Tagged: 2-Piece Suit
Yesterday, Today and Tomorrow: Renzo and the Rolls
Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)
Vitals
Marcello Mastroianni as Renzo, Italian writer
Milan, Italy, October 1963
Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date: December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi
Background
Car Week continues with a focus on a classic Italian comedy released 55 years ago this month.
After four movies together in the 1950s, Marcello Mastroianni and Sophia Loren reteamed in 1963 for Vittorio De Sica’s Yesterday, Today and Tomorrow—released in Italy as Ieri, oggi, domani—a stylish anthology about life, love, and lust. The film is split into three segments that each star Loren and Mastroianni as a different couple.
The second segment, “Anna”, is the shortest of the three and stars Loren as an industrialist’s glamorous wife—dressed to the nines in Christian Dior—as she is forced to choose between her husband’s Rolls-Royce and her unassuming lover Renzo (Mastroianni).
Vertigo: Jimmy Stewart’s Brown Suit and White DeSoto
James Stewart as John “Scottie” Ferguson with his white DeSoto in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s kick off the winter edition of BAMF Style’s semi-annual (or is that bi-annual) Car Week where I take an additional look at what these well-dressed characters are driving.
Vertigo, Alfred Hitchcock’s noir-esque 1958 thriller and the last of his four collaborations with James Stewart, finds the actor behind the wheel of a white DeSoto coupe as he follows Kim Novak’s character around San Francisco from her Nob Hill apartment and the Podesta Baldocchi flower shop to Mission Dolores and their fateful meeting at Fort Point on the southern end of the Golden Gate Bridge. Continue reading
Don Draper’s Brown Striped Suit for Thanksgiving 1960
Jon Hamm as Don Draper in “The Wheel”, Episode 1.13 of Mad Men.
Vitals
Jon Hamm as Don Draper, mysterious advertising creative director
New York City, Spring to Fall 1960
Series: Mad Men
Episodes:
– “Ladies Room” (Episode 1.02), dir. Alan Taylor, aired 7/26/2007
– “New Amsterdam” (Episode 1.04), dir. Tim Hunter, aired 8/9/2007
– “Shoot” (Episode 1.09), dir. Paul Feig, aired 9/13/2007
– “The Wheel” (Episode 1.13), dir. Matthew Weiner, aired 10/18/2007
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
This particular suit makes sporadic appearances across the masterful debut season of Mad Men, AMC’s much-acclaimed drama set in the world of American advertising in the 1960s.
Purple Noon: Alain Delon’s Blue Silk Suit
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Rome, Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Today is the 83rd birthday of French actor and worldwide style icon Alain Delon. Born November 8, 1935, in Sceaux, a commune south of Paris, Delon entered the film world during a trip to the Cannes Film Festival shortly after his dishonorable discharge from the French Navy. Attending Cannes with his friend, actress Brigitte Auber, Delon caught the eye of one of David O. Selznick’s talent scouts. A contract was offered, but Delon would later choose to cancel the contract in favor of remaining in France to begin his film career there.
After a few leading roles in France, it was Plein soleil in 1960 that boosted Delon to international stardom. Released as Purple Noon in the English-speaking world, this adaptation of Patricia Highsmith’s 1955 thriller novel The Talented Mr. Ripley starred Delon as the cunning sociopath Tom Ripley, a portrayal that Highsmith herself highly approved of. Continue reading
From Russia With Love – Red Grant on the Orient Express
Robert Shaw as Donald “Red” Grant in From Russia With Love (1963)
Vitals
Robert Shaw as Donald “Red” Grant, lethal SPECTRE assassin
The Orient Express, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Background
Two years ago on the 00-7th of October, I wrote about the gray wool suit that Sean Connery’s James Bond wore in From Russia With Love during his brutal fight with SPECTRE assassin Red Grant (Robert Shaw) aboard the Orient Express. Today’s post features Grant’s suit – also gray wool but in a heavier suiting mixed with brown yarns for a warm, fall-friendly outfit – in addition to the watch and weapons that are the tools of Grant’s unsavory trade. Continue reading
The Good Place: Michael’s Gray Plaid Suit
Ted Danson as Michael on The Good Place. (Episode 1.08: “Most Improved Player”)
Fellow fans of The Good Place can rejoice… the third season of this forking great comedy returns tonight with an hour-long premiere episode on NBC!
Vitals
Ted Danson as Michael, afterlife “architect”
The Good Place, present day
Series: The Good Place
Episodes:
– “Most Improved Player” (Episode 1.08), dir. Tristram Shapeero, aired 10/27/2016
– “…Someone Like Me as a Member” (Episode 1.09), dir. Dean Holland, aired 11/3/2016
Creator: Michael Schur
Costume Designer: Kirston Mann
WARNING! Possible spoilers ahead…
Background
Following a major revelation from Eleanor Shellstrop (Kristen Bell) at the end of The Good Place‘s seventh episode, she is summoned to Michael’s office like a trip to the principal’s office. Continue reading
Michael Douglas’s Light Brown Suit in Basic Instinct
Michael Douglas as Nick Curran in Basic Instinct (1992)
Vitals
Michael Douglas as Nick Curran, suspended homicide detective
San Francisco, April 1991
Film: Basic Instinct
Release Date: March 20, 1992
Director: Paul Verhoeven
Costume Designer: Ellen Mirojnick
Background
The scene itself needs no introduction. Nick Curran (Michael Douglas) sits in a shadowy interrogation room full of detectives (including Newman!) with Hitchcockian ice-cold blonde Catherine Trammell (Sharon Stone) facing them. Continue reading
Mad Men, 1970 Style – Don Draper’s Last Suit
Jon Hamm as Don Draper on Mad Men (Episode 7.12: “Lost Horizon”)
Vitals
Jon Hamm as Don Draper, ad man at the pinnacle of professional success… and personal disillusionment
New York City, Summer 1970
Series: Mad Men
Episodes:
– “The Forecast” (Episode 7.10), dir. Jennifer Getzinger, aired 4/19/2015
– “Time & Life” (Episode 7.11), dir. Jared Harris, aired 4/26/2015
– “Lost Horizon” (Episode 7.12), dir. Phil Abraham, aired 5/3/2015
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Considering its significance, the final business suit that Don Draper (Jon Hamm) wears on-screen in Mad Men makes a rather ignominious debut, though it does get a shining moment of glory as Don—the erstwhile Dick Whitman—gets a glimpse of what he really wants his life to be.
Mitchum as Marlowe: Striped Summer Suit in The Big Sleep
Robert Mitchum as Philip Marlowe in The Big Sleep (1978)
Vitals
Robert Mitchum as Philip Marlowe, American private investigator
London, September 1977
Film: The Big Sleep
Release Date: March 13, 1978
Director: Michael Winner
Costume Designer: Ron Beck
WARNING! Spoilers ahead!
Background
Raymond Chandler’s birthday was 130 years ago today (July 23, 1888), so I’m celebrating the hard-boiled author’s big day with a look at a cinematic portrayal of one of his most enduring creations, cynical private eye Philip Marlowe, as played by Robert Mitchum in this 1978 update of The Big Sleep.
The Sun Also Rises: Gray Summer Sport Suit in Europe
Tyrone Power as Jake Barnes in The Sun Also Rises (1957)
Vitals
Tyrone Power as Jake Barnes, expatriate journalist and wounded World War I ambulance driver
Pamplona, Spain, July 1922
Film: The Sun Also Rises
Release Date: August 23, 1957
Director: Henry King
Costume Designer: Howard Shoup
Background
Today is my shared birthday with Ernest Hemingway, so I’m celebrating with a look at a cinematic adaptation of my favorite of Papa’s novels, The Sun Also Rises, which he had started writing on his 26th birthday, July 21, 1925.
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