Tagged: Sport Coat & Slacks
Death Wish: Charles Bronson’s Herringbone Sport Jacket
Charles Bronson as Paul Kersey in Death Wish (1974)
Vitals
Charles Bronson as Paul Kersey, architect and soon-to-be vigilante
Tucson, Arizona, and New York City, Winter 1974
Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
After a wave of films celebrating outlaws during the counterculture era of the late ’60s (i.e. Bonnie and Clyde and Butch Cassidy and the Sundance Kid), an opposing wave crashed through American cinema at the start of the following decade, centered around a philosophy of vigilantism. The trend arguably kicked into high gear with Clint Eastwood’s renegade detective in Dirty Harry who despised the proverbial red tape preventing him from bringing deadly criminals to justice with his famed .44 Magnum. Within five years, Martin Scorsese had already evolved the focus from an endorsement of vigilantism into a cautionary tale with the release of Taxi Driver. Before the troubled Travis Bickle took it upon himself to “wash all this scum off the streets” of New York City, there was Paul Kersey.
Mad Men, 1970 Style – Sterling’s Sporty Turtleneck
John Slattery as Roger Sterling on Mad Men (Episode 7.14: “Person to Person”)
Vitals
John Slattery as Roger Sterling, aging ad man
New York City, Fall 1970
Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.
Walter Matthau in The Taking of Pelham One Two Three
Walter Matthau as Zachary Garber in The Taking of Pelham One Two Three (1974)
Vitals
Walter Matthau as Zachary Garber, New York City Transit Authority police lieutenant
New York City, December 1973
Film: The Taking of Pelham One Two Three
Release Date: October 2, 1974
Director: Joseph Sargent
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Walter Matthau, perhaps best known to today’s audiences for his roles opposite Jack Lemmon such as The Odd Couple and the Grumpy Old Men movies, though the New York-born actor’s rich filmography expands a range of genres from westerns and war movies to comedies and crime capers. One of my favorites falls into the latter category, the action thriller The Taking of Pelham One Two Three. Continue reading
A Place in the Sun: Montgomery Clift’s Labor Day Glen Plaid Sports Coat
Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)
Vitals
Montgomery Clift as George Eastman, dangerously ambitious factory executive
“Loon Lake”, Missouri, Labor Day 1950
Film: A Place in the Sun
Release Date: August 14, 1951
Director: George Stevens
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Labor Day weekend ahead, today’s post explores the style from one of my favorite movies set across the late summer holiday. A Place in the Sun was adapted by Michael Wilson and Harry Brown from Theodore Dreiser’s novel An American Tragedy, which was itself based on Chester Gillette’s 1906 murder of his pregnant partner Grace Brown in the Adirondacks.
La grande bellezza (The Great Beauty): Jep’s Yellow Jacket
Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)
Vitals
Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist
Rome, Summer 2012
Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini
Background
I first learned of The Great Beauty when it added an Oscar for Best Foreign Language Film to its many deserved accolades during the 86th Academy Awards. Impressed by its vibrant clothing and cinematography, and encouraged by friends and followers who were hoping to learn more about the film’s signature style, I recently had the privilege to watch Paolo Sorrentino’s masterpiece, winner of nine David di Donatello Awards.
It wouldn’t be inaccurate to consider The Great Beauty a spiritual successor the Fellini’s surrealist homages to Rome and creatively blocked auteurs from a half-century earlier—and one can easily envision the elevator pitch as “La Dolce Vita or 8½ for the post-Berlusconi era”—though that would overgeneralize the shimmering journey that Paolo Sorrentino presents.
The beautiful film is anchored by the central performance of Toni Servillo as the dapper but disillusioned Jep Gambardella, a popular columnist-cum-socialite whose 65th birthday awakens him to the superficiality of his achieved ambition as “king of the high life”. Continue reading
The Graduate: Dustin Hoffman’s Seersucker Jacket
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
Dustin Hoffman may be turning 83 today, but for many he’ll always be the young Benjamin Braddock, freshly home from college with his entire adult life—with all of its expectations and inevitable disappointments—to follow.
Benjamin’s first summer as a college graduate is spent with lazy days by the pool and covert nights with Mrs. Robinson (Anne Bancroft), the domineering yet vulnerable wife of his father’s law partner. The Braddocks, obviously unaware of their son’s ongoing assignations with her mother, pressure him into taking Elaine Robinson (Katharine Ross). A Berkeley student, Elaine would be a more suitable partner for Benjamin due to age, temperament, and several other factors, but the formidable Mrs. Robinson—we never do learn her first name—won’t have it.
Mad Men: Stan Rizzo’s Mustard Plaid Sport Jackets
Jay R. Ferguson as Stan Rizzo on Mad Men (Episode 6.04: “To Have and To Hold”)
Vitals
Jay R. Ferguson as Stan Rizzo, maverick advertising agency art director
New York City, Summer 1965 through Spring 1968
Series: Mad Men
Episodes:
– “Chinese Wall” (Episode 4.11), dir. Phil Abraham, aired 10/3/2010
– “A Little Kiss, Part 1” (Episode 5.01), dir. Jennifer Getzinger, aired 3/25/2012
– “Mystery Date” (Episode 5.04), dir. Matt Shakman, aired 4/8/2012
– “Far Away Places” (Episode 5.06), dir. Scott Hornbacher, aired 4/22/2012
– “Lady Lazarus” (Episode 5.08), dir. Phil Abraham, aired 5/6/2012
– “The Phantom” (Episode 5.13), dir. Matthew Weiner, aired 6/10/2012
– “To Have and to Hold” (Episode 6.04), dir. Michael Uppendahl, aired 4/21/2013
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Anyone who has been a regular BAMF Style reader or Instagram follower knows that I have a fascination with these random observances—particularly those food-related ones—that dot the calendar, typically of unconfirmed origins but celebrating everything from root beer floats (August 6) to ranch dressing (March 10, as I once commemorated with Gene Hackman’s ranch suit in Prime Cut.)
Thus, you’ve probably already deduced—with an audible groan, no doubt—that today is National Mustard Day, commemorated the first Saturday in August. Continue reading
Purple Noon: Alain Delon Tailored in Summer-Weight Gray
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.
Tony Soprano’s Tan Herringbone Sport Jacket
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.20: “The Blue Comet”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Montclair, New Jersey, Fall 2007
Series: The Sopranos
Episodes:
– “The Ride” (Episode 6.09, dir. Alan Taylor, aired May 7, 2006)
– “Chasing It” (Episode 6.16, dir. Tim Van Patten, aired April 29, 2007)
– “The Blue Comet” (Episode 6.20, dir. Alan Taylor, aired June 3, 2007)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
On the seventh anniversary of James Gandolfini’s death, I chose to celebrate the actor’s legacy with another look from the landmark HBO series The Sopranos. (Fans of the Skip’s outfits should already be following my friend @TonySopranoStyle on Instagram!)
In the series’ penultimate episode, “The Blue Comet”, Tony Soprano had no idea that this therapy session would be his last, blissfully idling his time in Dr. Jennifer Melfi’s waiting room by purloining a pepper-marinated steak recipe from Departures magazine. Unbeknownst to him, it’s one ravaged periodical too many as Dr. Melfi is already having serious concerns about having potentially spent the last seven years enabling a dangerous sociopath rather than helping him.
Jack Lemmon’s Double-Breasted Date Blazer in Avanti!
Jack Lemmon as Wendell Armbruster Jr. in Avanti! (1972)
Vitals
Jack Lemmon as Wendell Armbruster, Jr., bitter Baltimore businessman
Ischia, Bay of Naples, Summer 1972
Film: Avanti!
Release Date: December 17, 1972
Director: Billy Wilder
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
“I guess there is something to what it says in the tourist guide… it says Italy is not a country, it’s an emotion,” says Pamela Piggott (Juliet Mills), laying naked on a rock surrounded by sun and sea next to an equally bare but considerably more nervous Wendell Armbruster, Jr., who exclaims in response, “Well, it’s certainly been an experience!”
Despite the context, the two aren’t yet lovers, instead brought to the romantic bay of Naples after the death of Wendell’s father and Pamela’s mother who, as they learn, had been enjoying a decade-long extramarital affair. While not among the more celebrated of Jack Lemmon and Billy Wilder’s seven cinematic collaborations, Avanti! is a fitting and still entertaining work as both actor and director were maturing in their age and career. “Billy Wilder’s last great comic romance is an Italian vacation soaked in music, food, scenery and sunshine,” wrote Glenn Erickson in his excellent review for Trailers from Hell. “It’s the best movie ever about Love and Funerals.”
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