Tagged: Double-Breasted Suit
David Niven’s Taupe Suit in Death on the Nile
Vitals
David Niven as Colonel Johnny Race, lawyer and war veteran
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Following the grand success of 1974’s Murder on the Orient Express, one of the few adaptations of her work actually endorsed by Agatha Christie herself, producers rushed to find the next of her books to be adapted into a lavish, star-studded affair.
Death on the Nile was published in 1937, three years but ten books after Murder on the Orient Express, and included all of the necessary ingredients for success: the return of eccentric detective Hercule Poirot, an exotic location, and a glamorous victim among an international cast of characters… all of whom had the motive and means to commit the crime.
Poirot’s “boy Friday” to help him solve the case came in the form of Colonel Race, a steadfast Brit who first appeared in Christie’s earlier novel The Man in the Brown Suit. David Niven affably portrays the capable colonel with dignified charm and deadpan wit, often serving as the straightforward foil to Peter Ustinov’s more bombastic Poirot. Continue reading
Chinatown – J.J. Gittes’ Light Gray Suit
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Now that summer is upon us in the Northern Hemisphere, it’s high time to make sure that you’ve got some duds in your closet that are as appropriate for a day at the office as they are for the sunniest season.
A self-employed gumshoe like J.J. Gittes calls his own shots. As Chinatown is set in 1937, suits were de rigeur for men, but Gittes is hardly the type to rely on the gray flannel suit trope, especially in the sunny southern California locales. Continue reading
Bugsy Siegel’s Glen Plaid Double-Breasted Suit
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
New York, Summer 1945, and
Beverly Hills, December 1946
WARNING! Spoilers ahead!
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
Background
Bugsy is an entertaining and stylish drama penned by James Toback, transforming the violent mobster in a suave and romantic visionary much as the real life gangster himself tried to reinvent his persona after moving out to the West Coast, choosing to rub elbows with the likes of George Raft, Gary Cooper, and Cary Grant rather than his old associates like Dutch Schultz, Lucky Luciano, and Joe Adonis. Continue reading
Glengarry Glen Ross: Ricky Roma’s Cream Pinstripe Silk Suit
Vitals
Al Pacino as Ricky Roma, ace real estate closer
New York (or maybe Chicago…), September 1992
Film: Glengarry Glen Ross
Release Date: October 2, 1992
Director: James Foley
Costume Designer: Jane Greenwood
Background
This is a big week for iconic actor birthdays! Today is the 77th birthday of Al Pacino, born April 25, 1940 in New York.
After a dormant post-Scarface career through most of the ’80s, Pacino shot back onto the screen in the following decade, returning to the part that made him famous as Michael Corleone in The Godfather Part III and taking on the role of confident and cut-throat real estate salesman Richard Roma in Glengarry Glen Ross from a screenplay adapted by David Mamet of his own Pulitzer- and Tony-winning 1984 play. Continue reading
Sweet Smell of Success – J.J.’s Flannel Suit
Vitals
Burt Lancaster as J.J. Hunsecker, powerful and domineering newspaper columnist
New York City, Fall 1956
Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant
Background
One of my favorite movies is Sweet Smell of Success, the atmospheric film noir starring Burt Lancaster as a Walter Winchell-like columnist and Tony Curtis as the opportunistic young PR flack desperate to get in good with him.
Ernest Lehman, who contributed to the screenplay based on his own novelette, declined to direct the film due to his fear of Lancaster, but the actor’s aggressive and volatile temperament paid off to create the needed aura of his intimidating character, the sort of man who could and would destroy an enemy’s career on a whim. Continue reading
Chinatown – J.J. Gittes’ Gray Striped Suit
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
Background
J.J. Gittes begins his final day investigating the Mulwray case in Chinatown with his usual cheekiness, even when surprised by walking into a murder scene. He trades barbs with increasingly suspicious detectives, including the pugnacious Detective Loach (Richard Bakalyan) who inquires about Gittes’ sliced-up nose; Edward Norton’s character in Rounders would pay homage to Gittes’ response of “Your wife got excited. She crossed her legs a little too quick.”
But Gittes’ good humor wears off by the end, following a series of misadventures – mostly at gunpoint – involving sisters, daughters, and a shot-out eyeball. As his assistant Walsh (Joe Mantell) sagely – and now famously – advises him:
Forget it, Jake. It’s Chinatown.
De Niro as Noodles – Charcoal Red-Striped Flannel Suit
Vitals
Robert De Niro as David “Noodles” Aaronson, mob bootlegger and violent ex-convict
New York City, December 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
83 years ago today, the 21st amendment was ratified to officially repeal Prohibition, delighting a thirsty American public but leaving many criminals who had made their fortunes from bootlegging effectively “unemployed”. This Mafia Monday post checks in with Robert De Niro as a mobster coming to terms with what that means for his career and personal life in 1984’s Once Upon a Time in America. Continue reading
Bogart in The Big Sleep: Chalkstripe Flannel Double-Breasted Suit
Vitals
Humphrey Bogart as Philip Marlowe, archetypal hard-boiled private detective
Los Angeles, Fall 1945
Film: The Big Sleep
Release Date: August 23, 1946
Director: Howard Hawks
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Today is a pretty special day for me, and I’d like to celebrate the woman who is the Bacall to my Bogie by reflecting on The Big Sleep, which was originally released in theaters 70 years ago tomorrow, eight days after its premiere on August 23, 1946.
The Big Sleep was the second of four films starring Humphrey Bogart and Lauren Bacall. The had originally met while filming her cinematic debut, To Have and Have Not, which was released on October 11, 1944, the very day after production began on The Big Sleep. (To Have and Have Not is also the first movie that my girlfriend and I watched together!) Continue reading
It’s a Wonderful Life: Jimmy Stewart’s “Charleston” Suit

Donna Reed and James Stewart dance the Charleston as Mary Hatch and George Bailey in It’s a Wonderful Life (1946).
Vitals
James Stewart as George Bailey, bank officer and “nice guy”
Bedford Falls, NY, May 1928
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Today would’ve been the 108th birthday of James Stewart, and BAMF Style is honoring this screen legend by looking at Stewart’s own favorite character from his filmography: George Bailey.
Rated #9 on AFI’s 100 Heroes list and #8 on Premiere Magazine’s 100 Greatest Performances of All Time, Stewart’s portrayal of the Capra-esque “every man” still resonates with audiences 70 years later, especially around Christmas time (due to an NTA clerical error in 1974). In fact, the local Regent Square Theater near my house in Pittsburgh hosts a free screening of It’s a Wonderful Life every Christmastime, which I’ve been sure to never miss in the last four years.
One of my favorite scenes – not only in It’s a Wonderful Life but from movie history – is the Charleston contest where George and Mary reconnect and then find themselves drenched when a jealous rival for her affections (played by The Little Rascals‘ Carl “Alfalfa” Switzer) opens the dance floor to send the two flap-happy dancers into the school swimming pool. In fact, this scene was filmed at the Beverly Hills High School in Los Angeles which indeed had a gym floor that could be converted into a pool with the press of a button. Continue reading
Hans Gruber in Die Hard

Hans Gruber (Alan Rickman) aims John McClane’s own Beretta at him in a production still from Die Hard (1988).
Vitals
Alan Rickman as Hans Gruber, shrewd German terrorist leader and self-described “excellent thief”
Los Angeles, Christmas 1987
Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
Background
Like surprisingly many others, Die Hard is one of my favorite Christmas movies and no holiday season—no matter how hectic or bleak—is complete without a viewing of what is arguably the greatest action movie ever made.
For the first BAMF Style holiday season in 2012, I broke down the rugged (and eventually very sparse) style of Bruce Willis’ John McClane, but it feels like the time has come to look at what the film’s fashion-driven antagonist wore as he led his European gunslingers into Nakatomi Plaza on Christmas Eve 1987.
Mr. Takagi, I could talk about industrialization and men’s fashion all day, but I’m afraid work must intrude…
What’d He Wear?
Nice suit. John Phillips, London. I have two myself. Rumor has it Arafat buys his there.
Obviously, Hans Gruber knows a thing about clothes as he takes the time to compliment the Nakatomi Corporation’s soon-to-be martyr’s suit from “John Phillips… London,” though it remains a mystery whether the suit Hans wears for the holiday hijacking was intended to be one of the two he claims to own from this prestigious—but ultimately fictional—tailor.
The styling of Hans’ dark charcoal suit is contemporary to the late ’80s production and setting, not surprising for a man so interested in fashion and image. Continue reading








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