Tagged: Policeman
Stray Dog: Toshirô Mifune’s Summer Suit
Toshirô Mifune in Stray Dog (1949)
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Toshirô Mifune as Murakami, homicide detective
Tokyo, Summer 1949
Film: Stray Dog
(Japanese title: 野良犬, Nora inu)
Release Date: October 17, 1949
Director: Akira Kurosawa
WARNING! Spoilers ahead!
Background
Considered one of the greatest actors of all time, Toshirô Mifune was born 105 years ago today, on April 1, 1920. Before his Hollywood debut in Grand Prix (1966), Mifune starred in sixteen films directed by Akira Kurosawa. Their third collaboration was the 1949 drama Stray Dog, a film that blends elements of film noir with themes of disillusionment in postwar Japan and is now regarded as an early example of the police procedural.
The story begins on “an unbearably hot day” in Tokyo, where Mifune’s newly promoted homicide detective Murakami reports the theft of his sidearm. After recounting the incident—including his failed pursuit of the pickpocket—Murakami partners with veteran detective Satō (Takashi Shimura) to track the weapon into the depths of Tokyo’s underworld. Their investigation leads to a desperate small-time crook named Yusa (Isao Kimura), whose escalating crime spree weighs heavily on Murakami, forcing him to confront difficult questions about guilt, duty, and justice. Continue reading
Justifed: Raylan’s Pilot Episode Charcoal Pinstripe Suit Jacket and Jeans
Timothy Olyphant as U.S. Marshal Raylan Givens in the pilot episode (“Fire in the Hole”) of Justified.
(Photo by: Prashant Gupta, FX)
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Timothy Olyphant as Raylan Givens, proudly old-fashioned Deputy U.S. Marshal
Miami to Kentucky, March 2010
Series: Justified
Episode: “Fire in the Hole” (Episode 1.01)
Air Date: March 16, 2010
Director: Michael Dinner
Creator: Graham Yost
Costume Designer: Ane Crabtree
Background
Inspired by a selection of Elmore Leonard stories like “Fire in the Hole”, Justified premiered 15 years ago this week on March 16, 2010.
The series began with a literal bang as Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) demonstrated his quick trigger finger by outdrawing a “gun thug” in his assigned territory of Miami. Though he frequently insists “it was justified,” Raylan is ordered by his superiors to leave Miami, reassigned to the Lexington field office in his home turf of eastern Kentucky where he used to dig coal with now-criminal Boyd Crowder (Walton Goggins).
“We weren’t what you call buddies, but you work a deep mine with a man, you look out for each other,” Raylan reflects of his and Boyd’s initial acquaintanceship. Continue reading
The Trouble With Harry: Royal Dano’s Leather Jacket
Royal Dano as Calvin Wiggs in The Trouble With Harry (1955)
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Royal Dano as Calvin Wiggs, laconic deputy sheriff and antique car restorer
Vermont, Fall 1954
Film: The Trouble with Harry
Release Date: September 30, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
One of the most outwardly comedic of Alfred Hitchcock’s filmography, The Trouble with Harry remains a fall favorite for its lush autumnal setting in New England, where filming began 70 years ago last month in Craftsbury, Vermont. Of course, the production team was stunned to see that the leaves had already turned by late September and were forced to resort to gluing colorful leaves onto the trees to create the desired atmosphere in the fictional town of “Hightower”.
“It’s as if I had set up a murder alongside a rustling brook and spilled a drop of blood in the clear water,” Hitchcock explained to François Truffaut of his intention behind this setting.
Law is primarily enforced in Hightower by the laconic and literal-minded deputy sheriff Calvin Wiggs, who arguably lacks the sense of humor shared by our protagonists as they spend the better party of a crisp fall day hiding the fresh corpse of Harry Worp to avoid Calvin’s suspicions. Calvin was portrayed by Royal Dano, a 6’2″ character actor born in New York City who nonetheless built his convicning career often playing cowboys and Abraham Lincoln. Continue reading
Coup de Torchon: Philippe Noiret’s Khaki Uniform
Philippe Noiret in Coup de Torchon (1981)
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Philippe Noiret as Lucien Cordier, ineffective yet conniving colonial police chief
French West Africa, Summer 1938
Film: Coup de Torchon
(English title: Clean Slate)
Release Date: November 4, 1981
Director: Bertrand Tavernier
Costume Designer: Jacqueline Moreau
WARNING! Spoilers ahead!
Background
For the 12th anniversary of my first-ever BAMF Style post, today’s entry is a labor of love analyzing the style from the French adaptation of one of my favorite novels, Pop. 1280 by Jim Thompson. Born 118 years ago tomorrow on September 27, 1906, Thompson specialized in hardboiled crime fiction that has frequently been adapted into movies, including The Getaway, The Grifters, and The Killer Inside Me.
Published sixty years ago in 1964, Pop. 1280 is a darkly comic retread of the themes Thompson explored in The Killer Inside Me, following a southern sheriff whose mild-mannered persona masks his psychopathy. Set during the 1910s, Pop. 1280 is narrated by Nick Corey, the blissfully lazy “high sheriff of Potts County,” the 47th largest in an unnamed state of 47 counties. Nick presents himself as a dimwitted pushover, while secretly manipulating and murdering his way through his friends, family, and mistresses, all while nurturing delusions of being God’s agent sent to punish the sinful town of Pottsville.
Though there are rumors of a future adaptation directed by Yorgos Lanthimos (who seems well-suited for the material), the only major screen adaptation to date is Bertrand Tavernier’s Coup de Torchon, which earned ten César Award nominations and was nominated for Best Foreign Language Film at the 55th Academy Awards.
Adapted by Tavernier and Jean Aurenche, Coup de Torchon maintains the story’s center around a lazy lawman living with his domineering wife and her overly affectionate and slow-witted, uh, “brother”, in a small town where he’s the constant target of bullies, from those in his own household to a boastful fellow lawman who works several towns away. However, the setting is shifted to the fictional French West African town of Bourkessa on the eve of World War II, and the protagonist is reimagined as Lucien Cordier, played by Philippe Noiret, a two-time César Award-winning actor born in Lille on October 1, 1930.
“Doing nothing is my job, I’m paid for it,” Cordier explains to the two snappily dressed pimps who regularly torment him, adding with some earnestness: “At times—not always—I think I’ve found paradise on Earth.” Continue reading
Miami Vice: Sonny Crockett’s Peach Linen Jacket in the Pilot Episode
Don Johnson as Detective Sonny Crockett on Miami Vice (Episode 1.01: “Brother’s Keeper”)
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Don Johnson as James “Sonny” Crockett, smooth Miami-Dade vice detective
Miami, Spring 1984
Series: Miami Vice
Episode: “Brother’s Keeper” (Episode 1.01)
Air Date: September 16, 1984
Director: Thomas Carter
Creator: Anthony Yerkovich
Costume Designer: Jodie Lynn Tillen
WARNING! Spoilers ahead!
Background
Miami Vice premiered 40 years ago tonight on Sunday, September 16, 1984 when NBC aired the feature-length pilot “Brother’s Keeper” at 9:00 p.m., introducing audiences to stylish Metro-Dade Police Department detectives Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas). The two-part episode established the show’s signature pop-scored blend of fashion and fast action, set against the sun-bleached days and neon nights of Magic City. Continue reading
Vic Morrow’s Cowboy Cop Style in Dirty Mary Crazy Larry
Vic Morrow in Dirty Mary Crazy Larry (1974)
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Vic Morrow as Everett Franklin, maverick police captain
San Joaquin County, California, Fall 1973
Film: Dirty Mary Crazy Larry
Release Date: May 17, 1974
Director: John Hough
Wardrobe Master: Phyllis Garr
WARNING! Spoilers ahead!
Background
The talented actor Vic Morrow died 42 years ago today during a helicopter accident on the set of John Landis’ movie The Twilight Zone that also claimed the lives of child actors Myca Dinh Le and Renee Shin-Yi Chen. Born on Valentine’s Day 1929 in the Bronx, Morrow’s acting career dates to the ’50s when he starred as Stanley Kowalski in a stage production of A Streetcar Named Desire and made his screen debut in the 1955 drama Blackboard Jungle. He later brought his real-life experience as a Navy veteran to his star-making role in the 1960s World War II series Combat!
One of my favorite of Vic Morrow’s performances is as Everett Franklin, a renegade police captain tasked with chasing Peter Fonda, Susan George, and Adam Roarke making their high-octane getaway through the walnut groves and highways of central California in Dirty Mary Crazy Larry, released 50 years ago in May 1974. Continue reading
The Andy Griffith Show: Barney Fife’s Return to Mayberry in an Aloha Shirt and Cardigan
Don Knotts as Barney Fife on The Andy Griffith Show (Episode 6.17: “The Return of Barney Fife”)
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Don Knotts as Barney Fife, bumbling Raleigh detective and former deputy sheriff
Mayberry, North Carolina, Fall 1965
Series: The Andy Griffith Show
Episode: “The Return of Barney Fife” (Episode 6.17)
Air Date: January 10, 1966
Director: Alan Rafkin
Creator: Sheldon Leonard
Costume Designer: Stanley Kufel
Background
Today would have been the 100th birthday of Don Knotts, born July 21, 1924 in Morgantown, West Virginia. The comedian who shares my birthday (though 68 years older) remains arguably best known for his celebrated role as the overly officious country deputy Barney Fife on The Andy Griffith Show, though he also appeared across the latter seasons of Three’s Company as wannabe swinger landlord Ralph Furley.
Knotts’ five Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series remains a record-setting amount in that category and was also the most wins for a performer in the same role in the same series until Julia Louis-Dreyfus’ sixth and final win for Veep in 2017. In addition, his characterization of Barney Fife was ranked ninth on TV Guide‘s 1999 list of the 50 Greatest TV Characters of All Time.
Despite the accolades, Knotts amicably left The Andy Griffith Show at the end of the fifth season to pursue his film career, but the in-universe explanation that Barney was hired as a detective in Raleigh allowed for the actor to occasionally return to the series, including his Emmy-winning performance in the sixth season’s “The Return of Barney Fife”. Continue reading
A Shot in the Dark: Inspector Clouseau’s Trench Coat and Trilby
Peter Sellers as Inspector Clouseau in A Shot in the Dark (1964). Photo credit: MGM.
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Peter Sellers as Jacques Clouseau, bumbling Sûreté investigator
Paris, Fall 1963
Film: A Shot in the Dark
Release Date: June 23, 1964
Director: Blake Edwards
Costume Designer: Margaret Furse
Tailor: Douglas Hayward
Background
Tomorrow will commemorate 60 years since the release of A Shot in the Dark, the sequel to The Pink Panther which introduced Peter Sellers as the inept Investigator Clouseau. Sellers’ comedic talent elevated Clouseau to a breakout favorite among audiences of The Pink Panther, which was otherwise meant to be a stylish ensemble comedy centered around David Niven’s dashing jewel thief in pursuit of the eponymous diamond.
After observing how Clouseau resonated with audiences, director Blake Edwards and his co-screenwriter William Peter Blatty adapted Henry Kurnitz’s comic mystery play A Shot in the Dark—itself a Broadway adaptation of Marcel Archard’s L’Idiote—to reprise Sellers’ characterization of Inspector Clouseau. Set in Clouseau’s home turf, the story introduced Clouseau’s long-suffering boss Commissioner Dreyfus (Herbert Lom) and martial-artist manservant Cato (Burt Kwouk) who would both reappear in all three subsequent Pink Panther films to be released the following decade.
A Shot in the Dark begins at the country estate of millionaire Benjamin Ballon (George Sanders) outside of Paris, where we observe the household and staff watching, evading, and romancing each other in the shadows… until a gunshot rings out and the head chauffeur is found dead in the bedroom of the alluring maid Maria Gambrelli (Elke Sommer), last seen clutching the victim’s own still-smoking Beretta pistol. Enter Inspector Clouseau onto the scene… stepping out of his car and immediately into the Ballon fountain, perfectly introducing the madcap mystery to follow. Continue reading
Al Pacino’s Pea Coat as Serpico
Al Pacino in Serpico (1973)
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Al Pacino as Frank Serpico, plainclothes New York Police Department office
New York, Winter 1967
Film: Serpico
Release Date: December 5, 1973
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
My eyes see… 84 birthday candles for Al Pacino, born April 25, 1940! Sandwiched between his acclaimed performances as Michael Corleone in the first two installments of The Godfather, the New York-born actor returned to the scrappy persona that signified many of his early screen roles as an easygoing drifter in Scarecrow and the police drama Serpico. Continue reading
Mad Max
Mel Gibson in Mad Max (1979)
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Mel Gibson as Max Rockatansky, taciturn Main Force Patrol officer-turned-vigilante
Victoria, Australia, “A few years from now” (early 1980s)
Film: Mad Max
Release Date: April 12, 1979
Director: George Miller
Costume Designer: Clare Griffin
WARNING! Spoilers ahead!
Background
Mad Max, George Miller’s dystopian action thriller set in Australia, celebrates its 45th anniversary today. This film marked the beginning of a series that would include three sequels throughout the ’80s, revived with the highly acclaimed Mad Mad: Fury Road in 2015.
Before the sequels’ increasingly elaborate productions, the original Mad Max was a relatively straightforward road movie-meets-Western. It was made on a modest budget of A$400,000, shot guerrilla-style in the Melbourne area through the last months of 1977. Although met with mixed reviews upon its release in April 1979, Mad Max went on to shatter box office records, grossing over $100 million worldwide. Its success not only opened up the global market for Australian cinema but also catapulted the 23-year-old Mel Gibson to stardom for his portrayal of the titular Max Rockatansky. Continue reading
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