Tagged: 1930s

Lassiter: Tom Selleck’s Herringbone Blouson

Tom Selleck in Lassiter (1984)

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Tom Selleck as Nick Lassiter, debonair jewel thief

London, June 1939

Film: Lassiter
Release Date: February 17, 1984
Director: Roger Young
Costume Designer: Barbara Lane

Background

Released 40 years ago today, Lassiter was one of a pair of back-to-back period-set adventure films in which Tom Selleck starred at the height of his stardom on Magnum, P.I.

Perhaps Selleck was looking to make up for the missed opportunity when his commitment to Magnum, P.I. forced him to turn down the chance to be Indiana Jones before the role went to Harrison Ford, as both High Road to China (a 1920s-set aviation adventure) and Lassiter (set on the eve of World War II) echo the roguish yet risk-averse hero epitomized by Dr. Jones.

Lassiter centers around the titular Nick Lassiter, an American “gentleman thief” living the high life in London in June 1939. A joint task force led by Scotland Yard and the FBI recruit Lassiter to locate and steal a cache of $10 million in diamonds that the Nazis intend to sell to support their espionage efforts and plans for war. Of course, perhaps suspecting that law enforcement has additional plans for him after he’s served his purpose for them, Lassiter arranges a few twists of his own—including a gambit right out of The Sting. Continue reading

Cary Grant in His Girl Friday

Cary Grant in His Girl Friday (1940)

Vitals

Cary Grant as Walter Burns, fast-talking newspaper editor

Chicago*, Fall 1939**

Film: His Girl Friday
Release Date: January 18, 1940
Director: Howard Hawks
Costume Designer: Robert Kalloch

Background

Today is the 120th anniversary of when screen legend and style icon Cary Grant was born on January 18, 1904. One of the prolific actor’s most memorable films, His Girl Friday, was released on his 36th birthday in 1940. Continue reading

Jimmy Stewart’s Christmas Cardigan in The FBI Story

James Stewart in The FBI Story (1959)

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James Stewart as John “Chip” Hardesty, earnest FBI agent

Chicago, Christmas 1933

Film: The FBI Story
Release Date: October 1959
Director: Mervyn LeRoy
Costume Designer: Adele Palmer

Background

While Jimmy Stewart’s cinematic Christmas creds are primarily as the troubled protagonist of It’s a Wonderful Life, more than a decade later we’re treated to a brief holiday sequence in The FBI Story.

Essentially a feature-length dramatization propagating the Federal Bureau of Investigation’s role in quelling all American lawlessness across the first half of the 20th century, the once-obscure The FBI Story has been the subject of some renewed interest as it had been the first major production to depict the Osage murders of the 1920s that were recently at the center of Martin Scorsese’s epic Killers of the Flower Moon.

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Bela Lugosi as Dracula

Bela Lugosi in Dracula (1931)

Vitals

Bela Lugosi as Count Dracula, debonair vampire

Transylvania to London, Spring 1930

Film: Dracula
Release Date: February 14, 1931
Director: Tod Browning
Costume Design: Ed Ware & Vera West (uncredited)

Background

With Halloween less than two weeks away, embrace spooky season through Bela Lugosi’s iconic performance as Count Dracula in Tod Browning’s 1931 Universal horror classic Dracula. Continue reading

Boardwalk Empire: Al Capone’s Ivory Suit in 1931

Stephen Graham as Al Capone on Boardwalk Empire (Episode 5.08: “Eldorado”)

Vitals

Stephen Graham as Al Capone, infamous mob boss

Chicago, Spring 1931

Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn

WARNING! Spoilers ahead!

Background

Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.

To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading

Once Upon a Time in America: Max’s Beige Beachwear

James Woods and Tuesday Weld in Once Upon a Time in America (1984)

James Woods and Tuesday Weld in Once Upon a Time in America (1984)

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James Woods as Max Bercovicz, ambitious mob bootlegger

Miami Beach, Fall 1933

Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci

Background

Happy first weekend of summer… at least to my fellow readers in the Northern Hemisphere! Today’s post continues embracing sun-friendly resort-wear, this time by way of Sergio Leone’s controversial gangster epic Once Upon a Time in America.

Robert De Niro and James Woods star as Noodles and Max, a pair of gangsters who worked their way up from teenage street hoods to bootleggers viciously ruling the streets of New York in the latter Prohibition era. Between Max’s megalomania and Noodles having spent much of their mob’s formative years in prison, resentments grow between the pair, but the influx of cash is enough to bury any problems… at least until late 1933.

While lazing under the sun with their respective molls in Miami Beach to the dulcet tones of Cole Porter’s “Night and Day”, Noodles learns from the newspaper that they’re about to be “unemployed” with the repeal of the Volstead Act just weeks away. Continue reading

Ryan O’Neal in Paper Moon

Ryan O’Neal with Tatum O’Neal in Paper Moon (1973)

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Ryan O’Neal as Moses “Moze” Pray, charismatic con artist

Kansas to Missouri, Spring 1936

Film: Paper Moon
Release Date: May 9, 1973
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)

Background

Today is the 50th anniversary of Paper Moon, Peter Bogdanovich’s artfully nostalgic road comedy that was released May 9, 1973, exactly a month after its Hollywood premiere. Filmed in black-and-white and set during the Great Depression, Paper Moon stars Ryan O’Neal and his real-life daughter Tatum O’Neal in her big-screen debut who turned nine during the film’s production. When 10-year-old Tatum won the Academy Award for Best Supporting Actress for Paper Moon, she set a record as the youngest-ever performer to win a competitive Oscar. Continue reading

Leslie Howard in The Petrified Forest

Leslie Howard and Bette Davis in The Petrified Forest (1936)

Vitals

Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”

Black Mesa, Arizona, January 1936

Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)

WARNING! Spoilers ahead!

Background

“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading

The Untouchables: Billy Drago’s White Suit as Frank Nitti

Billy Drago as Frank Nitti in The Untouchables (1987)

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Billy Drago as Frank Nitti, ruthless Chicago Outfit enforcer

Chicago, Fall 1930 to Spring 1931

Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Wardrobe: Giorgio Armani

WARNING! Spoilers ahead!

Background

Eighty years ago today on the morning of March 19, 1943, 57-year-old Chicago resident Frank Nitti enjoyed breakfast with Toni, his third wife whom he had married the previous May. He began drinking heavily and, after Toni left for church, Nitti walked five blocks to a local railroad yard in North Riverside, where he attempted to shoot himself in the head. The first shot merely perforated his hat and the second wounded him in the jaw, but the third shot hit its mark as the inebriated mob boss slumped to his death.

Loosely based on the end of Al Capone’s infamous reign of the Chicago underworld (and more directly based on the 1950s TV show of the same name), Brian De Palma’s 1987 film The Untouchables retains a few basic details of Capone’s fall from power, including real figures on both sides of the law like self-aggrandizing Prohibition agent Eliot Ness and the vicious mobster who would ultimately succeed Capone as leader of the Chicago Outfit: Frank Nitti, chillingly portrayed by the late, great Billy Drago. Continue reading

Death on the Nile: Simon MacCorkindale’s Honeymoon on Horseback

Simon MacCorkindale and Lois Chiles in Death on the Nile (1978)

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Simon MacCorkindale as Simon Doyle, newlywed honeymooner

Egypt, September 1937

Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell

WARNING! Spoilers ahead!

Background

As my wife and I are basking in the sun during our Jamaican honeymoon this week, I wanted to focus on another cinematic honeymoon… though I hope I’m not dooming us by pulling an example from Agatha Christie’s poison pen. Based on her 1937 novel of the same name, the 1978 adaptation of Death on the Nile was the first of six films to star Peter Ustinov as Christie’s eccentric Belgian detective Hercule Poirot, here pulled into a dangerous love triangle.

Simon Doyle (Simon MacCorkindale) was a simple young Englishman, relatively devoid of funds and creativity, but charming enough to attract the fiery Jacqueline de Bellefort (Mia Farrow). The seemingly happy couple’s engagement doesn’t last long after Simon meets Jackie’s dazzlingly wealthy and glamorous friend, Linnet Ridgeway (Lois Chiles), and it’s she whom Simon marries instead. The Doyles spend their honeymoon touring Egypt and exploring the pyramids, “some of the most recognizable—not to mention pointiest—buildings in history,” according to the great Philomena Cunk. Continue reading