Chalky White’s Green Tweed Suit on Boardwalk Empire

Michael K. Williams as Albert "Chalky" White on Boardwalk Empire (Episode 4.12: "Farewell Daddy Blues")

Michael K. Williams as Albert “Chalky” White on Boardwalk Empire (Episode 4.12: “Farewell Daddy Blues”)

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Michael Kenneth Williams as Albert “Chalky” White, nightclub owner and bootlegger

Atlantic City, August 1924

Series: Boardwalk Empire
Episode: “Farewell Daddy Blues” (Episode 4.12)
Air Date: November 24, 2013
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn

WARNING! Spoilers ahead!

Background

This weekend is St. Patrick’s Day, a time when many observe the feast day of Ireland’s foremost patron saint by donning their greenest attire and celebrating in a range of style, whether it’s the customary indulgence in classic Irish recipes like corned beef and cabbage or the more contemporary tradition of getting plastered on Jameson and taking selfies next to an artificially viridescent Chicago River.

If you’re at a loss for what to wear, you can take a page from the Chalky White playbook and borrow some green tweeds. Continue reading

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Jimmy Stewart’s Blue-Gray Flannel Suit in Vertigo

James Stewart as John "Scottie" Ferguson in Vertigo (1958)

James Stewart as John “Scottie” Ferguson in Vertigo (1958)

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James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Francisco, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

In the spirit of yesterday, March 12, being deemed Alfred Hitchcock Day, not to mention being one week away from the first day of spring in the Northern Hemisphere, even if the weather itself can’t make up its mind…

For those whose offices call for jackets and ties, dressing for work during these transitional weather periods can be a challenge, balancing professionalism with comfort in the context of an uncertain weather forecast. As San Francisco detective “Scottie” Ferguson in Vertigo, James Stewart provides a solution.

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Donnie Brasco’s Brown Leather Blazer

Johnny Depp as Joe Pistone, aka Donnie Brasco, in Donnie Brasco (1997)

Johnny Depp as Joe Pistone, aka Donnie Brasco, in Donnie Brasco (1997)

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Johnny Depp as Joe Pistone, aka “Donnie Brasco”, undercover FBI agent infiltrating the Mafia

New York City, Fall 1979

Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson

Background

#MafiaMonday has become something of an occasional tradition for BAMF Style, but there’s no reason why every celebration of mob style needs to feature an actual gangster. Take the case of Joe Pistone, a real-life FBI agent and undercover pioneer whose six years infiltrating the Bonanno family of the New York Mafia was so effective that NYPD investigations and even some FBI files had mistakenly marked the agent as a mob associate named Don Brasco. Pistone was ordered to end his operation in the summer of 1981, despite the agent hoping to at least be “made” and inducted into the ranks of the mob.

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Spectre – Bond’s Navy Coat for Austrian Winter

Daniel Craig as James Bond in Spectre (2015)

Daniel Craig as James Bond in Spectre (2015)

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Daniel Craig as James Bond, British government agent

Altaussee, Austria, Winter 2015

Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime

WARNING! Spoilers ahead!

Background

For the 00-7th of March, Daniel Craig’s birth month (the actor turned 51 on March 2), let’s explore how someone like James Bond keeps warm for a winter mission. Continue reading

Lee Marvin’s Plaid Suit in Prime Cut

Lee Marvin as Nick Devlin in Prime Cut (1972)

Lee Marvin as Nick Devlin in Prime Cut (1972)

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Lee Marvin as Nick Devlin, mob enforcer

Kansas City, summer 1972

Film: Prime Cut
Release Date: June 28, 1972
Director: Michael Ritchie
Costume Designer: Patricia Norris

WARNING! Spoilers ahead!

Background

Lee Marvin’s submachine gun-packing mob enforcer Nick Devlin gets plenty of opportunities for badass action in Michael Ritchie’s sophomore film, Prime Cut, but the smooth gangster also takes the chance to show a more genteel side, such as when escorting Poppy (Sissy Spacek) to a fancy dinner in a hotel restaurant.

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The Yakuza: Ken Takakura in Gray Herringbone

Ken Takakura as Ken Tanaka in The Yakuza (1974)

Ken Takakura as Ken Tanaka in The Yakuza (1974)

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Ken Takakura as Ken Tanaka, disciplined ex-Yakuza

Tokyo, Spring 1974

Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins

Background

The Yakuza was the first screenplay credited to either Paul Schrader or Leonard Schrader, whose experiences in Japan inspired his brother to write the story. Leonard returned to the United States, where he spend the holiday season in Venice co-writing the screenplay’s first draft with Paul, who would later famously collaborate with Martin Scorsese on Taxi Driver and Raging Bull among others. While the brothers watched many yakuza films for inspiration, what impressed them the most was the stoic screen presence of Ken Takakura, the Nakama-born actor who’d made his screen debut two decades earlier.

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The Grissom Gang: Tony Musante’s Brown Striped Suit

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

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Tony Musante as Eddie Hagan, smooth and ruthless fringe mobster

Kansas City, Summer 1931

Film: The Grissom Gang
Release Date: May 28, 1971
Director: Robert Aldrich
Costume Designer: Norma Koch

Background

The Grissom Gang had intrigued me ever since I was in eighth grade. I was flipping through a book about crime cinema from the school library when I found myself paused on a full-page photo of a man in a bloody white dinner jacket stumbled out of a roadster while Kim Darby sat in the passenger seat with her mouth agape. I had been newly introduced to Bonnie and ClydeDillinger, and other films depicting that famous 1930s crime wave, but The Grissom Gang remained elusive.

Half a decade later, I was a college student with a considerably better budget and the vast resources of the internet at my disposal. I finally managed to track down a DVD of The Grissom Gang and, despite what the critics said, I was far from disappointed. Granted, I had no idea what to expect, so a sweaty, exploitative period crime piece from The Dirty Dozen was exactly what I was happy to get.

The Grissom Gang was the second major cinematic adaptation of James Hadley Chase’s 1939 novel No Orchids for Miss Blandish, following the poorly received British-made noir wannabe from 1948. When Robert Aldrich stepped into the wheelhouse for his adaptation, he kicked the setting back to the early 1930s when the Depression-era desperadoes reigned from powerful organized crime figures down to the lowliest highway robbers.

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