Tagged: Henley Shirt
The Grey: Liam Neeson’s Winter Survival Gear
Liam Neeson in The Grey (2011). Photo credit: Kimberley French.
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Liam Neeson as John Ottway, world-weary oil company sharpshooter
Alaskan Wilderness, Winter 2011
Film: The Grey
Release Date: December 11, 2011
Director: Joe Carnahan
Costume Designer: Courtney Daniel
WARNING! Spoilers ahead!
Background
After a few reader requests that piqued my interest in survival stories, I recently watched The Grey, which premiered 14 years ago n January 2012 following its debut the previous month during the annual “Butt-Numb-a-Thon” film marathon in Austin.
Adapted by director Joe Caranhan and Ian MacKenzie Jeffers from the latter’s short story “Ghost Walker”, The Grey centers around Liam Neeson as the spiritually exhausted John Ottway, who describes his situation in the opening voiceover:
A job at the end of the world: a salaried killer for a big petroleum company. I don’t know why I did half the things I’ve done, but I know this is where I belong, surrounded by my own: ex-cons, fugitives, drifters, assholes. Men unfit for mankind.
Rafe Spall’s Colorful Plaid Jacket in the Black Mirror Christmas Special
Rafe Spall in the Black Mirror Christmas Special (2014)
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Rafe Spall as Joe Potter
Set on Christmas… somewhere
Series: Black Mirror
Episode: “White Christmas” (Episode 7)
Air Date: December 16, 2014
Director: Carl Tibbetts
Creator: Charlie Brooker
Costume Designer: Sharon Gilham
WARNING! Spoilers ahead!
Background
Black Mirror‘s Christmas special—considered one of the series’ best episodes—aired ten years ago today on December 16, 2014. Written by series creator and showrunner Charlie Brooker, the episode takes a yuletide twist to Black Mirror‘s trademark tech-infused dystopia, centering on a new kind of “Christmas cookies” that you would not want at your holiday gathering!
We’re introduced to Joe Potter (Rafe Spall) as he wakes up on the morning of December 25th to the sounds of Christmas music and the sounds of cooking in the mysterious remote cabin here he’s evidently lived for five years. Stepping out into the kitchen, Joe discovers his apparent colleague and co-resident Matt Trent (Jon Hamm), a loquacious former social interaction engineer whose work included creating “cookies”—digital clones of people to serve as their own assistants.
“No one ends up here without things going to total shit for them back out there,” Matt observes when discussing their respective pasts with Joe. Continue reading
Coup de Torchon: Philippe Noiret’s Khaki Uniform
Philippe Noiret in Coup de Torchon (1981)
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Philippe Noiret as Lucien Cordier, ineffective yet conniving colonial police chief
French West Africa, Summer 1938
Film: Coup de Torchon
(English title: Clean Slate)
Release Date: November 4, 1981
Director: Bertrand Tavernier
Costume Designer: Jacqueline Moreau
WARNING! Spoilers ahead!
Background
For the 12th anniversary of my first-ever BAMF Style post, today’s entry is a labor of love analyzing the style from the French adaptation of one of my favorite novels, Pop. 1280 by Jim Thompson. Born 118 years ago tomorrow on September 27, 1906, Thompson specialized in hardboiled crime fiction that has frequently been adapted into movies, including The Getaway, The Grifters, and The Killer Inside Me.
Published sixty years ago in 1964, Pop. 1280 is a darkly comic retread of the themes Thompson explored in The Killer Inside Me, following a southern sheriff whose mild-mannered persona masks his psychopathy. Set during the 1910s, Pop. 1280 is narrated by Nick Corey, the blissfully lazy “high sheriff of Potts County,” the 47th largest in an unnamed state of 47 counties. Nick presents himself as a dimwitted pushover, while secretly manipulating and murdering his way through his friends, family, and mistresses, all while nurturing delusions of being God’s agent sent to punish the sinful town of Pottsville.
Though there are rumors of a future adaptation directed by Yorgos Lanthimos (who seems well-suited for the material), the only major screen adaptation to date is Bertrand Tavernier’s Coup de Torchon, which earned ten César Award nominations and was nominated for Best Foreign Language Film at the 55th Academy Awards.
Adapted by Tavernier and Jean Aurenche, Coup de Torchon maintains the story’s center around a lazy lawman living with his domineering wife and her overly affectionate and slow-witted, uh, “brother”, in a small town where he’s the constant target of bullies, from those in his own household to a boastful fellow lawman who works several towns away. However, the setting is shifted to the fictional French West African town of Bourkessa on the eve of World War II, and the protagonist is reimagined as Lucien Cordier, played by Philippe Noiret, a two-time César Award-winning actor born in Lille on October 1, 1930.
“Doing nothing is my job, I’m paid for it,” Cordier explains to the two snappily dressed pimps who regularly torment him, adding with some earnestness: “At times—not always—I think I’ve found paradise on Earth.” Continue reading
Glen Powell in Hit Man: Gary’s Western-Inspired Wardrobe as “Ron”
Glen Powell as Gary Johnson in Hit Man (2023)
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Glen Powell as Gary Johnson, mild-mannered psychology professor moonlighting as an undercover police contractor
New Orleans, Fall 2022
Film: Hit Man
Release Date: May 24, 2024
Director: Richard Linklater
Costume Designer: Juliana Hoffpauir
WARNING! Spoilers ahead!
Background
After a limited two-week run in theaters, Hit Man debuted on Netflix at the beginning of this month and quickly became the service’s #1 most-watched movie in the U.S. The screenplay by director Richard Linklater and star Glen Powell fictionalizes the life of Gary Johnson, a college professor and successful “fake hitman” whose undercover police work led to more than 70 arrests of people seeking the services of a contract killer.
Hit Man is Linklater’s second cinematic depiction of stranger-than-fiction true crime based on a Texas Monthly article by Skip Hollandsworth (the first was Bernie in 2011), though the production and setting were moved from Houston to New Orleans to take advantage of Louisiana tax credits.
Described in the epilogue as the “chillest dude imaginable,” the real Gary Johnson—whom the same epilogue is sure to insist was never actually involved in any murders—died in 2022 at the age of 75 before getting to see this dark comedy that riffed on his life story.
Though sensationalizing his life for dramatic purposes, Hit Man includes many details from Johnson’s life, like his cats Id and Ego, his unassuming politeness, and the random opportunity that elevated him to the city’s most in-demand assassin who signals his identity to prospective clients with a single response phrase:
All pie is good pie.
Get Out: Chris’ Plaid Jacket, Henley, and Hoodie
Daniel Kaluuya as Chris Washington in Get Out (2017)
Vitals
Daniel Kaluuya as Chris Washington, Brooklyn photographer
Upstate New York, Spring 2016
Film: Get Out
Release Date: February 24, 2017
Director: Jordan Peele
Costume Designer: Nadine Haders
WARNING! Spoilers ahead!
Background
Happy birthday to Daniel Kaluuya, who received his first Academy Award nomination for Jordan Peele’s directorial debut Get Out, released on Kaluuya’s 28th birthday seven years ago today.
Peele won the Oscar for his original screenplay, centered around Brooklyn photographer Chris Washington (Daniel Kaluuya) joining his new girlfriend Rose Armitage (Allison Williams) to meet her parents Dean (Bradley Whitford) and Missy (Catherine Keener) for the first time. Continue reading
Justified: The last time we saw Raylan Givens
Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 6.13: “The Promise)
Vitals
Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Miami to Lebec, California, Fall 2018
Series: Justified
Episode: “The Promise” (Episode 6.13)
Air Date: April 14, 2015
Director: Adam Arkin
Creator: Graham Yost
Costume Designer: Patia Prouty
WARNING! Spoilers ahead!
Background
Raylan Givens is coming back to TV in just three days! The mini-series Justified: City Primeval will premiere on FX on Tuesday, July 18, with Timothy Olyphant reprising his extremely charismatic portrayal of the Deputy U.S. Marshal created by author Elmore Leonard.
I’m typically wary of revivals, reboots, and reunions, especially after a series finale as neatly wrapped as Justified, but I have faith in the team and the fact that it looks like the Detroit-set Justified: City Primeval will be focusing on an original story rather than revisiting the plot that had been so well-resolved in “The Promise”. Continue reading
Once Upon a Time in the West: Charles Bronson as Harmonica
Charles Bronson in Once Upon a Time in the West (1968)
Vitals
Charles Bronson as “Harmonica”, vengeful drifter
Arizona, circa 1875
Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.
Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading
No Time to Die: Daniel Craig’s Commando Bond Gear
Daniel Craig as James Bond, armed with a Walther PPK in No Time to Die (2021)
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Daniel Craig as James Bond, retired British secret agent
Sea of Japan, Spring 2020
Film: No Time to Die
Release Date: September 30, 2021
Director: Cary Joji Fukunaga
Costume Designer: Suttirat Anne Larlarb
WARNING! Spoilers ahead!
Background
What happens to the hero after he rides off into the sunset?
Aside from the occasional epilogue featuring James Bond and his lady du jour, we hadn’t really received much of an answer until No Time to Die, Daniel Craig’s fifth and final movie as the stylish super-spy. On the 00-7th of March—which is Craig’s birth month, as the actor turned 54 five days ago—let’s revisit how his tenure ended after the martinis stopped being shaken. Continue reading
Wild Card: Jason Statham’s Corduroy Car Coat and Ford Torino
Jason Statham as the Ford Torino-driving Nick Wild in Wild Card (2015)
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Jason Statham as Nick Wild, tough security consultant and bodyguard-for-hire
Las Vegas, Christmas 2013
Film: Wild Card
Release Date: January 14, 2015
Director: Simon West
Costume Designer: Lizz Wolf
WARNING! Spoilers ahead!
Background
Car Week continues into December with a little-discussed action movie that—like The Bourne Identity and Three Days of the Condor—is set during against a Christmas backdrop complete with carols on the soundtrack, though the holiday timing has little impact on the plot. (I don’t include Die Hard in this category because, as many have argued, Christmas is the reason for the whole plot!)
Reviving a role originated by Burt Reynolds in William Goldman’s 1986 movie Heat, Jason Statham plays Nick Wild, a “security consultant” for Las Vegas lawyer Pinchus “Pinky” Zion (Jason Alexander), who makes his daily commute from a seedy motel in a snazzy ’69 Ford Torino. Continue reading
Justified: Raylan’s Wool Coat and Double Denim
Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 6.11: “Fugitive Number One”). Photo by Prashant Gupta/FX.
Vitals
Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010 to Fall 2014
Series: Justified
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Seasons 2-6)
WARNING! Spoilers ahead!
Background
Justified is one of my favorite fall shows (despite the fact that each season originally aired in the spring), and I always like to revisit the tangled, moonshine-soaked underworld of Harlan County every autumn.
The first episode established the series-long conflict between Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins), who dug coal together in the mines of eastern Kentucky before their diverging career paths as Raylan rose through the ranks of the U.S. Marshals Service tracking down criminals like Boyd, who started the series as the explosives-loving leader of a gang of bank-robbing white supremacists.
Both Raylan and Boyd have frequently been the subjects of requests from fans of the series as the series costume designers neatly established each man’s signature style: Boyd, somewhat fussy for a country criminal, with his layered sport jackets, waistcoats with dangling pocket watch chains, and shirts buttoned to the neck; and Raylan, who blends old-fashioned cowboy aesthetics into his modern business apparel. Continue reading
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