Tagged: 1960s
Ten Little Indians: Hugh O’Brian’s Three-Piece Tuxedo as Lombard
Hugh O’Brian in Ten Little Indians (1965)
Vitals
Hugh O’Brian as Hugh Lombard, romantic adventurer
Austrian Alps, Winter 1965
Film: Ten Little Indians
Release Date: September 10, 1965
Director: George Pollock
Wardrobe Credit: John McCorry
WARNING! Spoilers ahead!
Background
American movie and TV actor Hugh O’Brian was born 100 years ago today on April 19, 1925.
During World War II, the teenage Hugh Krampe followed his father’s footsteps and joined the U.S. Marine Corps, becoming the youngest drill instructor in the branch’s history. While a young recruit at Camp Pendleton, Hugh participated in a boxing match refereed by none other than John Wayne, who was shooting a film nearby. More than three decades later, the two actors’ paths would cross again when Hugh appeared in Duke’s final film, The Shootist (1976), portraying the last character that John Wayne would shoot on screen.
After his discharge from the Marines, Sgt. Krampe embarked on an acting career initially marred by misspellings. When a program incorrectly spelled his name as “Hugh Krape”, the young actor decided to avoid even more embarrassing clerical errors and took his mother’s maiden name O’Brien as his last name; when even this was misspelled as “O’Brian”, the re-christened actor shrugged and stuck with it. It was thus as Hugh O’Brian that he rose to fame portraying the title character in 229 episodes of The Life and Legend of Wyatt Earp on ABC, establishing himself as a strapping and charismatic leading man.
O’Brian was a substantial enough star by the mid-1960s to command the “Tony Danza treatment” when he was cast in British filmmaker Harry Alan Towers’ first of three increasingly ill-advised adaptations of Agatha Christie’s classic mystery novel And Then There Were None; Christie had named one of the ten strangers Philip Lombard, though O’Brian’s casting evidently prompted someone to rechristen the character as Hugh Lombard. Continue reading
In the Mood for Love: Tony Leung’s Gray Silk Suit
Tony Leung and Maggie Cheung in In the Mood for Love (2000)
Vitals
Tony Leung as Chow Mo-wan, sensitive journalist
Hong Kong, Spring 1962
Film: In the Mood for Love
(Chinese title: 花樣年華)
Release Date: September 29, 2000
Director: Wong Kar-wai
Costume Designer: William Chang
WARNING! Spoilers ahead!
Background
Valentine’s Day feels like the appropriate time to discuss In the Mood for Love, Wong Kar-wai’s lush and compelling exploration of loneliness, loss, and love set in Hong Kong’s Shanghainese community in 1962. Chow Mo-wan (Tony Leung) and Su Li-zhen (Maggie Cheung), live with their respective spouses in neighboring apartments but each often find themselves alone in their rooms, venturing out only for noodles from a street stall where they occasionally make contact. As the two connect over their oft-absent spouses, Chow and Su slowly come to the realization that his wife and her husband are engaged in an affair. Continue reading
Selma: David Oyelowo’s Navy Suit as Martin Luther King Jr.
David Oyelowo as Martin Luther King Jr. in Selma (2014)
Vitals
David Oyelowo as Martin Luther King Jr., iconic civil rights activist
Alabama, January to March 1965
Film: Selma
Release Date: December 25, 2014
Director: Ava DuVernay
Costume Designer: Ruth E. Carter
Background
Since 1986, Martin Luther King Jr. Day has been observed on the third Monday of each January since President Ronald Reagan signed Rep. Katie Hall’s proposed bill into law. Though King was actually born on January 15, 1929, “MLK Day” follows the pattern of the Uniform Monday Holiday Act that designates several American federal holidays to be permanently observed at the start of the workweek, like Presidents Day and Memorial Day.
Nominated for Best Picture at the 87th Academy Awards, Ava DuVernay’s 2014 drama Selma chronicles the events leading up to the famous Selma-to-Montgomery marches in March 1965, organized by nonviolent activists to protest the widespread denial of Black Americans exercising their constitutional voting rights. Continue reading
The Deer Hunter: Robert De Niro’s Hunting Gear
Robert De Niro in The Deer Hunter (1978)
Vitals
Robert De Niro as Mike Vronsky, steel worker
Southwestern Pennsylvania, Fall 1967 and Winter 1973
Film: The Deer Hunter
Release Date: December 8, 1978
Director: Michael Cimino
Costume Supervisor: Eric Seelig
WARNING! Spoilers ahead!
Background
Michael Cimino’s acclaimed second film The Deer Hunter was released 46 years ago today on December 8, 1978. Aside from the sequences set in Vietnam, the film primarily takes place among the steel towns of western Pennsylvania. As we’re currently in the midst of the two-week deer-hunting season for Pennsylvania riflemen, let’s look at how Robert De Niro dressed as the titular outdoorsman Mike Vronsky. Continue reading
Midnight Cowboy: Jon Voight as Joe Buck
Jon Voight as Joe Buck in Midnight Cowboy (1969)
Vitals
Jon Voight as Joe Buck, naïve Texan wannabe gigolo and Army veteran
New York City, Summer through Winter 1968
Film: Midnight Cowboy
Release Date: May 25, 1969
Director: John Schlesinger
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
Harry Nilsson recorded his cover of Fred Neil’s “Everybody’s Talkin'” 57 years ago this week on November 13, 1967. This Grammy-winning folk hit has since become inextricably linked with the 1969 drama Midnight Cowboy—which celebrated its 55th anniversary in May—after director John Schlesinger chose it as the film’s theme song.
Adapted by Waldo Salt from James Leo Herlihy’s 1965 novel of the same name, Midnight Cowboy received a controversial if critically acclaimed response upon its release. Six months earlier, the MPAA implemented its voluntary rating system to classify age suitability for major releases, replacing the increasingly outdated “Hays Code” that had been enforced since the early 1930s. Midnight Cowboy was one of the first mainstream movies to be rated “X”, which forbade any audience members under age 17 to be admitted and was reserved for movies demonstrating the most extreme sexual themes, graphic violence or language. Despite the stigma of this dramatically restrictive rating, Midnight Cowboy was the third highest-grossing American movie released in 1969 and won three of the seven Oscars for which it was nominated—Best Picture, Best Director, and Best Adapted Screenplay—and it remains the only movie with an X (or equivalent NC-17) rating to win the Academy Award for Best Picture. Continue reading
Q’s Tropical Style in Thunderball
Desmond Llewelyn as “Q” in Thunderball (1965)
Vitals
Desmond Llewelyn as “Q”, MI6’s trusted quartermaster and gadgeteer
Nassau, Summer 1965
Film: Thunderball
Release Date: December 29, 1965
Director: Terence Young
Wardrobe Designer: Anthony Mendleson
Background
Welsh actor Desmond Llewelyn, best known for his portrayal of the steadfast “Q” in 17 James Bond films over 36 years, was born 110 years ago today on September 12, 1914. Llewelyn may have been destined to be indelibly intertwined with James Bond’s world of gadgetry, as his father purchased the first production Bentley in 1921, decades before Ian Fleming assigned agent 007 a Bentley 4½ Litre in his early novels.
After serving in the Royal Welch Fusiliers during World War II, Llewelyn resumed his acting career, which consisted largely of uncredited bit parts in films such as Hamlet (1948) and A Night to Remember (1958). His big break came when director Terence Young invited him to audition for the role of MI6’s equipment officer in the second Bond film, From Russia With Love (1963). Both Young and Fleming envisioned the character of Major Boothroyd—named after firearms expert Geoffrey Boothroyd—with a Welsh accent, although Llewelyn believed the character should speak with the upper-class accent that he ultimately adopted for the role. Although the name Boothroyd was occasionally referenced (most notably in The Spy Who Loved Me in 1977), the character became widely known as “Q,” a nod to his title as quartermaster and head of MI6’s “Q branch.”
Llewelyn returned for Goldfinger (1964), where he and Sean Connery established Bond and Q’s signature relationship, marked by affectionately antagonistic banter during the now-iconic scenes where Q introduces Bond to his latest innovative gadgets—often destined for considerable abuse. This playful dynamic continued in Thunderball (1965), during a memorable scene where a tropically dressed Q arrives in the Bahamas to equip his most troublesome agent with a selection of pocket-sized gadgets… provided Bond has a convenient pocket, of course. Continue reading
La Piscine: Alain Delon’s Herringbone Suit for a Funeral
Alain Delon in La Piscine (1969)
Vitals
Alain Delon as Jean-Paul Leroy, moody ad agency writer
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 31, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
French screen icon Alain Delon died yesterday on August 18, 2024. Today’s post pays tribute to the actor’s cinematic legacy by returning to La Piscine, Jacques Deray’s stylish psychological thriller set at a Saint-Tropez villa where a couple spends an increasingly uncomfortable summer holiday.
La Piscine reunited former real-life lovers Alain Delon and Romy Schneider as the vacationing writer Jean-Paul and his girlfriend Marianne, who welcome Marianne’s past paramour Harry (Maurice Ronet) and his 18-year-old daughter Penelope (Jane Birkin). As is wont to happen among a group so attractive, dissatisfied, and French, flirtatious dynamics emerge among the quartet as Marianne drifts back to the hard-drinking Harry while Jean-Paul focuses his attention on the young Penelope. Continue reading
Apocalypse Now: Martin Sheen’s Tiger Stripe Camouflage as Captain Willard
Martin Sheen in Apocalypse Now (1979). Photo by Steve Schapiro/Corbis.
Vitals
Martin Sheen as Captain Benjamin L. Willard, U.S. Army Special Forces officer
South Vietnam to Cambodia, Summer 1969
Film: Apocalypse Now
Release Date: August 15, 1979
Director: Francis Ford Coppola
Costume Supervisor: Charles E. James
Costumers: Luster Bayless, Norman A. Burza, Dennis Fill, and George L. Little
Background
Francis Ford Coppola’s controversial war epic Apocalypse Now was first released 45 years ago today on August 15, 1979.
Shooting had started more than three years earlier in March 1976 with an initial plan to release on Coppola’s 38th birthday, April 7, 1977, but the production was delayed by logistics problems, unpredictable weather, and personnel issues ranging from Marlon Brando’s mercurial temperament and Martin Sheen’s stress-induced heart attack to grave-robbers attempting to sell actual human corpses to the production.
“We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little we went insane,” Coppola recalled in an interview used to begin the 1991 documentary Hearts of Darkness: A Filmmaker’s Apocalypse that chronicled the film’s troubled production.
After filming wrapped in May 1977 (more than one month after the original intended release date), Coppola busied himself on editing over a million feet of film as the already bloated budget continued to swell and the released date was pushed farther ahead. Coppola debuted the work-in-progress at the 1979 Cannes Film Festival, where it was met with prolonged applause and was awarded the Palme d’Or.
Three months later, the freshly completed Apocalypse Now finally landed in North American theaters, albeit only three at first—the Ziegield in New York City, the Cinerama Dome in L.A., and the University Theatre in Toronto—until it would be released in over 300 more theaters by October. The $9 million spent on advertising increased the final total budget to $45 million… considerably higher than the $2 million that Coppola, John Milius, and George Lucas had estimated to spend on it back in 1971.
The project had dated back even four years before that to 1967, when Lucas and Steven Spielberg had told Coppola’s then-assistant Milius to write a film about the ongoing war in Vietnam. Following Coppola’s direction to “write every scene you ever wanted to go into that movie,” Milius ultimately wrote ten drafts that blended contemporary anecdotes around the Vietnam War with allegorical inspiration from Joseph Conrad’s 1899 novella Heart of Darkness. Once Coppola took over directorial control from Lucas, he also incorporated elements from Werner Herzog’s 1972 epic Aguirre, the Wrath of God and the legend of the Fisher King.
The story that emerged on screen centered around U.S. Army Captain Benjamin L. Willard (Martin Sheen), a troubled but talented paratrooper dispatched by the Studies and Operations Group (MACV-SOG) to assassinate the renegade Walter E. Kurtz (Marlon Brando), a power-mad colonel ruthlessly commanding a rogue force of American, Montagnard, and local Khmer militia troops who view him as a demigod. Without the four-person crew being aware of his classified mission, Captain Willard joins a U.S. Navy patrol boat that takes him up the Nùng River to Kurtz’s outpost at a Khmer temple in Cambodia, where he has been ordered to “terminate the Colonel’s command… with extreme prejudice.” Continue reading
The Andy Griffith Show: Barney Fife’s Return to Mayberry in an Aloha Shirt and Cardigan
Don Knotts as Barney Fife on The Andy Griffith Show (Episode 6.17: “The Return of Barney Fife”)
Vitals
Don Knotts as Barney Fife, bumbling Raleigh detective and former deputy sheriff
Mayberry, North Carolina, Fall 1965
Series: The Andy Griffith Show
Episode: “The Return of Barney Fife” (Episode 6.17)
Air Date: January 10, 1966
Director: Alan Rafkin
Creator: Sheldon Leonard
Costume Designer: Stanley Kufel
Background
Today would have been the 100th birthday of Don Knotts, born July 21, 1924 in Morgantown, West Virginia. The comedian who shares my birthday (though 68 years older) remains arguably best known for his celebrated role as the overly officious country deputy Barney Fife on The Andy Griffith Show, though he also appeared across the latter seasons of Three’s Company as wannabe swinger landlord Ralph Furley.
Knotts’ five Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series remains a record-setting amount in that category and was also the most wins for a performer in the same role in the same series until Julia Louis-Dreyfus’ sixth and final win for Veep in 2017. In addition, his characterization of Barney Fife was ranked ninth on TV Guide‘s 1999 list of the 50 Greatest TV Characters of All Time.
Despite the accolades, Knotts amicably left The Andy Griffith Show at the end of the fifth season to pursue his film career, but the in-universe explanation that Barney was hired as a detective in Raleigh allowed for the actor to occasionally return to the series, including his Emmy-winning performance in the sixth season’s “The Return of Barney Fife”. Continue reading
The Graduate: William Daniels’ Blue Cabana Set as Mr. Braddock
William Daniels as Elizabeth Wilson in The Graduate (1967)
Vitals
William Daniels as Mr. Braddock, affable but aloof suburban father
Los Angeles, Summer 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
The Graduate made Benjamin Braddock (Dustin Hoffman) an icon for many, whether they could identify with his aimless disillusionment or his killer Ivy style. It may be my own “advancing” age—as I’ll officially be old enough to run for president exactly three weeks from today—that recently drew me more to his father’s charmingly dated leisurewear, specifically the matching blue cabana set when unintentionally humiliating poor Benjamin on his 21st birthday by forcing him to model a full scuba suit for “a practical demonstration” in the Braddock family swimming pool in front of their friends.
It may help my affection for the character that Mr. Braddock was portrayed by the great William Daniels, whose prolific career has spanned eight decades with iconic roles like John Adams in the stage and screen presentations of 1776 and as the avuncular Mr. Feeny on ’90s sitcom Boy Meets World, as well as a distinctive voice that he lent to KITT on the ’80s series Knight Rider. Continue reading
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