Tagged: Brown Shirt
George C. Scott’s Funky Brown Shirt and Tan Blazer in Hardcore
George C. Scott in Hardcore (1979)
Vitals
George C. Scott as Jake Van Dorn, serious Midwestern family man
San Francisco, Spring 1978
Film: Hardcore
Release Date: February 9, 1979
Director: Paul Schrader
Men’s Wardrobe Supervisor: G. Tony Scarano
WARNING! Spoilers ahead!
Background
Oh my God, that’s my daughter.
Happy Father’s Day to all the dads who read BAMF Style… and to this soon-to-be first-time dad who writes BAMF Style, as my wife is expecting our first this October!
Of course, since I’m the same insane person who writes about Psycho and The Grifters for Mother’s Day, today’s Father’s Day post centers around George C. Scott’s style in Paul Schrader’s 1979 neo-noir Hardcore as Jake Van Dorn, a Michigan rivet manufacturing executive who goes deep undercover in the California porn industry to try to save his daughter Kristen (Ilah Davis) after he learns from private detective Andy Mast (Peter Boyle) that she’s been appearing in stag films. Continue reading
Moonraker: Roger Moore’s Cream Suit in Rio
Roger Moore as James Bond in Moonraker (1979)
Vitals
Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Moonraker launched James Bond into orbit when it premiered 45 years ago today on June 26, 1979 as the fourth of Sir Roger Moore’s seven adventures as the dashing spy.
Before his out-of-this-world journey, 007 trots the globe from California to Italy and ultimately to Brazil, where he landed in Rio de Janiero during the annual Carnival festivities held in February. February is a summer month in Brazil, so Bond dresses for the warmth in a cream linen suit and open-neck brown shirt and matching pocket square as he alights from his plane. Continue reading
The Man Who Fell to Earth: David Bowie’s Black Suit
David Bowie, on location in New Mexico during production of The Man Who Fell to Earth (1976)
Vitals
David Bowie as Thomas Jerome Newton, ambitious humanoid alien
From New York City to Artesia, New Mexico, 1970s
Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
Suits by: Ola Hudson
WARNING! Spoilers ahead!
Background
Today would have been the 75th birthday of David Bowie, born in London on January 8, 1947.
Though he’d made a few screen appearances earlier in his career, The Man Who Fell to Earth was Bowie’s first prominent leading role. Adapted by Paul Mayersberg from Walter Tevis’ novel of the same name, Nicolas Roeg’s avant-garde cult classic transcends the trappings of traditional science fiction to spin the yarn of Thomas Jerome Newton, an ambitious if naïve starman who “fell to Earth” on a mission to bring water back to his home planet… only to fall even farther, seduced by the materialistic capitalism of 1970s America and all of its celebrated hedonistic indulgences of sex, television, drugs, and booze. Continue reading
Mad Men: Don’s Embroidered Brown Shirt for the First of “Three Sundays”
Jon Hamm as Don Draper on Mad Men (Episode 2.04: “Three Sundays”)
Vitals
Jon Hamm as Don Draper, mysterious ad man and wannabe family man
Ossining, New York, Spring 1962
Series: Mad Men
Episode: “Three Sundays” (Episode 2.04)
Air Date: August 17, 2008
Director: Tim Hunter
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
The anthological fourth episode of Mad Men‘s second season checks in with our regulars—particularly Don Draper and Peggy Olsen—with explorations of parenting and piety leading up to Easter Sunday 1962.
Tony Soprano’s Chevron-Patterned Polo in “College”
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.05: “College”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New England, Fall 1999
Series: The Sopranos
Episodes:
– “College” (Episode 1.05, dir. Allen Coulter, aired 2/7/1999)
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
No man can wear one face to himself and another to the multitude without finally getting bewildered as to which may be true.
So preaches Hawthorne, seemingly speaking directly to Tony Soprano, in the denouement of the classic episode “College” (Episode 1.05) from the first season. Positioned as Bowdoin College’s most famous alum as Tony brings his daughter Meadow (Jamie-Lynn Sigler) to visit the campus, Nathaniel Hawthorne also acts as a moral anchor to our protagonist after an unprecedented act of violence.
The fall 2020 semester will be a surreal experience for many returning to school across the United States as colleges adapt to remote learning or limited exposure in response to the ongoing coronavirus pandemic, making the expected “back-to-school” keggers and social functions a relic of a not-so-distant past.
More than twenty years ago, audiences joined Meadow for her own surreal college experiences with a university tour with her father reveals more about him to her—and to the audience—than one would expect of the canned campus orientation. On August 22, the date established in-universe as Tony Soprano’s birthday (and creator David Chase’s actual birthday), let’s take a closer look at these pivotal scenes from the series’ first season. Continue reading
Blue Hawaii: Elvis’ Brown Tapa Shirt
Elvis Presley in Blue Hawaii (1961)
Vitals
Elvis Presley as Chadwick “Chad” Gates, young tour guide and U.S. Army veteran
Honolulu, Hawaii, Summer 1961
Film: Blue Hawaii
Release Date: November 22, 1961
Director: Norman Taurog
Costume Designer: Edith Head
Background
Summer kicks off this weekend in the Northern Hemisphere with beaches and warm destinations slowly reopening around the world after months of lockdown during the early phases of the coronavirus pandemic. Whatever your summer plans include, I hope all BAMF Style readers enjoy a safe, healthy, and happy season whether enjoying time at home or safely traveling.
Travel or no travel, this is also the season for summer shirts and summer movies. The tenth top-grossing movie of 1961, Blue Hawaii was the first of three movies that Elvis filmed in the “paradise of the Pacific” and remains one of his most popular for its tropical style and memorable soundtrack, which includes dusted-off classics like the title track “Blue Hawaii” (originally written for Bing Crosby in 1937), “Hawaiian Wedding Song” as well as introducing “Can’t Help Falling in Love”, which would become a new standard for the King.
Lee Marvin’s Plaid Suit in Prime Cut
Lee Marvin as Nick Devlin in Prime Cut (1972)
Vitals
Lee Marvin as Nick Devlin, mob enforcer
Kansas City, summer 1972
Film: Prime Cut
Release Date: June 28, 1972
Director: Michael Ritchie
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
Lee Marvin’s submachine gun-packing mob enforcer Nick Devlin gets plenty of opportunities for badass action in Michael Ritchie’s sophomore film, Prime Cut, but the smooth gangster also takes the chance to show a more genteel side, such as when escorting Poppy (Sissy Spacek) to a fancy dinner in a hotel restaurant.
Tony Soprano’s Tan Windowpane Sport Jacket
James Gandolfini as Tony Soprano on The Sopranos (Episode 5.02: “Rat Pack”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2004
Series: The Sopranos
Episodes:
– “Rat Pack” (Episode 5.02, dir. Alan Taylor, aired 3/14/2004)
– “In Camelot” (Episode 5.07, dir. Steve Buscemi, aired 4/18/2004)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
This week’s #MafiaMonday post celebrates the late James Gandolfini, the award-winning actor who would have celebrated his 57th birthday tomorrow.
Gandolfini won multiple awards, including three Emmys, for his performance as the tough yet troubled gangster Tony Soprano on HBO’s The Sopranos, setting the foundation for future TV icons. Continue reading
Lee Marvin’s Beige Suit in Prime Cut
Lee Marvin and Sissy Spacek in Prime Cut (1972)
Vitals
Lee Marvin as Nick Devlin, mob enforcer
Kansas City (and Chicago), summer 1972
Film: Prime Cut
Release Date: June 28, 1972
Director: Michael Ritchie
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
The beginning of Prime Cut follows a mysteriously packed package of meat as it journeys from Kansas City to Chicago, where it is received by Jake (Eddie Egan), the head of the Windy City’s Irish mob. The delivery’s significance is not lost on Jake, who promptly seeks out and recruits enforcer Nick Devlin (Lee Marvin) to head to Kansas and set things straight.
True Detective – Ray Velcoro’s Dark Western-Yoked Jacket
Colin Farrell as Ray Velcoro on the second season of True Detective (after ditching the mustache and bolo tie that defined the character’s early-season look.)
Vitals
Colin Farrell as Ray Velcoro, troubled and crooked Vinci PD detective
Ventura County, California, fall 2014 to spring 2015
Series: True Detective
Season: 2
Air Dates: June 21, 2015 – August 9, 2015
Creator: Nic Pizzolatto
Costume Designer: Alix Friedberg
WARNING! Spoilers ahead!
Background
The second season of HBO’s True Detective is, in my opinion, better judged when on its own than against its masterful and delightfully idiosyncratic first season. The second season brought together Colin Farrell, Rachel McAdams, Taylor Kitsch, and Vince Vaughn in an acid neo-noir more in the pulp crime tradition of Dashiell Hammett and Raymond Chandler’s worlds than that of Rust Cohle and Marty Hart.
Even the show’s fictional and corrupt berg of Vinci, California, shares some undeniable similarities with the Bay City of Chandler’s Philip Marlowe novels, though it was indeed based on the rough industrial city of Vernon, where it was partially filmed.
Our self-destructive, repressed, and expendable cop protagonists, portrayed by the Farrell-McAdams-Kitsch triad, practice maverick techniques that border on impropriety but their ideals and values align them with the incorruptible Philip Marlowe and Sam Spade… naturally leading to the straight-out-of-pulp “last stand” holed up in a secluded motel room with seemingly endless bottles of whiskey. Continue reading
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