Tagged: Jeans
Chilly Scenes of Winter: John Heard’s Moth-eaten Maroon Sweater
John Heard in Chilly Scenes of Winter (1979)
Vitals
John Heard as Charles Richardson, obsessive state analyst
Salt Lake City, Winter 1979/80
Film: Chilly Scenes of Winter
Release Date: October 19, 1979
Director: Joan Micklin Silver
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
The wintry weather this first full week of the year feels appropriate to slip into John Heard’s deceptively cozy wardrobe in Joan Micklin Silver’s 1979 comedy Chilly Scenes of Winter. Originally marketed by United Artists as a zany, lighthearted rom-com that the studio re-titled Head Over Heels (much to its cast and crew’s dismay), Chilly Scenes of Winter is actually an all-too-real exploration of the depths to which a seemingly sane person can fall when tortured by their concept of love.
Heard plays Charles Richardson, a seemingly normal Utah State Department of Development report analyst who begins dating his colleague Laura (Mary Beth Hurt), only to grow increasingly and desperately obsessed with winning back her affection after she ends their relationship. Continue reading
The Killer Elite: Robert Duvall’s Navy Shacket and Watch Cap
Robert Duvall in The Killer Elite (1975)
Vitals
Robert Duvall as George Hansen, mercenary-for-hire
San Francisco, Spring 1975
Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
My post about the late James Caan’s style in The Killer Elite for the film’s 50th anniversary last month received more attention than I expected, as well as requests to cover his co-star Robert Duvall. So, ahead of Duvall’s 95th birthday tomorrow, let’s look at how he dresses as the double-crossing mercenary George Hansen across The Killer Elite‘s second act.
After betraying his partner Mike Locken (Caan) and leaving him with a crippling bullet to the knee, George has been profiting as a freelance mercenary most recently hired to assassinate a Taiwanese politician visiting the United States. Mike had been out of commission for weeks while recovering from his wound, but his old employer ComTeg finally welcomes him back into the fold—hoping he can foil his former partner’s plot. Continue reading
Rob Reiner in This is Spinal Tap
Rob Reiner as Marty Di Bergi in This is Spinal Tap (1984)
Vitals
Rob Reiner as Marty Di Bergi, documentary filmmaker
Across the United States, Fall 1982 to Spring 1983
Film: This is Spinal Tap
Release Date: March 2, 1984
Director: Rob Reiner
Costume Stylist: Renee Johnston
WARNING! Spoilers ahead!
Background
To celebrate the life of the late Rob Reiner following his and his wife Michele’s tragic deaths over the weekend, today’s post turns it up to eleven with his directorial debut: the 1984 mockumentary—if you will, rockumentary—This is Spinal Tap.
As the son of comedy legends Carl and Estelle Reiner, Rob established his own career on the 1970s sitcom All in the Family as Mike “Meathead” Stivic, whose passion for political activism mirrored the actor’s own. “I could win the Nobel Prize and they’d write ‘Meathead wins the Nobel Prize’,” the two-time Emmy-winning Reiner once commented of the nickname’s lasting association. Though he continued to act, Reiner pivoted behind the camera with a prolific and wide-ranging filmography as the director of genre-spanning modern classics like Stand By Me (1986), The Princess Bride (1987), When Harry Met Sally… (1989), Misery (1990), A Few Good Men (1992), and The American President (1995)—adept at everything from rom-coms and courtroom drama to fantasy and suspense.
Designed to satirize more hagiographical music documentaries, This is Spinal Tap popularized—if not effectively launched—the mockumentary: a comedic format that continues to thrive through titles like Abbott Elementary, Borat, Documentary Now!, The Office, Parks & Recreation, and What We Do in the Shadows.
Reiner allows Christopher Guest, Michael McKean, and Harry Shearer to shine as the fictional metal band Spinal Tap, also appearing on screen as Marty Di Bergi, a filmmaker tasked with chronicling the titular band’s American comeback tour. Continue reading
Dustin Hoffman in Double Denim as Lenny Bruce
Dustin Hoffman as Lenny Bruce in Lenny (1974)
Vitals
Dustin Hoffman as Lenny Bruce, controversial comedian
New York, Spring 1964
Film: Lenny
Release Date: November 10, 1974
Director: Bob Fosse
Costume Designer: Albert Wolsky
Background
Did you know that Eleanor Roosevelt gave Lou Gehrig the clap?
Groundbreaking stand-up comedian Lenny Bruce was born 100 years ago, on October 13, 1925, in Long Island. His first steps into comedy were fittingly unconventional; while serving in the Navy during World War II, he dressed in drag to entertain his shipmates, eventually leading to his discharge. After struggling through the New York comedy circuit in the 1950s, Bruce began to find his footing toward the end of the decade, releasing his first solo record The Sick Humor of Lenny Bruce in 1959 and delivering his now-legendary Carnegie Hall set during a snowstorm in February 1961.
Legal battles soon became inseparable from the outspoken Bruce’s act and reputation. His October 1961 arrest for obscenity put him squarely in the crosshairs of law enforcement, and over the next five years his performances were increasingly shadowed by surveillance, arrests, and prosecutions for obscenity and drug possession, while he became a living symbol of the struggle for free speech.
On August 3, 1966, the 40-year-old Bruce was found dead of an apparent morphine overdose at his home in the Hollywood Hills. Reflecting on the irony of a man persecuted for words, journalist Dick Schaap concluded his Playboy eulogy with a bitter epitaph: “One last four-letter word for Lenny: Dead. At forty. That’s obscene.”
Decades before he was reintroduced to modern audiences through Luke Kirby’s Emmy-winning performance in The Marvelous Mrs. Maisel, Lenny Bruce was the focus of Bob Fosse’s 1974 biographical film Lenny starring Dustin Hoffman as the titular comedian. The movie received six Academy Award nominations, including Best Picture, Best Director, and Best Actor for Hoffman, though it won zero. Continue reading
The Dreamers: Michael Pitt’s Suede Jacket, Jeans, and Chuck Taylors
Michael Pitt in The Dreamers (2003)
Vitals
Michael Pitt as Matthew, expatriate student and self-professed cinephile
Paris, Spring 1968
Film: The Dreamers
Release Date: October 10, 2003
Director: Bernardo Bertolucci
Costume Designer: Louise Stjernsward
WARNING! Spoilers ahead!
Background
Much discourse around Bertolucci’s 2003 erotic drama The Dreamers (which premiered in Italy 22 years ago today) centers around what the characters aren’t wearing, so I’ll flip the script by focusing on Louise Stjernsward’s evocative costume design that brings to life Parisian culture against the backdrop of the 1968 student protests.
Hailing from San Diego and studying in Paris, Matthew encounters sibling activists Isabelle (Eva Green) and Théo Fontaine (Louis Garrel) among his “freemasonry of cinephiles”—introduced during the very French situation of Isabelle asking Matthew to take her cigarette during a police demonstration at the storied Cinémathèque française. He’s quickly drawn into the siblings’ strange dynamic of deeply incestuous overtones littered with cinematic references epitomized by Isabelle’s insistence on leading the trio on a run through the Louve as seen in Bande à part. Continue reading
Almost Famous: Billy Crudup’s Denim Wrangler Shirt
Billy Crudup as Russell Hammond in Almost Famous (2000)
Vitals
Billy Crudup as Russell Hammond, moody rock guitarist
On tour through the U.S., Spring 1973
Film: Almost Famous
Release Date: September 22, 2000
Director: Cameron Crowe
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Following its Toronto International Film Festival premiere and a limited theatrical release a week later, Cameron Crowe’s semi-autobiographical Almost Famous was widely released 25 years ago this week on September 22, 2000.
Inspired by Crowe’s own teenage years as a freelance music journalist—and Rolling Stone‘s youngest-ever contributor—interviewing the likes of Bob Dylan, David Bowie, Eric Clapton, Neil Young, and bands including Eagles, Fleetwood Mac, Led Zeppelin, Steely Dan, and Yes. The 16-year-old Crowe spent three weeks on the road with the Allman Brothers Band for his first cover story, forming the basis for Almost Famous‘ central narrative through the spring of 1973.
Crowe’s on-screen surrogate is the 15-year-old William Miller (Patrick Fugit), who receives the life-changing assignment of following the rising band Stillwater on their national tour. Despite his mentor, rock critic Lester Bangs (Philip Seymour Hoffman), urging him to maintain an emotional distance, William falls under the spell of the band and their groupies “band aids” like Penny Lane (Kate Hudson), who is embroiled in an affair with Stillwater’s enigmatic guitarist Russell Hammond (Billy Crudup)—also the most reluctant member of the band to grant William an interview. Continue reading
Trap: Josh Hartnett’s Chore Coat and Striped Sweater
Josh Hartnett in Trap (2024)
Vitals
Josh Hartnett as Cooper Abbott, firefighter, family man, and fugitive killer
Philadelphia, Fall 2023
Film: Trap
Release Date: August 2, 2024
Director: M. Night Shyamalan
Costume Designer: Caroline Duncan
WARNING! Spoilers ahead!
Background
I’ve been eager to see Josh Hartnett’s career renaissance after a fascinating arc, from late-’90s heartthrob turned prestige TV lead on Penny Dreadful to his triumphant reemergence on the silver screen with a supporting role in Oppenheimer and his crispy leading role in Trap, M. Night Shyamalan’s darkly comic psychological thriller Trap that was released last summer.
Hartnett stars in the latter as Cooper Abbott, a Philadelphia firefighter who takes his daughter Riley (Ariel Donoghue) to a sold-out pop concert headlined by superstar Lady Raven (Saleka Night Shyamalan)… only for the entire show to be the titular trap designed by law enforcement to ensnare him, as it turns out the minivan-driving family man has a dark, deadly secret under his affable persona. Continue reading
Bonnie and Clyde: Michael J. Pollard’s Herringbone Jacket and Jeans as C.W.
Michael J. Pollard as C.W. Moss in Bonnie & Clyde (1967)
Vitals
Michael J. Pollard as C.W. Moss, slow-witted mechanic-turned-bank robber
Iowa, Summer 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
W.D. “Deacon” Jones may not be as famous as Bonnie Parker or Clyde Barrow, but the Dallas teenager was once among their closest companions in the notorious Barrow gang.
At only 16 years old, Jones was running jobs and riding shotgun on robberies, a role later blended with the gang’s informant Henry Methvin to create the fictionalized composite character C.W. Moss in Arthur Penn’s landmark 1967 film Bonnie & Clyde. Jones lived long enough to see the movie and admitted in a Playboy interview that “Moss was a dumb kid who run errands and done what Clyde told him… that was me, all right.”
Having survived countless shootouts during nearly a year riding with the Barrow gang, Jones ultimately couldn’t escape the fate that had claimed his contemporaries. Fifty-one years ago today in Houston during the early morning hours of August 20, 1974, the 58-year-old Jones was shot three times with a 12-gauge shotgun during an altercation outside a friend’s house. Continue reading
Point Break: Keanu Reeves’ Purple Skydiving Shirt and Jeans
Keanu Reeves as Johnny Utah in Point Break (1991)
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Not only was Point Break widely released 34 years ago today on July 12, 1991, but the second Saturday in July is also World Skydiving Day, so of course we’ll be following OSU quarterback-turned-FBI agent Johnny Utah (Keanu Reeves) as this one radical son-of-a-bitch jumps from a plane with the gang of bank-robbing surfers led by the enigmatic Bodhi (Patrick Swayze)… twice! Continue reading
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
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