Tagged: Lee Jeans
Taxi Driver: Travis Bickle’s M-65 Field Jacket
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Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring to Summer 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Martin Scorsese’s violent meditation on loneliness, Taxi Driver, was released 50 years ago today on February 9, 1976—one day after its New York City premiere. Fresh off of his Academy Award win for The Godfather Part II, Robert De Niro received a second career nomination for his portrayal of “God’s lonely man” Travis Bickle, a troubled Marine Corps veteran who combats his insomnia by driving a taxi through the decaying streets of 1970s New York.
After his poorly conceived attempts to woo a sophisticated political campaign volunteer are understandably rejected, Travis refocuses his attention on the pre-teen prostitute Iris (Jodie Foster), whom he attempts to dissuade from her current profession. Meanwhile, Travis’ paranoia grows to the point that he drops just under a thousand dollars on a quartet of handguns that range in power and concealment—his scattered plans ranging from political assassination to a brothel massacre, all the while practicing his heavily armed bravado in his disorganiz-ized home:
Sam Shepard’s Denim Western-wear in Fool for Love
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Sam Shepard as Eddie, rodeo stunt rider
Mojave Desert, Spring 1985
Film: Fool for Love
Release Date: December 6, 1985
Director: Robert Altman
Wardrobe Credit: Kristine Flones
WARNING! Spoilers ahead!
Background
Today marks eight years since the death of 10-time Obie Award-winning actor, director, and writer Sam Shepard, who died July 17, 2017 at the age of 73.
As someone who loves movies set in motels and thinks that Shepard and Harry Dean Stanton were two of the coolest guys to have walked on this planet, I had long been intrigued by Robert Altman’s 1985 adaptation of Shepard’s own play Fool for Love, starring Shepard and Stanton opposite Kim Basinger. Continue reading
Star Trek: Captain Kirk’s Depression-era Workwear in “The City on the Edge of Forever”
Thanks to a suggestion from reader Rob Sundquist, today’s entry will boldly go where no BAMF Style post has gone before!

William Shatner as Captain James T. Kirk on Star Trek, Episode 1.28: “The City on the Edge of Forever”
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William Shatner as Captain James T. Kirk, time-traveling starship captain
New York City, Fall 1930
Series: Star Trek
Episode: “The City on the Edge of Forever” (Episode 1.28)
Air Date: April 6, 1967
Director: Joseph Pevney
Creator: Gene Roddenberry
Costume Designer: William Ware Theiss
WARNING! Spoilers ahead!
Background
Fans of Star Trek who are familiar with BAMF Style may not be surprised to learn that my inaugural post from this groundbreaking series covers “The City on the Edge of Forever”, the penultimate episode of the first season which has endured to be considered among the series’ best.
The episode begins on the USS Enterprise as first officer Spock (Leonard Nimoy) reports that the starship’s turbulence is the result of “actually passing through ripples in time”. An accident results in medical officer Leonard “Bones” McCoy (DeForest Kelley) accidentally injecting himself with a massive dose of cordrazine, an in-universe stimulant that sends the doctor into a paranoid frenzy.
Captain James T. Kirk (William Shatner) recruits Spock, communications officer Lt. Uhura (Nichelle Nichols), chief engineer “Scotty” (James Doohan), and two redshirts onto the mysterious planet where Bones beamed himself, where they discover a time portal with the ability to transport entrants back to any time and place.
Bones leaps through the portal to evade capture, resulting in altering the past so dramatically that the crew’s reality—and ship—cease to exist. Thus, Kirk and Spock thus have no choice but to leap into the gateway in pursuit of Dr. McCoy… landing them in New York City, circa 1930, at the intersection of the Prohibition era and the Great Depression. Continue reading
The Last American Hero: Jeff Bridges in Denim
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Jeff Bridges as Elroy “Junior” Jackson, Jr., moonshine runner and aspiring race car driver
Gaston County, North Carolina, Fall 1972
Film: The Last American Hero
Release Date: July 27, 1973
Director: Lamont Johnson
Wardrobe Credit: Alan Levine
WARNING! Spoilers ahead!
Background
Amid the playoffs ahead of the NASCAR Cup Series Playoff Race at Martinsville a week from today on November 3, today’s post celebrates one of the more underdiscussed “mooonshine movies” that also draws on the link between Appalachain bootleggers and stock car racing.
Photographed by cinematographer George Silano against an authentic North Carolina autumn in late 1972, The Last American Hero was adapted from Tom Wolfe’s Esquire essay about moonshiner-turned-NASCAR star Robert “Junior” Johnson, represented on screen by Jeff Bridges (in one of his first starring roles) as Elroy “Junior” Jackson, Jr., who speeds through the mountains of North Carolina in his ’67 Mustang to run moonshine for his father Elroy (Art Lund) and brother Wayne (Gary Busey). Continue reading
Sam Elliott’s Black Clothes in Road House
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Sam Elliott as Wade Garrett, reliable bouncer
Jasper, Missouri, Spring 1988
Film: Road House
Release Date: May 19, 1989
Director: Rowdy Herrington
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
Background
Today is the 80th birthday of Sam Elliott, the prolific actor who has brought his commanding voice and distinguished mustache to a variety of roles from his breakthrough performance in Lifeguard (1976) to hits like Mask (1985), Tombstone (1993), The Big Lebowski (1998), and A Star is Born (2018), to name just a few.
The first time I saw Road House, I was surprised to see that Elliott had shaved his signature soup-strainer to portray Wade Garrett, the tough and trusted bouncer that professional cooler Dalton (Patrick Swayze) calls to the small town of Jasper, Missouri, where local crime boss Brad Wesley (Ben Gazzara) is making his task of taming the Double Deuce more of a challenge than he hoped. Continue reading
Cockfighter: Warren Oates’ Black Shirt and Lee Jeans
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Warren Oates as Frank Mansfield, voluntarily mute cockfighter
Georgia, Spring 1973
Film: Cockfighter
Release Date: July 30, 1974
Director: Monte Hellman
Wardrobe Credit: Carol Hammond & Patty Shaw
Background
Fifty years ago today on July 30, 1974, the locally filmed B-movie Cockfighter premiered in Roswell, Georgia.
“King of Cult” producer and director Roger Corman had spied Charles Willeford’s novel of the same name in an airport bookstore and had read no more than the title and the back cover before buying the adaptation rights, explaining to his editor that “with a title like this, if we can’t sell it, we’re in big trouble.” Unfortunately… they couldn’t sell it.
Perhaps dismayed that Hellman took a more philosophical than exploitative approach, Corman tried every trick at his disposal to grow an audience. After hiring Joe Dante to recut the film, he rotated through alternate titles like Born to Kill, Gamblin’ Man, and Wild Drifter, until eventually accepting a rare defeat, citing Cockfighter as the only New World Pictures release to lose money, despite its already meager $400,000 budget.
Like many other Corman films, Cockfighter found a cult following in the decades after its release, certainly in part to the talent involved. Working from a screenplay that Willeford adapted from his own novel, Monte Hellman was hired to direct as his first feature since Two-Lane Blacktop. Hellman assembled a cast that included Two-Lane Blacktop alumna Warren Oates, Laurie Bird, and Oates’ friend and frequent co-star Harry Dean Stanton (the subject of my first Cockfighter post), as well as ’50s screen idol Troy Donahue, character actors Robert Earl Jones and Richard B. Shull, and a young Ed Begley Jr. in one of his first prominent roles.
Three years after Hellman directed him to magnificence as “GTO” in Two-Lane Blacktop, Oates delivered one of his arguably career-best performances as Frank Mansfield, a determined gambler who vows to remain mute until he can be awarded Southern Conference Cockfighter of the Year. As Frank increases the stakes by betting everything he owns along the way, we see the lengths to which he goes to build up the odds against his gamecock Sandspur, such as disfiguring the beak to appear cracked. Continue reading
Bill Paxton in Twister
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Bill Paxton as Bill Harding, experienced storm chaser-turned-weatherman
Oklahoma, Summer 1996
Film: Twister
Release Date: May 10, 1996
Director: Jan de Bont
Costume Designer: Ellen Mirojnick
WARNING! Spoilers ahead!
Background
With its standalone sequel Twisters starring Daisy Edgar-Jones and Glen Powell now arriving in theaters, let’s revisit the original Twister, Jan de Bont’s 1996 blockbuster centered around a group of storm-chasers pursuing and researching tornadoes across Oklahoma.
Our lead storm-chasers are the star-crossed Jo (Helen Hunt) and Bill Harding (Bill Paxton), in the midst of a divorce as Bill seeks to leave his dangerous storm-chasing days as “The Extreme” and settle into a more comfortable life as a TV weatherman with his new fiancée Dr. Melissa Reeves (Jami Gertz). “New job, new truck, new wife, it’s like a whole new you!” Jo observes as Bill arrives in his new Dodge Ram truck to request that she sign the papers to finalize their divorce.
In the meantime, Jo and her team are preparing to deploy their innovative tornado-measuring device—the realized execution of Bill’s original concept, nicknamed “Dorothy”—into the record-breaking storms wreaking havoc through Oklahoma. Continue reading
Warren Beatty’s Brown Trucker Jacket in The Parallax View
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Warren Beatty as Joe Frady, maverick political reporter
Seattle and Los Angeles, Spring 1974
Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson
Background
The Parallax View was released 50 years ago today on Flag Day 1974—an appropriate observance for this second of Alan J. Pakula’s trio of politically themed paranoid thrillers that also included Klute (1971) and All the President’s Men (1976).
Warren Beatty provides one of the arguably best performances of his career as Joe Frady, an investigative reporter for an Oregon newspaper who is tipped to a deadly political conspiracy by ex-girlfriend Lee Carter (Paula Prentiss) shortly before she too died under questionable circumstances attributed to a drug overdose. At a time when, in Joe’s words, “every time you turned around, some nut was knockin’ off one of the best men in the country,” Lee witnessed the assassination of a presidential hopeful three years earlier. Continue reading
Al Pacino’s Pea Coat as Serpico
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Al Pacino as Frank Serpico, plainclothes New York Police Department office
New York, Winter 1967
Film: Serpico
Release Date: December 5, 1973
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
My eyes see… 84 birthday candles for Al Pacino, born April 25, 1940! Sandwiched between his acclaimed performances as Michael Corleone in the first two installments of The Godfather, the New York-born actor returned to the scrappy persona that signified many of his early screen roles as an easygoing drifter in Scarecrow and the police drama Serpico. Continue reading
Taxi Driver: Travis Bickle’s Tanker Jacket
Vitals
Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring to Summer 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Happy International Taxi Driver Day to all cabbies whose alienation doesn’t drive them to a violent murder spree shooting up a brothel! This observance commemorates when the first gas-powered taxi cabs reportedly arrived on the streets of London on March 22, 1907.
The profession was immortalized in Martin Scorsese’s 1976 film Taxi Driver, written by Paul Schrader and filmed on location in New York City during the scorching summer of 1975. Two years after his first Academy Award win (for The Godfather, Part II), Robert De Niro received his second Oscar nomination for his performance as Travis Bickle, the lonely Marine-turned-cabbie whose PTSD, insomnia, and paranoid psychosis becomes a dangerous powder keg in the squalid decay of 1970s New York. Continue reading










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