Category: Casual

One Battle After Another: Leonardo DiCaprio’s Revolutionary Robe

Leonardo DiCaprio in One Battle After Another (2025)

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Leonardo DiCaprio as “Ghetto Pat” Calhoun, aka Bob Ferguson, burned-out ex-revolutionary

California, Spring 2024

Film: One Battle After Another
Release Date: September 26, 2025
Director: Paul Thomas Anderson
Costume Designer: Colleen Atwood

WARNING! Spoilers ahead!

Background

One Battle After Another has been a 2025 awards season favorite, collecting more than a few small accolades from organizations like the BAFTAs, Critics’ Choice, Golden Globes, heading into the Academy Awards this weekend with 13 nominations including Best Picture. While it was the most expensive production of Paul Thomas Anderson’s ten released features to date, it has also quickly become the director’s highest-grossing with a box office of $209 million and counting.

In his seventh Oscar-nominated performance, Leonardo DiCaprio stars as “Ghetto Pat” Calhoun, a former revolutionary in an underground militant group known as the French 75, whose expertise in explosives resulted in his reputation as the “Rocket Man”. Amidst their explosive activities, Pat and his French 75 comrade Perfidia Beverly Hills (Teyana Taylor) raise a daughter named Charlene, only for Pat forced to go on the run with Charlene after Perfidia’s perfidy sends the surviving revolutionaries sprawling.

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Duane Jones in Night of the Living Dead

Duane Jones in Night of the Living Dead (1968)

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Duane Jones as Ben, resourceful zombie-hunter

Rural Western Pennsylvania, Spring 1968

Film: Night of the Living Dead
Release Date: October 4, 1968
Director: George A. Romero

WARNING! Spoilers ahead!

Background

Especially here in western Pennsylvania, George A. Romero’s masterclass in economical filmmaking Night of the Living Dead has risen to mythic status among cinephiles. Though born in New York City, Romero graduated from Carnegie Mellon University in 1960 and remained local to Pittsburgh where he filmed short productions including a segment for Mister Rogers’ Neighborhood before his directorial debut that became a landmark in independent film, horror cinema, and movies at large.

Night of the Living Dead premiered at the Fulton Theater in Pittsburgh on October 1, 1968, three days before its wider release that drew controversy due to its violence and bleakness—simultaneously exemplifying what was increasingly permissible in American cinema in the wake of the crumbling Production Code that had restricted filmmakers for more than thirty years.

Despite this harsh reception from critics and audiences not prepared for its content, Night of the Living Dead developed a growing cult following to become one of the most profitable movies ever made. It recouped at least $30 million against its $125,000, which Romero had kept modest through guerrilla filmmaking techniques and casting local actors and friends like legendary Pittsburgh TV presenter “Chilly Billy” Cardille as himself, allowing Romero to reserve most of the modest budget for special effects.

While many rightly include this iconic horror flick among their spooky season watch-lists in October, Night of the Living Dead also qualifies as the rare “Daylight Saving movie”. The action is quickly established to be set on the Sunday in spring when clocks spring forward an hour—much to the chagrin of the cynical Johnny (Russell Streiner), who lost an hour of sleep on the morning he accompanies his sister Barbra (Judith O’Dea) to their father’s grave site, said to be “200 miles into the country” though actually filmed in Evans City… just 30 miles outside of Pittsburgh.

After one of the titular living dead attacks the siblings and knocks Johnny unconscious, Barbra manages to escape in his ’67 Pontiac LeMans and find refuge in an isolated farmhouse, where she comes face-to-face with Ben (Duane Jones)—a serious, resourceful man of action who quickly takes command of the situation… and their survival. Continue reading

Justifed: Raylan’s Grayscale Plaid Shirt and Henley in “The Collection”

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 1.06: “The Collection”)

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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal

Between Lexington, Kentucky and Cincinnati, Ohio, Spring 2010

Series: Justified
Episode: “The Collection” (Episode 1.06)
Air Date: April 20, 2010
Director: Rod Holcomb
Creator: Graham Yost
Costume Designer: Ane Crabtree

WARNING! Spoilers ahead!

Background

I’ve recently been rewatching Justified with my wife—her first time seeing the series—and it renewed my interest in how Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) dresses while both on- and off-duty working the Eastern District of Kentucky.

Debuting sixteen years ago this month in March 2010, Justified‘s first season especially blended a case-of-the-week format with the series mythology revolving around how the Givens family feud with Harlan County families like the Crowders and Bennetts translated to Raylan’s crusade against arch criminal Boyd Crowder (Walton Goggins) as well as his ongoing drama with his ex-wife Winona (Natalie Zea).

One of the last standalone episodes outside of this format was the sixth episode, “The Collection”, revolving around crooked Cincinnati art dealer Owen Carnes (Peter Jason), whom Raylan increasingly suspects was murdered by his wife Caryn (Katherine LaNasa), despite being reminded that murder alone doesn’t necessarily fall under the U.S. Marshals Service’s investigative purview. Continue reading

Johnny Cash at San Quentin, 1969

Johnny Cash performing at San Quentin State Prison, February 24, 1969. Photo by Jim Marshall.

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Johnny Cash, country rock superstar

San Quentin State Prison, California, February 1969

Film: Johnny Cash in San Quentin
Release Date: September 6, 1969
Director: Michael Darlow

Background

Today would have been the 94th birthday of Johnny Cash, born February 26, 1932 in Arkansas. After his initial success recording hits like “Folsom Prison Blues” and “I Walk the Line” for Sun Records, Cash began his tradition of performing concerts at prisons with a New Year’s Day 1958 gig at San Quentin State Prison, with a 19-year-old Merle Haggard among the inmates in attendance.

A decade later, Cash was retaking control of his life and career after both had been stalled by his narcotic addictions. It was a fortuitous time for his self-rehabilitation as Columbia Records had recently hired visionary producer Bob Johnston, who was more eager to entertain Cash’s unorthodox collaborations—including the singer’s long-expressed desire to record an album inside a prison. Folsom State Prison responded first after Johnston called them and San Quentin, resulting in Cash recording his now legendary concert there on January 13, 1968.

Despite little promotion from Columbia, At Folsom Prison revitalized Cash’s career as it rose to the top of the U.S. Top Country Albums chart and won a pair of Grammy Awards. A year later, Cash returned inside the walls of a California state prison to record yet another live album to an audience of inmates—this time returning to San Quentin, just north of San Francisco and 100 miles southwest of Folsom.

This was Cash’s first album recorded without longtime lead guitarist Luther Perkins, who died following an August 1968 house fire, so guitarist Bob Wootton joined bassist Marshall Grant and drummer W.S. “Fluke” Holland in Cash’s Tennessee Three backing band. Additional acts included Carl Perkins, the Statler Brothers, and the Carter Family—including June Carter, who had married Johnny the previous March, just weeks after his on-stage proposal in Ontario. The entire group arrived at San Quentin for a performance on February 24, 1969—two days before Cash’s 37th birthday. Continue reading

Bottle Rocket: Owen Wilson’s Cabana Shirt

Owen Wilson in Bottle Rocket (1996)

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Owen Wilson as Dignan, small-time crook and big-time dreamer

Texas, Fall 1995

Film: Bottle Rocket
Release Date: February 21, 1996
Director: Wes Anderson
Costume Designer: Karen Patch

WARNING! Spoilers ahead!

Background

Wes Anderson and his friend—and frequent collaborator—Owen Wilson shared their respective directorial and acting debuts thirty years ago today when Bottle Rocket premiered on February 21, 1996.

The director and brothers Owen and Luke Wilson had previously filmed the story as a 13-minute black-and-white short that was screened at the 1993 Sundance Film Festival, where it caught the attention of James L. Brooks, who agreed to finance a full-length version. Brooks’ financial involvement bumped the budget to $5 million, attracting co-star James Caan to bring experience and credibility alongside Anderson and the Wilson brothers’ freshman talent. Continue reading

The Pitt: Dr. Robby’s Season 1 Hoodie, Scrubs, and Seiko

Noah Wyle as Dr. Robby on The Pitt, Episode 1.01: “7:00 A.M.”

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Noah Wyle as Dr. Michael “Robby” Robinavitch, emergency department attending physician

Pittsburgh, September 2025

Series: The Pitt (Season 1)
Air Dates: January 9, 2025 to April 10, 2025 (Season 1)
Creator: R. Scott Gemmill
Costume Designer: Lyn Paolo

WARNING! Spoilers ahead!

Background

Happy The Pitt Thursday to all who tune in! Especially here in my hometown of Pittsburgh, we’ve been riding high on the success of The Pitt as it continues through its second season.

Conceived by ER creator R. Scott Gemmill and longtime star Noah Wyle as a way to retool the medical drama three decades later, the series trades the late-’90s urgency of Chicago County General for a 21st century emergency department shaped by COVID’s lingering trauma, internet-fueled health misinformation, staffing shortages, and the growing threats of gun violence. And for locals like me, the show’s Pittsburgh specificity lands with a wink, flavored by local institutions from Primanti’s to Wiener World.

The Pitt is set at the fictional Pittsburgh Trauma Medical Center (PTMC), a composite of Allegheny General Hospital on the North Side (which provided the hospital exteriors) and UPMC, with its unmistakable tower standing against the skyline during the opening titles and the roof-set scenes bookending the first season. The Pitt follows a grayer, steadier Wyle as Dr. Michael Robinavitch (“but everyone calls me Dr. Robby”), senior attending in the ED. Far removed from the fresh-faced John Carter, Robby is a seasoned, pragmatic, and quietly haunted leader who delegates with trust, shoulders blame, and never asks of his team what he wouldn’t do himself. Continue reading

Denzel Washington in Déjà Vu

Denzel Washington in Déjà Vu (2006)

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Denzel Washington as Doug Carlin, ATF agent and Marine Corps veteran

New Orleans, Spring 2006

Film: Déjà Vu
Release Date: November 22, 2006
Director: Tony Scott
Costume Designer: Ellen Mirojnick

WARNING! Spoilers ahead!

Background

On this Fat Tuesday, flash back to 20 years ago when the observance set the scene for Tony Scott’s sci-fi crime thriller Déjà Vu. The movie itself is fine, but it’s a shining example of Denzel Washington’s uncanny ability to elevate any material with his considerable charisma and talent.

Déjà Vu begins with an explosion aboard the Sen. Alvin T. Stumpf passenger ferry which killed 543 people—mostly civilian families and U.S. Navy personnel en route New Orleans’ first Mardi Gras celebration following Hurricane Katrina. A task force across federal agencies and local police includes ATF Special Agent Doug Carlin, given the explosive nature of the act and the responsibilities covered by BAFTE’s final letter. Continue reading

Chuck Norris’ Safari Jacket in The Delta Force

Chuck Norris in The Delta Force (1986)

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Chuck Norris as Scott McCoy, U.S. Army Delta Force commando

Beirut, Summer 1985

Film: The Delta Force
Release Date: February 14, 1986
Director: Menahem Golan
Costume Designer: Tami Mor

WARNING! Spoilers ahead!

Background

Following my latest post about air travel calamities, I’m now turning my focus to Menahem Golem’s action flick The Delta Force—released 40 years ago tomorrow on Valentine’s Day 1986. Inspired by the real-life hijacking of TWA Flight 847 the previous year, The Delta Force capitalized on Chuck Norris’ rising fame by featuring the actor as Scott McCoy, deputy commander of a U.S. Army Delta Force commando unit. Continue reading

Taxi Driver: Travis Bickle’s M-65 Field Jacket

Robert De Niro as Travis Bickle in Taxi Driver (1976)

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Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran

New York City, Spring to Summer 1976

Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley

WARNING! Spoilers ahead!

Background

Martin Scorsese’s violent meditation on loneliness, Taxi Driver, was released 50 years ago today on February 9, 1976—one day after its New York City premiere. Fresh off of his Academy Award win for The Godfather Part II, Robert De Niro received a second career nomination for his portrayal of “God’s lonely man” Travis Bickle, a troubled Marine Corps veteran who combats his insomnia by driving a taxi through the decaying streets of 1970s New York.

After his poorly conceived attempts to woo a sophisticated political campaign volunteer are understandably rejected, Travis refocuses his attention on the pre-teen prostitute Iris (Jodie Foster), whom he attempts to dissuade from her current profession. Meanwhile, Travis’ paranoia grows to the point that he drops just under a thousand dollars on a quartet of handguns that range in power and concealment—his scattered plans ranging from political assassination to a brothel massacre, all the while practicing his heavily armed bravado in his disorganiz-ized home:

Robert De Niro as Travis Bickle in Taxi Driver (1976)

“You talkin’ to me?”

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The Good Thief: Nick Nolte’s Black Leather Bomber Jacket

Nick Nolte in The Good Thief (2002)

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Nick Nolte as Bob Montagnet, retired thief and junkie gambler

French Riviera, Spring 2002

Film: The Good Thief
Release Date: February 28, 2003
Director: Neil Jordan
Costume Designer: Penny Rose

WARNING! Spoilers ahead!

Background

Since Nick Nolte turns 85 tomorrow, today’s post responds to a long-overdue request from BAMF Style reader Steve who has asked to see the actor’s style in The Good Thief, Neil Jordan’s remake of Jean-Pierre Melville’s 1956 French film noir Bob le flembeur. Nolte stars as the titular Bob Mantagnet, a retired thief now living as a junkie gambler in the French Riviera, where he receives the opportunity to pull the proverbial “one last job”—stealing priceless art from the vault of a Monte Carlo casino on the eve of the Monaco Grand Prix. Continue reading