Tagged: Los Angeles
From Pinstripes to Plaid: Travis Henderson’s Transformation in Paris, Texas
Harry Dean Stanton in Paris, Texas (1984)
Vitals
Harry Dean Stanton as Travis Henderson, wandering drifter
West Texas to Los Angeles, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
Wim Wenders’ masterpiece Paris, Texas debuted during 40 years ago today on May 19, 1984 during the 37th Cannes Film Festival, where it was awarded the Palme d’Or among other accolades. The film arrived at theaters exactly four months later and would continue to garner critical acclaim including a BAFTA win for Wenders’ direction.
Co-written by Sam Shepard and L.M. Kit Carson, Paris, Texas presents a rare starring role for stalwart character actor Harry Dean Stanton—one of my personal favorites—who had been well-regarded for his performances in Cool Hand Luke (1967), Dillinger (1973), Alien (1979), Escape from New York (1981), and Christine (1983) before Shepard tapped the nearly 60-year-old actor for the leading role of the lost Travis Henderson.
Jackie Chan in Rush Hour
Jackie Chan in Rush Hour (1998)
Vitals
Jackie Chan as Yan Naing Lee, athletic Hong Kong Police Force detective
Los Angeles, Fall 1997
Film: Rush Hour
Release Date: September 18, 1998
Director: Brett Ratner
Costume Designer: Sharen Davis
Background
Happy 70th birthday, Jackie Chan! Born April 7, 1954 in Hong Kong, Chan grew to fame for his impressive stunts and his ability to blend such acrobatic fighting with comic timing—a skill exemplified throughout the action-packed 1998 buddy comedy Rush Hour, a DVD that my high school friends must have watched dozens of times.
After a Chinese diplomat’s daughter is kidnapped in Los Angeles, the consul calls on a devoted friend from the Hong Kong Police Force to assist the investigation. Unwilling to accept the foreign detective’s help, the FBI passes Inspector Lee off to the LAPD—specifically the loquacious and foolhardy Detective James Carter (Chris Tucker), who resents being tasked with a babysitting assignment. While the feds follow the investigation by-the-book, Tucker’s unorthodox methods and Lee’s familiarity with those involved give the mismatched pair an advantage as they track down Soo Yung’s kidnappers… much to the FBI’s chagrin. Continue reading
Against All Odds: Jeff Bridges’ Burgundy Polo and Herringbone Jacket
Jeff Bridges as Terry Brogan in Against All Odds (1984)
Vitals
Jeff Bridges as Terry Brogan, recently cut football player
Los Angeles, Fall 1983
Film: Against All Odds
Release Date: March 2, 1984
Director: Taylor Hackford
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
I’ve received several requests, most recently from BAMF Style reader Cecil, to highlight the style from Against All Odds, released forty years ago this weekend. A loose remake of Jacques Tourneur’s seminal 1947 film noir Out of the Past, Against All Odds reimagines the private eye protagonist as professional football player Terry Brogan (Jeff Bridges). Continue reading
Point Blank: Lee Marvin’s Green Suit
Lee Marvin in Point Blank (1967)
Vitals
Lee Marvin as Walker, revenge-driven armed robber
Los Angeles, Summer 1967
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
WARNING! Spoilers ahead!
Background
The legendary Lee Marvin was born 100 years ago today on February 19, 1924. After his service with the U.S. Marine Corps during World War II, Marvin began acting on the stage and screen. His lead role on the 1950s police series M Squad elevated him to starring film roles across the ’60s, including The Killers (1964), The Professionals (1966), The Dirty Dozen (1967).
After winning the Academy Award for his performance in the 1965 Western comedy Cat Ballou, Marvin wielded his considerable Hollywood clout for the production of Point Blank, including the selection of English director John Boorman. Continue reading
Die Hard: Ranking the Henchmen’s Holiday Hijacking Wardrobes
Clarence Gilyard Jr., Dennis Hayden, Al Leong, Hans Buhringer, Alan Rickman, Wilhelm von Homburg, Lorenzo Caccialanza, Joseph Plewa, Andreas Wisniewski, Gary Roberts, Bruno Doyon, Gérard Bonn, and Alexander Godunov in Die Hard (1988)
“Some badass perpetrators and they’re here to stay…”
Los Angeles, Christmas 1987
Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
On the 35th anniversary year of this action classic, today’s post analyzes the style of the dozen bad guys led by Hans Gruber (Alan Rickman) during their Christmas Eve takeover of Nakatomi Plaza. As I’ve done with Christmas episodes of The Office in past years, I’ll dig into my own completely arbitrary rating system to rank each by their suitability for a holiday party hijacking.
One of my favorite aspects of Die Hard is how it makes the effort to define distinctively personalities for Hans’ baddies, rather than just filling the cast with anonymous mooks as in any lesser action movie. We may not get full backstories and motivations (we only have two hours, and would we really need to know?), but they still have distinctive roles, attitudes, and aesthetics to differentiate them and make return viewings even more rewarding.
As their leader, Hans maintains an elevated look with his dark double-breasted suit, informed by his knowledge of men’s fashion (“John Phillips, London,” he acutely observes of Nakatomi CEO Joe Takagi’s silk suit), but how do his twelve henchmen rate?
Unlike Hans’ ultimate descent from Nakatomi Tower, let’s start at the bottom. Continue reading
Christine: Arnie’s Red Jacket and Famous ’58 Fury
Keith Gordon as Arnie Cunningham in Christine (1983)
Vitals
Keith Gordon as Arnie Cunningham, high school senior
Rockbridge, California, Fall/Winter 1978
Film: Christine
Release Date: December 9, 1983
Director: John Carpenter
Costume Designer: Darryl Levine
WARNING! Spoilers ahead!
Background
No shitter ever came between me and Christine!
Christine drove into theaters 40 years ago today, directed by the great John Carpenter and adapted by Bill Phillips from Stephen King’s supernatural horror novel of the same name that had been published just months earlier. The titular Christine is a white-over-red 1958 Plymouth Fury, high-schooler Arnie Cunningham’s prized possession… and possibly also possessed by a homicidal demon. Continue reading
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Humphrey Bogart as Dix Steele in In a Lonely Place (1950)
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Arrested Development: GOB’s Powder-Blue Sports Coat
Will Arnett as GOB Bluth on Arrested Development (Episode 1.01: “Pilot”)
Vitals
Will Arnett as George Oscar “GOB” Bluth II, magician (part-time)
Orange County, California, Fall 2003
Series: Arrested Development
Episodes:
– “Pilot” (Episode 1.01, dir. Anthony Russo & Joe Russo, aired 11/2/2003)
– “Altar Egos” (Episode 1.17, dir. Jay Chandrasekhar, aired 3/17/2004)
Creator: Mitchell Hurwitz
Costume Designer: Katie Sparks
WARNING! Spoilers ahead!
Background
TV audiences first met the Bluth family 20 years ago this week when Arrested Development premiered on November 2, 2003. As Ron Howard narrates over each episode’s opening credits, it’s the story of a wealthy family who lost everything and the one son who had no choice but to keep them all together… it’s arrested development.
The son in question is Michael (Jason Bateman), arguably the most responsible of the four Bluth siblings, though it could be argued his sensibility extends into self-righteousness as he seeks to maintain a sense of normalcy while raising his son, the anxious George Michael Bluth (Michael Cera)—named after his father and grandfather and not the singer-songwriter.
In addition to Michael, the avaricious George Sr. (Jeffrey Tambor) and Lucille (Jessica Walter) also raised the absurd GOB (Will Arnett), the spoiled Lindsay (Portia di Rossi), and the sheltered Buster (Tony Hale).
Like his fellow “eldest son” Connor Roy, GOB—pronounced “jobe”, though not everyone in-universe has received the message—harbors some resentment that his smarter and more ambitious little brother has been tapped to succeed their corrupt father’s footsteps in taking over the family’s real estate firm. Instead, GOB is left to defend his magic tricks illusions against his family’s disapproval and mockery. Continue reading
The Way We Were: Robert Redford’s Navy CPO Shirt
Robert Redford as Hubbell Gardiner in The Way We Were (1973)
Vitals
Robert Redford as Hubbell Gardiner, Hollywood screenwriter and Navy veteran
Malibu, California, Fall 1947 through Spring 1948
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
WARNING! Spoilers ahead!
Background
This week marks the 50th anniversary of The Way We Were, released October 19, 1973. Adapted by Arthur Laurents from his own novel of the same name, the story follows the privileged and carefree Hubbell Gardiner (Robert Redford) and politically driven Katie Morosky (Barbra Streisand) through a decade of their on-and-off romance.
After a contentious and unrequited flirtation while at the same college in the late 1930s, Hubbell and Katie reunite by chance during the latter years of World War II, when Hubbell is serving in the U.S. Navy. Despite some early tumultuousness, the two gently compromise their differing personalities and enter a relationship that continues after the war and through the Red Scare of the late ’40s. The growing paranoia of McCarthyism—and Katie’s reignited activism in response—threatens their livelihood as Hubbell is working as a Hollywood screenwriter. Continue reading
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