Tagged: 1960s
Harrison Ford in American Graffiti
Harrison Ford as Bob Falfa in American Graffiti (1973)
Vitals
Harrison Ford as Bob Falfa, confident street cruiser
Modesto, California, Summer 1962
Film: American Graffiti
Release Date: August 11, 1973
Director: George Lucas
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Happy 80th birthday, Harrison Ford! Before his star-making performances as Han Solo and Indiana Jones, one of the Chicago-born actor’s most visible roles was in American Graffiti, George Lucas’ nostalgic coming-of-age comedy set one late summer night in 1962.
American Graffiti primarily centers around four friends and recent high school graduates enjoying one last Saturday night of R&R… rock ‘n roll and road races. Among the four, the ’32 Ford-driving John Milner (Paul Le Mat) is arguably the most prolific racer, called out when one of his fellow hot-rodding friends warns him that “there’s a very wicked ’55 Chevy looking for you.” Continue reading
The Irishman: De Niro’s Golden Suit
Robert De Niro as Frank Sheeran filming The Irishman (2019)
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Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
New Castle, Delaware, Summer 1962
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
I recently had the pleasure to rejoin my friends Pete Brooker and Ken Stauffer (@oceansographer) on Pete’s podcast From Tailors With Love, discussing The Irishman with master tailor Leonard Logsdail, who crafted many suits for the movie’s principals.
While recording the episode—released today and available to download via iTunes, Stitcher, and Spotify—I had the opportunity to ask Leonard firsthand about one of my favorite sartorial moments from the film, the gold-suited reveal of a newly elevated Frank Sheeran as president of his local union, Teamsters #326, headquartered about 40 miles southwest of Philadelphia in New Castle, Delaware.
The Irishman dramatizes the decades-long association between Sheeran, labor leader Jimmy Hoffa, and the mob, uniting cinematic tough guys Robert De Niro, Al Pacino, Joe Pesci, and Harvey Keitel with director Martin Scorsese in a movie that’s less a flashy chronicle of mob history (like Goodfellas and Casino) and more a meditation on age and loyalty in a violent world. Continue reading
Fun in Acapulco: Elvis’ Lido-collar Shirts and Swimwear
Elvis Presley in Fun in Acapulco (1963)
Vitals
Elvis Presley as Mike Windgren, expat singer, part-time lifeguard, and former circus performer
Acapulco, Summer 1963
Film: Fun in Acapulco
Release Date: November 27, 1963
Director: Richard Thorpe
Costume Designer: Edith Head
Tailor: Sy Devore
Background
This weekend, I saw Baz Luhrmann’s biopic Elvis chronicling the life of the King of Rock and Roll with Baz’s characteristic splendor. I was pleasantly surprised by how much I enjoyed it, most likely due to Austin Butler’s revelatory performance. (I’d need some more dedicated Elvis experts to confirm for me whether or not Colonel Tom Parker actually sounded as much like Goldmember as Tom Hanks’ performance portrayed.)
Elvis addressed the King’s cinematic ambitions, hoping to follow in James Dean’s footsteps but arguably ill-treated by his frequently banal material, as illustrated by the 1963 vehicle Fun in Acapulco. Continue reading
The Beach Boys in Pendleton Board Shirts, 1962
The Beach Boys, clockwise from left: Carl Wilson, Mike Love, Brian Wilson, David Marks, Dennis Wilson. Photo by Ken Veeder, 1962.
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The Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, and David Marks
Malibu, California, Summer 1962
Photographs by Ken Veeder
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars and style icons rather than from specific productions.
Background
Sixty years ago this month, The Beach Boys debuted their first arguable hit single, “Surfin’ Safari” (with “409” on the B side) for Capitol Records in June 1962. The group of southern California youngsters had released their first single (“Surfin'”) with the short-lived Candix Records the previous fall… and the resulting regional success essentially bankrupted the fledgling record company, who could barely afford to pay the group a thousand dollars in royalties for a single that had charted on the Billboard Hot 100.
After signing with Capitol Records, the teens realized they were now in the big leagues. When Brian Wilson turned 20 in June 1962, “Surfin’ Safari”—the simple song he’d written years earlier with his cousin Mike Love—was now rising up the Billboard charts to peak at #14. The lineup now consisted of Wilson and Love with Wilson’s younger brothers Dennis and Carl as well as the 13-year-old David Marks, who had replaced their friend Al Jardine in February, though Jardine—who had left the group to attend dental school—would be back to replace Marks within the year.
On October 1, 1962, Capitol released the first full-length Beach Boys album, named Surfin’ Safari after the hit single that led the album. As their song titles implied, the Beach Boys were heavily influenced by surf music pioneers like Dick Dale, adding harmonies that provided more mainstream pop appeal and popularized what came to be known as the “California sound”.
To visually communicate this West Coast spirit, Capitol photographer joined the Wilsons, Love, and Marks on the seaside sands of Paradise Cove in Malibu for an album cover shoot that would visually communicate the spirit of California with the boys, complete with Dennis’ nine-foot Hermosa surfboard and a palm frond-decorated yellow 1929 Ford Model A pickup truck that Capitol art director Ed Thrasher rented for $50 from a local “beach contractor” known as “Calypso Joe”. In the tradition of all the rising young bands of the day, the Beach Boys dressed identically for that overcast August afternoon in the surf, all clad in woolen board shirts that evoked the band’s original name: the Pendletones. Continue reading
JFK at Sea, 1962
John F. Kennedy, 1962. Photo by Robert Knudsen.
Vitals
John F. Kennedy, 35th President of the United States and U.S. Navy veteran
Off the New England coast, August 1962
Photographs by Robert Knudsen
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars and style icons rather than from specific productions.
Background
On the anniversary of his May 29, 1917 birthday, I wanted to revisit the 35th President of the United States, who has often been credited as the man who brought a new sense of style to the White House during the brief Age of Camelot.
One of my most visited posts on this page was a comprehensive look at John F. Kennedy’s style, from suits and sport jackets to white tie and windbreakers, which I had published to commemorate his legacy on the 50th anniversary of his November 1963 assassination… and which I imagine is in dire need of revision after nearly a decade.
Kennedy once said: “Sailing has given me some of the most pleasant and exciting moments of my life. It also has taught me something of the courage, resourcefulness, and strength of men who sail the seas in ships.” Continue reading
Dennis Hopper in Easy Rider
Dennis Hopper as Billy in Easy Rider (1969)
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Dennis Hopper as Billy, cowboy-styled biker and cocaine smuggler
Across the southern United States from Los Angeles through Louisiana, February 1968
Film: Easy Rider
Release Date: July 14, 1969
Director: Dennis Hopper
WARNING! Spoilers ahead!
Background
The late Dennis Hopper was born 86 years ago today on May 17, 1936. The iconoclastic filmmaker had been acting on screen since the ’50s before he made his directorial debut with the groundbreaking Easy Rider.
Filmed early in 1968 but not released until the tumultuous summer of ’69, Easy Rider had been conceptualized by Hopper with screenwriter Terry Southern and fellow actor Peter Fonda, who would join Hopper on screen as the pair of freedom-loving bikers we follow across the country following a lucrative cocaine sale. There’s plenty more drug use along the way, from a few LSD tabs scored from a fellow traveler to introducing the wild-eyed lawyer George Hanson (Jack Nicholson) to marijuana, but the substances are secondary as Easy Rider allegorizes the death—or, perhaps, the contemporary redefinition—of the American dream. Continue reading
Goodfellas: Tommy’s Gray Suit for Mob Mayhem and Mom Visits
Joe Pesci as Tommy DeVito in Goodfellas (1990)
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1970
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! One of my favorite cinematic sequences depicting the relationship between a son and his mother comes by way of my favorite movie, in which master auteur Martin Scorsese cast his own mother Catherine as the charming Mrs. DeVito, mother to the psychotic gangster Tommy (Joe Pesci) who brings his cohorts Henry (Ray Liotta) and Jimmy (Robert De Niro) seeking a shovel in a covert night-time stop to fetch a shovel… only to be sweet-talked into an early breakfast.
Catherine Scorsese endearingly embodies the familiar archetype of the aging Italian-American matriarch with her plastic-covered furniture, the gift to effortlessly slip between American English and Italian dialects, and the fierce desire to feed her children and their friends… regardless of whether they’re hungry or not. Continue reading
Roscoe Lee Browne in Topaz
Roscoe Lee Browne as Philippe Dubois in Topaz (1969)
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Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent
New York City, Fall 1962
Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.
The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading
Mad Men: Don Draper’s Casual Picnic Clothes
Jon Hamm and January Jones on Mad Men (Episode 2.07: “The Gold Violin”)
Vitals
Jon Hamm as Don Draper, affluent ad man and Korean War veteran
Ossining, New York, Summer 1962
Series: Mad Men
Episode: “The Gold Violin” (Episode 2.07)
Air Date: September 7, 2008
Director: Andrew Bernstein
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Following yesterday’s observance of National Picnic Day, I wanted to focus on one of my favorite on-screen picnics. Midway through the second season of Mad Men, the Draper family spends part of a sunny Sunday afternoon bringing a Norman Rockwell painting to life.
By mid-century standards, advertising executive Don Draper (Jon Hamm) appears to illustrate the American dream, providing for his beautiful wife Betty (January Jones) and their two children and having just acquired a sleek new Cadillac that—as was pitched to him—indicates that he’s “already arrived.” Life looks easy for the family, reclining with nary a care in the world as The Pentagons serenade them from the Coupe de Ville’s radio with their dulcet 1962 B-side “I’m in Love”.
Betty: We should do this more often.
Don: We should only do this.
Jack Nicholson in One Flew Over the Cuckoo’s Nest
Jack Nicholson as Randle P. McMurphy in One Flew Over the Cuckoo’s Nest (1975)
Vitals
Jack Nicholson as Randle P. McMurphy, cheeky petty criminal undergoing psychiatric evaluation
Oregon State Hospital, Fall 1963
Film: One Flew Over the Cuckoo’s Nest
Release Date: November 19, 1975
Director: Miloš Forman
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Today is Jack Nicholson’s 85th birthday, a worthy occasion for recalling one of his most iconic roles: the irreverent and incorrigible Randle P. McMurphy in One Flew Over the Cuckoo’s Nest.