Tagged: 1940s
Desert Fury: John Hodiak’s Suede Loafer Jacket
Vitals
John Hodiak as Eddie Bendix, smooth gangster and gambler
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
John Hodiak was born 110 years ago today on April 16, 1914 in Pittsburgh. The actor’s first prominent role was in Alfred Hitchcock’s seagoing 1944 drama Lifeboat, followed by a brief but memorable career—consisting largely of war movies and westerns—before his October 1955 death of a heart attack at age 41.
One of Hodiak’s screen credits was the 1947 crime drama Desert Fury, a “color noir” among the likes of Leave Her to Heaven (1945) and Niagara (1953) that maintain the themes, style, and story elements frequently associated with traditional film noir. Continue reading
Allied: Brad Pitt’s Flight Jacket and RCAF Uniform Gear
Vitals
Brad Pitt as Max Vatan, Royal Canadian Air Force intelligence officer
London and Dieppe, Spring 1944
Film: Allied
Release Date: November 23, 2016
Director: Robert Zemeckis
Costume Designer: Joanna Johnston
WARNING! Spoilers ahead!
Background
The 2016 World War II romantic thriller Allied centered around Brad Pitt’s character Max Vatan, an officer in the Royal Canadian Air Force (RCAF)—the high-flying branch of the Canadian armed forces that was officially founded 100 years ago today on April 1, 1924.
I’ve read simplifications of Allied‘s plot as “Casablanca meets Notorious“, with Joanna Johnston’s Oscar-nominated costume design maintaining much of the 1940s elegance from both of those acclaimed classics. And indeed, the romantic and action-packed first act of Allied is set in Casablanca, where Max’s dangerous mission for the Special Operations Executive (SOE) pairs him with the alluring French Resistance circuit leader Marianne Beauséjour (Marion Cotillard).
Upon returning to England, Max receives clearance to bring Marianne into the country, where they marry despite Max’s boss, British Army Captain Frank Heslop (Jared Harris) advising him that “marriages made in the field never work.” (In fact, there were a few real-life spies who served the British during World War II that would later marry, such as SOE officers Peter Churchill and Odette Sansom, both of whom had been imprisoned and brutally interrogated by the Germans and whose service and relationship formed the basis of the 1950 film Odette. That said, Frank may have been onto something as the two divorced in 1955 after eight years of marriage.)
With their newborn daughter, the couple lives in domestic bliss—and domestic Blitz—for over a year until Max’s superiors alert him to their suspicions that Marianne is a German spy! Though he reluctantly agrees to follow the SOE’s plan to test Marianne’s allegiance with a “blue dye” procedure, Max remains convinced of her loyalty and sets out to prove it. Continue reading
Oppenheimer: Cillian Murphy’s Brown Suits at Los Alamos
Vitals
Cillian Murphy as J. Robert Oppenheimer, theoretical physicist and “father of the atomic bomb”
Los Alamos, New Mexico, Spring 1943 through Summer 1945
Film: Oppenheimer
Release Date: July 21, 2023
Director: Christopher Nolan
Costume Designer: Ellen Mirojnick
WARNING! Spoilers ahead!
Background
Released last summer (on my 34th birthday!), Oppenheimer has been deservedly sweeping accolades this year, including seven BAFTAs, five Golden Globes, and 13 Academy Award nominations ahead of the ceremony this Sunday, including Best Picture, Best Director and Best Adapted Screenplay for Christopher Nolan, a trio of acting nominations, and Best Costume Design for Ellen Mirojnick.
Adapted by Nolan from Kai Bird and Martin J. Sherwin’s biography American Prometheus, this epic cinematic portrait of J. Robert Oppenheimer chronicles the prolific physicist’s career from his 1920s studies in Europe through his work on the Manhattan Project during World War II and the ultimate revocation of his security clearance in the 1950s, depicted as the result of Atomic Energy Commission chairman Lewis Strauss’ petty resentment. Continue reading
Song of the Thin Man: William Powell’s Houndstooth Jacket as Nick Charles
Vitals
William Powell as Nick Charles, witty detective
New York City, September 1947
Film: Song of the Thin Man
Release Date: August 28, 1947
Director: Edward Buzzell
Costume Supervisor: Irene
Background
Across six films beginning with The Thin Man, William Powell and Myrna Loy channeled their remarkable screen chemistry into portraying Nick and Nora Charles, a married couple who work together to solve murders between martinis. On the 40th anniversary of William Powell’s death on March 5, 1984 at the age of 91, today’s post explores the debonair actor’s attire from his swan song as Nick Charles. Continue reading
Carnal Knowledge: Jack Nicholson’s Duffel Coat
Vitals
Jack Nicholson as Jonathan Fuerst, arrogant Amherst College student
Hampshire County, Massachusetts, Winter 1946
Film: Carnal Knowledge
Release Date: June 30, 1971
Director: Mike Nichols
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
As we continue facing snow and below-freezing temps here in the northeast U.S., I’m finding comfort in the layered winter style from movies like Carnal Knowledge, Mike Nichols’ cold (in every sense of the word) depiction of sexuality through the mid-20th century.
Even though the “New Hollywood” movement led by directors like Nichols, Robert Altman, and Arthur Penn had been breaking cinematic barriers since the late ’60s when the strict Production Code crumbled and the ratings system was introduced, the content and presentation of Carnal Knowledge was still considered too obscene and offensive for some audiences, to the point that a Georgia theater owner was convicted of obscenity charges (later overhauled by the U.S. Supreme Court) for showing it in his theater.
Carnal Knowledge centers around the swaggering Jonathan (Jack Nicholson) and his mild-mannered friend Sandy (Art Garfunkel), whom we first meet as students at Amherst College in the years following World War II. Continue reading
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Leave Her to Heaven: Cornel Wilde’s Brown Plaid Flannel Shirt
Vitals
Cornel Wilde as Richard “Dick” Harland, idealistic novelist
Northern Maine, August 1942
Film: Leave Her to Heaven
Release Date: December 25, 1945
Director: John M. Stahl
Costume Designer: Kay Nelson
WARNING! Spoilers ahead!
Background
I began Noirvember this month by highlighting a costume from one of the rare classic examples of “color noir”—which is exactly what it sounds like, a crime-centered drama from the 1940s and ’50s that includes many of the same themes and techniques as the shadowy film noir but photographed in full color, rather than the typical black-and-white.
Arguably the first major example of color noir is Leave Her to Heaven, widely released on Christmas 1945 and starring Cornel Wilde opposite the ravishing Gene Tierney, whose performance resulted in the actress’ only Academy Award nomination. Tierney died 32 years ago today on November 6, 1991. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
The Way We Were: Robert Redford’s Navy CPO Shirt
Vitals
Robert Redford as Hubbell Gardiner, Hollywood screenwriter and Navy veteran
Malibu, California, Fall 1947 through Spring 1948
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
WARNING! Spoilers ahead!
Background
This week marks the 50th anniversary of The Way We Were, released October 19, 1973. Adapted by Arthur Laurents from his own novel of the same name, the story follows the privileged and carefree Hubbell Gardiner (Robert Redford) and politically driven Katie Morosky (Barbra Streisand) through a decade of their on-and-off romance.
After a contentious and unrequited flirtation while at the same college in the late 1930s, Hubbell and Katie reunite by chance during the latter years of World War II, when Hubbell is serving in the U.S. Navy. Despite some early tumultuousness, the two gently compromise their differing personalities and enter a relationship that continues after the war and through the Red Scare of the late ’40s. The growing paranoia of McCarthyism—and Katie’s reignited activism in response—threatens their livelihood as Hubbell is working as a Hollywood screenwriter. Continue reading











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