Tagged: Los Angeles
Kris Kristofferson’s Brown Suede Jacket as Cisco Pike
Kris Kristofferson on the cover of his 1971 album The Silver Tongued Devil and I, photographed by Baron Wolman the previous year while in costume for Cisco Pike (1973).
Vitals
Kris Kristofferson as Cisco Pike, down-on-his-luck musician and former drug dealer
Venice Beach, California, Fall 1970
Film: Cisco Pike
Release Date: January 14, 1972
Director: Bill L. Norton
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
He’s a poet, he’s a picker, he’s a prophet, he’s a pusher, he’s a pilgrim and a preacher and a problem when he’s stoned. He’s a walkin’ contradiction—partly truth and partly fiction—takin’ every wrong direction on his lonely way back home.
In tribute to the late outlaw country icon who died one month ago today at the age of 88, I recently received a great suggestion from a BAMF Style reader to cover the style that Kris Kristofferson wore in Bill L. Norton’s directorial debut Cisco Pike. Continue reading
Stop Making Sense: David Byrne’s Big Suit
David Byrne models the famous “big suit” he introduced in Stop Making Sense (1984)
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David Byrne, eccentric Talking Heads frontman
Los Angeles, December 1983
Film: Stop Making Sense
Release Date: October 19, 1984
Director: Jonathan Demme
Costume Designer: Gail Blacker
Background
Widely regarded as one of the best concert films ever made, Stop Making Sense was released 40 years ago today on October 19, 1984. Independently produced by Gary Goetzman and directed by Jonathan Demme, Stop Making Sense captures Talking Heads performing over four nights in December 1983 at the Pantages Theater in Los Angeles, during their tour promoting the album Speaking in Tongues.
As the lead singer and chief songwriter, frontman David Byrne defined much of the band’s quirky personality, energetically dancing across the stage and rotating between his Martin D-35 acoustic guitar, sunburst ’63 Fender Stratocaster, and dual-humbucker Roland guitars.
In a 2020 Newsweek interview with Samuel Spencer, Byrne shared that he maintained a cohesive visual effect by “[asking] everyone to wear medium grey outfits, whatever style they preferred (a questionable decision there), but always in medium grey. It worked—this consistency meant the effects of the various lighting cues and gags were more seamless.” However, drummer Chris Frantz had to break from this neutral formula after his laundry wasn’t returned following the first night’s performance, opting for a turquoise-blue polo shirt each night to maintain continuity.
Still, it’s not Frantz’s splash of color that steals the sartorial spotlight in Stop Making Sense. After Tina Weymouth and Frantz perform “Genius of Love” from their side project Tom Tom Club, Byrne rejoins his band on stage ahead of “Girlfriend is Better”, now dressed in an absurdly oversized business suit. Continue reading
Pulp Fiction: Travolta’s Black Suit and Tie as Vincent Vega
John Travolta as Vincent Vega in Pulp Fiction (1994)
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John Travolta as Vincent Vega, laidback mob hitman and self-described “Elvis man”
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Pulp Fiction was released 30 years ago today on October 14, 1994, establishing Quentin Tarantino’s trademarks like a nonlinear narrative, many references to older movies and TV, and even the “trunk shot” from the POV of an open car trunk.
In addition to establishing Tarantino as a serious filmmaker after his impressive debut Reservoir Dogs, the movie also revitalized John Travolta’s career. The actor received an Academy Award nomination for his performance as Vincent Vega, the canonical brother to Michael Madsen’s psychotic killer Vic Vega—aka “Mr. Blonde”—in Reservoir Dogs. Continue reading
The Limey: Terence Stamp’s Harrington Jacket and Black Jeans
Terence Stamp as Wilson in The Limey (1999)
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Terence Stamp as David Wilson, hardened English professional criminal
Los Angeles to Big Sur, California, Fall 1998
Film: The Limey
Release Date: October 8, 1999
Director: Steven Soderbergh
Costume Designer: Louise Frogley
WARNING! Spoilers ahead!
Background
The Limey was released 25 years ago today on October 8, 1999, months after its debut at the 52nd Cannes Film Festival. Terence Stamp stars as the titular Englishman, a crook known simply as Wilson*, who arrives in Los Angeles to investigate his own suspicions after his daughter Jenny’s death in a mysterious car accident. Continue reading
Inherent Vice: Doc’s Blue Denim Western Shirts
Joaquin Phoenix as Doc Sportello in Inherent Vice (2014)
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Joaquin Phoenix as Larry “Doc” Sportello, hippie private investigator
Los Angeles County, Fall 1970
Film: Inherent Vice
Release Date: December 12, 2014
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
Background
Adapted from Thomas Pynchon’s novel of the same name, Inherent Vice premiered as the centerpiece of the New York Film Festival ten years ago today on October 4, 2014, two months before its initial public release.
“Doc may not be a do-gooder, but he’s done good,” the trailer describes of the protagonist Larry “Doc” Sportello, the stoner sleuth played by Joaquin Pheonix who reprised his Oscar-winning role of Arthur Fleck in Joker: Folie à Deux, released in theaters today.
Five years before he first donned Joker’s clown makeup, Phoenix framed his face in mutton chops as the scraggly beach-dwelling private eye spurned into action by visits from his estranged ex-girlfriend Shasta Fay Hepworth (Katherine Waterston), first to ask his help in protecting the real estate developer she’s been seeing. Continue reading
Paris, Texas: Travis Borrows a Cream Suit
Harry Dean Stanton in Paris, Texas (1984)
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Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
Exactly four months after its Palme d’Or-winning debut at the 37th Cannes Film Festival, Paris, Texas was officially released in France forty years ago today on September 19, 1984.
Directed by Wim Wenders, this reflective film provided a rare leading role for stalwart character actor Harry Dean Stanton, who portrayed the lost Travis Henderson, who attempts to reconnect with his family after four years of aimless wandering, following the dissolution of his increasingly troubled relationship with his estranged wife.
Travis’ brother Walt (Dean Stockwell)—who had been raising Travis’ young son Hunter (Hunter Carson)—brought a disconnected Travis back from the west Texas desert to Los Angeles, where he confronts his own past and works on rebuilding a relationship with his son as part of his profound desire for redemption. Continue reading
Breathless: Richard Gere’s Rockabilly Shirt and Plaid Trousers
Richard Gere in Breathless (1983)
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Richard Gere as Jesse Lujack, swaggering drifter
Los Angeles, Summer 1982
Film: Breathless
Release Date: May 13, 1983
Director: Jim McBride
Costume Designer: J. Allen Highfill
WARNING! Spoilers ahead!
Background
Happy 75th birthday to Richard Gere! To celebrate this prolific actor’s August 31, 1949, today’s post looks at one of my unexpectedly favorite performances from the prolific actor.
Jim McBride’s 1983 remake of Breathless flips the nationalities of the French crook and his American girlfriend in the 1960 French New Wave classic, starring Gere as the cocky ne’er-do-well Jesse Lujack who shacks up with Monica Poiccard (Valérie Kaprisky), a French UCLA student he had met once during a weekend trip to Las Vegas. Continue reading
California Split: Elliott Gould’s Tan Sport Jacket and Printed Shirts
Elliott Gould in California Split (1974)
Vitals
Elliott Gould as Charlie Waters, garrulous gambler
Los Angeles to Reno, Winter 1973
Film: California Split
Release Date: August 7, 1974
Director: Robert Altman
Costumer: Hugh McFarland
WARNING! Spoilers ahead!
Background
If I had a nickel for every great 1974 movie where the male lead had a bandaged nose for a significant portion of its runtime… well, California Split and Chinatown would yield me only 10 cents, but it would be well worth it for their shared existence.
Robert Altman’s excellently chaotic meditation on gambling, California Split, was released 50 years ago today on August 7, 1974, starring Elliott Gould and George Segal as a pair of two-time losers who meet over an L.A. card game. Initially more of a recreational gambler, Segal’s Bill Denny grows increasingly addicted through his friendship with Gould’s Charlie Waters, a charismatic hustler constantly on the make between card games and the horse track for his next big score. Continue reading
Gone in 60 Seconds (1974): H.B. Halicki’s Glen Plaid Jacket and “Eleanor” Mustang
H.B. Halicki in Gone in 60 Seconds (1974)
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H.B. “Toby” Halicki as Maindrian Pace, insurance investigator and car thief
Long Beach, California, Spring 1974
Film: Gone in 60 Seconds
Release Date: July 28, 1974
Director: H.B. Halicki
WARNING! Spoilers ahead!
Background
Fifty years ago today on July 28, 1974, independent filmmaker and stunt driver H.B. “Toby” Halicki released Gone in 60 Seconds, a high-octane parade of car chases and crashes.
In addition to directing, writing, and producing the film on a $150,000 budget, Halicki also starred and did his own driving as Maindrian Pace, a curiously named car thief whose respectable day job as an insurance investigator covers his criminal activity.
Working with a ring of professionals, Pace is hired to steal 48 very specific cars ranging from limousines to semi-tractor trucks and even Parnelli Jones’ famous ’71 “Big Oly” Bronco. Each of the target cars is assigned a female codename, with the final car—a bumblebee-colored 1973 Ford Mustang—designated as “Eleanor”. Continue reading
The Graduate: William Daniels’ Blue Cabana Set as Mr. Braddock
William Daniels as Elizabeth Wilson in The Graduate (1967)
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William Daniels as Mr. Braddock, affable but aloof suburban father
Los Angeles, Summer 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
The Graduate made Benjamin Braddock (Dustin Hoffman) an icon for many, whether they could identify with his aimless disillusionment or his killer Ivy style. It may be my own “advancing” age—as I’ll officially be old enough to run for president exactly three weeks from today—that recently drew me more to his father’s charmingly dated leisurewear, specifically the matching blue cabana set when unintentionally humiliating poor Benjamin on his 21st birthday by forcing him to model a full scuba suit for “a practical demonstration” in the Braddock family swimming pool in front of their friends.
It may help my affection for the character that Mr. Braddock was portrayed by the great William Daniels, whose prolific career has spanned eight decades with iconic roles like John Adams in the stage and screen presentations of 1776 and as the avuncular Mr. Feeny on ’90s sitcom Boy Meets World, as well as a distinctive voice that he lent to KITT on the ’80s series Knight Rider. Continue reading
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