Tagged: Pinstripe / Chalkstripe Suit
J.J. Gittes’ Gray Pinstripe Double-Breasted Suit in Chinatown
Vitals
Jack Nicholson as J.J. Gittes, private investigator and all-around “nosy fella”
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
Background
Many of the suits Jack Nicholson wears in Chinatown are intentionally loud and showy. As an easygoing yin to the cynical Philip Marlowe’s yang, Gittes happily shows off the fruits of his labors with extravagant and noticeable suits in various earth tones and shades of cream.
However, when it’s time to get down to business, Gittes knows the last thing he needs is to stand out during a stakeout. For this, he has an army of gray suits at his disposal. None of the suits are boring by any means, and they’re only conservative in relation to his other apparel. For client visits and “pubic relations”, Gittes is the flashy PI in brighty-colored suits and shirts.
When Gittes shows up as Evelyn Mulwray’s “knight in shining armor” after her husband’s corpse is found, he is appropriately suited in gray. We’d seen him in gray suits before during his initial investigations of Mulwray, and it’s our signifier that his day doesn’t end with a few quips in front of the hungry press (“Gittes – two t’s and an e!”) Indeed, after Mrs. Mulwray departs, Gittes immediately gets right back to work, investigating the dry river bed and the dams. Continue reading
The Wolf of Wall Street: Dark Blue Chalkstripe Flannel on IPO Day
Vitals
Leonardo DiCaprio as Jordan Belfort, shrewd Wall Street stockbroker
Long Island, Fall 1993
Film: The Wolf of Wall Street
Release Date: December 25, 2013
Director: Martin Scorsese
Costume Designer: Sandy Powell
Tailor: Leonard Logsdail
Background
It’s Labor Day, so sartorial traditionalists should start packing up their cream linen suits and pull their sharp chalkstripe flannels up to the front. Ideally, you have today off of work and one extra day before you need a snazzy suit to make an impression when strutting back into the office tomorrow.
Though avoiding excess isn’t exactly Jordan Belfort’s thing (i.e., drugs, women) in The Wolf of Wall Street, he did manage to avoid some of the sartorial excesses of the late ’80s and early ’90s that continue to plague thrift shops and convenience stores to this day. For the most part, he avoids baggy double-breasted suits with low button stances and excessive shoulder padding. Continue reading
Robert Shaw’s Charcoal Pinstripe Poker Suit in The Sting
Vitals
Robert Shaw as Doyle Lonnegan, conniving Irish-American mob boss and poker host
New York to Chicago, September 1936
Film: The Sting
Release Date: December 25, 1973
Director: George Roy Hill
Costume Designer: Edith Head
Background
Tomorrow would have been the 87th birthday of actor, novelist, and definitive screen villain Robert Shaw. Shaw, who kicked ass in such great films as From Russia With Love, The Taking of Pelham 1-2-3, and Jaws, memorably played “the mark” in The Sting. Continue reading
The Death of John Dillinger – 1973 Style

Warren Oates and Michelle Phillips as John Dillinger and Billie Frechette, respectively, in Dillinger (1973). The film inaccurately portrays Polly Hamilton as an alias for Billie Frechette; in reality, Polly was an entirely different person.
Vitals
Warren Oates as John Dillinger, doomed Depression-era bank robber
Chicago, July 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Although it had been founded in 1908, the FBI had existed for more than a quarter of a century without grabbing major national attention. There were many major successes, but the recent crime wave of bank-robbing desperadoes tarnished the agency’s image and, in turn, turned outlaws into folk heroes.
One of these criminal “folk heroes” was John Dillinger, a 31-year-old Indiana native who had recently embarrassed national law enforcement by reportedly breaking out of jail with a wooden gun. Although they had Dillinger in their sights for the better part of a year, the FBI—then known as the Bureau of Investigation (BOI)—had no legal jurisdiction to take him down. Dillinger’s crimes—ranging from bank robbery to alleged murder—were all certainly major, but none violated any federal law. Then, it was realized that Dillinger had stolen the Lake County sheriff’s car during his escape. By driving the stolen automobile across a state line, Dillinger violated the Dyer Act.
The Dyer Act, also called the National Motor Vehicle Theft Act, was passed in 1919 to combat the growing threat of trafficking stolen automobiles. If a person was found guilty of violating the Dyer Act, they would be sentenced with imprisonment up to ten years, a hefty fine, or both. In Dillinger’s case, the BOI determined that his punishment would be execution. Continue reading
Jay Gatsby’s Brown Suit and Yellow Rolls-Royce (1974 Version)

Robert Redford as Jay Gatsby in The Great Gatsby (1974), posing with his yellow 1928 Rolls-Royce Phantom I convertible.
Vitals
Robert Redford as Jay Gatsby, romantic millionaire and shady bootlegger
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Well, it’s the arbitrarily-chosen second week of June, which means it’s time for the third semi-annual Car Week!
I’m kicking off this week by focusing on a very iconic car in both literature and film – Jay Gatsby’s big yellow Rolls-Royce tourer, a symbol of the era’s destructive opulence. Continue reading
Scarface: Tony’s White Pinstripe Suit
Vitals
Al Pacino as Tony Montana, ambitious Cuban-American cocaine dealer
Miami (and Bolivia), Summer 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
One of the few sartorial rules actually practiced in the United States is adherence to the “no white after Labor Day” rule. While it’s technically outdated, having been decided after the Civil War by snobbish housewives who wanted to establish their place in society, it makes sense that light-colored attire would find its place in the summer. Further enhancing the arbitrary rule, the snobbish housewives’ society determined that Memorial Day would mark the first day for white clothing to be appropriate in polite society.
While he may not be the prime example of “polite society” in the eyes of postbellum America, Tony Montana redefined drug dealer chic in 1983’s Scarface with his numerous sharp suits and incomparable swagger while wearing them. Continue reading
Robert Shaw’s Gray and Yellow Pinstripe Suit in The Sting
Vitals
Robert Shaw as Doyle Lonnegan, ruthless Irish-American mob boss
Chicago, September 1936
Film: The Sting
Release Date: December 25, 1973
Director: George Roy Hill
Costume Designer: Edith Head
Background
One month into spring, we’re finally seeing some consistent spring weather here in the States. Embrace it and inject some spring colors into your business suits à la Doyle Lonnegan in The Sting. Lonnegan is not necessarily a loud dresser, but he does look the part of a fashionable and well-to-do gangster. Continue reading
Bugsy Siegel’s Gray Chalkstripe Suit
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, violent and visionary “celebrity” gangster
Los Angeles, January 1945
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
Background
Benjamin “Bugsy” Siegel is one of the most fascinating mobsters. He was certainly innovative, developing the idea of Las Vegas as a money-grabbing desert mecca. However, he had an insanely volatile personality, which made him both good and hated as a gangster.
By the film’s chronology, Bugsy is sent out to the west coast by his New York pals Luciano and Lansky in January 1945. In real life, he had made the trek out about ten years earlier, but who’s counting? On the first day, he butts heads with local boss Jack Dragna and manipulates control of Dragna’s wire system immediately. Not only that, he buys a mansion from a famous opera singer, buys a beautiful Cadillac convertible, and meets the fiery woman for whom he would throw his life away. Continue reading
Truth vs. Fiction: The Bank-Robbing Style of Warren Oates as Dillinger
Vitals
Warren Oates as John Dillinger, Depression-era bank robber and “super gang” leader
Indiana, Fall 1933
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Eighty years ago today in East Chicago, Indiana, 43-year-old ECPD patrolman William Patrick O’Malley responded to a call concerning the robbery of the First National Bank. Without hesitation, O’Malley showed up at the scene, unaware that he would be going up against John Dillinger, the Indiana bandit who would soon become famous as the first national Public Enemy #1. Continue reading
Sidney Reilly’s Edwardian Charcoal Striped Suit
Vitals
Sam Neill as Sigmund Rosenblum, later renamed “Sidney Reilly” upon his entry into the British Secret Service
London, Spring 1901
Series: Reilly: Ace of Spies
Episode: “An Affair with a Married Woman” (Episode 1)
Air Date: September 5, 1983
Director: Jim Goddard
Costume Designer: Elizabeth Waller
Background
The first episode of Reilly: Ace of Spies, “An Affair With A Married Woman”, is a crash course on the early life and origins of the legend of Sidney Reilly. I say “legend” because he was a notorious embellisher (liar) and the details of his life are murky at best. We slowly learn more throughout the episodes, but this extra-length opening episode establishes the series’ world where Reilly – née Rosenblum – was a trusted agent of the British Secret Service in 1901, eight years before it was actually founded! While on a mission in Baku, he met the young wife of an elderly and uptight minister and seduced her to escape captivity. Thus, “An Affair With A Married Woman”. Continue reading








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