Tagged: Spring
Something Wild: Jeff Daniels Goes Wild in a New Blue Silk Suit
Jeff Daniels and Melanie Griffith in Something Wild (1986)
Vitals
Jeff Daniels as Charlie Driggs, buttoned-up investment banker
From Pennsylvania to Virginia, June 1986
Film: Something Wild
Release Date: November 7, 1986
Director: Jonathan Demme
Costume Designer: Norma Moriceau
WARNING! Spoilers ahead!
Background
Happy 70th birthday to Jeff Daniels, the versatile actor who may be one of the few talents that could effectively transition from playing a decorated Civil War general one year to Harry Dunne in Dumb and Dumber the next. The actor rose to prominence through the ’80s with back-to-back Golden Globe-nominated performances in The Purple Rose of Cairo and Something Wild.
“Jonathan Demme’s Something Wild is a lot of things—Renoirian screwball, Gen-X The Odd Couple, defense for the reggae mixtape—but it’s a road movie first and foremost, and it introduces its lead, Charlie Driggs, as a man untraveled. Played with dopey precision by Jeff Daniels, Charlie is a golden retriever of a Reaganite, eager to climb the ranks of his job on Wall Street and content with the grass on his side of the fence. Building a career in the big city implies some degree of worldliness, but Manhattan can be deceptively hermetic,” writes Christian Craig at Bright Wall/Dark Room. Continue reading
In the Mood for Love: Tony Leung’s Gray Silk Suit
Tony Leung and Maggie Cheung in In the Mood for Love (2000)
Vitals
Tony Leung as Chow Mo-wan, sensitive journalist
Hong Kong, Spring 1962
Film: In the Mood for Love
(Chinese title: 花樣年華)
Release Date: September 29, 2000
Director: Wong Kar-wai
Costume Designer: William Chang
WARNING! Spoilers ahead!
Background
Valentine’s Day feels like the appropriate time to discuss In the Mood for Love, Wong Kar-wai’s lush and compelling exploration of loneliness, loss, and love set in Hong Kong’s Shanghainese community in 1962. Chow Mo-wan (Tony Leung) and Su Li-zhen (Maggie Cheung), live with their respective spouses in neighboring apartments but each often find themselves alone in their rooms, venturing out only for noodles from a street stall where they occasionally make contact. As the two connect over their oft-absent spouses, Chow and Su slowly come to the realization that his wife and her husband are engaged in an affair. Continue reading
Casino: Ace Rothstein’s Blue Plaid 1970s Suit
Robert De Niro as Sam “Ace” Rothstein in Casino (1995)
Vitals
Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate
Las Vegas, Spring 1973
Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
Background
For my first post in several years about Robert De Niro’s colorfully memorable style in Casino as it celebrates its 30th anniversary this year, it feels appropriate on this mid-February #MafiaMonday to revisit the scene when the otherwise rational “Ace” Rothstein gets blinded by love upon meeting the vivacious hustler Ginger (Sharon Stone) while she’s causing commotion at the craps tables. Continue reading
Save the Tiger: Jack Lemmon’s Italian Silk Suit
Jack Lemmon in Save the Tiger (1973)
Vitals
Jack Lemmon as Harry Stoner, cynical businessman and World War II veteran
Los Angeles, Spring 1972
Film: Save the Tiger
Release Date: February 14, 1973
Director: John G. Avildsen
Wardrobe Credit: John A. Anderson
WARNING! Spoilers ahead!
Background
One of my favorite actors, Jack Lemmon was born 100 years ago today on February 8, 1925 in Newton, Massachusetts.
After serving in the U.S. Navy as communications officer aboard an aircraft carrier during World ar II, Lemmon rose to fame playing comedic roles in the 1950s, such as his back-to-back pairings with Judy Holliday in the early 1950s and his performance as the wily Ensign Pulver in Mister Roberts (1955) that earned him the Academy Award for Best Actor. Lemmon’s successful streak continued when he teamed with director Billy Wilder in the classic comedy Some Like It Hot (1959) and The Apartment (1960), followed by five more movies together over the next quarter-century.
Lemmon’s talent in serious roles was widely demonstrated in Blake Edwards’ 1962 drama Days of Wine and Roses, though it wasn’t until a decade later when the middle-aged actor returned to drama as the disillusioned veteran Harry Stoner in Save the Tiger (1973), a film he was so dedicated to bringing to the screen that he waived his usual salary to work at union scale—which was $165 per week—and a percentage of the gross. Lemmon ultimately received his second Oscar—this time the Academy Award for Best Actor—for his poignant portrayal of a man trapped by his past and the hollow promises of the so-called American Dream, perfectly playing the weariness of a lifetime of war-torn cynicism battling that characteristic twinkle in his eye. Continue reading
The Fourth Protocol: Pierce Brosnan’s Black Leather Biker Gear
Pierce Brosnan in The Fourth Protocol (1987). Photo credit: Stanley Bielecki.
Vitals
Pierce Brosnan as Valeri Alekseyevich Petrofsky, cold-blooded undercover KGB operative
Suffolk, England, Spring 1987
Film: The Fourth Protocol
Release Date: March 20, 1987
Director: John Mackenzie
Costume Designer: Tiny Nicholls
WARNING! Spoilers ahead!
Background
Many James Bond fans know that Pierce Brosnan was first offered the role in the 1980s, but the announcement ironically improved Remington Steele‘s ratings to the point that the series was renewed and Brosnan had to turn down the Bond role to honor his commitments to the series. Three months before the next Bond film—The Living Daylights starring Timothy Dalton—was released in June 1987, Brosnan appeared in a different espionage thriller, The Fourth Protocol.
Indeed, the plot of a British agent trying to stop a rogue Soviet mission to detonate a “false flag” nuclear device at an American airbase must have sounded awfully familiar to Bond fans who watched Roger Moore do the same thing four years earlier in Octopussy… but this time, the maverick British spy is an MI5 agent named John Preston (Michael Caine), squaring off against Brosnan as KGB Major Valeri Petrofsky. Continue reading
Selma: David Oyelowo’s Navy Suit as Martin Luther King Jr.
David Oyelowo as Martin Luther King Jr. in Selma (2014)
Vitals
David Oyelowo as Martin Luther King Jr., iconic civil rights activist
Alabama, January to March 1965
Film: Selma
Release Date: December 25, 2014
Director: Ava DuVernay
Costume Designer: Ruth E. Carter
Background
Since 1986, Martin Luther King Jr. Day has been observed on the third Monday of each January since President Ronald Reagan signed Rep. Katie Hall’s proposed bill into law. Though King was actually born on January 15, 1929, “MLK Day” follows the pattern of the Uniform Monday Holiday Act that designates several American federal holidays to be permanently observed at the start of the workweek, like Presidents Day and Memorial Day.
Nominated for Best Picture at the 87th Academy Awards, Ava DuVernay’s 2014 drama Selma chronicles the events leading up to the famous Selma-to-Montgomery marches in March 1965, organized by nonviolent activists to protest the widespread denial of Black Americans exercising their constitutional voting rights. Continue reading
Hour of the Gun: James Garner’s “Vendetta Ride” Wardrobe as Wyatt Earp
James Garner as Wyatt Earp in Hour of the Gun (1967)
Vitals
James Garner as Wyatt Earp, taciturn Deputy U.S. Marshal
Arizona Territory to Mexico, Spring 1882
Film: Hour of the Gun
Release Date: November 1, 1967
Director: John Sturges
Wardrobe Credit: Gordon T. Dawson
WARNING! Spoilers ahead!
Background
A decade after he released Gunfight at the O.K. Corral in 1957, director John Sturges returned to the legendary gunfight at Tombstone, Arizona for his continuation of the story, Hour of the Gun. While Gunfight at the O.K. Corral fictionalized the events leading up to the titular confrontation, Hour of the Gun begins with the showdown followed by a slightly more fact-based retelling of the “vendetta ride” led by Wyatt Earp, who died 96 years ago today on January 13, 1929. Continue reading
Lee Van Cleef as “Angel Eyes” in The Good, the Bad, and the Ugly
Lee Van Cleef in The Good, the Bad, and the Ugly (1966)
Vitals
Lee Van Cleef as “Angel Eyes”, ruthless mercenary
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Lee Van Cleef, the actor whose Golden Boot Award-winning contributions to the Western genre began with his debut performance in the iconic High Noon (1952) but remains arguably best known for his back-to-back roles in the latter two films of Sergio Leone’s “Dollars trilogy” that established the spaghetti Western subgenre.
Born January 9, 1925 in New Jersey, Van Cleef served in the U.S. Navy aboard a minesweeper during World War II. Following his debut in High Noon, Van Cleef’s distinctive appearance and sinister mannerisms resulted in a string of supporting—and often villainous—roles in crime stories and Westerns until his breakout role as Colonel Douglas Mortimer in Leone’s For a Few Dollars More (1965), which resulted in his sole Golden Globe nomination.
Leone followed For a Few Dollars More with the Civil War-set The Good, the Bad, and the Ugly—the final installment of his so-called “Dollars trilogy”—which also prominently co-starred Van Cleef opposite Clint Eastwood’s stoic “Man with No Name”. As opposed to the more heroic Colonel Mortimer whose violent quest was driven by a sense of justice, Van Cleef’s character in The Good, the Bad, and the Ugly embodied the eponymous “Bad”—a sadistic assassin who kills for money… and occasionally pleasure. Continue reading
The Godfather, Part II: Hyman Roth’s Birthday Party Knit Shirt
Lee Strasberg as Hyman Roth in The Godfather Part II (1974)
Vitals
Lee Strasberg as Hyman Roth, mobster and gambling kingpin
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Released 50 years ago this month, The Godfather Part II expands the Corleone crime family chronicles to include Hyman Roth (Lee Strasberg), a respected gangster inspired by the real-life Meyer Lansky. Al Pacino had been one of Strasberg’s students at the Actors Studio and recommended his former acting coach for the role that would eventually garner Strasberg his sole Academy Award nomination.
Decades after his rumrunning partnership with the Corleones during Prohibition, the aging Roth is now based in Miami, where he’s visited by Michael Corleone (Al Pacino) to discuss a history-making collaboration. The two travel to Havana to work with representatives from American corporations and Fulgencio Batista’s corrupt Cuban government to take over a Reno casino—all while Roth is plotting to fatally double-cross Michael.
Of course, it’s the last week of December 1958, so the Batista government’s days are numbered as Fidel Castro’s rebels are getting closer to their New Year’s Eve victory. However, the primary celebration on Hyman Roth’s mind is his 67th birthday, which he celebrates on a Havana rooftop with Michael, Roth’s right-hand man Johnny Ola (Dominic Chianese), and other criminal cohorts. Continue reading
Kiss of Death: Richard Widmark as Tommy Udo
Richard Widmark as Tommy Udo in Kiss of Death (1947)
Vitals
Richard Widmark as Tommy Udo, psychopathic mob hitman
New York City, Spring 1947
Film: Kiss of Death
Release Date: August 13, 1947
Director: Henry Hathaway
Wardrobe Director: Charles Le Maire
WARNING! Spoilers ahead!
Background
Born 110 years ago today on December 26, 1914, Richard Widmark made his explosive and Academy Award-nominated screen debut in Henry Hathaway’s 1947 noir thriller Kiss of Death, filmed on location that spring in New York City and the surrounding area. Though Hathaway had fought Darryl F. Zanuck on casting Widmark, the director and actor developed a mutual respect for the other that would lead to five additional cinematic collaborations and Widmark serving as pallbearer during Hathaway’s 1985 funeral.
After a Christmas Eve jewelry heist gone wrong, Nick Bianco (Victor Mature) shares a jail cell with the sadistic Tommy Udo (Richard Widmark), a psychopathic criminal “picked up just for shovelin’ a guy’s ears off his head…. traffic ticket stuff.” Refusing to name his accomplices, Nick is sentenced to 20 years in Sing Sing, handcuffed on the train to Tommy who remembers that it’s his birthday… making this an especially appropriate post for today!
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