Category: Casual
La Collectionneuse: Patrick Bauchau’s Slate Sweater and Swimwear
Patrick Bauchau and Haydée Politoff in La Collectionneuse (1967)
Vitals
Patrick Bauchau as Adrien, art gallery owner
French Riviera, Summer 1966
Film: The Collector
(French title: La Collectionneuse)
Release Date: March 2, 1967
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Bastille Day feels like a fitting occasion to celebrate French director Éric Rohmer’s first color film, the 1967 drama La Collectionneuse, which has recently resurfaced across summer mood boards. No surprise, given its sun-drenched palette courtesy of cinematographer Néstor Almendros, a frequent Rohmer collaborator who also shot aesthetically satisfying masterpieces like Days of Heaven.
Considered the fourth entry in Rohmer’s “Six Moral Tales”, La Collectionneuse was made with extreme efficiency while the director waited for Jean-Louis Trintignant’s availability to shoot My Night at Maud’s. Rohmer and Almendros worked with a minimal crew, relying on natural light and long takes to ground the characters in their idyllic—and quietly volatile—setting.
La Collectionneuse was also the first starring role for Belgian actor Patrick Bauchau, who had appeared uncredited in Rohmer’s La Carrière de Suzanne four years earlier and would later be known to 007 fans as the henchman Scarpine in Roger Moore’s final James Bond film, A View to a Kill. Here, he plays the narcissistic gallery owner Adrien, who intends to take advantage of the monastic conditions at his rich friend Rodolphe’s rented villa near Saint-Tropez to enjoy “a real vacation” in peace and solitude:
I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.
However, this peace and solitude are threatened by the feisty young Haydée (Haydée Politoff), unexpectedly staying at the villa. Adrien and his friend Daniel (Daniel Pommereulle) are initially distrustful of the girl who brings a different lover to the villa every night, but he gradually comes to appreciate her company when she joins him on his early morning swims. Continue reading
Point Break: Keanu Reeves’ Purple Skydiving Shirt and Jeans
Keanu Reeves as Johnny Utah in Point Break (1991)
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Not only was Point Break widely released 34 years ago today on July 12, 1991, but the second Saturday in July is also World Skydiving Day, so of course we’ll be following OSU quarterback-turned-FBI agent Johnny Utah (Keanu Reeves) as this one radical son-of-a-bitch jumps from a plane with the gang of bank-robbing surfers led by the enigmatic Bodhi (Patrick Swayze)… twice! Continue reading
Shaft in Africa: Richard Roundtree’s Blazer and Turtleneck
Richard Roundtree as John Shaft in Shaft in Africa (1973)
Vitals
Richard Roundtree as John Shaft, tough private detective
New York City to Ethiopia via Paris, Winter 1972
Film: Shaft in Africa
Release Date: June 20, 1973
Director: John Guillermin
Wardrobe Credit: Frank Balchus
Background
Released just shy of two years after the first Shaft movie, Shaft in Africa was the third of the original Shaft trilogy that launched the late Richard Roundtree—born 83 years ago today on July 9, 1942—to stardom.
Shaft in Africa begins with Shaft in… uh, New York, where he’s kidnapped by representatives of Emir Ramila (Cy Grant), an East African tribal leader who wishes the famed private detective to infiltrate an European smuggling ring that’s exploiting African immigrants for cheap labor. When threatening him at gunpoint, offering him $25,000, and appealing to his emotions don’t seem to work, the emir and Colonel Gonder (Marne Maitland) finally appeal to Shaft’s circumcised Achilles heel by introducing him to the emir’s attractive daughter, Aleme (Vonetta McGee), who is assigned to teach this “uptown dude” the Manta dialect and tribal traditions.
Though the first act was indeed set and filmed in New York, the rest of Shaft in Africa was filmed on location in Ethiopia—reportedly only the third major production to be shot in the country. From its globe-trotting locations to the gadgetry issued to Shaft, Shaft in Africa clearly aligns John Shaft with James Bond… even though Shaft himself responds to the technology by telling Gonder:
Now, I’m not James Bond, simply Sam Spade.
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
Back to the Future: Marty McFly’s Denim and DeLorean from 1985 to 1955
Michael J. Fox as Marty McFly in Back to the Future (1985)
Vitals
Michael J. Fox as Marty McFly, time-traveling high schooler and guitarist
Hill Valley, California, Fall 1985—then 1955
Film: Back to the Future
Release Date: July 3, 1985
Director: Robert Zemeckis
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
If my calculations are correct… anyone with a functioning DeLorean time machine who punches in July 3, 1985 and floors it to 88 mph would indeed see some serious shit—the release of Back to the Future, which premiered 40 years ago today.
One of the most celebrated movies of all time (and featuring the now-iconic DeLorean very appropriate for Car Week), Back to the Future became an instant cultural phenomenon upon release. It earned an Academy Award for Best Sound Effects Editing, grossed over $380 million worldwide to become the top-earning movie of 1985, and propelled the careers of director and co-writer Robert Zemeckis (then riding high off Romancing the Stone) and star Michael J. Fox (best known at the time for playing Reaganite teen Alex P. Keaton on Family Ties), who replaced Eric Stoltz in the now-iconic role of Marty McFly. Continue reading
It’s a Mad, Mad, Mad, Mad World: Dick Shawn’s Red Dodge Dart and Beach Duds
Dick Shawn as Sylvester Marcus in It’s a Mad, Mad, Mad, Mad World (1963)
Vitals
Dick Shawn as Sylvester Marcus, impulsive lifeguard
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
WARNING! Spoilers ahead!
Background
I like to spend a week every summer exploring the intersection of costumes and cars as they define characters on screen. For this year’s first Car Week post, I’m revisiting a sentimental favorite: the 1963 slapstick comedy It’s a Mad, Mad, Mad, Mad World with its sprawling cast of the era’s most recognizable comic actors from Milton Berle, Sid Caesar, and Buddy Hackett to Ethel Merman, Mickey Rooney, and Dick Shawn.
The latter is introduced later in the daylong pursuit of $350,000 stashed under a “big W” by the late Smiler Grogan (Jimmy Durante), portraying beach lifeguard Sylvester Marcus, described by his brother-in-law J. Russell Finch (Berle) as “an irresponsible, unreliable, big loudmouth, no-good bum who, if he isn’t a crook, it’s only because he hasn’t got the brains or ambition to even become a crook.”
Finch and his wife Emeline (Dorothy Provine) are traveling with her overbearing mother, Mrs. Marcus (Ethel Merman), whose relentless nagging during their search for the buried loot finally pushes Finch over the edge. The resulting blow-up leaves Emeline and her mother to fend for themselves, but—knowing she can count on her hopelessly devoted son—Mrs. Marcus calls Sylvester to send him ahead of them to Santa Rosita to find the loot.
Unfortunately for her quick payday, Sylvester’s sole brain cell is distracted somewhere between a beer and a bikini-clad brunette. Distracted by his mother’s description of Finch’s “assault”, Sylvester leaps into action and into the brunette’s shining red Dodge Dart convertible, tearfully determined to rescue his mother and sister without actually having listened to why they called him in the first place. Continue reading
The White Lotus: Walton Goggins Arrives in Thailand in a Mexico-Print Shirt
Walton Goggins and Aimee Lou Wood on The White Lotus, Episode 3.01: “Same Spirits, New Forms”. Photo by Fabio Lovino.
Vitals
Walton Goggins as Rick Hatchett, grouchy “victim of [his] own decisions”
Koh Samui, Thailand, Spring 2024
Series: The White Lotus
Episode: “Same Spirits, New Forms” (Episode 3.01)
Air Date: February 16, 2025
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird
WARNING! Spoilers ahead!
Background
Now that we’re more than a week into summer, I’m revisiting one of my new favorite sources of warm-weather style inspiration: Walton Goggins as the sardonic Rick Hatchett in the latest season of The White Lotus.
We meet Rick alongside his much-younger girlfriend Chelsea (Aimee Lou Wood) as they arrive by boat to the Koh Samui resort, where he quickly earns the ire of the Ratliff family by defiantly refusing to put out his cigarette. In tow: a suitcase full of loud shirts, plenty of emotional baggage, and a simmering grudge tied to resort owner Sritala Hollinger (Lek Patravadi) and her husband Jim (Scott Glenn).
Though Rick’s true motives grow more dangerously apparent as the season unfolds, our early impressions are limited to Chelsea’s casual comments: he doesn’t work much, he’s not quite balding enough to qualify as an “LBH” (loser back home) like her new friend’s all-too-familiar paramour, and her genuine desire that he take better care of himself. But as we quickly learn, Rick is often his own worst enemy. Continue reading
Thunderball: Rik Van Nutter’s Tropical Shirts as Felix Leiter
Rik Van Nutter as Felix Leiter in Thunderball (1965)
Vitals
Rik Van Nutter as Felix Leiter, CIA agent
Nassau, The Bahamas, Summer 1965
Film: Thunderball
Release Date: December 29, 1965
Director: Terence Young
Wardrobe Designer: Anthony Mendleson
Background
Just as I ended last summer by looking at one of James Bond’s aloha-wearing allies in Thunderball, let’s kick off the first weekend of summer during Thunderball‘s 60th anniversary year with Bond’s “brother from Langley” dripped out for days in the tropics. Continue reading
Jaws: Roy Scheider’s Layers at Sea as Chief Brody
Roy Scheider as Martin Brody in Jaws (1975)
Vitals
Roy Scheider as Martin Brody, pragmatic island police chief
Off the coast of Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
WARNING! Spoilers ahead!
Background
Today is the 50th anniversary since Jaws first swam into theaters on June 20, 1975, redefining the summer blockbuster and establishing Steven Spielberg as a major director. In addition to breaking box office records and winning three Academy Awards (including one for John Williams’ iconic score), Jaws continues to succeed as a thriller, still terrifying generations with its portrayal of danger lurking beneath the waves.
Adapted from Peter Benchley’s bestselling novel of the same name, the story is relatively simple: after a string of deadly shark attacks off the coast of the fictional Amity Island (filmed on Martha’s Vineyard), three men—grizzled shark-hunter Quint (Robert Shaw), passionate oceanographer Matt Hooper (Richard Dreyfuss), and Amity’s aquaphobic new police chief Martin Brody (Roy Scheider)—set out aboard Quint’s boat to hunt the creature terrorizing the island’s residents and tourists. Continue reading
Night Moves: Gene Hackman’s Ivory Levi’s Shirt-Jacket
Gene Hackman as Harry Moseby in Night Moves (1975)
Vitals
Gene Hackman as Harry Moseby, private detective and former professional football player
Florida Keys, Fall 1973
Film: Night Moves
Release Date: June 11, 1975
Director: Arthur Penn
Costumer: Arnie Lipin
Costume Supervisor: Rita Riggs
Background
Arthur Penn’s neo-noir Night Moves premiered 50 years ago today on June 11, 1975, starring the late Gene Hackman as football pro-turned-private eye Harry Moseby, one of the most effective roles in demonstrating Hackman’s talent for balancing traditional masculinity with emotional depth and vulnerability.
Harry was recently hired by a washed-up Hollywood starlet to find her 16-year-old daughter Delly (Melanie Griffith), whom he eventually traces to the Florida Keys, where she’s living with her stepfather Tom (John Crawford) and his girlfriend Paula (Jennifer Warren) who eventually spends a night with Harry before he returns to L.A.
After a simple runaway case twists into murky layers of smuggling, betrayal, incest, and an increasing body count, Harry takes a late TWA flight back to the Keys—to the resigned dismay of his estranged wife Ellen (Susan Clark). Continue reading
You must be logged in to post a comment.