Tagged: 1930s
Bonnie and Clyde (1967): Warren Beatty’s “Air Ties” and Vests
Faye Dunaway and Warren Beatty in Bonnie & Clyde (1967)
Vitals
Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader
Across the American South and Midwest, Spring 1932 to 1934
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Ninety years ago today on the morning of May 23, 1934, a light-gray Ford V-8 sedan traveling northeast on a rural Louisiana highway slowed as it approached a truck stopped by the side of the road. Suddenly, volleys of rifle fire peppered the car, obliterating the young couple in the front seat. After an estimated 167 rounds were fired, a half-dozen lawmen emerged from their ambush positions and approached the Ford, in which wanted outlaws Bonnie Parker and Clyde Barrow were now unquestionably dead.
Despite their bloody crime spree that left at least a dozen men dead, Bonnie and Clyde captivated the fascination of a Depression-era public that often celebrated the exploits of contemporary outlaws like John Dillinger and “Pretty Boy” Floyd. The scrappy couple was hardly as criminally capable as their fellow “Public Enemies”, but Clyde’s remarkable ability to escape police traps and Bonnie’s frequent involvement added a romantic element that made them a newspaper favorite, especially after the discovery of undeveloped photos depicting the Barrow gang at play, including Bonnie smoking one of Clyde’s cigars—crafting a public image she would greatly resent—and holding him at gunpoint with one of the gang’s cut-down shotguns.
Among the many photos found at the gang’s abandoned Joplin, Missouri hideout after an April 1933 gunfight was this snapshot of Clyde and Bonnie in front of one of their many stolen Ford V-8 coupes, likely photographed earlier that year by their teenage gang member W.D. Jones. In the 1967 film Bonnie & Clyde, Warren Beatty and Faye Dunaway posed in a similar manner, but this reenactment didn’t make the final cut.
The frequent news coverage during their lifetime ensured that Bonnie and Clyde wouldn’t be quickly forgotten after their deaths, inspiring a string of “couple of the run” crime movies like You Only Live Once (1937) and the films noir They Live By Night (1948) and Gun Crazy (1950). The couple’s story formed the basis for the highly fictionalized The Bonnie Parker Story, an exploitative 1958 quickie from American International Pictures starring Dorothy Provine as the “cigar-smoking hellcat of the roaring thirties” and Jack Hogan as her simping partner-in-crime, uh, “Guy Darrow”.
The outlaw couple would be immortalized on screen after the release of Bonnie & Clyde in 1967, produced by Warren Beatty who also starred as Clyde opposite newcomer Faye Dunaway as a redoubtable Bonnie Parker. Continue reading
Stavisky: Belmondo’s 1970s-Does-1930s Gray Chalkstripe Suit
Jean-Paul Belmondo in Stavisky… (1974)
Vitals
Jean-Paul Belmondo as Serge Alexandre Stavisky, debonair Russian-born French financier, impresario, and embezzler
Paris, Summer to Fall 1933
Film: Stavisky…
Release Date: May 15, 1974
Director: Alain Resnais
Costume Designer: Jacqueline Moreau
WARNING! Spoilers ahead!
Background
After a series of well-acclaimed and unconventionally presented films, Alain Resnais’ sixth feature Stavisky… was released 50 years ago today, starring the late Jean-Paul Belmondo as the famous financial fraudster Serge Alexandre Stavisky who made a fortune selling worthless bonds in interwar-era France. Continue reading
Lassiter: Tom Selleck’s Herringbone Blouson
Tom Selleck in Lassiter (1984)
Vitals
Tom Selleck as Nick Lassiter, debonair jewel thief
London, June 1939
Film: Lassiter
Release Date: February 17, 1984
Director: Roger Young
Costume Designer: Barbara Lane
Background
Released 40 years ago today, Lassiter was one of a pair of back-to-back period-set adventure films in which Tom Selleck starred at the height of his stardom on Magnum, P.I.
Perhaps Selleck was looking to make up for the missed opportunity when his commitment to Magnum, P.I. forced him to turn down the chance to be Indiana Jones before the role went to Harrison Ford, as both High Road to China (a 1920s-set aviation adventure) and Lassiter (set on the eve of World War II) echo the roguish yet risk-averse hero epitomized by Dr. Jones.
Lassiter centers around the titular Nick Lassiter, an American “gentleman thief” living the high life in London in June 1939. A joint task force led by Scotland Yard and the FBI recruit Lassiter to locate and steal a cache of $10 million in diamonds that the Nazis intend to sell to support their espionage efforts and plans for war. Of course, perhaps suspecting that law enforcement has additional plans for him after he’s served his purpose for them, Lassiter arranges a few twists of his own—including a gambit right out of The Sting. Continue reading
Cary Grant in His Girl Friday
Cary Grant in His Girl Friday (1940)
Vitals
Cary Grant as Walter Burns, fast-talking newspaper editor
Chicago*, Fall 1939**
Film: His Girl Friday
Release Date: January 18, 1940
Director: Howard Hawks
Costume Designer: Robert Kalloch
Background
Today is the 120th anniversary of when screen legend and style icon Cary Grant was born on January 18, 1904. One of the prolific actor’s most memorable films, His Girl Friday, was released on his 36th birthday in 1940. Continue reading
Jimmy Stewart’s Christmas Cardigan in The FBI Story
James Stewart in The FBI Story (1959)
Vitals
James Stewart as John “Chip” Hardesty, earnest FBI agent
Chicago, Christmas 1933
Film: The FBI Story
Release Date: October 1959
Director: Mervyn LeRoy
Costume Designer: Adele Palmer
Background
While Jimmy Stewart’s cinematic Christmas creds are primarily as the troubled protagonist of It’s a Wonderful Life, more than a decade later we’re treated to a brief holiday sequence in The FBI Story.
Essentially a feature-length dramatization propagating the Federal Bureau of Investigation’s role in quelling all American lawlessness across the first half of the 20th century, the once-obscure The FBI Story has been the subject of some renewed interest as it had been the first major production to depict the Osage murders of the 1920s that were recently at the center of Martin Scorsese’s epic Killers of the Flower Moon.
Bela Lugosi as Dracula
Bela Lugosi in Dracula (1931)
Vitals
Bela Lugosi as Count Dracula, debonair vampire
Transylvania to London, Spring 1930
Film: Dracula
Release Date: February 14, 1931
Director: Tod Browning
Costume Design: Ed Ware & Vera West (uncredited)
Background
With Halloween less than two weeks away, embrace spooky season through Bela Lugosi’s iconic performance as Count Dracula in Tod Browning’s 1931 Universal horror classic Dracula. Continue reading
Boardwalk Empire: Al Capone’s Ivory Suit in 1931
Stephen Graham as Al Capone on Boardwalk Empire (Episode 5.08: “Eldorado”)
Vitals
Stephen Graham as Al Capone, infamous mob boss
Chicago, Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.
To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading
Once Upon a Time in America: Max’s Beige Beachwear
James Woods and Tuesday Weld in Once Upon a Time in America (1984)
Vitals
James Woods as Max Bercovicz, ambitious mob bootlegger
Miami Beach, Fall 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
Happy first weekend of summer… at least to my fellow readers in the Northern Hemisphere! Today’s post continues embracing sun-friendly resort-wear, this time by way of Sergio Leone’s controversial gangster epic Once Upon a Time in America.
Robert De Niro and James Woods star as Noodles and Max, a pair of gangsters who worked their way up from teenage street hoods to bootleggers viciously ruling the streets of New York in the latter Prohibition era. Between Max’s megalomania and Noodles having spent much of their mob’s formative years in prison, resentments grow between the pair, but the influx of cash is enough to bury any problems… at least until late 1933.
While lazing under the sun with their respective molls in Miami Beach to the dulcet tones of Cole Porter’s “Night and Day”, Noodles learns from the newspaper that they’re about to be “unemployed” with the repeal of the Volstead Act just weeks away. Continue reading
Ryan O’Neal in Paper Moon
Ryan O’Neal with Tatum O’Neal in Paper Moon (1973)
Vitals
Ryan O’Neal as Moses “Moze” Pray, charismatic con artist
Kansas to Missouri, Spring 1936
Film: Paper Moon
Release Date: May 9, 1973
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)
Background
Today is the 50th anniversary of Paper Moon, Peter Bogdanovich’s artfully nostalgic road comedy that was released May 9, 1973, exactly a month after its Hollywood premiere. Filmed in black-and-white and set during the Great Depression, Paper Moon stars Ryan O’Neal and his real-life daughter Tatum O’Neal in her big-screen debut who turned nine during the film’s production. When 10-year-old Tatum won the Academy Award for Best Supporting Actress for Paper Moon, she set a record as the youngest-ever performer to win a competitive Oscar. Continue reading
Leslie Howard in The Petrified Forest
Leslie Howard and Bette Davis in The Petrified Forest (1936)
Vitals
Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading
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