John Garfield as Frank Chambers, restless drifter-turned-diner worker
Laguna Beach, California, Summer 1945
Film: The Postman Always Rings Twice
Release Date: May 2, 1946
Director: Tay Garnett
Costume Supervisor: Irene
As #Noirvember continues, let’s step away from the trench coats and fedoras to see how our hardboiled anti-heroes dress for a day at the beach. An ode to deviance that originated from James M. Cain’s 1934 novel, The Postman Always Rings Twice was adapted twice by European filmmakers before Hollywood dared to tackle it during the golden age of noir in the 1940s.
The lascivious source material had presented a challenge for presenting the story in a way that would satisfy the draconian Motion Picture Production Code and, even before it was published, a synopsis of Cain’s story had been deemed “definitely unsuitable for motion picture production” by the pearl-clutching Hays Office. After the two European adaptations were released, MGM was finally ready to proceed with its own version, inspired by the success of Double Indemnity, another piece from Cain’s poison pen centered around adultery and murder. By this time, nearly a dozen years into the rigid enforcement years of the Production Code, American filmmakers had mastered the art of stylized shadows and suggestive innuendo that allowed—and often enhanced—these films noir set in lurid worlds filled with unscrupulous and unsavory elements.
“It was on a side road outside of Los Angeles,” Frank Chambers begins his story, as the down-on-his-luck hitchhiker stumbles into the Twin Oaks diner boasting a $1.25 “best in the world” chicken dinner. The simple sign, “Man wanted,” echoes both the restaurant’s staffing needs as well as the sensuous needs of Cora (Lana Turner), the ambitious young platinum blonde who runs the roadside lunch room with her proud yet oblivious husband Nick (Cecil Kellaway)… and, even if you haven’t read or seen it, you probably already see where this is going.
Sean Connery as James Bond, British government agent
Miami Beach, Summer 1964
Release Date: September 18, 1964
Director: Guy Hamilton
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Happy birthday, Sean Connery! On his 90th birthday, let’s take a look at one of the Scottish legend’s most talked-about (and controversial) outfits as James Bond… and see how it can be updated for the modern Bond style enthusiast catching some late summer rays or rubdowns by the pool.
Andy Samberg as Nyles, aka “Misty’s boyfriend”, time-looped slacker focused only on “the next bite”
Palm Springs, California, November 2019
Film: Palm Springs
Release Date: July 10, 2020
Director: Max Barbakow
Costume Designer: Colin Wilkes
WARNING! Spoilers ahead!
This is today, today is yesterday, and tomorrow is also today… it’s one of those infinite time loop situations you might’ve heard about.
Shorthand descriptions of Palm Springs have summed up the movie as “Groundhog Day for millennials,” though I was pleasantly surprised by the poignancy and philosophical complexity of this incredibly entertaining movie… particularly in the context of the much-publicized fact that the Lonely Island tacked on a nice 69 cents to the record-setting $17.5 million sale price to Neon and Hulu after its premiere at Sundance in January 2020.
Troy Donahue as Johnny Hunter, college student and “silly sentimentalist”
New England, Spring 1959
Film: A Summer Place
Release Date: November 18, 1959
Director: Delmer Daves
Costume Designer: Howard Shoup
Sixty years after shaking up more genteel audiences with its frank but ultimately tame depictions of adultery and sexuality, A Summer Place may be most widely remembered for its serene theme song. Originally written by Max Steiner, it was Percy Faith’s arrangement of “Theme from A Summer Place” that transformed the instrumental ballad into a #1 hit that took the top spot on the Billboard Hot 100 for a record-breaking nine consecutive weeks in early 1960.
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Spring 1980 to Summer 1981
Series: Magnum, P.I.
– “Don’t Eat the Snow in Hawaii, Part 1″ (Episode 1.01, dir. Roger Young, aired 12/11/1980)
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “Don’t Say Goodbye” (Episode 1.15, dir. Winrich Kolbe, aired 3/28/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Let’s continue #CarWeek with one of the most famous and popular cars in TV history, the bright red Ferrari 308 GTS driven by Thomas Magnum (Tom Selleck) as a semi-permanent “guest” on author Robin Masters’ Hawaiian estate.
Today is a particularly suitable occasion to write about this set of wheels as we first meet Magnum—and the Ferrari—while our protagonist is clad in a Lacoste tennis shirt, innovated by French tennis icon and Renaissance man René Lacoste, who was born 116 years ago on July 2, 1904. Continue reading
Elliott Gould as Ted Henderson, married attorney with a wandering eye
Los Angeles, Summer 1969
Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry
Every month, particularly when passing the time under lockdown this spring, I look forward to the Criterion Channel announcing its new releases which also making it a priority to watch any films leaving the service. When I saw that Bob & Carol & Ted & Alice would be leaving at the end of May 2020, I knew this was my opportunity to watch this influential film considered to be emblematic of the late ’60s zeitgeist. Groundbreaking for its time, Paul Mazurky’s sex comedy enjoyed a recent resurgence in interest as one of ten films Quentin Tarantino cited as a direct influence on his latest hit, Once Upon a Time in Hollywood.
Cary Grant as John Robie, retired cat burglar and jewel thief
French Riviera, Summer 1954
Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
In commemoration of Alfred Hitchcock’s 120th birthday on August 13, this week continues with a look at one of the Master of Suspense’s most stylish movies, the 1955 romantic caper To Catch a Thief.
David Niven as Raymond, bon vivant single father
French Riviera, Summer 1957
Film: Bonjour Tristesse
Release Date: January 15, 1958
Director: Otto Preminger
Costume Coordinator: Hope Bryce
Thanks to Otto Preminger’s direction and Georges Périnal’s lush color cinematography that captures the richness of the French Riviera, the visual delights of Bonjour Tristesse secure its place among the great “summer movies” of Hollywood’s celebrated golden era.
Based on Françoise Sagan’s 1954 novel, Bonjour Tristesse—which translates to “Hello, Sadness” in English—tells the story of the precocious but undisciplined teenager Cécile’s (Jean Seberg) summer holiday in the Côte d’Azur with her libertine father Raymond (David Niven) and his bevy of mistresses, often barely older than Cécile herself. Continue reading
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, Summer 1959
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
My last post focused on one of the unlucky Mr. Greenleaf’s unique summer shirts that fell into the hands of an envious Tom Ripley in Purple Noon (Plein Soleil), the 1960 French adaptation of Patricia Highsmith’s psychological thriller novel The Talented Mr. Ripley. Highsmith’s novel was adapted under its original title by writer and director Anthony Minghella in 1999, starring Jude Law as the expatriate playboy Dickie Greenleaf and Matt Damon as the obsessive Ripley.
Leonardo DiCaprio as Frank Wheeler, disillusioned businessman and suburban dad
Sasco Beach, CT, Summer 1955
Film: Revolutionary Road
Release Date: December 15, 2008
Director: Sam Mendes
Costume Designer: Albert Wolsky
While my week at the beach progresses, I’m hoping to channel my sun-soaked energy to my BAMF Style friends and readers with another post featuring classic summer style for a day in the sand and sun.
The film adaptation of Revolutionary Road, Richard Yates’ 1961 tribute to suburban disillusionment, reunited Titanic stars Leonardo DiCaprio and Kate Winslet as the semi-happily married Frank and April Wheeler who find themselves increasingly disgusted with their lives in the Connecticut suburbs.