reading
Warren Oates as Dillinger: The Man in Black
Vitals
Warren Oates as John Dillinger, Depression-era bank robber
Tucson, Arizona to Crown Point, Indiana, Winter 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
“Hey wait, Nick, didn’t you already do a post on Dillinger’s prison suit?” ask many of my astute followers who also happen to know my first name.
While many folks of this generation were introduced to John Dillinger and his band of Depression-era desperadoes through the 2009 film Public Enemies, it was probably the tenth (at least) major production featuring Dillinger as a character. My personal favorite is the 1973 John Milius gunfest Dillinger featuring manly and scraggle-toothed actor Warren Oates in the title role.
As usual for Milius, the film doesn’t hold back in terms of violence, upping the Dillinger gang’s body count from around a dozen to more than fifty. Oates plays Dillinger as an cheeky outlaw who loves being just that – not a misunderstood farm boy who was led into a life of crime by police.
Yesterday marked the 79th anniversary of Dillinger’s legendary “wooden gun” breakout from the Lake County jail in Crown Point, Indiana. While Public Enemies had Dillinger already in prison garb by this time, Dillinger kept him in his black suit worn when he was arrested. Continue reading
Paul Newman’s Brown Glen Plaid Suit in The Sting
January 26 would have been the 88th birthday of award-winning actor, director, race car driver, salad dressing mogul, and all-around great guy Paul Newman. To pay tribute to one of the greatest American entertainers, BAMF Style presents Newman from one of his greatest scenes ever in one of the greatest movies ever.
Vitals
Paul Newman as Henry Gondorff, alias “Shaw”, ex-grifter getting back into the “big con”
Chicago, September 1936
Film: The Sting
Release Date: December 25, 1973
Director: George Roy Hill
Costume Designer: Edith Head
Background
The Sting, directed by George Roy Hill, has long been one of my favorite films and likely began my interest in the sartorial arts, as discussed in an earlier post focusing on Robert Redford’s character, Johnny Hooker. The characters run the gamut of 1930s fashion, from skid row to black tie, assisted with the expert eye and hands of costumer Edith Head, who won an Academy Award for her work on the film.
This sequence contains one of my favorite scenes in movie history, greatly due to Newman’s performance as con man Henry Gondorff showing up “drunk” at a poker game where he meets and subsequently out-cheats his mark. Continue reading
Dillinger’s Brown Suit in “Public Enemies”
Vitals
Johnny Depp as John Dillinger, Depression-era bank robber
Tucson, January 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
Background
Seventy nine years ago today, on January 25, 1934, noted Midwest bank robber John Dillinger was arrested by a group of small-town cops in Tucson, Arizona. The arrest was notable as the Chicago police had been leading police efforts against the bandit for several months, to the point of assigning an elite team of detectives – dubbed the “Dillinger Squad” – the single task of finding Dillinger.
Public Enemies used photos of Dillinger during his arrest and subsequent interviews to recreate the dark three-piece suit he wore throughout the ordeal. Unfortunately, he ditches his coat and tie early on in the scenes, leaving only a few glimpses in the film and behind-the-scenes photos to get an idea of the full picture of the suit. Continue reading
Jimmy Darmody’s Dark Pinstripe Suit
On January 17, 1920, the eighteenth amendment to the U.S. Constitution was ratified, making Prohibition the law of the land. Nobody benefited more from this stupid, moronic, totally brainless decision than organized crime.
Vitals
Michael Pitt as Jimmy Darmody, rising figure in the Atlantic City underworld
Atlantic City and New York City, Spring/Summer 1921
Series: Boardwalk Empire
Season: 2
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
After rising from the “half a gangster” of the pilot episode, Jimmy Darmody finally attains his goal of taking control of Atlantic City in June 1921. He’s come a long way from the tweed Norfolk suit, ratty cardigan, and newsboy cap. Never seen without a three-piece suit, the attire of choice for Jimmy’s celebratory party at Babbette’s Supper Club is a classy dark blue pinstripe suit. Continue reading
Jimmy Darmody’s Blue Checked Suit
Today in 1933, Prohibition officially ended in the United States with the ratification of the 21st amendment. To celebrate this momentous and wonderful occasion, we look again at Boardwalk Empire.
Vitals
Michael Pitt as Jimmy Darmody, rising bootlegger looking to be more than “half a gangster”
Chicago and Atlantic City, February through November 1920
Series: Boardwalk Empire
Creator: Terence Winter
Costume Designer: John A. Dunn
Background
Jimmy Darmody, a young protagonist of Boardwalk Empire, is presented as an early protege and eventual foil of Enoch “Nucky” Thompson, the Atlantic City treasurer. Although Thompson is clearly based on Enoch “Nucky” Johnson, the real life boss of Atlantic City during the Prohibition era, Darmody was invented for the show and, due to an excellent performance by Michael Pitt and brilliant storytelling from the show’s writers, helps to bring an interesting era in American history to life through the eyes of a relatable, yet troubled, character. Continue reading
The Thin Man: Nick Charles’ First Suit
The holidays are a time of homecoming, family, tradition, and libations.
Unless you’re Nick Charles, who believes in getting far away from family to spend Christmas Eve with criminals he had sent to prison during his days as a policeman. Naturally, the libations part is still essential.
Vitals
William Powell as Nick Charles, retired private detective
New York City, Christmas 1933
Film: The Thin Man
Release Date: May 25, 1934
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Background
The big screen’s introduction to Nick Charles is one of my favorites. We have already met the “Thin Man” himself, Clyde Wynant, during the film’s opening scene. (Despite Powell’s slim frame, he actually is not the “Thin Man” of the title) We then cut to a big Christmas party at a bar – drinks, dancing, fun. Clearly people are still celebrating the end of Prohibition which, according to the film’s storyline, had been only weeks earlier.
We search through the party and, naturally, find William Powell standing at the bar, shaking a cobbler shaker vigorously “to waltz time”. He strains into a tiny martini glass and, ever the gentleman, places it on the waiter’s tray. He then turns back to the waiter, accepts his drink with a polite smile, and enjoys his first onscreen Martini. Or the sixth, according to him. Continue reading








You must be logged in to post a comment.