Tagged: Johnny Depp
Blow: A Colorful New Year’s Eve Sport Jacket
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, successful cocaine smuggler
Miami, New Year’s Eve 1979
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
I’ll be the first to admit my hypocritical cowardice. I’ve written many posts celebrating turtlenecks, but it wasn’t until this year that I truly started embracing them in my personal style, the result of a New Year’s resolution to myself. “What kind of resolution is that?” you might ask. “Didn’t you become a father this year? Why are you worried about turtlenecks?” you may also ask. And I’ll ignore all those questions.
I always had a soft spot for Blow, Ted Demme’s Scorsese-inspired movie following the rise and fall of the late drug dealer “Boston George” Jung, played to trichological perfection by Johnny Depp. Even at the height of George’s success, Depp convincingly sells George as the kind of himbo whose right connections at the right place at the right time converged for him to make millions smuggling cocaine for the Medellín Cartel through the 1970s and ’80s.
During a New Year’s Eve party (scored by KC and the Sunshine Band’s disco hit “Keep It Comin’, Love”), George learns from one of his partners that his old partner Diego Delgado—a thinly veiled stand-in for the real-life Carlos Lehder—has double-crossed him, cutting George out to conduct his own smuggling operations from Norman’s Cay… though it takes George a few beats to comprehend that “Norman Cay” isn’t a person but a place. Continue reading
Johnny Depp as Cry-Baby
Johnny Depp in Cry-Baby (1990)
Vitals
Johnny Depp as Wade “Cry-Baby” Walker, rebellious high school hellcat and rockabilly singer
Baltimore, Spring 1954
Film: Cry-Baby
Release Date: April 6, 1990
Director: John Waters
Wardrobe & Makeup Designer: Van Smith
WARNING! Spoilers ahead!
Background
Just over three weeks after its premiere in John Waters’ native Baltimore where the film—among so many of his others—is set, Cry-Baby was more widely released 35 years ago tomorrow on April 5, 1990 in more than 1,200 theaters across North America—an unprecedented opening for the offbeat director.
This wider release indicated the film’s more mainstream appeal, lacking the more scatological elements of Waters’ prior works like Pink Flamingos (1972) while retaining enough of the director’s signatures to make it an effective introduction to his work. Despite this increased accessibility and some critical acclaim, Waters’ camped-up tribute to ’50s teen romances (think Grease for weirdos) still failed to find a solid audience at the outset. It wasn’t until years after its initial release that Cry-Baby developed a cult following among much of Waters’ other movies. Continue reading
Johnny Depp’s Red Leisure Suit in Blow
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, successful cocaine smuggler
Massachusetts, Fall 1979
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
One of the more formative movies in developing my appreciation for more outlandish period style is Blow, Ted Demme’s Scorsese-inspired chronicle of the rise and fall of real-life drug smuggler George Jung, who was born 80 years ago today in Weymouth, Massachusetts. The DVD (does anyone remember its white case?) was in almost constant rotation when friends would come over in high school, and Mark Bridges’ costume design resonated to such a degree that, thanks to eBay, I may have been one of the few high-schoolers in the early 2000s to own a vintage polyester leisure suit. Continue reading
Blow: Johnny Depp’s Layered Denim on the Run
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, fugitive pot dealer
Weymouth, Massachusetts, Fall 1973
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow chronicles the chaotic career of real-life drug dealer George Jung, who evolved his marijuana-dealing enterprise into a dangerously successful cocaine-smuggling operation with the Medellín cartel until it all came crashing down around him. Continue reading
Blow: Manhattan Beach, 1968
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, burgeoning pot dealer
Manhattan Beach, California, Summer 1968
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.
After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:
I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.
Fear and Loathing in Las Vegas: Raoul Duke’s Terrycloth Acapulco Shirt
Johnny Depp as Raoul Duke in Fear and Loathing in Las Vegas (1971)
Vitals
Johnny Depp as Raoul Duke, “doctor of journalism” and alter ego of Hunter S. Thompson
Las Vegas, Spring 1971
Film: Fear and Loathing in Las Vegas
Release Date: May 22, 1998
Director: Terry Gilliam
Costume Designer: Julie Weiss
Background
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold…
…and, with the scream of a bright fireapple red Chevy convertible speeding through the desert scored by Big Brother and the Holding Company’s manic “Combination of the Two”, we’re off and running with Raoul Duke and Dr. Gonzo on their way to a hallucinogenic weekend romp in Sin City. Johnny Depp’s opening narration as the notorious Dr. Duke transcribes verbatim the opening lines of Hunter S. Thompson’s landmark roman à clef Fear and Loathing in Las Vegas.
The Rum Diary: Kemp’s Off-White Corduroy Trucker Jacket
Johnny Depp in costume as Paul Kemp on the set of The Rum Diary (2009)
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist
San Juan, Puerto Rico, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
The end of this week means the start of summer, arguably the strangest summer I’ll have experienced in my thirty years. The global coronavirus pandemic has seen the cancellation of sunny getaways, a halt in peanut or crackerjack sales at old ballgames, and consumers foregoing bathing suit deals in favor of fashionable face masks (like these Magnum, P.I.-inspired masks made by my friends at Aloha Funwear!)
In the spirit of what promises to be a surreal summer, I’m exploring a functional look extracted from the chaos of The Rum Diary, adapted from Hunter S. Thompson’s semi-roman à clef inspired by his brief career with the Puerto Rican sporting magazine El Sportivo. More than a decade after he portrayed HST surrogate Raoul Duke in Fear and Loathing in Las Vegas, Johnny Depp returned to star in this somewhat less successful adaptation of a chapter from his late friend’s life.
Blow: George’s Navy Pea Coat
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, ambitious pot dealer
Chicago, Winter 1972
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
In the centuries since pea jackets were first established by military mariners battling the cold, these short and warm coats have emerged as a winter staple for men and women around the world. While many maintain the original template, such as the 1940s Schott in 32-ounce melton wool that was handed down to me from my grandfather, the pea coat’s ubiquity has also inspired more fashion-forward variations like the leather-trimmed, peak-lapel Billy Reid coat that Daniel Craig wore in his third 007 outing Skyfall or this Disco-era jacket briefly worn by Johnny Depp in Blow.
Donnie Brasco’s Brown Leather Blazer
Johnny Depp as Joe Pistone, aka Donnie Brasco, in Donnie Brasco (1997)
Vitals
Johnny Depp as Joe Pistone, aka “Donnie Brasco”, undercover FBI agent infiltrating the Mafia
New York City, Fall 1979
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
#MafiaMonday has become something of an occasional tradition for BAMF Style, but there’s no reason why every celebration of mob style needs to feature an actual gangster. Take the case of Joe Pistone, a real-life FBI agent and undercover pioneer whose six years infiltrating the Bonanno family of the New York Mafia was so effective that NYPD investigations and even some FBI files had mistakenly marked the agent as a mob associate named Don Brasco. Pistone was ordered to end his operation in the summer of 1981, despite the agent hoping to at least be “made” and inducted into the ranks of the mob.
Dillinger’s Navy Striped Suit in Public Enemies
Johnny Depp as John Dillinger in Public Enemies (2009)
Vitals
Johnny Depp as John Dillinger, maverick Depression-era bank robber
Chicago, Spring 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
It’s been quite some time since I’ve visited Public Enemies, the Michael Mann-directed action thriller depicting the life and crimes of Depression-era desperado John Dillinger. The film received mixed to positive reviews upon its release with much of the praise going to Michael Mann’s usual attention to detail as well as Johnny Depp’s performance as the Indiana-born outlaw.
Colleen Atwood’s period costumes are also worthy of attention and praise. High fashion was the signifier of success for Depression-era gangsters, and Dillinger rarely led his gun-toting cronies into a bank without being dressed to the nines.
Even when on the run, such as this scene set not long after Dillinger’s narrow escape from an FBI ambush at the Little Bohemia lodge in Wisconsin, John Dillinger made a consistent effort to dress well. (The film plays with historical accuracy to present its own narrative, pushing Billie Frechette’s arrest to after the Little Bohemia raid; in real life, Billie was arrested on April 9, 1934, two weeks before Melvin Purvis’ federal agents attempted to trap the Dillinger gang at Little Bohemia.) Continue reading