Tagged: Sport Coat & Slacks
Dirty Harry’s Brown Blazer in Magnum Force
Vitals
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Earth tones are a fall favorite for many, so take a few notes for your Friday date night style from Clint Eastwood’s earthy ensemble in Magnum Force, the first of four sequels featuring the incorruptible Inspector Harry Callahan.
Continuing what must be a subconscious focus on tough ’70s cop movies from Wednesday’s Brannigan post, this scene features Harry swilling Schlitz in front of the TV with Carol McCoy (Christine White), the wife of a suicidal traffic officer. When his superiors get word of a potential grocery store holdup, Harry—who had been demoted to stakeout duty—is called into action with his trusty .44. Continue reading
John Wayne’s Plaid Sportcoat in Brannigan
Vitals
John Wayne as Jim Brannigan, tough Chicago PD lieutenant
London, Fall 1974
Film: Brannigan
Release Date: March 26, 1975
Director: Douglas Hickox
Wardrobe Credit: Emma Porteous
WARNING! Spoilers ahead!
Background
If McQ was John Wayne’s Dirty Harry, then its spiritual successor Brannigan was his Coogan’s Bluff, a “fish out of water” cop film that finds the Duke’s taciturn American lawman in London to secure the extradition of arch-criminal Ben Larkin (John Vernon) under the watchful – and often judgmental – eye of the quintessentially English Scotland Yard Commissioner Swann (Richard Attenborough). Continue reading
American Gigolo: Gray High-Yoke Armani Jacket
Vitals
Richard Gere as Julian Kaye, high-price L.A. escort
Palm Springs, Spring 1980
Film: American Gigolo
Release Date: February 8, 1980
Director: Paul Schrader
Costumer: Bernadene C. Mann
Costume Coordinator: Alice Rush
Richard Gere’s Costumes: Giorgio Armani
Background
For Richard Gere’s 68th birthday (happy birthday, Richard!), I’m taking a look at the role that made him famous: high-profile escort Julian Kaye in the stylish 1980 neo-noir American Gigolo.
Julian, riding high at the top of the L.A. escort scene, is called in by pimp Leon (Bill Duke) to fill in for one of his regulars for a client in Palm Springs. Continue reading
Murder on the Orient Express: Connery’s Plaid Norfolk Jacket
Vitals
Sean Connery as Colonel John Arbuthnot, British Indian Army commanding officer
Istanbul, December 1935
Film: Murder on the Orient Express
Release Date: November 24, 1974
Director: Sidney Lumet
Costume Designer: Tony Walton
WARNING! Spoilers ahead!
Background
Happy birthday, Sean Connery, born August 25, 1930!
After playing James Bond in six films over the course of a decade, Connery was more than tired of the demanding role that had made him a star, and he began seeking work in different projects. One of his first films after putting 007 behind him (for the second time) was as part of the ensemble cast of Murder on the Orient Express, a 1974 adaptation of Agatha Christie’s classic 1934 mystery novel. Continue reading
Bond Style – Dark Herringbone Tweed in Diamonds are Forever

Sean Connery as James Bond in Diamonds are Forever (1971)
Vitals
Sean Connery as James Bond, British government agent
South America, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
Making mud pies, 007?
Did you know that today, August 19, is National Potato Day? In Diamonds are Forever, James Bond’s hunt for vengeance after the events of On Her Majesty’s Secret Service leads him to an undisclosed location in search of his enemy, Ernst Stavro Blofeld, who has taken to cloning himself in order to form a group of decoy doubles to distract 007. Part of the pre-operation procedure consists of a volunteer decoy resting in an 80°F mud bath (while armed with a revolver, for some reason), and that’s where National Potato Day comes in. Continue reading
David Niven’s Taupe Suit in Death on the Nile
Vitals
David Niven as Colonel Johnny Race, lawyer and war veteran
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Following the grand success of 1974’s Murder on the Orient Express, one of the few adaptations of her work actually endorsed by Agatha Christie herself, producers rushed to find the next of her books to be adapted into a lavish, star-studded affair.
Death on the Nile was published in 1937, three years but ten books after Murder on the Orient Express, and included all of the necessary ingredients for success: the return of eccentric detective Hercule Poirot, an exotic location, and a glamorous victim among an international cast of characters… all of whom had the motive and means to commit the crime.
Poirot’s “boy Friday” to help him solve the case came in the form of Colonel Race, a steadfast Brit who first appeared in Christie’s earlier novel The Man in the Brown Suit. David Niven affably portrays the capable colonel with dignified charm and deadpan wit, often serving as the straightforward foil to Peter Ustinov’s more bombastic Poirot. Continue reading
McQ’s Navy Blazer and 1973 Trans Am

John Wayne as Det. Lon “McQ” McHugh in McQ (1973), armed in front of his 1973 Pontiac Firebird Trans Am.
Vitals
John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant
Seattle, Fall 1973
Film: McQ
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless
Background
It’s no Hollywood secret that McQ was originally developed as a vehicle for Steve McQueen. Five years after McQueen sat behind the wheel of a hunter green Mustang GT390 careening through the streets of San Francisco in Bullitt, the role of gruff Seattle police lieutenant Lon McHugh was retooled for screen legend John Wayne, who took on his first detective role at the age of 66.
Wayne, whose entire left lung had been surgically removed after a bout with cancer a decade earlier, could only walk short distances without needing oxygen – much to the chagrin of director John Sturges – but still turned in a surprisingly energetic performance as a cop who combines Dirty Harry’s stubborn grit with Bullitt’s propensity toward speeding around the city in a sporty dark green American muscle car. Continue reading
The Spy Who Loved Me: Bond’s Safari-Inspired Sportcoat
Vitals
Roger Moore as James Bond, suave British MI6 agent
Cairo, Egypt, August 1977
Film: The Spy Who Loved Me
Release Date: July 7, 1977
Director: Lewis Gilbert
Wardrobe Supervisor: Rosemary Burrows
Tailor: Angelo Vitucci
Background
The Spy Who Loved Me was released 40 years ago today on July 7, 1977. As James Bond himself, the late Sir Roger Moore, noted in his highly entertaining 2012 book Bond on Bond: “The date on the posters read 07/07/77. Jim’s lucky numbers.” The day seems like an appropriate time for BAMF Style to celebrate the uniquely fashionable Bond so charmingly portrayed by Sir Roger during his 12-year tenure as 007. Continue reading
Belmondo in Breathless: Camelhair Jacket in Paris

Jean-Paul Belmondo as Michel Poiccard and Jean Seberg as Patricia Franchini strolling down the Champs-Élysées in an iconic scene from À bout de souffle (Breathless) (1960).
Vitals
Jean-Paul Belmondo as Michel Poiccard, petty thief and killer on the run
Paris, August 1959
Film: Breathless
(French title: À bout de souffle)
Release Date: March 16, 1960
Director: Jean-Luc Godard
Background
Directed by Jean-Luc Godard from an original treatment by François Truffaut, À bout de souffle (or Breathless to us Americans) marked a defining moment in the evolution of French New Wave cinema. The lanky, youthful, and energetic Jean-Paul Belmondo shot to cinematic stardom as he became the new face of French New Wave, a term to which he charmingly admitted his own ignorance to P.E. Schneider of New York Times Magazine.
In that 1961 piece, Schneider was profiling Belmondo for a piece called “A Punk With Charm,” referring to the actor’s role in Breathless as the Bogart-idolizing Michel Poiccard, a swaggering and sociopathic walking id. Continue reading
Sinatra’s Pink Shirt and Puppytooth Check in High Society
Vitals
Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter
Newport, Rhode Island, Summer 1956
Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose
Background
BAMF Style is fulfilling a timely request from Ryan to explore the puppytooth jacket, pink shirt, and tie worn by Frank Sinatra for his early scenes in High Society, the 1956 remake of The Philadelphia Story that found Sinatra acting with his idol, Bing Crosby. The film lives up to its title with an abundance of luxury cars, opulent homes, and plenty of champagne.
Though set in summer, Sinatra’s ensemble is a nice bold springtime look as the April showers turn to May flowers. Continue reading







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